Academic literature on the topic 'Rock paintings'
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Journal articles on the topic "Rock paintings"
Kasnowihardjo, Gunadi. "GAMBAR CADAS KALIMANTAN TIMUR: Satu Bukti Seni Lukis Kutai Purba." Berkala Arkeologi 28, no. 2 (November 30, 2008): 13–22. http://dx.doi.org/10.30883/jba.v28i2.360.
Full textAdam, John. "Rock paintings." Physics Teacher 60, no. 6 (September 2022): 521. http://dx.doi.org/10.1119/10.0013863.
Full textLi, Jiaxuan, and Thawascha Dechsubha. "A Study on Rock Paintings in the Yinshan Mountains from the Perspective of Peirce’s Semiotics." Technium Social Sciences Journal 39 (January 8, 2023): 569–73. http://dx.doi.org/10.47577/tssj.v39i1.8041.
Full textTan, Noel Hidalgo, and Stephen Chia. "Current Research on the Rock Art at Gua Tambun, Perak, Malaysia." Bulletin of the Indo-Pacific Prehistory Association 31 (May 26, 2012): 93. http://dx.doi.org/10.7152/bippa.v31i0.9967.
Full textMishra, Nitesh Kumar, Anshu Mala Tirkey, and Baleshwar Kumar Besra. "Ethno archaeological study of rock paintings of Bastar region." Journal of Ravishankar University (PART-A) 29, no. 2 (October 14, 2023): 1–20. http://dx.doi.org/10.52228/jrua.2023-29-2-1.
Full textJoy, Francis. "To all our relations: evidence of Sámi involvement in the creation of rock paintings in Finland." Polar Record 50, no. 1 (May 20, 2013): 108–11. http://dx.doi.org/10.1017/s0032247413000351.
Full textJózef Szykulski, Beata Miazga, and Jakub Wanot. "ROCK PAINTING WITHIN SOUTHERN PERU IN THE CONTEXT OF PHYSICOCHEMICAL ANALYSIS OF PIGMENTS." Rock Art Research 41, no. 1 (January 29, 2024): 5–27. http://dx.doi.org/10.56801/rar.v41i1.276.
Full textAutio, Eero. "The snake and zig-zag motifs in Finnish rock paintings and Saami drums." Scripta Instituti Donneriani Aboensis 14 (January 1, 1991): 52–79. http://dx.doi.org/10.30674/scripta.67196.
Full textWattimena, Lucas. "Lukisan Cadas: Simbolis Orang Maluku." Kapata Arkeologi 10, no. 1 (April 23, 2016): 47. http://dx.doi.org/10.24832/kapata.v10i1.217.
Full textKivikäs, Pekka. "Rock Paintings in Finland." Folklore: Electronic Journal of Folklore 18/19 (2001): 137–61. http://dx.doi.org/10.7592/fejf2001.18.finland.
Full textDissertations / Theses on the topic "Rock paintings"
Garlake, Peter Storr. "Rock art in Zimbabwe." Thesis, SOAS, University of London, 1992. http://eprints.soas.ac.uk/29499/.
Full textSapwell, Mark Andrew. "Art of accumulation : the role of rock art palimpsests in Fennoscandia 4500-1200 BC." Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648511.
Full textMauran, Guilhem. "Rock paintings and microorganisms: a new insight on Escoural cave." Master's thesis, Universidade de Évora, 2016. http://hdl.handle.net/10174/20606.
Full textNdlovu, Ndukuyakhe. "Incorporating indigenous management in rock art sites in KwaZulu -Natal /." Thesis, Rhodes University, 2005. http://eprints.ru.ac.za/1380/.
Full textHale, John Patrick. "Rock art in the public trust managing prehistoric rock art on federal land /." Diss., [Riverside, Calif.] : University of California, Riverside, 2010. http://proquest.umi.com/pqdweb?index=0&did=2019830541&SrchMode=2&sid=1&Fmt=2&VInst=PROD&VType=PQD&RQT=309&VName=PQD&TS=1274289259&clientId=48051.
Full textIncludes abstract. Available via ProQuest Digital Dissertations. Title from first page of PDF file (viewed May 19, 2010). Includes bibliographical references. Also issued in print.
Batiashvili, Magda. "Colour of the past. First Archaeometric investigations of Caucasian rock art paintings in Georgia." Master's thesis, Universidade de Évora, 2021. http://hdl.handle.net/10174/31075.
Full textSolomon, Anne Catherine. "Rock art incorporated : an archaeological and interdisciplinary study of certain human figures in San art." Doctoral thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/21817.
Full textUnderstanding a widespread motif in San rock art - a human figure depicted in frontal perspective with distinctive bodily characteristics - is the aim of this study. A concentration of these figures in north eastern Zimbabwe was first described by researchers in the 1930s and subsequently, when one researcher, Elizabeth Goodall, described them as 'mythic women'. Markedly similar figures in the South African art have received little attention. On the basis of fieldwork in the KwaZulu-Natal Drakensberg, the south western Cape (South Africa) and Zimbabwe, and an extensive literature survey, a spectrum of these figures is described. In order to further understanding of the motif, existing interpretive methods and the traditions which inform them are examined, with a view to outlining a number of areas in need of attention. It is argued that analysis of rock art remains dependent on a range of dualistic notions which may be linked to retained structuralist ideas. It is suggested that the dominant model in rock art research, in which the rock art is seen as essentially shamanistic, perpetuates distinctions between mind and body, myth and ritual, and sacred and profane, while in its search for general truths concerning the rock art, and its central focus on iconography, the model retains traces of linguistic structuralism. It is proposed that the 'mythic woman' motif, with its gendered and sexual characteristics, is not well accounted for by reference to southern San ritual and religious practice alone. Drawing on contemporary theories concerning temporality and embodiment, it is argued that the motif is better understood in relation to recurrent themes of death and regeneration in San mythology and oral narratives, with shamanistic practice enacting related themes. The motif may be seen as representing San history in terms of culturally specific temporal schemes arising from San experience of the world. The 'ethnographic method', by means of which San accounts are used to illuminate features of the art, is reassessed and extended. Hermeneutic theories are drawn upon in order to address questions regarding the way in which ethnographies and art may be mutually illuminating, and to account for the inevitability of multiple interpretations arising from the situated process of reading or viewing. Prominent themes, images and devices in San myth and oral narrative are discussed in an attempt to move beyond a narrowly iconography-centred approach and in order to account for devices and stylistic features of San arts which are evident in both verbal and visual media. Implications of the research for investigating an archaeology of gender, and the writing of San history, are discussed.
Flygare, Åke. "Den norrländska jakt- och fångstkulturens hällmålningar och deras lokalisation." Thesis, Uppsala universitet, Arkeologi, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-295851.
Full textLishiko, Billiard Berbbingtone. "The politics of production of archaeological knowledge :a case study of the later stone age rock art paintings of Kasam, Northern Zambia." Thesis, University of the Western Cape, 2004. http://etd.uwc.ac.za/index.php?module=etd&.
Full textSteynberg, Peter John. "A survey of San paintings from the southern Natal Drakensberg." Thesis, Rhodes University, 1988. http://hdl.handle.net/10962/d1004918.
Full textBooks on the topic "Rock paintings"
Parkington, John. Cederberg rock paintings. Clanwilliam: Living Landscape Project, 2003.
Find full textTewari, Rakesh. Rock paintings of Mirzapur. Lucknow: U.P. State Archaeological Organisation, 1990.
Find full textGodden, Elaine. Rock paintings of Aboriginal Australia. Frenchs Forest, NSW: New Holland, 2001.
Find full textGodden, Elaine. Rock paintings of Aboriginal Australia. Kew, Vic: Reed, 1997.
Find full textSmith, Benjamin. Zambia's ancient rock art: The paintings of Kasama. Livingstone, Zambia: National Heritage Conservation Commission, 1997.
Find full textLewis-Williams, J. David. Rock paintings of the Natal Drakensberg. Pietermaritzburg: University of Natal Press, 1992.
Find full textKhan, M. Nasim. Buddhist paintings in Gandhara. Peshawar: M. Nasim Khan, 2000.
Find full textMathpal, Yashodhar. Rock art in Kerala. New Delhi: Indira Gandhi National Centre for the Arts, 1998.
Find full textKumar, Giriraj. Rock art of India. Delhi: Sharada Publishing House, 2015.
Find full textJumabay, Bayakmet. Reverberations from rock art. Kuitun: Ili People Pub. Press, 2009.
Find full textBook chapters on the topic "Rock paintings"
Armitage, Ruth Ann, and Adelphine Bonneau. "Rock Paintings." In Encyclopedia of Geoarchaeology, 1–15. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-030-44600-0_197-1.
Full textPesce, Laura. "Rock Paintings: Primordial Graffiti." In Close Encounters of Art and Physics, 3–6. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-22730-2_1.
Full textBwasiri, Emmanuel J. "Kondoa Rock Paintings: Traditional Use." In Encyclopedia of Global Archaeology, 6294–300. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-30018-0_2149.
Full textBwasiri, Emmanuel J. "Kondoa Rock Paintings: Traditional Use." In Encyclopedia of Global Archaeology, 4301–7. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-0465-2_2149.
Full textEdwards, Howell G. M., Peter Vandenabeele, and Philippe Colomban. "Cave Paintings and Rock Art." In Raman Spectroscopy in Cultural Heritage Preservation, 155–68. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-14379-3_8.
Full textYun, Fang, Qiao Liang, Yan Shaojun, Peng Pengcheng, and Zhu Qiuping. "Mechanisms of Rock Cracking on Huashan Rock Paintings." In Engineering Geology for Society and Territory - Volume 8, 147–51. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09408-3_23.
Full textDavidson, Iain. "Variation in Early Paintings and Engravings." In A Companion to Rock Art, 51–68. Chichester, UK: John Wiley & Sons, Ltd, 2012. http://dx.doi.org/10.1002/9781118253892.ch4.
Full textReese, Ronnie L., Elmo J. Mawk, James N. Derr, Marian Hyman, Marvin W. Rowe, and Scott K. Davis. "Ancient DNA in Texas Rock Paintings." In ACS Symposium Series, 378–90. Washington, DC: American Chemical Society, 1996. http://dx.doi.org/10.1021/bk-1996-0625.ch027.
Full textIlger, W. A., Marian Hyman, J. Southon, and Marvin W. Rowe. "Radiocarbon Dating of Ancient Rock Paintings." In ACS Symposium Series, 401–14. Washington, DC: American Chemical Society, 1996. http://dx.doi.org/10.1021/bk-1996-0625.ch029.
Full textAlves, Lara Bacelar, and Mário Reis. "Schematic Art Paintings in Northern Portugal." In The Prehistoric Rock Art of Portugal, 163–86. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429321900-8.
Full textConference papers on the topic "Rock paintings"
Carrión-Ruiz, Berta, Silvia Blanco-Pons, and Jose Luis Lerma. "DIGITAL IMAGE ANALYSIS OF THE VISIBLE REGION THROUGH SIMULATION OF ROCK ART PAINTINGS." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3560.
Full textBlanco, Silvia, Berta Carrión, and José Luis Lerma. "REVIEW OF AUGMENTED REALITY AND VIRTUAL REALITY TECHNIQUES IN ROCK ART." In ARQUEOLÓGICA 2.0 - 8th International Congress on Archaeology, Computer Graphics, Cultural Heritage and Innovation. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/arqueologica8.2016.3561.
Full textPozo Antonio, Jose Santiago, Teresa Rivas, Pablo Barreiro, Vera Caetano, Fernando Carrera, and Lara Bacelar Alves. "In situ characterization of prehistoric rock paintings: the Côa Valley (Portugal)." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/tc4-arc-2023.095.
Full textPozo Antonio, Jose Santiago, Teresa Rivas, Pablo Barreiro, Vera Caetano, Fernando Carrera, and Lara Bacelar Alves. "In situ characterization of prehistoric rock paintings: the Côa Valley (Portugal)." In 2023 IMEKO TC4 International Conference on Metrology for Archaeology and Cultural Heritage. Budapest: IMEKO, 2023. http://dx.doi.org/10.21014/10.21014/tc4-arc-2023.095.
Full textРусакова, И. Д., and И. В. Ковтун. "PAINTINGS OF THE TUTALSKAYA ROCK ART SITE ON THE RIVER TOM." In Труды Сибирской Ассоциации исследователей первобытного искусства. Crossref, 2019. http://dx.doi.org/10.25681/iaras.2019.978-5-202-01433-8.159-173.
Full textBlanco Pons, Silvia, and José Luis Lerma. "DIFUSIÓN DEL ARTE RUPESTRE A TRAVÉS DE APLICACIONES MÓVILES DE REALIDAD AUMENTADA: UN ENFOQUE PRÁCTICO." In 1st Congress in Geomatics Engineering. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cigeo2017.2017.6598.
Full textCabrelles, Miriam, and José Luis Lerma. "DOCUMENTACIÓN 3D DE LA COVA DELS CAVALLS Y DE SU ENTORNO (TÍRIG, CASTELLÓN)." In 1st Congress in Geomatics Engineering. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cigeo2017.2017.6627.
Full textCarrión-Ruiz, Berta, and José Luis Lerma. "ANÁLISIS DE COMPONENTES PRINCIPALES DE IMÁGENES MULTIESPECTRALES EN EL ÁMBITO DEL ARTE RUPESTRE." In 1st Congress in Geomatics Engineering. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/cigeo2017.2017.6597.
Full textSaw, Chaw Yeh, and Hsiao Mei Goh. "The Rock Art in Kinta Valley, West Malaysia: A synthesis Lukisan Gua di Lembah Kinta, Semenanjung Malaysia: Satu sintesis." In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-10.
Full textTrujillo, Judith. "Geochemical studies of rock paintings in Serranía de La Lindosa of Colombia as an input for cultural management in this area." In Goldschmidt2021. France: European Association of Geochemistry, 2021. http://dx.doi.org/10.7185/gold2021.5422.
Full textReports on the topic "Rock paintings"
Rajnovich, G. Reading rock art: interpreting the Indian rock paintings of the Canadian Shield. Natural Resources Canada/ESS/Scientific and Technical Publishing Services, 2002. http://dx.doi.org/10.4095/216231.
Full textIliev, Mihail, Milena Mitova, Ralitsa Ilieva, Veneta Groudeva, and Petar Grozdanov. Bacterial Isolates from Rock Paintings of Magura Cave and Sensitivity to Different Biocides. "Prof. Marin Drinov" Publishing House of Bulgarian Academy of Sciences, May 2018. http://dx.doi.org/10.7546/crabs.2018.05.08.
Full textSelections from the Inter-American Development Bank Art Collection: 2007. Inter-American Development Bank, July 2007. http://dx.doi.org/10.18235/0006431.
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