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Books on the topic 'Rock (musique) – Aspect politique'

Author: Grafiati
Published: 19 June 2022

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1

Buxton, David. Le rock: Star-système et société de consommation. Grenoble: La Pensée Sauvage, 1985.

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2

La musique europaïenne: Ethnographie politique d'une subculture de droite. Paris: Harmattan, 2006.

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3

Marx-Scouras, Danielle. La France de Zebda: 1981-2004, faire de la musique un acte politique. Paris: Autrement, 2005.

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4

Reebee, Garofalo, ed. Rockin' the boat: Mass music and mass movements. Boston, MA: South End Press, 1992.

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5

La France de Zebda, 1981-2004: Faire de la musique un acte politique. Paris: Autrement, 2005.

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6

We gotta get out of this place: Popular conservatism and postmodern culture. New York: Routledge, 1992.

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7

Webber, Gordon. Travailler dans l'industrie musicale au Royaume-Uni: Guide pratique à l'intention des entreprises et des artistes canadiens de la musique rock, pop, folklorique, traditionnelle et du monde. Hull, Qué: Patrimoine Canadien, 2004.

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8

Perry, Imani. Prophets of the hood: Politics and poetics in hip hop. Durham: Duke University Press, 2004.

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9

Art vocal, art de gouverner: La musique, le prince et la cité en Italie du Nord 1560-1610. Paris: Minerve, 2002.

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10

Pattison, Robert. The triumph of vulgarity: Rock music in the mirror of romanticism. New York: Oxford University Press, 1987.

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11

David, Rowe. Popular cultures: Rock music, sport, and the politics of pleasure. London: Sage Publications, 1995.

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12

Rebel musics: Human rights, resistant sounds, and the politics of music making. Montréal: Black Rose Books, 2003.

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13

Kitwana, Bakari. Why white kids love hip hop: Wankstas, wiggas, wannabes, and the new reality of race in America. New York: Basic Civitas Books, 2005.

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14

I Wanna Be Me: Rock Music and the Politics of Identity (Sound Matters). Temple University Press, 2001.

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15

I Wanna Be Me: Rock Music and the Politics of Identity (Sound Matters). Temple University Press, 2001.

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16

Grossberg, Lawrence. We Gotta Get Out of This Place: Popular Conservatism and Postmodern Culture. Taylor & Francis Group, 2016.

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17

The Economics Of A Rock Concert. Crabtree Publishing Company, 2012.

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18

Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Duke University Press, 2004.

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19

Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Duke University Press, 2004.

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20

Perry, Imani. Prophets of the Hood: Politics and Poetics in Hip Hop. Duke University Press, 2004.

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21

Schippers, Mimi. Rockin' out of the Box:Gender Maneuvering in Alternative Hard Rock. Rutgers University Press, 2002.

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22

Rockin' out of the Box:Gender Maneuvering in Alternative Hard Rock. Rutgers University Press, 2002.

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23

The Triumph of Vulgarity: Rock Music in the Mirror of Romanticism. Oxford University Press, 1987.

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24

Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Black Rose Books, 2019.

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25

Fischlin, Daniel, and Ajay Heble. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Black Rose Books, 2019.

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26

(Editor), Daniel Fischlin, and Ajay Heble (Editor), eds. Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Black Rose Books, 2003.

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27

Rebel musics: Human rights, resistant sounds, and the politics of music making. Montréal: Black Rose Books, 2003.

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28

Rebel Musics: Human Rights, Resistant Sounds, and the Politics of Music Making. Black Rose Books, 2004.

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29

Kitwana, Bakari. Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, And the New Reality of Race in America. Perseus Books Group, 2006.

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30

(Editor), Michael Drewett, and Martin Cloonan (Editor), eds. Popular Music Censorship in Africa (Ashgate Popular and Folk Music Series) (Ashgate Popular and Folk Music Series) (Ashgate Popular and Folk Music Series). Ashgate Publishing, 2006.

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