Journal articles on the topic 'Rock music – Soviet Union – History'
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Husband, William B., and Timothy W. Ryback. "Rock around the Bloc: A History of Rock Music in Eastern Europe and the Soviet Union." Russian Review 49, no. 4 (October 1990): 521. http://dx.doi.org/10.2307/130557.
Full textGaut, Greg. "Rock Around the Bloc: a History of Rock Music in Eastern Europe and the Soviet Union. By Timothy W. Ryback. Oxford and New York: Oxford University Press, 1990. 272 pp." Popular Music 10, no. 2 (May 1991): 249–51. http://dx.doi.org/10.1017/s0261143000004566.
Full textДюкин, С. Г. "Rock-discourse as the reflection of Perestroika." Диалог со временем, no. 76(76) (August 17, 2021): 265–75. http://dx.doi.org/10.21267/aquilo.2021.76.76.007.
Full textSteinholt, Yngvar B. "You can't rid a song of its words: notes on the hegemony of lyrics in Russian rock songs." Popular Music 22, no. 1 (January 2003): 89–108. http://dx.doi.org/10.1017/s0261143003003064.
Full textDzyuba, Oleg, and Larуsa Tatarinova. "Music samizdat." Вісник Книжкової палати, no. 7 (July 29, 2021): 9–12. http://dx.doi.org/10.36273/2076-9555.2021.7(300).9-12.
Full textSafariants, Rita. "From Pugacheva to Pussy Riot." Canadian-American Slavic Studies 56, no. 2 (May 10, 2022): 200–230. http://dx.doi.org/10.30965/22102396-05602012.
Full textMyzelev, Alla. "Let the music play: ‘Hipsters’ and heteronormative fashion." Film, Fashion & Consumption 11, no. 2 (November 1, 2022): 169–86. http://dx.doi.org/10.1386/ffc_00046_1.
Full textDomanskii, Yurii V. "PROG-ROCK. RUSSIAN VERSION BOOK REVIEW: SAVICKAYA, E.A. (2022), PROGRESSIVE ROCK: HEROES AND DESTINIES. PART 2: FROM SOVIET ART ROCK TO RUSSIAN PROGRESSIVE ROCK (ROCK-EXPRESS, GII, MOSCOW)." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 6 (2022): 149–56. http://dx.doi.org/10.28995/2686-7249-2022-6-149-156.
Full textSCHMELZ, PETER J. "Andrey Volkonsky and the Beginnings of Unofficial Music in the Soviet Union." Journal of the American Musicological Society 58, no. 1 (2005): 139–207. http://dx.doi.org/10.1525/jams.2005.58.1.139.
Full textSerov, Yuri. "BORIS TISHCHENKO. THE TWELVE. CREATION HISTORY AND BASIC COMPOSING PRINCIPLES." Globus 7, no. 2(59) (April 4, 2021): 15–18. http://dx.doi.org/10.52013/2658-5197-59-2-3.
Full textZhuk, Sergei I. "Popular Religiosity in the “Closed City” of Soviet Ukraine: Cultural Consumption and Religion during Late Socialism, 1959-1984." Russian History 40, no. 2 (2013): 183–200. http://dx.doi.org/10.1163/18763316-04002003.
Full textSchuler, Catherine. "Staging the Great Victory." TDR: The Drama Review 65, no. 1 (March 2021): 95–123. http://dx.doi.org/10.1017/s1054204320000118.
Full textvon Geldern, James. "Soviet Cultural Practices and the West." Russian History 38, no. 1 (2011): 145–51. http://dx.doi.org/10.1163/187633111x549650.
Full textSchmelz, Peter. "Valentin Silvestrov and the Echoes of Music History." Journal of Musicology 31, no. 2 (2014): 231–71. http://dx.doi.org/10.1525/jm.2014.31.2.231.
Full textVashchenko, Olena, Oleh Kopeliuk, Ihor Sediuk, Ievgeniia Bondar, and Tetiana Kornisheva. "Analysis of musical art trends in Ukraine in the 21st century." Revista Amazonia Investiga 11, no. 56 (October 18, 2022): 142–49. http://dx.doi.org/10.34069/ai/2022.56.08.15.
Full textÖsterberg, Ira. "Musiikki ja kerronnan tasot Kirill Serebrennikovin elokuvassa Kesä." Lähikuva – audiovisuaalisen kulttuurin tieteellinen julkaisu 32, no. 2 (July 1, 2019): 8–26. http://dx.doi.org/10.23994/lk.83447.
Full textНауменко, Татьяна Ивановна. "National theme in the music researchers: history and the present." Музыкальное искусство Евразии. Традиции и современность, no. 1 (October 26, 2020): 28–34. http://dx.doi.org/10.26176/maetam.2020.25.84.001.
Full textSultanova, Razia. "The Quality and Stature of Soviet and Post-Soviet Musical Education: An Analysis of Music Conserva-toires." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (June 27, 2022): 93–102. http://dx.doi.org/10.30819/aemr.9-7.
Full textMacrae, Craig. "A Guide to Central Asian Music on Compact Discs." Middle East Studies Association Bulletin 32, no. 2 (1998): 165–68. http://dx.doi.org/10.1017/s0026318400037226.
Full textSilverberg, Laura. "East German Music and the Problem of National Identity." Nationalities Papers 37, no. 4 (July 2009): 501–22. http://dx.doi.org/10.1080/00905990902985710.
Full textBelge, Boris. "From Peace to Freedom: How Classical Music Became Political in the Soviet Union, 1964−1982." Ab Imperio 2013, no. 2 (2013): 279–97. http://dx.doi.org/10.1353/imp.2013.0056.
Full textTsipursky, Gleb. "Jazz, Power, and Soviet Youth in the Early Cold War, 1948−1953." Journal of Musicology 33, no. 3 (2016): 332–61. http://dx.doi.org/10.1525/jm.2016.33.3.332.
Full textCornish, Gabrielle. "Synthesized Socialism: Soviet Modernity and the Politics of Timbre in the Cold War." Journal of the American Musicological Society 75, no. 3 (2022): 547–98. http://dx.doi.org/10.1525/jams.2022.75.3.547.
Full textTukova, Iryna, Valentina Redya, and Iryna Kokhanyk. "Ukrainian Music Criticism of the 2010s: General Situation, Problems, Directions of Development (Based on the Examples From Contemporary Art Music Scene)." Studia Universitatis Babeş-Bolyai Musica 67, no. 2 (December 20, 2022): 129–43. http://dx.doi.org/10.24193/subbmusica.2022.2.07.
Full textBerezutska, Maryna. "The Development of Bandura Music Art Between the 1920s and 1940s." Journal of Ethnology and Folkloristics 14, no. 2 (December 1, 2020): 44–66. http://dx.doi.org/10.2478/jef-2020-0015.
Full textEversone, Madara. "Kampaņa pret abstrakcionismu un formālismu 1963. gadā. Latvijas Padomju rakstnieku savienības valdes nostāja." Letonica, no. 35 (2017): 43–52. http://dx.doi.org/10.35539/ltnc.2017.0035.m.e.43.52.
Full textYurgeneva, A. L. "Photography of the World of Russian Rock in Modern Reflection." Art & Culture Studies, no. 3 (October 2021): 494–521. http://dx.doi.org/10.51678/2226-0072-2021-3-494-521.
Full textVasic, Aleksandar. "Marxism and sociopolitical engagement in Serbian musical periodicals between the two world wars." Filozofija i drustvo 24, no. 3 (2013): 212–35. http://dx.doi.org/10.2298/fid1303212v.
Full textKowalsky, Daniel. "The Spanish Republic’s Diplomatic Mission to Moscow during Civil War. Part 1." Vestnik of Saint Petersburg University. History 66, no. 1 (2021): 212–25. http://dx.doi.org/10.21638/11701/spbu02.2021.113.
Full textMuir-Harmony, Teasel. "The Limits of U.S. Science Diplomacy in the Space Age." Pacific Historical Review 88, no. 4 (2019): 590–618. http://dx.doi.org/10.1525/phr.2019.88.4.590.
Full textWeihong, Ma. "Cultural attributes of Russian rock: elitist or mass culture?" World of Russian-speaking countries 2, no. 8 (2021): 105–17. http://dx.doi.org/10.20323/2658-7866-2021-2-8-105-117.
Full textNaumenko, Tatiana I. "Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era." Problemy Muzykal'noj Nauki / Music Scholarship, no. 4 (2022): 22–37. http://dx.doi.org/10.56620/2782-3598.2022.4.022-037.
Full textSerov, Y. "ON THE IMPLEMENTATION OF THE A. BLOK’S POETRY IN THE SYMPHONIC SCORE OF B. TISHCHENKO'S BALLET THE TWELVE." ASJ 2, no. 55 (November 30, 2021): 04–08. http://dx.doi.org/10.31618/asj.2707-9864.2021.2.55.135.
Full textDan, Wang. "TO THE HISTORY OF THE STATION OF THE OPERA BY PI TCHAIKOVSKY "EUGENE ONEGIN" IN CHINA." Arts education and science 1, no. 1 (2021): 108–12. http://dx.doi.org/10.36871/hon.202101012.
Full textде Маттос Кайтано, Джоэван. "Russian Music in Darmstadt (Based on Archival Materials)." Музыкальная академия, no. 2(778) (June 30, 2022): 16–29. http://dx.doi.org/10.34690/233.
Full textFedotova, Yulia V., and Alexandr S. Fedotov. "MUSIC FESTIVAL AS AN EXPERIENCE OF PRESERVING THE CULTURAL MEMORY OF THE PEOPLE (RECONSTRUCTION OF THE URAL MUSIC FESTIVALS OF THE 1930S – 1970S)." Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, no. 43 (2021): 155–65. http://dx.doi.org/10.17223/22220836/43/12.
Full textNakienė, Austė. "Shifts in the Traditional Culture. Folksongs in the 21st Century City." Tautosakos darbai 49 (May 22, 2015): 171–92. http://dx.doi.org/10.51554/td.2015.29011.
Full textZhuk, Sergei. "“National Cultural Elements” and Advertising the International Tourism in the Soviet Tourist Agencies During the Brezhnev Era, 1964–1984." Sprawy Narodowościowe, no. 36 (February 18, 2022): 7–24. http://dx.doi.org/10.11649/sn.2010.001.
Full textAkat, Abdullah. "The Influences and Changes of the Crimean Tatars Music in the Process." Rast Müzikoloji Dergisi 1, no. 1 (April 15, 2013): 1–7. http://dx.doi.org/10.12975/rastmd.2013.01.01.0001.
Full textGolovlev, Alexander. "Theatre Policies of Soviet Stalinism and Italian Fascism Compared, 1920–1940s." New Theatre Quarterly 35, no. 04 (October 8, 2019): 312–24. http://dx.doi.org/10.1017/s0266464x19000368.
Full textAleksandrova, V. A. "To the History of the Production of Musorgsky’s Opera Khovanshchina in Vittorio Gui’s Stage Version (La Scala, 1933)." Art & Culture Studies, no. 1 (February 2022): 316–39. http://dx.doi.org/10.51678/2226-0072-2022-1-316-339.
Full textКоролёк, Богдан Алексеевич. "The Quart Leap: The Invention of Soviet Ballet and Gliere's “The Red Poppy”." Музыкальная академия, no. 2(778) (June 30, 2022): 100–125. http://dx.doi.org/10.34690/237.
Full textOja, Mare. "Muutused hariduselus ja ajalooõpetuse areng Eesti iseseisvuse taastamise eel 1987–91 [Abstract: Changes in educational conditions and the development of teaching in history prior to the restoration of Estonia’s independence in 1987–1991]." Ajalooline Ajakiri. The Estonian Historical Journal, no. 3/4 (June 16, 2020): 365–401. http://dx.doi.org/10.12697/aa.2019.3-4.03.
Full textVesić, Ivana, and Vesna Peno. "The structural transformation of the sphere of musical amateurism in socialist Yugoslavia: A case study of the Beogradski madrigalisti choir." New Sound, no. 51 (2018): 43–63. http://dx.doi.org/10.5937/newso1851043v.
Full textKomarova, Anastasia A. "The Semantic Functions of the Musical Quotations in Luchino Visconti’s Film Vaghe stelle dellʼOrsa…" Music Scholarship / Problemy Muzykal'noj Nauki, no. 2 (2022): 43–51. http://dx.doi.org/10.33779/2782-3598.2022.2.043-051.
Full textRoberts, Michael. "A working-class hero is something to be: the American Musicians’ Union's attempt to ban the Beatles, 1964." Popular Music 29, no. 1 (January 2010): 1–16. http://dx.doi.org/10.1017/s0261143009990353.
Full textĀbiķe-Kondrāte, Agija. "PSRS Literatūras fonda Latvijas republikāniskās nodaļas poliklīnika: ieskats atmiņu mantojumā un funkcijās." Letonica, no. 35 (2017): 53–67. http://dx.doi.org/10.35539/ltnc.2017.0035.a.a.k.53.67.
Full textZhukova, Olena A. "Ukrainian baroque instrumental music in the context of European culture." Notes Muzyczny 1, no. 13 (June 9, 2020): 125–41. http://dx.doi.org/10.5604/01.3001.0014.1946.
Full textЗверева, С. Г. "Sacred Music in the USSR and the Russia Abroad in the 1920s and 1930s." Научный вестник Московской консерватории, no. 4(31) (December 21, 2017): 178–99. http://dx.doi.org/10.26176/mosconsv.2017.31.4.07.
Full textLēvalde, Vēsma. "Atskaņotājmākslas attīstība Liepājā un Otrā pasaules kara ietekme uz mūziķu likteņiem." Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, no. 26/1 (March 1, 2021): 338–51. http://dx.doi.org/10.37384/aplkp.2021.26-1.338.
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