Journal articles on the topic 'Rock al Parque (Music festival)'
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Gottschalk, Kurt. "Borealis Festival, Bergen." Tempo 70, no. 278 (September 28, 2016): 92–94. http://dx.doi.org/10.1017/s0040298216000450.
Full textOliveira Medeiros, Isabella, Simone Evangelista, and Simone Pereira de Sá. "Rock versus pop: symbolic disputes at Rock in Rio music festival." Arts and the Market 11, no. 2 (April 30, 2021): 136–46. http://dx.doi.org/10.1108/aam-09-2020-0043.
Full textTjora, Aksel. "The social rhythm of the rock music festival." Popular Music 35, no. 1 (November 30, 2015): 64–83. http://dx.doi.org/10.1017/s026114301500080x.
Full textSILVA, PAULO RICARDO MUNIZ, and EDWAR ALENCAR CASTELO BRANCO. "Cantar e seguir a canção ou para não dizer que não esgrimi a palavra: guerra de sentidos e estética da contestação nas canções de protesto em Teresina (1975-1985) * War of senses and aesthetic of refusal in the protest songs in Teresina (1975-1985)." História e Cultura 2, no. 2 (February 3, 2014): 234. http://dx.doi.org/10.18223/hiscult.v2i2.846.
Full textBrown, Alyssa E., Keith Donne, Paul Fallon, and Richard Sharpley. "From headliners to hangovers: Digital media communication in the British rock music festival experience." Tourist Studies 20, no. 1 (November 4, 2019): 75–95. http://dx.doi.org/10.1177/1468797619885954.
Full textIlienko, O., and A. Furdychko. "PERFORMANCE FEATURES OF THE «CHERVONA RUTA» FESTIVAL: FOCUS ON THE INHERITANCE OF TRADITIONS." Bulletin of Mariupol State University Series Philosophy culture studies sociology 12, no. 24 (2022): 34–40. http://dx.doi.org/10.34079/2226-2849-2022-12-24-34-40.
Full textDinis, Maria Gorete, Celeste Eusébio, and Zélia Breda. "Assessing social media accessibility: the case of the Rock in Rio Lisboa music festival." International Journal of Event and Festival Management 11, no. 1 (February 6, 2020): 26–46. http://dx.doi.org/10.1108/ijefm-02-2019-0012.
Full textZmudzińska, Kamila, and Roman Matykowski. "Spatial and social aspects of the impact of Pol’and’Rock Festival and Jarocin Festival in Poland." Journal of Geography, Politics and Society 13, no. 2 (September 29, 2023): 46–66. http://dx.doi.org/10.26881/jpgs.2023.2.05.
Full textPielichaty, Hanya. "Festival space: gender, liminality and the carnivalesque." International Journal of Event and Festival Management 6, no. 3 (October 19, 2015): 235–50. http://dx.doi.org/10.1108/ijefm-02-2015-0009.
Full textMarcus, Alan P. "When Brazil Got the Blues: The Diffusion of Blues in Brazil." Brasiliana: Journal for Brazilian Studies 10, no. 2 (February 18, 2022): 382–406. http://dx.doi.org/10.25160/bjbs/10.2.22.
Full textAşan, Kübra, Kerem Kaptangil, and Aysun Gargacı Kınay. "Mediating role of perceived festival value in the relationship between experiences and satisfaction." International Journal of Event and Festival Management 11, no. 2 (April 24, 2020): 255–71. http://dx.doi.org/10.1108/ijefm-11-2019-0058.
Full textKristiansen, Lars J. "‘Punks in Vegas’: Punk rock and image repair." Punk & Post Punk 9, no. 1 (February 1, 2020): 23–40. http://dx.doi.org/10.1386/punk_00016_1.
Full textGusāns, Ingars. "DEVELOPMENT OF MUSIC FESTIVALS IN LATGALE." Via Latgalica, no. 5 (December 31, 2013): 105. http://dx.doi.org/10.17770/latg2013.5.1638.
Full textBernhard, Ellen M. "‘I thought it was a very punk rock thing to say’: NOFX’s (sort-of) public apology and (in)civility in defining contemporary punk rock in online spaces." Punk & Post Punk 9, no. 1 (February 1, 2020): 7–22. http://dx.doi.org/10.1386/punk_00015_1.
Full textLukić-Krstanović, Miroslava. "The Festival Order – Music Stages of Power and Pleasure." Issues in Ethnology and Anthropology 3, no. 3 (December 1, 2008): 129–43. http://dx.doi.org/10.21301/eap.v3i3.7.
Full textLofton, Kathryn. "Dylan Goes Electric." Journal of Popular Music Studies 33, no. 2 (June 1, 2021): 31–50. http://dx.doi.org/10.1525/jpms.2021.33.2.31.
Full textMiller, Malcolm. "London, Royal Festival Hall: Steve Reich's ‘Radio Rewrite’." Tempo 67, no. 265 (July 2013): 78–79. http://dx.doi.org/10.1017/s0040298213000521.
Full textPastoor, Colleen, Kellee Caton, Yaniv Belhassen, Billy Collins, and Mark Rowell Wallin. "Rock of our salvation: ideological production at the Christian youth music festival." Annals of Leisure Research 21, no. 4 (October 11, 2016): 440–61. http://dx.doi.org/10.1080/11745398.2016.1239542.
Full textWestrol, Michael S., Susmith Koneru, Norah McIntyre, Andrew T. Caruso, Faizan H. Arshad, and Mark A. Merlin. "Music Genre as a Predictor of Resource Utilization at Outdoor Music Concerts." Prehospital and Disaster Medicine 32, no. 3 (February 20, 2017): 289–96. http://dx.doi.org/10.1017/s1049023x17000085.
Full textPiotrowski, Grzegorz. "Jarocin: A Free Enclave behind the Iron Curtain." East Central Europe 38, no. 2-3 (2011): 291–306. http://dx.doi.org/10.1163/187633011x597216.
Full textMALL, ANDREW. "Music Festivals, Ephemeral Places, and Scenes: Interdependence at Cornerstone Festival." Journal of the Society for American Music 14, no. 1 (January 15, 2020): 51–69. http://dx.doi.org/10.1017/s1752196319000543.
Full textZanetti, Mary. "Mathematical Lens: Woodstock Revisited." Mathematics Teacher 103, no. 4 (November 2009): 246–49. http://dx.doi.org/10.5951/mt.103.4.0246.
Full textZanetti, Mary. "Mathematical Lens: Woodstock Revisited." Mathematics Teacher 103, no. 4 (November 2009): 246–49. http://dx.doi.org/10.5951/mt.103.4.0246.
Full textHodiamont, Didier, Christian Burgers, and Margot van Mulken. "Lees Niet Verder! Ga Iets Nuttigs Doen." Toegepaste Taalwetenschap in Artikelen 83 (January 1, 2010): 9–18. http://dx.doi.org/10.1075/ttwia.83.02hod.
Full textOrea-Giner, Alicia, Francesc González-Reverté, and Laura Fuentes-Moraleda. "Impacts of a health crisis on music festivals: a qualitative approach." International Journal of Event and Festival Management 13, no. 2 (January 4, 2022): 125–43. http://dx.doi.org/10.1108/ijefm-12-2020-0081.
Full textGoldenberg, Yosef. "The estranged quotation in Israeli popular music." Popular Music 32, no. 3 (September 13, 2013): 497–519. http://dx.doi.org/10.1017/s0261143013000330.
Full textPIEKUT, BENJAMIN. "Music for Socialism, London 1977." Twentieth-Century Music 16, no. 1 (February 2019): 67–93. http://dx.doi.org/10.1017/s1478572219000100.
Full textSteets, Silke. "Playing Chamber Music at a Rock Festival? The Social Construction of Reality in US Sociology." Human Studies 39, no. 1 (March 2016): 71–91. http://dx.doi.org/10.1007/s10746-016-9396-2.
Full textFIORE, GIACOMO. "Reminiscence, Reflections, and Resonance: The Just Intonation Resophonic Guitar and Lou Harrison's Scenes from Nek Chand." Journal of the Society for American Music 6, no. 2 (May 2012): 211–37. http://dx.doi.org/10.1017/s1752196312000041.
Full textMoscato, Derek. "The metanarrative of rural environmentalism: Rhetorical activism in Bold Nebraska’s Harvest the Hope." Public Relations Inquiry 8, no. 1 (January 2019): 23–47. http://dx.doi.org/10.1177/2046147x18810733.
Full textHöstman, Anna. "HEADLESS MUSICAL SEEDS AND GESTURES WITH ADJECTIVES: AN INTERVIEW WITH KEIKO DEVAUX." Tempo 76, no. 299 (December 15, 2021): 5–17. http://dx.doi.org/10.1017/s0040298221000619.
Full textBARZEL, TAMAR. "An Interrogation of Language: “Radical Jewish Culture” on New York City's Downtown Music Scene." Journal of the Society for American Music 4, no. 2 (April 15, 2010): 215–50. http://dx.doi.org/10.1017/s1752196310000039.
Full textBallou, Brian, Norman H. Godwin, and Van Tilbury. "Riverfest: Managing Risk and Measuring Performance at Little Rock's Annual Music and Arts Festival." Issues in Accounting Education 15, no. 3 (August 1, 2000): 483–512. http://dx.doi.org/10.2308/iace.2000.15.3.483.
Full textRidout, Sam. "Ellen Arkbro and Marcus Pal; Claudia Molitor, Decay, hcmf//, 16 November 2019." Tempo 74, no. 292 (March 6, 2020): 85–86. http://dx.doi.org/10.1017/s004029821900130x.
Full textSlobin, Mark. "The Silk Road Wends its Way to Washington." Middle East Studies Association Bulletin 36, no. 2 (2003): 194–99. http://dx.doi.org/10.1017/s0026318400044849.
Full textRODRÍGUEZ-SOLÁS, DAVID. "Occupying Las Ramblas: Ocaña's Political Performances in Spain's Democratic Transition." Theatre Research International 43, no. 1 (March 2018): 83–98. http://dx.doi.org/10.1017/s030788331800007x.
Full textSupponen, Lauri. "In A Deepening Light: Musica nova Helsinki 2017." Tempo 71, no. 281 (June 21, 2017): 96–98. http://dx.doi.org/10.1017/s0040298217000390.
Full textHRISTOVA-VLADI, Svetlana D. "ROSES, TOMATO CHUTNEY AND RISING SUN: ON VISIBILITY OF THREE FESTIVALS IN BULGARIA." ANTHROPOLOGICAL RESEARCHES AND STUDIES 13, no. 1 (2023): 152–73. http://dx.doi.org/10.26758/13.1.10.
Full textÁlvarez Bulacio, Ricardo. "Carnaval Mil Tambores 2021 (Valparaíso, Chile): el retorno a la calle luego de la revuelta social y la pandemia." Cuadernos de Música, Artes Visuales y Artes Escénicas 18, no. 2 (July 1, 2023): 64–83. http://dx.doi.org/10.11144/javeriana.mavae18-2.cvrp.
Full textJohnston, Lucas. "Worldview Analysis in a Comparative Context: Fishing for Data in Muddy Waters." Religions 9, no. 9 (September 3, 2018): 261. http://dx.doi.org/10.3390/rel9090261.
Full textRocha, Frederico Rafael Vargas, Javier de Esteban Curiel, and Luiz Rodrigo Cunha Moura. "Rock in Rio Festival: Influences of Brand Experience and the Brand Personality in Audience of a Music Festival in Brazil." Event Management, 2021. http://dx.doi.org/10.3727/152599521x16367300695861.
Full textF. Ploquin, Iyán. "Chamber music for rock festivals: textural references to progressive rock in Ketil Hvoslef’s Konsert for violin og pop-band (1979)." Revista Música Hodie 23 (March 5, 2023). http://dx.doi.org/10.5216/mh.v23.73305.
Full textJechow, Andreas. "Let there be Skyglow—light pollution from a large outdoor music festival (Lollapalooza Berlin 2016)." Scientific Reports 14, no. 1 (May 22, 2024). http://dx.doi.org/10.1038/s41598-024-62448-7.
Full textKuligowski, Waldemar. "From ‘commercial sell out’ to community-based event: The paradoxes of Polish punk rock music festivals." Punk & Post Punk, 2021. http://dx.doi.org/10.1386/punk_00102_1.
Full textPeixoto Cabral, Cláudia. "Juventude, consumo, alimentação e práticas de comer na esfera do rock." ILUMINURAS 18, no. 45 (December 22, 2017). http://dx.doi.org/10.22456/1984-1191.79135.
Full textBernhard, Ellen. "Conspicuous co-optation: Exploring the subculture and pop culture connection at Gainesville’s Fest." Punk & Post-Punk, November 25, 2023. http://dx.doi.org/10.1386/punk_00214_1.
Full textBrown, Alyssa Eve. "Co-creation and Engagement: What Festivalgoers Want in the UK Rock Festival Experience." Event Management, 2021. http://dx.doi.org/10.3727/152599521x16367300695690.
Full textPodunay, Yana. "Production Agencies and Music Festivals as Factors of Stylistic Renewal of Ukrainian Pop Songs of the 1990s." Collection of scientific works “Notes on Art Criticism”, no. 44 (December 21, 2023). http://dx.doi.org/10.32461/2226-2180.44.2023.293940.
Full textLushchyk, Mariya. "THEORETICAL ASPECTS AND DEVELOPMENT OF EVENT TOURISM IN KHMELNYTSKA OBLAST (REGION)." Young Scientist 10, no. 86 (October 2020). http://dx.doi.org/10.32839/2304-5809/2020-10-86-11.
Full textMarcus, Alan P. "When Brazil Got the Blues: The Diffusion of Blues in Brazil." Brasiliana: Journal for Brazilian Studies 10, no. 2 (February 18, 2022). http://dx.doi.org/10.25160/bjbs.v10i2.125517.
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