Academic literature on the topic 'Robin Hood Garden'

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Journal articles on the topic "Robin Hood Garden"

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Pink, Andrew. "Robin Hood and Her Merry Women: Modern Masons in an Early Eighteenth-century London Pleasure Garden." Journal for Research into Freemasonry and Fraternalism 4, no. 1 (March 30, 2014): 203–14. http://dx.doi.org/10.1558/jrff.v4i1.203.

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Ferreira Silva, Cidália, and Fernando Ferreira. "Remoteness : Robin Hood Gardens." International Journal of the Constructed Environment 7, no. 4 (2016): 39–49. http://dx.doi.org/10.18848/2154-8587/cgp/v07i04/39-49.

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Coeffé, Beatriz. "Las redes sociales como espacios activos de memoria urbana: Los últimos días del conjunto residencial Robin Hood Gardens." AUS, no. 32 (2022): 120–29. http://dx.doi.org/10.4206/aus.2022.n32-14.

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Li, Ang. "Raised by Association: Robin Hood Gardens and Its Interpretations." Thresholds 43 (January 2015): 110–299. http://dx.doi.org/10.1162/thld_a_00061.

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Casino, David. "Robin Hood Gardens: una interpretación desde el pensamiento topográfico de los Limites Romani." rita_, no. 1 (April 2014): 70–75. http://dx.doi.org/10.24192/2386-7027(2014)(v1)(03).

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Melon, Aranzazu. "Robin Hood Gardens and the Rehabilitation of Post-War Mass Housing in London." Modern Housing. Patrimonio Vivo, no. 51 (2014): 16–21. http://dx.doi.org/10.52200/51.a.xxhurcao.

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In London, in the context of a shortfall of homes that has achieved the status of “housing crisis”, the replacement of obsolete social housing stock, inherited from the post-war period of mass production, for housing that satisfies the demands of the private market and the need for more sustainable cities is one of the main issues for the 21st century. Robin Hood Gardens’ demolition will become a paradigm for the positions to be taken respecting urban obsolescence. Across London, one can see examples that show how, by the criteria of contemporary urban planning, the domestic and urban potential of much of the post-war social housing stock makes it difficult for the current owner, the local government, to invest in its refurbishment and to keep its status as social housing.
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Montaner, Josep Maria. "Modern Housing Envisaged as a Patrimonio Vivo (Living Heritage)." Modern Housing. Patrimonio Vivo, no. 51 (2014): 12–15. http://dx.doi.org/10.52200/51.a.ol9jfvsl.

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To analyze the life and transformation of modern housing is a key subject for architectural knowledge. There are very positive cases of evolution, such as Casa Bloc in Barcelona, Spain, by GATCPAC architects, which still functions as living patrimony after two architectural rehabilitations; and disastrous, such as Robin Hood Gardens in London by Alison and Peter Smithson. The article explains why some cases are very alive while others have suffered progressive degradation and will be demolished. A key and decisive element is the design of the corridors, which due to their forms and sizes might be positive. And one of the reasons why these complexes have become obsolete has been the excessive architectural definition of both the exterior and the interior. Also the heritage of the Villes Nouvelles in France has been disastrous and, in response to the policy of demolition, architects such as Anne Lacaton and Jean-Philippe Vassal, Roland Castro and Sophie Denissof, or Paul Chemetov, have defended the logic of redoing, remodeling and metamorphosing. The challenge is to project and to build collective housing capable of absorbing transformations.
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Borges, João Cunha, and Teresa Marat-Mendes. "When Lisbon met the Team 10 Cluster City." Joelho Revista de Cultura Arquitectonica, no. 10 (December 22, 2019): 086–99. http://dx.doi.org/10.14195/1647-8681_10_5.

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In the aftermath of the Doorn Manifesto (1954), Team 10 members synthesize their earlier projects into a new urban model: the Cluster City. In 1961, the Lisbon Technical Office for Housing (Gabinete Técnico de Habitação) – GTH was established to support the Portuguese government in solving an ongoing housing shortage. Soon, this new office planned the urbanization of the Chelas Valley, a large suburban agricultural area situated in the East area of Lisbon. This plan tested approaches to neighbourhood planning unprecedented in the municipality. The Zone I of the Plan, by Francisco Silva Dias and Luís Vassalo Rosa (1966) was the first to be implemented, echoing in practice the principles of the Doorn Manifesto. In this essay, we identify the urban forms used in this Plan, and the ‘ground rules’ which structured it and influenced its change over time. Furthermore, we ask how sustainable this Cluster City is, and whether it can shed some light in the recent demise of emblematic examples like Toulouse-Le Mirail and Robin Hood Gardens.
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Tostões, Ana, and Zara Ferreira. "The European Large Scale Heritage." Housing Reloaded, no. 54 (2016): 2–3. http://dx.doi.org/10.52200/54.a.90ofk4nm.

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Post-War Housing Complexes in Europe are symbols of architectural, technological and social aspirations. These grands ensembles of Mass Housing have nowadays begun to be appreciated by users and authorities, as integral part of the current city. Whether discussing demolition (as faced by the Smithsons' Robin Hood Gardens and Toulouse's Le Mirail, and commonly seen as a focus for social marginalization), or the growing phenomenon of heritagization (as implicit in the type of person now using the Marseille Unité d’Habitation), the debate today has mainly become centered on the question of: how to keep these large structures alive, while meeting contemporary standards of comfort? Characterized by adventurous experiments in the use of new materials and techniques, space creation and gender transformations, the obsolescence of these big complexes is determined on two different levels: the technical one (regarding comfort, such as thermal or acoustic, and the need for mechanical and safety improvements, as infrastructures, systems, elevators), and the functional one (involving space dimensions, organisation, orientation, and the introduction of new uses); all while complying with current regulatory standards. In addition, these buildings have frequently been intensively used and modified.
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Price, Zeena. "Social housing in ruins: Heritage, identity and the spectral remains of the housing crisis." Radical Housing Journal 3, no. 2 (December 17, 2021): 65–80. http://dx.doi.org/10.54825/whhs5204.

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This article explores a recent acquisition by the Victoria and Albert Museum in the context of the current housing crisis. The exhibit is a fragment of a recently demolished social housing estate, Robin Hood Gardens in East London. The museum, which hails the acquisition as a significant example of the Brutalist movement in architecture, frames the exhibit both as a means of conserving a piece of architectural heritage and as a means of engaging the public in discussion about the future of housing. Yet it cannot be separated from its previous function as a home to several thousand residents before the estate was demolished as part of the area’s ‘regeneration’. This article therefore seeks to explore the contested memory of the estate in the context of today’s housing crisis, and how the exhibit illuminates wider questions of class identity, spectacle and how we define the heritage of the built environment. It will consider a potential defence of the exhibit as ethically motivated by a desire to protect the ‘unofficial heritage’ of the estate, before going on to argue that it ultimately fails in this regard, serving only to aestheticize the act of displacement.
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Dissertations / Theses on the topic "Robin Hood Garden"

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Cunha, Rui André Mata da. "Robin Hood Gardens : a condição paradigmática de uma ideia construída." Master's thesis, 2010. http://hdl.handle.net/10316/14067.

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Books on the topic "Robin Hood Garden"

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Robin Hood Gardens re-visions. London: Twentieth Century Society, 2010.

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MacNally, Leonard. Robin Hood; or, Sherwood Forest: A Comic Opera. As it is Performed at the Theatre-Royal, in Covent-Garden. By Leonard Mac Nally, Esq. Gale ECCO, Print Editions, 2018.

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MacNally, Leonard. Robin Hood; or, Sherwood Forest: A Comic Opera, of Three Acts. Written by Leonard Macnally, Esq. Marked With the Variations in the Manager's Book, at the Theatre-Royal Covent-Garden. Gale ECCO, Print Editions, 2018.

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Thoburn, Nicholas. Brutalism As Found: Housing, Form, and Crisis at Robin Hood Gardens. Goldsmiths, University London, 2022.

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Book chapters on the topic "Robin Hood Garden"

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Goldsmith, Kenneth. "19 Robin Hood of the Avant-Garde." In Dynamic Fair Dealing, 251–60. Toronto: University of Toronto Press, 2014. http://dx.doi.org/10.3138/9781442665613-020.

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Sandes, Caroline A. "Identity and Heritage in the Global City: The Barbican Estate and Robin Hood Gardens, London, UK." In Identity and Heritage, 37–45. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-09689-6_4.

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Blas, Sergio Martín. "Robin Hood Gardens:." In Dalla 16. Biennale di Architettura, 46–54. Quodlibet, 2019. http://dx.doi.org/10.2307/j.ctvb1hs8f.9.

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Burke, Helen. "Macklin’s Talking ‘Wrongheads’." In Charles Macklin and the Theatres of London, 243–62. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800855984.003.0012.

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This chapter discusses the genesis and development of Charles Macklin’s British Inquisition (1754-55), as well as the opposition which it encountered. The Inquisition was a product, in part, of the debating society movement of the eighteenth century; it was Macklin’s attempt to emulate the success of John Henley’s Oratory and the Robin Hood Society. But in creating a forum for discussion that was open to all comers, and in appointing himself the impartial arbiter of truth and taste at this site, Macklin was also attempting to replicate the success of periodical writers, an experiment in genre mixing that he had first tried out in his play, The Convent Garden Theatre, Or, Pasquin Turn’d Drawcansir (1752). The satires that were directed at the Inquisition, then, were a response to this effort to democratize speech, a backlash that exposed the class, ethnic, gender, and religious limits of the British public sphere.
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"Robin Hood Gardens London." In Living Streets Wohnwege, 52–57. Vienna: Springer Vienna, 2009. http://dx.doi.org/10.1007/978-3-211-79178-3_6.

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Ronzino, Andrea. "The Robin Hood Gardens. Model or Failure?" In ReHab, 50–63. De Gruyter, 2022. http://dx.doi.org/10.1515/9783868597899-005.

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