Relevant bibliographies by topics / Robin Boyd

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Robin Boyd'

Author: Grafiati
Published: 4 June 2021
Last updated: 31 January 2023

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Journal articles on the topic "Robin Boyd"

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Kim, Kirsteen. "Obituary – Robert (Robin) Hugh Steele Boyd (1924–2018)." Mission Studies 36, no. 1 (2019): 5–6. http://dx.doi.org/10.1163/15733831-12341615.

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Goad, Philip. "ROBIN BOYD AND THE POST-WAR ‘JAPANIZATION OF WESTERN IDEAS’." Architectural Theory Review 1, no. 2 (1996): 110–20. http://dx.doi.org/10.1080/13264829609478293.

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Barnes, Carolyn, and Simon Jackson. "Robin Boyd, Expo ’70 and Defuturing: No Accounting for the Environment." Design Philosophy Papers 7, no. 2 (2009): 87–105. http://dx.doi.org/10.2752/144871309x13968682695037.

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Reeves, Simon. "Gromboyd goes Hawaiian: Roy Grounds, Robin Boyd and the “Exclusive Pacific Fellowship of Talent”." Fabrications 22, no. 1 (2012): 58–78. http://dx.doi.org/10.1080/10331867.2012.685635.

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Kim, Kirsteen. "Robin Boyd. Beyond Captivity: Explorations in Indian Christian History and Theology, reviewed by Kirsteen Kim." Studies in World Christianity 22, no. 2 (2016): 173–74. http://dx.doi.org/10.3366/swc.2016.0151.

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Reidy, Maurice. "Book Review : Ireland: Christianity discredited or pilgrim's progress? by Robin Boyd. Geneva, W.C.C., 1988. 127 pp. £4.95." Studies in Christian Ethics 3, no. 1 (1990): 116–18. http://dx.doi.org/10.1177/095394689000300114.

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O’Connor, Dan. "Book Review: Indian Christian History and Theology: Robin Boyd, Beyond Captivity: Explorations in Indian Christian History and Theology." Expository Times 127, no. 3 (2015): 147. http://dx.doi.org/10.1177/0014524615602157b.

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Allister, Susan. "Robin Boyd. 2007. The Witness of the Student Christian Movement: Church ahead of the Church. London: SPCK, pp. 188, Pb, £14.99." Studies in World Christianity 14, no. 1 (2008): 95–96. http://dx.doi.org/10.3366/e1354990108030074.

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Butler, David. "Ireland. Christianity discredited or pilgrim's progress? By Robin Boyd. (Risk Book Series, No. 37.) Geneva, World Council of Churches Publications, 1988. Pp. 127. £4·75." Scottish Journal of Theology 42, no. 4 (1989): 616–17. http://dx.doi.org/10.1017/s0036930600040400.

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Purcell, Liam. "Book Review: THE STUDENT CHRISTIAN MOVEMENT Robin Boyd, The Witness of the Student Christian Movement (London: SPCK, 2007. £14.99. pp. 144. ISBN 0—28105—877—6)." Expository Times 119, no. 4 (2008): 196. http://dx.doi.org/10.1177/00145246081190041202.

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Dissertations / Theses on the topic "Robin Boyd"

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Hobbs, Roger, and n/a. "The builders of Shoalhaven 1840s-1890s : a social history and cultural geography." University of Canberra. Design & Architecture, 2005. http://erl.canberra.edu.au./public/adt-AUC20070122.163159.

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According to architect Robin Boyd (1952 rev. ed. 1968), ʹthe Australian country house took its pattern, not directly from the English countryside, but second‐hand from the Australian cityʹ in the nineteenth century. This thesis explores the introduction of domestic architectural ideas in the Shoalhaven Local Government Area (LGA) from the 1840s to the 1890s, and concludes that Boydʹs premise, including his five principal plan types, applied in general, subject to regional geographical parameters. The Illawarra and South Coast districts dominated New South Wales dairy farming by the 1860s. The transfer of architectural ideas to the Shoalhaven LGA was facilitated by steam shipping lines from 1855, as the dominant vector, which provided access to the Sydney markets. Architectural development began with a masonry construction boom during the 1860s and 1870s, followed by a timber construction boom in the 1880s and 1890s. In the Ulladulla District development was influenced by local stonemasons and Sydney architects from the 1860s‐1870s, as well as regional developments in the Illawarra, which also influenced Kangaroo Valley in the 1870s. The Nowra Area, the administrative and commercial focus of the Shoalhaven District from 1870, was where architectural developments in timber and masonry were greatest, influenced by regional developments, Sydney architects and carpenters and builders of German origin and training. A local architectural grammar and style began to develop in the 1880s and 1890s, assisted by the railway, which arrived at Bomaderry near Nowra in 1893. However, the depression and drought of the 1890s resulted in a hiatus in construction, exacerbated by the First World War 1914‐1918, in common with the rest of New South Wales.
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Kouzayha, Salam. "Estimations géométriques de fonctionnelles spectrales pour le laplacien avec condition de Robin au bord." Electronic Thesis or Diss., Tours, 2019. http://www.theses.fr/2019TOUR4004.

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Le but de cette thèse est double : Donner des estimations pour les valeurs propres du laplacien sur un domaine borné d'une variété riemannienne avec la condition de Robin au bord. Nos premières estimations constituent une extension de la célèbre inégalité de Kröger sur les valeurs propres du laplacien euclidien avec condition de Neumann au bord, au cas plus gé- néral d'une variété riemannienne avec la condition de Robin au bord. De plus, ces estimations sont en accord avec la loi asymptotique de Weyl en ce qui concerne la dépendance en l'ordre de la valeur propre. Un deuxième type d'estimations géométriques pour les valeurs propres de Robin est obtenu dans le cas où la courbure de Ricci de la variété considérée est minorée. En utilisant la définition des valeurs propres par la formule de min-max, on est capable de les majorer en fonction de la dimension de la variété, du minorant de la courbure de Ricci, du volume du domaine et de son bord, et enfin de l'intégrale de la fonction de Robin sur le bord du domaine. Etudier le spectre du laplacien pondéré par la présence de deux densités sur un domaine borné d'une variété riemannienne avec les conditions de Neumann au bord dans le cas où l'une des densité est une puissance positive de l'autre. On démontre l'existence d'une valeur critique pour cette puissance : si la puissance est plus petite que cette valeur critique, la valeur propre correspondante est majorée. Cependant, si la puissance dépasse cette valeur, on démontre l'existence des domaines ayant une première valeur propre aussi grande que l'on veut<br>The aim of my thesis is to give some estimations for the eigenvalues of the Laplacian with Robin boundary conditions the principal results are divided in two categories. The first result is based on an algebric method and give an estimation of the eigenvalues in euclidean spaces and homogeneous manifolds. The second result is an estimation of the egenvalues in terms of the Ricci curvature of the manifold
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Khalile, Magda. "Problèmes spectraux avec conditions de Robin sur des domaines à coins du plan." Thesis, Université Paris-Saclay (ComUE), 2018. http://www.theses.fr/2018SACLS235/document.

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Dans cette thèse, nous étudions les propriétés spectrales du Laplacien avec la condition de bord de Robin attractive sur des domaines du plan à coins. Notre but est de comprendre l’influence des coins convexes sur l’asymptotique des valeurs propres de cet opérateur lorsque le paramètre de Robin est grand. Nous montrons en particulier que l’asymptotique des premières valeurs propres de Robin sur des polygones curvilignes est déterminée par des opérateurs modèles : les Laplaciens agissant sur les secteurs tangents au domaine. Pour une certaine classe de polygones droits, nous montrons l’existence d’un opérateur effectif sur le bord du domaine qui détermine l’asymptotique des valeurs propres suivantes. Enfin, des asymptotiques de Weyl pour différents seuils dépendant du paramètre de Robin sont obtenues<br>In this thesis, we are interested in the spectral properties of the Laplacian with the attractive Robin boundary condition on planar domains with corners. The aim is to understand the influence of the convex corners on the spectral properties of this operator when the Robin parameter is large. In particular, we show that the asymptotics of the first Robin eigenvalues on curvilinear polygons is determined by model operators: the Robin Laplacians acting on infinite sectors. For a particular class of polygons with straight edges, we prove the existence of an effective operator acting on the boundary of the domain and determining the asymptotics of the further eigenvalues. Finally, some Weyl-type asymptotics for different thresholds depending on the Robin parameter are obtained
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Schoemaker, Robin [Verfasser], Jan J. [Gutachter] Weigand, and Christian [Gutachter] Müller. "Dipyrazolylphosphanes in Condensation and P–N/P–P Bond Metathesis Reactions / Robin Schoemaker ; Gutachter: Jan J. Weigand, Christian Müller." Dresden : Technische Universität Dresden, 2020. http://d-nb.info/1227311400/34.

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Katzke, Cecilia Johanna. "Probing the politics of the female body: Robyn Orlin's deconstruction of the Classical Ballet canon." Master's thesis, University of Cape Town, 2014. http://hdl.handle.net/11427/12878.

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Includes bibliographical references.<br>This qualititative, interdisciplinary study predominantly focuses on the South African choreographer Robyn Orlin and her deconstructions of classical ballet. To inform a gender-centred investigation of Orlin’s work, attention is given to the origins of patriarchal dualisms and the way in which these manifest in contemporary Western culture. Emphasis is placed on the institutional repression of the body as a way to preserve particular power structures. In this instance the theories of Michel Foucault, in particular, are referenced. His concepts serve to illuminate a consideration of Western concert dance, with a particular focus on classical ballet, as an institution that sustains gender as a system of power. The origins of the aesthetic of the ballerina as an icon of femininity, and the way in which certain values and expectations impact on the bodies of female ballet dancers, particularly but not exclusively, provides a context for the discussion of Orlin’s work – how and why her form and content questions and undermines the perpetuation of traditional gender stereotypes in classical ballet. This dissertation examines Orlin’s work in order to expand discourse around the subversive potential of the female body, informed by an understanding of the body as an ever-changing entity that resists definition by way of essentialist meanings.
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Bhandari, Kuntal. "Boundary controllability of some coupled parabolic systems with Robin or Kirchhoff conditions." Thesis, Toulouse 3, 2020. http://www.theses.fr/2020TOU30063.

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Dans cette thèse, on étudie la contrôlabilité à zéro par le bord de quelques systèmes paraboliques linéaires couplés par des termes de couplage intérieur et/ou au bord. Le premier chapitre est une introduction à l'ensemble du manuscrit. Dans le deuxième chapitre, on rappelle les principaux concepts et résultats autour des notions de contrôlabilité qui seront utilisés dans la suite. Dans le troisième chapitre, on étudie principalement la contrôlabilité par le bord d'un système couplé 2x2 de type cascade avec des conditions au bord de Robin. En particulier, on prouve que les contrôles associés satisfont des bornes uniformes par rapport aux paramètres de Robin et convergent vers un contrôle de Dirichlet lorsque les paramètres de Robin tendent vers l'infini. Cette étude fournit une justification, dans le contexte du contrôle, de la méthode de pénalisation qui est couramment utilisée pour prendre en compte des données de Dirichlet peu régulières en pratique. Dans le quatrième et dernier chapitre, on étudie d'abord la contrôlabilité à zéro d'un système 2x2 en dimension 1 contenant des termes de couplage à la fois à l'intérieur et au bord du domaine. Plus précisément, on considère une condition de type Kirchhoff sur l'un des bords du domaine et un contrôle de Dirichlet sur l'autre bord, dans l'une ou l'autre des équations. En particulier, on montre que les propriétés de contrôle du système diffèrent selon que le contrôle agisse sur la première ou sur la seconde équation, et selon les valeurs du coefficient de couplage intérieur et du paramètre de Kirchhoff. On étudie ensuite un modèle 3x3 avec un ou deux contrôle(s) aux limites de Dirichlet à une extrémité et une condition de type Kirchhoff à l'autre extrémité ; ici la troisième équation est couplée (couplage intérieur) avec la première. Dans ce cas, on obtient ce qui suit : en considérant le contrôle sur la première équation, on a contrôlabilité conditionnelle dépendant des choix du coefficient de couplage intérieur et du paramètre de Kirchhoff, et en considérant le contrôle sur la deuxième équation, on obtient toujours une contrôlabilité positive. En revanche, considérer un contrôle sur la troisième équation conduit à un résultat de contrôlabilité négative. Dans cette situation, on a besoin de deux contrôles aux limites sur deux des trois équations pour retrouver la contrôlabilité. Enfin, on expose quelques études numériques basées sur l'approche pénalisée HUM pour illustrer les résultats théoriques, ainsi que pour tester d'autres exemples<br>In this thesis, we study the boundary null-controllability of some linear parabolic systems coupled through interior and/or boundary. We begin by giving an overall introduction of the thesis in Chapter 1 and we discuss some essentials about the notion of parabolic controllability in the second chapter. In Chapter 3, we investigate the boundary null-controllability of some 2x2 coupled parabolic systems in the cascade form where the boundary conditions are of Robin type. This case is considered mainly in space dimension 1 and in the cylindrical geometry. We prove that the associated controls satisfy suitable uniform bounds with respect to the Robin parameters, which let us show that they converge towards a Dirichlet control when the Robin parameters go to infinity. This is a justification of the popular penalization method for dealing with Dirichlet boundary data in the framework of the controllability of coupled parabolic systems. Coming to the Chapter 4, we first discuss the boundary null-controllability of some 2x2 parabolic systems in 1-D that contains a linear interior coupling with real constant coefficient and a Kirchhoff-type condition through which the boundary coupling enters in the system. The control is exerted on a part of the boundary through a Dirichlet condition on either one of the two state components. We show that the controllability properties vary depending on which component the control is being applied; the choices of interior coupling coefficient and the Kirchhoff parameter play a crucial role to deduce positive or negative controllability results. Thereafter, we study a 3x3 model with one or two Dirichlet boundary control(s) at one end and a Kirchhoff-type boundary condition at the other; here the third equation is coupled (interior) through the first component. In this case we obtain the following: treating the control on the first component, we have conditional controllability depending on the choices of interior coupling coefficient and the Kirchhoff parameter, while considering a control on the second component always provides positive result. But in contrast, putting a control on the third entry yields a negative controllability result. In this situation, one must need two boundary controls on any two components to recover the controllability. Further in the thesis, we pursue some numerical studies based on the penalized Hilbert Uniqueness Method (HUM) to illustrate our theoretical results and test other examples in the framework of interior-boundary coupled systems
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Visser, Robbin [Verfasser]. "Microbeam characterization of volatile-rich clasts - a tool to constrain early parent body hydrothermal processes / Robbin Visser." Berlin : Freie Universität Berlin, 2019. http://d-nb.info/1200919203/34.

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Finestone, Juanita. "The politics and poetics of choreography the dancing body in South African dance." Thesis, Rhodes University, 1995. http://hdl.handle.net/10962/d1002370.

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This mini-thesis is situated in the discourse on patriarchy, nationhood and its artistic forms. It is argued that an uncritical pursuit of commonality as a political aesthetic strategy for dance in South Africa repeats the metaphysical foundationalism of this discourse. It is further suggested that a postmodern ethos subverts this heritage, while at the same time offering a viable alternative for accommodating and representing the cultural diversity and plurality characteristic of current theatre dance in South Africa. Chapter One examines the way dance has historically structured its patriarchal form the postmodern discourses Chapter Two as a site and practice through explores the potential of deconstruction and destabilisation of this dance heritage. This chapter also assesses the relevance of a postmodern alternative in a South African dance context. Chapter Three analyses the postmodern choreographic strategies of two South African choreographers, Gary Gordon and Robyn Orlin, in order to reveal how their dance vision to patriarchal aesthetic form and offers an uncritical alternative notions of commonality. In conclusion, it is argued postmodern ethos embodied in the work that the of these choreographers provides viable directions for formulating and articulating new dance directions for theatre dance in South Africa while, at the same time, bearing witness to the diversity that will always structure expressions of commonality in South African dance.
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Bartram, Sarah. "The Fragment as a Manifestation of Non-Finito in Auguste Rodin’s Oeuvre." Kent State University / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=kent1461588321.

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Elizéon-Hubert, Isabelle. "Esthétiques de la "Mondialité" sur les scènes contemporaines. Corps et écritures du déplacement. Pippo Delbono, Koffi Kwahulé, Bernardo Montet et Robyn Orlin." Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA124/document.

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Au sein de notre contemporanéité mondialisée, la vitesse des flux, des échanges et des transferts culturels se sont accrus. Dans ce contexte caractéristique de notre modernité, il existe des figures dominant le paysage: les figures du déplacement. Elles s'incarnent en de multiples identités et représentations et se retrouvent face à une forme de flexibilité ou d'urgence où la question de la frontière a pris une place prépondérante. Dans ce contexte, la question de la déterritorialisation des corps, des identités et des imaginaires est devenue un enjeu important qui altère et transforme les notions de constance et de stabilité dans la création et les langages scéniques. Les transferts artistiques et culturels peuvent ainsi être perçus comme le résultat de déplacement dont la nature aléatoire mettrait à l'épreuve la création et ses processus. Dès lors, l’œuvre scénique serait à envisager comme un lieu de convergence au sein duquel se rencontreraient de multiples visions du monde et de l'humain. Il deviendrait alors essentiel d'appréhender la question du déplacement physique et symbolique dans une dynamique relationnelle où le rétrécissement des espaces et du temps n'aurait de sens que dans une conscience de notre appartenance au Tout-Monde, conceptualisé par Édouard Glissant. Réfléchir aux formes et aux mutations des représentations et des écritures inscrites dans la "Mondialité" serait donc participer au décryptage de la complexification des modalités et des processus de création scénique en posant comme condition à ces processus une pensée du déplacement et de la traduction. Cette pensée, à la fois esthétique et éthique, ouvrirait la voie à la sauvegarde de la diversité des imaginaires nécessaires à toute création<br>In our globalized contemporaneity, the speed of flows, exchanges and cultural transfers have increased. In this characteristic context of our modernity, there are figures dominating the landscape: the figures of travel and movement. They are incarnated in many identities and representations and meet some form of flexibility or emergency where the question of the frontier has taken a significant place. In this context, the question of the deterritorialisation of bodies, identities and imaginaries has become an important issue that alters and transforms the notions of constancy and stability in creation and scenic languages. Artistic and cultural transfers can consequently be perceived as the result of moving whose random nature would test the creation and its processes. In this way, the stage work should be considered as a place of convergence in which many visions of the world and the human are to be found. Then it would become essential to grasp the question of physical and symbolic move in a relational dynamic in which the narrowing of spaces and time would have meaning only in a consciousness of our belonging to the Tout-Monde, conceptualized by Édouard Glissant. To reflect on the forms and mutations of the representations and writings, inscribed in the "Mondialité", it would be to participate in the making sense of the complexification of the modalities and processes of scenic creation, by positing as a condition to these processes a thought of move and translation. This aesthetic and ethical thought would open the way to safeguarding the diversity of imaginaries necessary for all creation<br>Em nossa contemporaneidade globalizada, a velocidade dos fluxos, trocas e transferências culturais aumentou. Neste contexto, característico da nossa modernidade, há figuras que dominam a paisagem: as figuras do deslocamento. Elas são encarnadas em múltiplas identidades e representações e encontram-se diante de uma forma de flexibilidade ou urgência, onde a questão da fronteira ocupa um lugar predominante. Neste contexto, a questão da desterritorialização de corpos, identidades e imaginários tornou-se uma questão importante que altera e transforma as noções de constância e estabilidade na criação e nas lingagens cênicas. As transferências artísticas e culturais podem assim ser percebidas como resultado do deslocamento cuja natureza aleatória testaria a criação e seus processos. Daqui em diante, o trabalho do palco deve ser considerado como um lugar de convergência em que muitas visões do mundo e do ser humano estão encontradas. Seria então essencial compreender a questão do deslocamento físico e simbólico em uma dinâmica relacional em que o estreitamento dos espaços e do tempo teria significado apenas na consciência de nossa pertença ao Tout-Monde, conceituado por Édouard Glissant. Refletir sobre as formas e mutações das representações e escrituras inscritas na "Mondialité", seria participar na decriptagem da complexificação das modalidades e dos processos de criação cênica, propondo como condição para esses processos um pensamento de deslocamento e de tradução. Este pensamento, tanto estético como ético, abriria o caminho para preservar a diversidade dos imaginários necessários para qualquer criação<br>Nella nostra contemporaneità globalizzata, la velocità dei flussi, degli scambi e dei trasferimenti culturali è aumentata. In questo contesto caratteristico della nostra modernità, ci sono figure che dominano il paesaggio: le figure dello spostamento. Sono incarnate in molte identità e rappresentazioni e si trovano di fronte a una forma di flessibilità o urgenza in cui la questione della frontiera ha preso un posto di rilievo. In questo contesto, la questione della deterritorializzazione dei corpi, delle identità e degli immaginari è diventata una questione importante che altera e trasforma le nozioni di costanza e stabilità nella creazione e nei linguaggi scenici. I trasferimenti artistici e culturali possono perciò essere percepiti come conseguenza dell' spostamento in cui la natura casuale avrebbe messo alla prova la creazione e suoi processi. D'ora in poi, il lavoro scenico dovrebbe essere considerato come un luogo di convergenza in cui si possono trovare molte visioni del mondo e del essere umano. In questo, sarebbe diventato essenziale de capire la questione del spostamento fisico e simbolico in una dinamica relazionale in cui il restringimento dello spazio e del tempo avrebbe senso solo nella coscienza di appartenenza nel Tout-Monde, concettualizzato da Édouard Glissant. Riflettere sopra le forme e trasformazioni delle rappresentazione e scritture incisi nella "Mondialité" sarebbe quindi partecipare della decrittazione della complessità dei termini e processi delle creazione sceniche, posizionando come condizione per questi processi un pensiero di spostamento e traduzione. Questo pensiero, sia estetico che etico, apre la strada a salvaguardare la diversità degli immaginari necessari per qualsiasi creazione
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Books on the topic "Robin Boyd"

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Robin Boyd: A life. Melbourne University Press, 1996.

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Geoffrey, Serle. Robin Boyd: A life. Miegunyah Press, 1995.

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Grant, Morrison. Batman & Robin: Batman vs. Robin. DC Comics, 2010.

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Coote, Maree. Robyn Boid: Architect. Melbournestyle Books, 2017.

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Dixon, Chuck. Robin, year one. DC Comics, 2000.

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Dixon, Chuck. Robin: Violent tendencies. DC Comics, 2008.

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Dixon, Chuck. Robin, year one. DC Comics, 2002.

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O'Neill, Dennis. Robin: The teen wonder. DC Comics, 2009.

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Friedman, Michael Jan. Batman & Robin. Warner Books, 1997.

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Friedman, Michael Jan. Batman & Robin. Warner Books, 1997.

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Book chapters on the topic "Robin Boyd"

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Andrew, Lucy. "‘I’m Gonna Be the Best Friend You Could Ever Hope For—And the Worst Enemy You Could Ever Imagine’: Frank Miller’s All Star Batman & Robin, the Boy Wonder and the Problem of the Boy Sidekick in the Twenty-First-Century Superhero Narrative." In The Detective's Companion in Crime Fiction. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74989-7_11.

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Goad, Philip. "From Art to the Everyday: Robin Boyd and The ‘Windowwall’." In Association of Architecture Schools in Australasia. University of Technology, Sydney, 2007. http://dx.doi.org/10.5130/aab.u.

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Goad, Philip. "From the Universal to the Particular: Robin Boyd and the Positioning of Italy in Postwar Architectural Criticism." In Italian Imprints on Twentieth-century Architecture. Bloomsbury Visual Arts, 2022. http://dx.doi.org/10.5040/9781350257757.ch-018.

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"Buddy, Bucky, and Robin." In We Boys Together. Vanderbilt University Press, 2020. http://dx.doi.org/10.2307/j.ctv16759q6.15.

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"132. The Bold Pedlar and Robin Hood." In The Singing Tradition of Child's Popular Ballads. (Abridgement). Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400872671-081.

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"Robin Hood in Boys’ Weeklies to 1914." In Popular Children’s Literature in Britain. Routledge, 2016. http://dx.doi.org/10.4324/9781315246437-13.

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"The Boys in the Greenwood: Stories of Robin Hood." In Retelling Stories, Framing Culture. Routledge, 2013. http://dx.doi.org/10.4324/9780203357750-11.

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Runia, Robin. "‘A man must make himself’." In The Male Body in Medicine and Literature. Liverpool University Press, 2018. http://dx.doi.org/10.3828/liverpool/9781786940520.003.0009.

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Lord Glenthorn, of Maria Edgeworth’s Ennui (1809), suffers with a debilitating apathy and indifference unless continuously stimulated by external factors. Robin Runia reads this symptomatology within the frame of late eighteenth-century definitions of hypochondriasis, which firmly associated the condition not just with the indolence of the wealthy but also with a foreign decadence. Trying to rid himself of his ennui, Glenthorn trials numerous fashionable activities of the wealthy but finds consolation only in the domestic sphere and the peaceable routines of his servants. Ennui is Edgeworth’s critique of the ‘rampant moral plague of luxury’, but, more importantly in offering a domestic remedy based on duty and the importance of home, it associates the health of the male body with the knowledge and culture of women.
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Furia, Philip, and Laurie J. Patterson. "Fine Romances: Dorothy Fields and Leo Robin." In The Poets of Tin Pan Alley, 2nd ed. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190906467.003.0010.

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Abstract Few women are well known as a lyricist for Tin Pan Alley. Dorothy Fields was one of them. Teamed with Jimmy McHugh, she wrote for the Cotton Club. Fields’s work (“I’m in the Mood for Love”) demonstrated her subtle, sensuous wit. Her style was more that of Hart, Gershwin, and Porter than her female predecessors (Donnelly or Jacobs-Bond). She and McHugh had a “seamless” blend of words to music. He wrote driving, repeated phrases, and she put “vernacular catch-phrases” to it. Another lyricist was Leo Robin, who frequently worked with Ralph Rainger. The two are best known for Bob Hope’s theme song, “Thanks for the Memory,” a song sun with Shirley Ross in The Big Broadcast of 1938. Robin’s lyrics include romantic recollections showing the connection that remained between the divorced couple. This chapter celebrates the writing of romance.
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Hackett, Robin. "Black Girls and Lady Police." In Affective Materialities. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056289.003.0011.

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In this epilogue, Robin Hackett begins to theorize the future of the affective ecology of the modernist body as a raced body. Hackett’s essay reaches into the realm of twenty-first-century social justice advocacy in the current political climate—a climate in which the supremacy of white bodies and segregation of black bodies are constituted by spaces of access and exclusion—to ask of the modernist body, what’s next? Drawing on a framework of emotions that have been mobilized for critical activism, love, rage, and shame, and reading the spaces of schools and restrooms, care homes and gyms, Hackett questions the logic of how public affects circulate between black and white bodies and suggests instead that a blank affect may produce an ethical response that truly matters despite how it may make us feel.
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Conference papers on the topic "Robin Boyd"

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Raisbeck, Peter. "Reworlding the Archive: Robin Boyd, Gregory Burgess and Indigenous Knowledge in the Architectural Archive.” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3985p56dc.

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In her book Decolonising Solidarity: Dilemmas and Directions for Supporters of Indigenous Struggles, Clare Land suggest how non-Indigenous people might develop new frameworks supporting Indigenous struggles. Land argues research is deeply implicated with processes of colonisation and the appropriation of indigenous knowledge. Given that architectural archives are central to the research of architectural history, how might these archives be decolonised? This paper employs two disparate archives to develop a framework of how architectural archivists might begin to decolonise these archives. Firstly, these archives are the Grounds Romberg and Boyd Archive (GRB) at the State Library of Victoria (SLV). Secondly, the Greg Burgess Archive is now located at Avington, Sidonia in Victoria. The materials from each of these archives will be discussed in relation to two frameworks. These are the Tandanya-Adelaide Declaration endorsed by The Australian Society of Archivists (ASA) and the Indigenous Cultural and Intellectual Property (ICIP) framework developed by Janke (2019). These archival frameworks suggest how interconnected architectural histories and historiographies might be read, reframed and restored. Decolonising architectural archives will require a continuous process of reflection and political engagement with collections and archives. In pursuing these actions, archivists and architectural historians can begin to participate in the indigenous Reworlding of the archive.
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Goad, Philip. "Designing a Critical Voice: Discourse and the Victorian Architectural Students Society (VASS), 1907-1961." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3992pwp5p.

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Students are a necessary part of the architecture profession. Their training and preparation have long been key to maintaining the business and culture of architecture, and in doing so perpetuating traditional territories that control the institutionalisation of a profession. Students have also created their own associations, often mirroring, and at the instigation of, their parent organizations. More often than not though, in addition to acting as social binders and playing out the role of disciplinary ‘club’, these associations have developed a critical voice, urging change and injecting critique: in short, setting the basis for the framing of a local discourse. Using its publications as primary source material, this paper explores the critical activities of the Victorian Architectural Students Society (VASS), which developed under the auspices of the Royal Victorian Institute of Architects (RVIA). VASS published its annual from 1908, which evolved by 1932 to become Lines and, then additionally in 1939, students Robin Boyd and Roy Simpson expanded VASS’s publishing remit, producing the oft-controversial fold-away pamphlet Smudges that infamously gave ‘blots’ and ‘bouquets’ to new buildings. In 1947, VASS published Victorian Modern, Australia’s first polemical history of modern architecture and in 1952, it was the first publisher of the influential journal, Architecture and Arts. This paper examines the shifting ambitions of VASS, its chief protagonists, the role of graphics and the deft blending of the social, satirical and the critical that eventually framed and shaped Victoria’s architecture culture after World War II.
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Maranelli, Francesco. "Engineering Melbourne’s “Great Structural- Functional Idea”: Aspects of the Victorian Post-war “Rapprôchement” between Architecture and Engineering." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. SAHANZ, 2022. http://dx.doi.org/10.55939/a3998puxe9.

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In 1963, Robin Boyd wrote about a post-war “rapprôchement” between the disciplines of structural engineering and architecture. Etymologically, the term suggests the movement of two entities that draw closer to each other, either in an unprecedented fashion or resuming a suspended interaction. World War II and the “anxieties and stimulations” of the post-war period, to use Boyd’s expression, accelerated the process of overcoming longstanding educational and professional disciplinary barriers. They were the driving forces behind what he denominated the “great structural-functional idea” of the 1950s. Architecture schools embraced modernist/functionalist ideals, producing graduates with considerable technical knowledge - true “romantic engineers.” The global post-war fascination with unconventional structures played its part. Occasionally, Antoine Picon argues, architecture’s “symbolic and aesthetic discourses” walk a “strictly technical path.” Under the banner of Le Corbusier’s Esthétique de l’Ingénieur, architecture and engineering converged. New technologies made collaborations with engineers habitual. According to Andrew Saint, however, partnerships were rarely affairs of equals since “architectural jobs came to architects first.” The diversification and growing number of engineers also transformed them into a labour force, Picon suggests, affecting their prestige and, possibly, their historiographical fortune. Scholarship on post-war Melbourne architecture has generally privileged the architect as the protagonist in the creation of innovative structures, only occasionally acknowledging consultants. This does not reflect the concerted nature of design commissions and frequent evanescence of disciplinary boundaries. This paper aims to highlight the major playing grounds for this alignment within design professions. It also hints at the complex relationship between the contributions of Victorian engineers and their recognition by post-war newspapers and architectural journals, opening the analysis of Melbourne’s post-war architecture to the discourse of professional representation and arguing the importance of “unbiased” histories of the built environment.
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Mussert, K. M., and W. C. Verloop. "Testing Cold Work Embrittlement Behaviour: A Round Robin." In International Body Engineering Conference & Exhibition and Automotive & Transportation Technology Congress. SAE International, 2002. http://dx.doi.org/10.4271/2002-01-2096.

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Evans, K. A. "Tensile Bond Strength Variance of Thermally Sprayed Coatings with Respect to Adhesive Type." In ITSC 1996, edited by C. C. Berndt. ASM International, 1996. http://dx.doi.org/10.31399/asm.cp.itsc1996p0803.

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Abstract A Round Robin study involving 19 coating suppliers and independent laboratories was conducted on tensile testing of thermally sprayed coatings to determine the accuracy and consistency of the tensile data among the participating labs and within a lab. One coating system (NiCrAl) and two adhesive types (film vs. liquid epoxy) were used. The results showed the average tensile strengths for the coating system using the liquid epoxy systems (EC2086/EC2214) were consistently higher than the average values which resulted using the film epoxy system (FMIOOO). However, less scatter in the results was observed when the FMIOOO film epoxy was used.
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Sengupta, T. K., and Gaurav Kumar. "Bluff-Body Flow Control by Aerodynamic Tripping." In ASME 2006 Pressure Vessels and Piping/ICPVT-11 Conference. ASMEDC, 2006. http://dx.doi.org/10.1115/pvp2006-icpvt-11-93865.

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Drag reduction and lift enhancement for a circular cylinder is achieved here simultaneously by steady rotation and rotary oscillation of the cylinder. Rotary oscillation provides the necessary aerodynamic tripping of the laminar boundary layer initiated on the windward side of the cylinder and thus reducing the drag. While the steady rotation provides the high lift via Magnus-Robins effect. Results are presented here for a Reynold’s number (based on cylinder diameter and oncoming flow velocity) of 1000. Proper orthogonal decomposition (POD) of the vorticity data obtained from the solution of Navier-Stokes equation helps in identifying the physical mechanism(s) involved in the flow.
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Kazuhiko Takahashi, Yusuke Nagasawa, and Masafumi Hashimoto. "Remarks on 3D human body’s feature extraction from voxel reconstruction of human body posture." In 2007 IEEE International Conference on Robotics and biomimetics (ROBIO). IEEE, 2007. http://dx.doi.org/10.1109/robio.2007.4522146.

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Seungsu Kim, ChangHwan Kim, and Bum-Jae You. "Whole-body motion imitation using human modeling." In 2008 IEEE International Conference on Robotics and Biomimetics. IEEE, 2009. http://dx.doi.org/10.1109/robio.2009.4913069.

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Lura, D., S. Carey, R. Dubey, and M. J. Highsmith. "Robotic model for simulating upper body movement." In 2008 IEEE International Conference on Robotics and Biomimetics. IEEE, 2009. http://dx.doi.org/10.1109/robio.2009.4913160.

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Jung, Yujin, Donghoon Kang, and Jinwook Kim. "Upper body motion tracking with inertial sensors." In 2010 IEEE International Conference on Robotics and Biomimetics (ROBIO). IEEE, 2010. http://dx.doi.org/10.1109/robio.2010.5723595.

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