Journal articles: 'Richard of Middleton'

1

Hamm, Charles. ": Studying Popular Music . Richard Middleton." Journal of Musicology 9, no. 3 (July 1991): 376–98. http://dx.doi.org/10.1525/jm.1991.9.3.03a00050.

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Blayney, Peter W. M. "Some Biographical Notes on Richard Bradock (and Others)." Library 23, no. 4 (December 1, 2022): 422–34. http://dx.doi.org/10.1093/library/fpac041.

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Abstract Because the printer Richard Bradock began his apprenticeship during the five-year gap in the Stationers’ early records, his origins have remained unknown. Tracing the life and career of his second known master (Henry Middleton), and of Middleton’s own wider connections in the trade, has led to a record of a man who turns out to have been Bradock’s father. Moreover, in his Stationers’ Company Apprentices, 1605–1640 (1961), D. F. McKenzie wrongly supposed that some records of a Richard ‘Bradde’ (or ‘Bradd’, or ‘Brad’) were simply using an abbreviated form of ‘Bradock’. Consequently, half the apprentices credited to Bradock should be reassigned to the Stationer Richard ‘Brad’, the son of Stationer John ‘Bread’ or ‘Bred’.

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Waksman, Steve. "REVIEWS: Musical Belongings: Selected Essays by Richard Middleton." Journal of Popular Music Studies 22, no. 3 (September 9, 2010): 340–43. http://dx.doi.org/10.1111/j.1533-1598.2010.01247.x.

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Echard, William. "An analysis of Neil Young's ‘Powderfinger’ based on Mark Johnson's image schemata." Popular Music 18, no. 1 (January 1999): 133–44. http://dx.doi.org/10.1017/s026114300000876x.

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The analysis presented in this paper is one result of my interest in embodiment, and its potential role in the semiotic analysis of popular music. In cultural studies and symbolic anthropology, theorists often read the body as a carrier of codes, a surface for the inscription and negotiation of meaning. In popular music studies, this viewpoint often appears in fairly simple ways, and it also sometimes appears in a more subtle fashion. Richard Middleton, for example, considers the body both as a code-bearing surface, and as the ground for musical feeling, exploring how embodied experiences generate and interact with other levels of code (Middleton 1990, 1993). Similar things are done by Frith (1996), Walser (1993), Brackett 1995), and others.

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Muehlbauer, Matthew S. "Pontiac's War: Its Causes, Course, and Consequences by Richard Middleton." Michigan Historical Review 35, no. 1 (2009): 133–34. http://dx.doi.org/10.1353/mhr.2009.0024.

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Stewart, Robert B. "Doing History the (W)right Way." Journal for the Study of the Historical Jesus 13, no. 2-3 (May 5, 2015): 328–46. http://dx.doi.org/10.1163/17455197-01302011.

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This article argues that Wright’s historical method is neither modern nor postmodern though it does contain elements that are found in each. In it I assess Wright’s method in light of critique from Carey Newman on the one hand and Brian Walsh and Richard Middleton on the other. I conclude that all of them are partially correct and partially incorrect.

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Bowman, Rob. "The Stax sound: a musicological analysis." Popular Music 14, no. 3 (October 1995): 285–320. http://dx.doi.org/10.1017/s0261143000007753.

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In recent times there has been an encouraging increase in the musicological study of Western popular music by members of the academy. Both Richard Middleton and Alan Moore have published important books that are emphatic about the need for such study (Middleton 1990; Moore 1993). Also there have been a number of articles in a variety of journals over the past several years that have either addressed the need for, suggested various approaches to, or actually taken a musicological approach to one or another aspect of popular music (Foret 1991; Brackett 1992; Hawkins 1992; Moore 1992; Taylor 1992; Walser 1992; Middleton 1993). Despite this flurry of activity, as far as this author is aware, there has been no academic musicological work, other than Robert Walser's recent study of heavy metal (Walser 1993), that has attempted to ferret out the component parts of a given genre through an analysis of a sizable body of repertoire. There is an acute need for such work if popular music scholars are going to begin to understand in concrete terms what is meant by terms such as rock, soul, funk, Merseybeat and so on. This essay is an attempt to begin such a study for the genre of southern soul music as it was manifested by Stax Records in Memphis, Tennessee.

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Hesmondhalgh, David. "Voicing the Popular: On the Subjects of Popular Music by Richard Middleton." Journal of Popular Music Studies 21, no. 3 (September 2009): 316–20. http://dx.doi.org/10.1111/j.1533-1598.2009.01199_1.x.

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Balint, Jordan. "A New Heaven and a New Earth: Reclaiming Biblical Eschatology by J. Richard Middleton." Toronto Journal of Theology 32, no. 2 (December 2016): 408–9. http://dx.doi.org/10.3138/tjt.32.2.408.

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Kentie, David D. "A New Heaven and a New Earth: Reclaiming Biblical Eschatology, by J. Richard Middleton." PNEUMA 40, no. 3 (October 16, 2018): 413–15. http://dx.doi.org/10.1163/15700747-04003014.

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Hirvonen, Vesa. "Mental disorders in commentaries by the late medieval theologians Richard of Middleton, John Duns Scotus, William Ockham and Gabriel Biel on Peter Lombard’s Sentences." History of Psychiatry 29, no. 4 (July 20, 2018): 409–23. http://dx.doi.org/10.1177/0957154x18788514.

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In their commentaries on the Sentences, Richard of Middleton, John Duns Scotus, William Ockham and Gabriel Biel reflect whether mentally-disturbed people can receive the sacraments (Baptism, Eucharist, confession, marriage) and fulfil juridical actions (make a will or take an oath). They consider that the main problem in ‘madmen’ in relation to the sacraments and legal actions is their lack of the use of reason. Scotus and Ockham especially are interested in the causes of mental disorders and the phenomena which happen in madmen’s minds and bodies. In considering mental disorders mostly as naturally caused psycho-physical phenomena, Scotus and Ockham join the rationalistic mental disorder tradition, which was to become dominant in the early modern era and later.

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BEALE, G. K. "A Review and Evaluation of J. Richard Middleton, A New Heaven and a New Earth." Unio Cum Christo 3, no. 1 (April 1, 2017): 127. http://dx.doi.org/10.35285/ucc3.1.2017.rea.

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Robinson, Andrea L. "Book Review: J. Richard Middleton. A New Heaven and a New Earth: Reclaiming Biblical Eschatology." Review & Expositor 113, no. 3 (August 2016): 424–25. http://dx.doi.org/10.1177/0034637316658036l.

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Shepherd, John. "Music, culture and interdisciplinarity: reflections on relationships." Popular Music 13, no. 2 (May 1994): 127–41. http://dx.doi.org/10.1017/s0261143000006991.

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This special issue of Popular Music honours the contribution of a distinguished musicologist to the study of popular music. It was Wilfrid Mellers who, together with Charles Hamm, pioneered the study of popular music as a respectable undertaking within musicology before popular music studies itself began to become a continuing and critical intellectual tradition in the late 1970s. As with Charles Hamm, Wilfrid Mellers' contribution to the study of popular music has not been restricted to scholarship alone. As founding Chair of the Department of Music at the University of York, Wilfrid Mellers created an intellectual and institutional environment within which it was possible for undergraduate and graduate students alike to undertake the serious academic study of popular music. Without this environment it is possible that the careers both of Richard Middleton and myself would have turned out differently.

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15

Grenier, Line. "Richard Middleton. Studying Popular Music. Milton Keynes: The Open University Press, 1990. 328pp. ISBN 0-335-15276-7." Canadian University Music Review 11, no. 1 (1991): 142. http://dx.doi.org/10.7202/1014840ar.

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Green, Lucy. "Studying Popular Music by Richard Middleton. Milton Keynes: Open University Press, 1990. Hardback, £30; paperback, £12.99, 328 pp." British Journal of Music Education 8, no. 1 (March 1991): 86–88. http://dx.doi.org/10.1017/s0265051700008123.

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Moberly, R. W. L. "The Liberating Image: The Imago Dei in Genesis 1: J. Richard Middleton Grand Rapids: Brazos, 2005. 304 pp. $21.99." Theology Today 64, no. 3 (October 2007): 365–66. http://dx.doi.org/10.1177/004057360706400307.

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Fuhrmann, Wolfgang. "Martin Clayton, Trevor Herbert, Richard Middleton (Hgg.), The Cultural Study of Music: A Critical Introduction, New York und London: Routledge 2003." Zeitschrift der Gesellschaft für Musiktheorie [Journal of the German-Speaking Society of Music Theory] 7, no. 3 (2010): 385–86. http://dx.doi.org/10.31751/578.

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Cho, Paul K. K. "Abraham’s Silence: The Binding of Isaac, the Suffering of Job, and How to Talk Back to God by J. Richard Middleton." Catholic Biblical Quarterly 85, no. 1 (January 2023): 138–40. http://dx.doi.org/10.1353/cbq.2023.0011.

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Hobbs, Tony. "The Liberating Image: The Imago Dei in Genesis 1. by J Richard Middleton Grand Rapids: Brazos Press, 2005. 304pp. pb. $21.99 ISBN 1587431106." Evangelical Quarterly 79, no. 2 (April 30, 2007): 182–83. http://dx.doi.org/10.1163/27725472-07902014.

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Moore, Allan. "Reading Pop: Approaches to textual analysis in popular music. Edited by Richard Middleton. Oxford: Oxford University Press, 2000. 388 pp, £40.00 hardback; £14.99 paperback." British Journal of Music Education 18, no. 1 (March 2001): 79–93. http://dx.doi.org/10.1017/s0265051701230150.

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Horn, James. "Richard Middleton, Colonial America: A History, 1607–1760 (Cambridge, MA and Oxford, UK: Blackwell, 1992, £15.95 paper). Pp. 443. ISBN 1 55786 259 1." Journal of American Studies 28, no. 1 (April 1994): 132–33. http://dx.doi.org/10.1017/s0021875800026876.

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MOORE, ALLAN. "The Cultural Study of Music: A Critical Introduction edited by Martin Clayton, Trevor Herbert and Richard Middleton. London: Routledge, 2003. vii + 368 pp, £16.99, paperback." British Journal of Music Education 20, no. 3 (October 29, 2003): 326–29. http://dx.doi.org/10.1017/s0265051703235488.

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Channell, Alexandra. "Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican identity, by Sheridan Wigginton and Richard T. Middleton IV." PALARA, no. 25 (November 23, 2021): 28–29. http://dx.doi.org/10.32855/palara.2021.006.

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Mayes, April J. "Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity, by Sheridan Wigginton & Richard T. Middleton IV." New West Indian Guide / Nieuwe West-Indische Gids 96, no. 1-2 (March 9, 2022): 153–54. http://dx.doi.org/10.1163/22134360-09601027.

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Querengässer, Alexander. "Richard Middleton, Cornwallis. Soldier and Statesman in a Revolutionary World, New Haven, CT: Yale University Press 2022, XIV, 423 S., $ 35.00 [ISBN 978‑0‑30019‑680‑1]." Militaergeschichtliche Zeitschrift 81, no. 2 (November 1, 2022): 606–8. http://dx.doi.org/10.1515/mgzs-2022-0075.

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Tonelli, Chris. "Martin Clayton, Trevor Herbert, and Richard Middleton, eds. The Cultural Study of Music: A Critical Introduction, 2nd ed. New York: Routledge, 2012. 455 pp. ISBN 978-0-415-88191-3." Intersections: Canadian Journal of Music 31, no. 2 (2011): 121. http://dx.doi.org/10.7202/1013219ar.

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Browning, Reed. "Richard Middleton. The Bells of Victory: The Pitt-Newcastle Ministry and the Conduct of the Seven Years' War, 1757-1762. New York: Cambridge University Press. 1985. Pp. xiii, 251. $44.50." Albion 18, no. 3 (1986): 505–7. http://dx.doi.org/10.2307/4050003.

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Smith, David L. "Catholic, Anglican or Puritan? Edward Sackville, Fourth Earl of Dorset and the Ambiguities of Religion in Early Stuart England." Transactions of the Royal Historical Society 2 (December 1992): 105–24. http://dx.doi.org/10.2307/3679101.

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The religion of Edward Sackville, fourth earl of Dorset, foxed his contemporaries, and he has proved an equally slippery customer for those modern historians who wish to see unbridgeable confessional gulfs opening up in the 1620s and 1630s. A detailed study of him reveals ambiguities of position that confused his contemporaries and confound modern categorisation. Those who knew Dorset differed dramatically in their perception of his religion. To one French ambassador, Tillières, he was ‘un puritain’; while to William Middleton, Lord Fielding's chaplain, he appeared ‘strong for Precisians’. By contrast, another French ambassador, Fontenay, believed that Dorset ‘n’est pas trop ennemy de nostre religion' and the papal agent Carlo Rossetti thought him ‘assai fautori nell’ intrinseco dei Cattolicci’. In 1641 Sir Walter Erle even opposed the re-enfranchisement of Seaford on the grounds that ‘the lord of the town [i.e. Dorset] [was] a papist'. Dorset was called everything from a puritan to a papist—and other things besides. In dedicating his ‘account of religion by reason’ to Dorset, Sir John Suckling wrote that the tract—which was widely condemned as Socinian—‘had like to make me an atheist at Court and your lordship no very good Christian’. Whereas Professor Hexter addressed ‘the problem of the Presbyterian-Independents’, contemporary images of Dorset present the even more bizarre spectacle of a puritan-papist-pagan. Where, that is, they mention his religion at all. For time and again we find that descriptions focus mainly on Dorset's courtly and chivalric qualities. Clarendon portrayed Dorset as ‘a man of an obliging nature, much honour, of great generosity, and of most entire fidelity to the Crown’; but made no mention of his religious attitudes. When authors dedicated their writings to Dorset they consistently highlighted these same secular traits: Sir Richard Baker praised his ‘publicke vertues’, Edward May his ‘noble nature’; and even John Bastwick called him simply ‘illustrissimus’.

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Gwyn, Julian. "The Bells of Victory. The Pitt-Newcastle Ministry and the Conduct of the Seven Years’ War 1757-1762, by Richard MiddletonThe Bells of Victory. The Pitt-Newcastle Ministry and the Conduct of the Seven Years’ War 1757-1762, by Richard Middleton. Cambridge, Cambridge University Press, 1985. xiv, 251 pp. $44.50 U.S." Canadian Journal of History 22, no. 1 (April 1987): 114–15. http://dx.doi.org/10.3138/cjh.22.1.114.

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Lucero, Bonnie A. "Dominican Identity - Unmasking the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity. By Sheridan Wigginton and Richard T. Middleton IV. Tuscaloosa: University of Alabama Press, 2019. Pp. 128. $64.95 cloth." Americas 77, no. 4 (October 2020): 663–65. http://dx.doi.org/10.1017/tam.2020.92.

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Carroll, Thomas M., Joseph A. Chadwick, Richard P. Owen, Michael J. White, Joseph Kaplinsky, Iliana Peneva, Anna Frangou, et al. "Abstract 1247: Comprehensive molecular profiling to predict first-line immunochemotherapy outcomes in inoperable esophageal adenocarcinoma." Cancer Research 82, no. 12_Supplement (June 15, 2022): 1247. http://dx.doi.org/10.1158/1538-7445.am2022-1247.

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Abstract For patients with inoperable esophageal adenocarcinoma (EAC), prognosis on conventional chemotherapy (CTX) remains poor. In 2021, the FDA approved two αPD-1 immune checkpoint inhibitors (ICI) for addition to fluoropyrimidine/platinum-containing CTX in this first-line setting. As ICI+CTX enters the clinic, understanding ICI responses and predicting which patients will benefit from ICI addition are key challenges. To address these challenges, we assessed clinical and molecular profiles from the experimental LUD2015-005 trial (NCT02735239, EudraCT 2015-005298-19). Treatment consisted of an initial four-week ICI-only window with durvalumab (αPD-L1) with or without a single dose of tremelimumab (αCTLA-4), followed by 6 cycles of ICI+CTX (CapOx). 38 inoperable patients received treatment (35 EAC; 3 ESCC); median overall survival (OS) and progression-free survival (PFS) were 13.4 and 9.3 months, respectively. All patients reported at least one treatment emergent adverse event (TEAE), with 29 (76.3%) reporting grade 3 or higher TEAEs. EAC patients with available samples (n = 33) were taken forward for biomarker analysis, using tumor and adjacent normal biopsies collected at pre-treatment (PreTx), after four weeks of ICI-only (ICI-4W), and at the end of ICI+CTX (PostTx). Transcriptomic comparison of paired PreTx and ICI-4W EAC biopsies (n = 28) revealed ICI-induced upregulation of a novel T-cell inflammation signature (termed INCITE). Stronger INCITE upregulation correlated with greater tumor shrinkage during the ICI-only window, and tumors with minimal INCITE upregulation showed markers of ICI resistance, including Innate PD-1 Resistance (IPRES). Despite correlation with ICI-only responses, INCITE changes were not associated with overall ICI+CTX outcomes. To find predictive biomarkers of ICI+CTX outcomes, we conducted comprehensive genomic and transcriptomic profiling of PreTx EAC biopsies (n = 33). First, we generated a novel 65,000 cell scRNA-seq dataset and designed a deconvolution workflow to resolve tumor cell composition. Unexpectedly, monocyte composition was strongly linked with greater overall survival (OS) (HR: 0.40 [0.23-0.69]; p = 0.001; FDR = 0.047). Coding tumor mutational burden (TMB) was also associated with improved OS (HR: 0.50 [0.28-0.89]; p = 0.019). Multivariate modelling suggested monocyte composition and TMB were independent and complementary predictors of outcomes. Neither factor was associated with outcomes in a TCGA cohort of EAC patients not treated with ICI, suggesting these biomarkers may be specific to ICI or ICI+CTX. Our findings suggest monocyte composition and TMB may identify EAC patients likely to benefit from ICI+CTX. INCITE upregulation may also serve as a useful monitor of ICI efficacy. These timely findings further our understanding of ICI response and resistance and may help inform patient selection for ICI+CTX. Citation Format: Thomas M. Carroll, Joseph A. Chadwick, Richard P. Owen, Michael J. White, Joseph Kaplinsky, Iliana Peneva, Anna Frangou, Jaeho Chang, Phil F. Xie, Andrew Roth, Bob Amess, Hantao Lou, Katy J. McCann, Georgina Berridge, Roman Fischer, Chansavath Phetsouphanh, Ayo O. Omiyale, Brittany-Amber Jacobs, David Ahern, Simon R. Lord, Stewart Norris-Bulpitt, Sam T. Dobbie, Lucinda Griffiths, Kristen Aufiero Ramirez, Toni Ricciardi, Mary J. Macri, Aileen Ryan, Ralph R. Venhaus, Benoit J. Van den Eynde, Ioannis Karydis, Benedikt M. Kessler, Benjamin Schuster-Böckler, Mark R. Middleton, Xin Lu. Comprehensive molecular profiling to predict first-line immunochemotherapy outcomes in inoperable esophageal adenocarcinoma [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 1247.

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KAPLAN, JOEL H. "Thomas Middleton's Epitaph on the Death of Richard Burbage, and John Payne Collier." Papers of the Bibliographical Society of America 80, no. 2 (June 1986): 225–32. http://dx.doi.org/10.1086/pbsa.80.2.24303970.

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Metcalf, George. "A Microcosm of Why Africans sold Slaves: Akan Consumption Patterns in the 1770s." Journal of African History 28, no. 3 (November 1987): 377–94. http://dx.doi.org/10.1017/s0021853700030097.

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The European goods which Africans consumed in the slave trade era tell us much about the African societies which imported them. However the study of the subject has involved much confusion through the application of fragmentary evidence from different societies in different stages of development towards the fashioning of broad hypotheses about the impact of the trade on West Africa as a whole. It is important therefore, when the evidence is available, to study each society and each group of African middlemen individually as well as within the wider context.The papers (especially the barter records) of Richard Miles throw a good deal of light on one such microcosm: the Akan people of the Gold Coast in the second half of the eighteenth century. The Fante middlemen with whom Miles dealt required, for virtually every barter, an assortment of goods from five major categories: hardware, currencies, textiles, luxury items, arms and ammunition. Though all these categories were necessary for the trade, it is notable that textiles were far and away the dominant commodity desired by the Akan. Guns were in surprisingly low demand during this period which suggests that the Akan slave producers (principally the Asante) had no difficulty raising slaves through tribute in peacetime and were not forced to rely on wars and slave-raids.Miles's documents also make it clear that generalizations drawn from the Gold Coast in this period cannot be extended automatically to other areas; Akan history tells us that neither can they be extended on the Gold Coast into a different era.

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COCHRANE, LAURA L. "Roots in Reverse: Senegalese Afro‐Cuban Music and Tropical Cosmopolitanism. Richard M.Shain. Middletown, CT: Wesleyan University Press, 2018. 214 pp." American Ethnologist 49, no. 1 (January 18, 2022): 132–33. http://dx.doi.org/10.1111/amet.13061.

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Epstein, Lee. "A Mob Intent on Death: The NAACP and the Arkansas Riot Cases. By Richard C. Cortner. Middletown, CT: Wesleyan University Press, 1988. 278p. $27.95." American Political Science Review 84, no. 1 (March 1990): 296–97. http://dx.doi.org/10.2307/1963663.

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Frechtling, Douglas C. "Book Reviews : HOSPITALITY AND TRAVEL MARKETING By Alastair M. Morrison (Delmar Publishers, Box 15-015, Albany, New York 12212,1989, 532 pages) MARKETING IN TRAVEL AND TOURISM By Victor T. C. Middleton (Heinemann Professional Publishing, Halley Court, Jordan Hill, Oxford OX2 8EJ, England, 1988, 308 pages) MARKETING LEADERSHIP IN HOSPITALITY: FOUNDATIONS AND PRACTICES By Robert C. Lewis and Richard E. Chambers (Van Nostrand Reinhold, 115 Fifth Avenue, New York, N.Y. 10003,1989, 699 pages." Journal of Travel Research 28, no. 4 (April 1990): 60–61. http://dx.doi.org/10.1177/004728759002800414.

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Gargano, Cara. "Dances that Describe Themselves: The Improvised Choreography of Richard Bull. By Susan Leigh Foster. Middletown, CT: Wesleyan University Press, 2002. Pp. vii + 334 + illus. $65Hb; $19.95 Pb." Theatre Research International 28, no. 2 (June 26, 2003): 221–22. http://dx.doi.org/10.1017/s0307883303321091.

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Albright, Ann Cooper. "Dances That Describe Themselves: The Improvised Choreography of Richard Bull, by Susan Foster. 2002. Middletown, CT: Wesleyan University Press, xiii + 334 pp., illustrations, appendices, bibliography, index. $19.95 paper." Dance Research Journal 35, no. 1 (2003): 101–4. http://dx.doi.org/10.1017/s0149767700008792.

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Howarth, Lynne C. "Politics of Knowledge: The Commercialization of the University, the Professions, and Print Culture. By Richard Ohmann; foreword by, Janice Radway. Middletown, Conn.: Wesleyan University Press, 2003. Pp. 308. $65.00 (cloth). ISBN 0‐8195‐6589‐X. $22.95 (paper). ISBN 0‐8195‐6590‐3." Library Quarterly 74, no. 2 (April 2004): 220–22. http://dx.doi.org/10.1086/382852.

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Christie, Renfrew. "Democratic Liberalism in South Africa: its history and prospect edited by Jeffrey Butler, Richard Elphick, and David Welsh Middletown, Connecticut, Wesleyan University Press; Cape Town, David Philip; 1987. Pp. xiv + 426. $35.00. R27.00 paperback. - Journey Continued: an autobiography by Alan Paton Cape Town, David Philip; Oxford University Press; 1988. Pp. 308. R36.90. £14.95." Journal of Modern African Studies 27, no. 1 (March 1989): 170–72. http://dx.doi.org/10.1017/s0022278x00015792.

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Leonard, Franck. "Articulating Railway History. The Shaping Of America: A Geographical Perspective on 500 Years of History. Volume 3: Transcontinental America 1850-1915. By D. W. Meinig. (New Haven: Yale University Press, 1999. 480 p. ISBN 0-300-07592-8. US$55. hb; ISBN 0-300-08290-8. US$25. pb.) The Philosophy of Railways: The Transcontinental Idea in British North America. By A. A. den Otter. (Toronto: University of Toronto Press, 1997. 300 p. ISBN 0-8020-4161-2. $34.95) Gentlemen Engineers: The Working Lives of Frank and Walter Shanly. By Richard White. (Toronto: University of Toronto Press, 1999. 280 p. ISBN 0-8020-0887-9. $50.) The Bridge at Québec. By W. D. Middleton. (Bloomington: Indiana University Press, 2001. 216 p. ISBN 0-253-33761-5. $39.95) Au rythme du train, 1859-1970. By Alexander Reford. (Sainte-Foy: Publications du Québec, 2002. 214 p. ISBN 2-551-19561-6. $29.95)." Scientia Canadensis: Canadian Journal of the History of Science, Technology and Medicine 26 (2002): 103. http://dx.doi.org/10.7202/800445ar.

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Hearn, Alison. "Money on the Brain: Narratives of corporate uBruneau, William and James Turk, eds. 2004. Disciplining Dissent: The Curbing of Free Expression in Academia and the Media. Toronto: James Lorimer and Co.Ohmann, Richard. 2003. The Politics of Knowledge: The Commercialization of the University, the Professions, and Print Culture. Middletown, CT: Wesleyan University Press.Slaughter, Sheila and Gary Rhoades. 2004. Academic Capitalism and the New Economy: Markets, State and Education. Baltimore and London: Johns Hopkins University Press.McCracken, Scott. 2004. Special issue, New Formations 53 (Summer).Martin, Randy. 2004. Special issue, Social Text 22, no. 2 (May)." TOPIA: Canadian Journal of Cultural Studies 15 (May 2006): 109–21. http://dx.doi.org/10.3138/topia.15.109.

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Fenerick, José Adriano. "Tradição e experimentalismo: a dança dos sentidos na música popular." História (São Paulo) 37 (December 3, 2018). http://dx.doi.org/10.1590/1980-4369e2018033.

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Resumo Este pequeno ensaio é uma discussão sobre os significados da expressão música popular. Nosso ponto de partida provém das constatações de Richard Middleton sobre a polissemia da música popular. No entanto, problematizamos as questões de Middleton quando o cotejamos com a perspectiva dos Estudos Culturais sobre o que se entende por cultura popular, bem como com a perspectiva da teoria crítica sobre o que se entende por vanguarda. Assim, a expressão música popular, mais que um conceito, torna-se um campo em disputa pelas várias forças culturais que constituíram a sonoridade contemporânea, do folclore ao modernismo, da cultura de massa ao experimentalismo.

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"Welcome 2011 CSS President Richard Middleton [People in Control]." IEEE Control Systems 30, no. 6 (December 2010): 47–49. http://dx.doi.org/10.1109/mcs.2010.938482.

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Starkenburg, Keith. "What is Good for Christ is Good for the Cosmos: Affirming the Resurrection of Creation." Pro Ecclesia: A Journal of Catholic and Evangelical Theology, December 28, 2020, 106385122096733. http://dx.doi.org/10.1177/1063851220967333.

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Many churches and scholars affirm that God renews the cosmos at the eschaton. Some scholars have begun to say the cosmos is resurrected in Christ, without much warrant for that discourse. With a focus on N.T. Wright and Richard Middleton, the article shows why some scholars have begun to say that the creation is resurrected in Christ, along with the relative paucity of an argument for this claim. This article begins to fulfill this need by making a theological argument from biblical sources, utilizing an interpretive approach outlined by David Yeago. It suggests that, for some scholars, the idea that the creation is not destroyed at the eschaton may motivate some resistance to the claim that creation is resurrected.

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Thouret, Clotilde. "Politique tragique vs. politique comique ? Richard III de Shakespeare et A Game at Chess de Middleton." Sillages critiques, no. 31 (December 29, 2021). http://dx.doi.org/10.4000/sillagescritiques.11632.

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, Editor. "Issue Notes." Historical Papers, December 14, 2022. http://dx.doi.org/10.25071/0848-1563.39142.

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The following papers were presented to the Canadian Society of Church History in 2009, but were not made available for publication: Michael Friesen, “Draft Resistance and the Politics of Gender: A Life History Approach to Understanding Mennonites, Anti-Militarism and Masculinity in the United States during the Vietnam War”; Bruce Douville, “Spiritual Midwife? Liberal Christianity and the Origins of the Canadian New Left”; Marlene Epp, “Preachers, Prophets, and Missionaries: The dichotomous religious lives of Mennonite women in Canada”; William Klassen, “Pilgram Marpeck (1495-1556)”; J. Richard Middleton and David Belles, “Variant Eschatologies in the Great Awakenings and the Social Gospel: Case Studies in Jonathan Edwards, Dwight L. Moody and Walter Rauschenbusch”; Darren Schmidt, “Reviving the Past: Eighteenth-Century Evangelical Interpretations of Church History”; Stephen Fai, “St. Michael of Ponass Lakes, Saskatchewan: Icon, Architecture, and Material Imagination”; Iain Edgehill, “The Religious and Theological Elements in Caribbean Slave Revolts”; Brian Froese, “Contrasting Visions of Mission: Mennonite Social Activism and Mennonite Brethren Evangelicalism in Post-War British Columbia”; Andrew Eason, “The Salvation Army and the Sacraments in Victorian England: Retracing the Steps to Non-Observance”; and Donna Kerfoot, “Florence Nightingale’s ‘Way of Perfection’ in Nineteenth-Century England”; presentations by A.B. McKillop and Ian McKay on Richard Allan’s The View from Murney Tower: Salem Bland, the Late Victorian Controversies, and the Search for a New Christianity; and presentations by Linda Ambrose, Sam Reimer, and Robert Choquette on a collection of essays edited by Michael Wilkinson entitled Canadian Pentecostalism: Transition and Transformation.

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BURNARD, TREVOR. "Richard Middleton, Pontiac's War: Its Causes, Course and Consequence (New York and London: Routledge, 2007, £12.99). Pp. xi+272. isbn978 0 415 97913 9." Journal of American Studies 43, no. 1 (April 2009). http://dx.doi.org/10.1017/s0021875809006392.

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Gligo, Niksa. "Erscheint auf dem Horizont ein neues Paradigma – “cultural musicology”? Martin Clayton, Trevor Herbert, Richard Middleton (eds.), The Cultural Study of Music. A Critical Introduction, New York/London: Routledge, 200." European Journal of Musicology 7 (June 30, 2004). http://dx.doi.org/10.5450/ejm.2004.7.6183.

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Journal articles on the topic 'Richard of Middleton'

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