Relevant bibliographies by topics / Richard of Middleton

Academic literature on the topic 'Richard of Middleton'

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Published: 10 March 2023

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Journal articles on the topic "Richard of Middleton"

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Hamm, Charles. ": Studying Popular Music . Richard Middleton." Journal of Musicology 9, no. 3 (July 1991): 376–98. http://dx.doi.org/10.1525/jm.1991.9.3.03a00050.

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Blayney, Peter W. M. "Some Biographical Notes on Richard Bradock (and Others)." Library 23, no. 4 (December 1, 2022): 422–34. http://dx.doi.org/10.1093/library/fpac041.

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Abstract Because the printer Richard Bradock began his apprenticeship during the five-year gap in the Stationers’ early records, his origins have remained unknown. Tracing the life and career of his second known master (Henry Middleton), and of Middleton’s own wider connections in the trade, has led to a record of a man who turns out to have been Bradock’s father. Moreover, in his Stationers’ Company Apprentices, 1605–1640 (1961), D. F. McKenzie wrongly supposed that some records of a Richard ‘Bradde’ (or ‘Bradd’, or ‘Brad’) were simply using an abbreviated form of ‘Bradock’. Consequently, half the apprentices credited to Bradock should be reassigned to the Stationer Richard ‘Brad’, the son of Stationer John ‘Bread’ or ‘Bred’.
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Waksman, Steve. "REVIEWS: Musical Belongings: Selected Essays by Richard Middleton." Journal of Popular Music Studies 22, no. 3 (September 9, 2010): 340–43. http://dx.doi.org/10.1111/j.1533-1598.2010.01247.x.

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Echard, William. "An analysis of Neil Young's ‘Powderfinger’ based on Mark Johnson's image schemata." Popular Music 18, no. 1 (January 1999): 133–44. http://dx.doi.org/10.1017/s026114300000876x.

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The analysis presented in this paper is one result of my interest in embodiment, and its potential role in the semiotic analysis of popular music. In cultural studies and symbolic anthropology, theorists often read the body as a carrier of codes, a surface for the inscription and negotiation of meaning. In popular music studies, this viewpoint often appears in fairly simple ways, and it also sometimes appears in a more subtle fashion. Richard Middleton, for example, considers the body both as a code-bearing surface, and as the ground for musical feeling, exploring how embodied experiences generate and interact with other levels of code (Middleton 1990, 1993). Similar things are done by Frith (1996), Walser (1993), Brackett 1995), and others.
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Muehlbauer, Matthew S. "Pontiac's War: Its Causes, Course, and Consequences by Richard Middleton." Michigan Historical Review 35, no. 1 (2009): 133–34. http://dx.doi.org/10.1353/mhr.2009.0024.

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Stewart, Robert B. "Doing History the (W)right Way." Journal for the Study of the Historical Jesus 13, no. 2-3 (May 5, 2015): 328–46. http://dx.doi.org/10.1163/17455197-01302011.

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This article argues that Wright’s historical method is neither modern nor postmodern though it does contain elements that are found in each. In it I assess Wright’s method in light of critique from Carey Newman on the one hand and Brian Walsh and Richard Middleton on the other. I conclude that all of them are partially correct and partially incorrect.
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Bowman, Rob. "The Stax sound: a musicological analysis." Popular Music 14, no. 3 (October 1995): 285–320. http://dx.doi.org/10.1017/s0261143000007753.

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In recent times there has been an encouraging increase in the musicological study of Western popular music by members of the academy. Both Richard Middleton and Alan Moore have published important books that are emphatic about the need for such study (Middleton 1990; Moore 1993). Also there have been a number of articles in a variety of journals over the past several years that have either addressed the need for, suggested various approaches to, or actually taken a musicological approach to one or another aspect of popular music (Foret 1991; Brackett 1992; Hawkins 1992; Moore 1992; Taylor 1992; Walser 1992; Middleton 1993). Despite this flurry of activity, as far as this author is aware, there has been no academic musicological work, other than Robert Walser's recent study of heavy metal (Walser 1993), that has attempted to ferret out the component parts of a given genre through an analysis of a sizable body of repertoire. There is an acute need for such work if popular music scholars are going to begin to understand in concrete terms what is meant by terms such as rock, soul, funk, Merseybeat and so on. This essay is an attempt to begin such a study for the genre of southern soul music as it was manifested by Stax Records in Memphis, Tennessee.
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Hesmondhalgh, David. "Voicing the Popular: On the Subjects of Popular Music by Richard Middleton." Journal of Popular Music Studies 21, no. 3 (September 2009): 316–20. http://dx.doi.org/10.1111/j.1533-1598.2009.01199_1.x.

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Balint, Jordan. "A New Heaven and a New Earth: Reclaiming Biblical Eschatology by J. Richard Middleton." Toronto Journal of Theology 32, no. 2 (December 2016): 408–9. http://dx.doi.org/10.3138/tjt.32.2.408.

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Kentie, David D. "A New Heaven and a New Earth: Reclaiming Biblical Eschatology, by J. Richard Middleton." PNEUMA 40, no. 3 (October 16, 2018): 413–15. http://dx.doi.org/10.1163/15700747-04003014.

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Dissertations / Theses on the topic "Richard of Middleton"

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Blumenstock, James A. "A postmodern approach to postmodernism a survey and evaluation of contemporary evangelical responses to postmodernism /." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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D'Ercole, Angela Federica. "Il Peccato dell’Angelo. I dibattiti scolastici tra la fine del XIII e gli inizi del XIV secolo." Doctoral thesis, Universita degli studi di Salerno, 2017. http://hdl.handle.net/10556/2677.

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2015 - 2016
In the broad setting of the medioeval Scholasticism, between the 13th and the beginning of the 14th centuries, few theologians put the focus on one question: the angelic sin. That is: how is it possible that, according to Aristotle, a perfectly intellectual creature can make an error of judgement and so to fall in sin? This is the most relevant aspect for the authors we have picked in exam, wich, rather than investigate the role and the participation of Lucyfer in human matters, they have an obsession with the possibility itself in the angelic sin. They consider the matter a real enigma to be solved. In fact, Lucyfer is a real exception (almost impossible to be demonstrated) in a universe where the relationship between the retional and the good seems to be undeniable. Furthermore, the fact the an intellectually perfect creature can make a mistake and chose the evil come to be impossible. Ultimately, the question is: how is it possible to an angel to turn into a demon? That is, how is it possible for the Devil to rise? This is the thorny question that the scholastic theologians are trying to answer and in this work we tried to reconstruct the debate upon the matter by a historycal-phylosophical view. The question is particularly intersting in relation with the “Psychology of action” of aristothelic mould and it is linked with the debate between “intellectualists” and “voluntarists”, which found it outburst between the end of the 13th and the beginning of the 14th centuries. This work is based particularly on the analysis of three doctrinal opinions: on one hand the Thomas of Aquinas’ one, on the other hand Richard of Middleton and Peter John Olivi’s ones. Nevertheless, there are many reasons for this choise, but there is one of them particularly worth of notice: in the play of the three mentioned authors we can retrace three threaties or, it would be better to say three sections of vaster plays, which seem to be the only ones that could be defined as “threaties of demonology” in the period between the end of the 13th and the beginning of the 14th centuries. In these texts the question of the angelic sin is directly faced: we are referring to q. 16 of the Quaestiones disputatae de malo of Thomas of Aquinas, to qq. 23-31 of the Quaestiones disputatae of Richard of Middleton (1290-1330) and to qq. 40-48 of the Summa of Peter John Olivi (1288-1295). The attempt was to analyse in detail, starting from a careful study of the texts, the theories of these authors, opportunely comparing them with the theories of the other interlocutors of the debate upon the angelic sin and placing them in their very intellectual context. [edited by Author]
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Parler, Branson L. "The Politics of Jesus and the Power of Creation." Thesis, 2005. http://hdl.handle.net/10756/290728.

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This study examines the theology and social ethics of John Howard Yoder with a view toward how creation and redemption are related in his theology. The first chapter examines Yoder's aversion to certain construals of creation and argues that he is not inherently hostile to creation as such, but is cautious with respect to the possible abuse of creation as a theological and ethical category. The second chapter evaluates the nature of the state in Yoder's theology, examines his view of the Powers in this context, and argues that his view of redemption can be seen as a restoration of an eschatologically open creation. The third chapter compares Yoder's theology and social ethics with those of J. Richard Middleton, arguing that there may be a potential for interconnection between Yoder's Anabaptistic focus on the politics of Jesus and Middleton's Reformational emphasis upon the goodness of the power of creation seen in the imago Dei of Genesis I.
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Wolters, Albert M., John D. Suk, Jenny Siebring DeGroot, Allyson Dziedzic, and Dyk Benjamin Groenewold Van. "Perspective vol. 41 no. 1 (Mar 2007)." 2013. http://hdl.handle.net/10756/251169.

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Wolters, Albert M., John D. Suk, Jenny Siebring DeGroot, Allyson Ann Dziedzic, and Dyk Benjamin Groenewold Van. "Perspective vol. 41 no. 1 (Mar 2007)." 2007. http://hdl.handle.net/10756/277518.

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Anonby, David. "Shakespeare and soteriology: crossing the Reformation divide." Thesis, 2020. http://hdl.handle.net/1828/12439.

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My dissertation explores Shakespeare’s negotiation of Reformation controversy about theories of salvation. While twentieth century literary criticism tended to regard Shakespeare as a harbinger of secularism, the so-called “turn to religion” in early modern studies has given renewed attention to the religious elements in Shakespeare and his contemporaries. Yet in spite of the current popularity of early modern religion studies, there remains an aura of uncertainty regarding some of the doctrinal or liturgical specificities of the period. This historical gap is especially felt with respect to theories of salvation, or soteriology. Such ambiguity, however, calls for further inquiry into historical theology. As one of the “hot-button” issues of the Reformation, salvation was fiercely contested in Shakespeare’s day, making it essential for scholarship to differentiate between conformist (Church of England), godly (puritan), and recusant (Catholic) strains of soteriology in Shakespearean plays. I explore how the language and concepts of faith, grace, charity, the sacraments, election, free will, justification, sanctification, and atonement find expression in Shakespeare’s plays. In doing so, I contribute to the recovery of a greater understanding of the relationship between early modern religion and Shakespearean drama. While I share Kastan’s reluctance to attribute particular religious convictions to Shakespeare (A Will to Believe 143), in some cases such critical guardedness has diverted attention from the religious topography of Shakespeare’s plays. My first chapter explores the tension in The Merchant of Venice between Protestant notions of justification by faith and a Catholic insistence upon works of mercy. The infamous trial scene, in particular, deconstructs cherished Protestant ideology by refuting the efficacy of faith when it is divorced from ethical behaviour. The second chapter situates Hamlet in the stream of Lancelot Andrewes’s “avant-garde conformity” (to use Peter Lake’s coinage), thereby explaining why Claudius’s prayer in the definitive text of the second quarto has intimations of soteriological agency that are lacking in the first quarto. The third chapter argues that Hamlet undermines the ghost’s association of violence and religion, thus implicitly critiquing the proliferation of religious violence on both sides of the Reformation divide. The fourth chapter argues that Calvin’s theory of the vicarious atonement of Christ, expounded so eloquently by Isabella in Measure for Measure, meets substantial resistance, especially when the Duke and others attempt to apply the soteriological principle of substitution to the domains of sexuality and law. The ethical failures that result from an over-realized soteriology indicate that the play corroborates Luther’s idea that a distinction must be maintained between the sacred and secular realms. The fifth chapter examines controversies in the English church about the (il)legitimacy of exorcising demons, a practice favoured by Jesuits but generally frowned upon by Calvinists. Shakespeare cleverly negotiates satirical source material by metaphorizing exorcisms in King Lear in a way that seems to acknowledge Calvinist scepticism, yet honour Jesuit compassion. Throughout this study, my hermeneutic is to read Shakespeare through the lens of contemporary theological controversy and to read contemporary theology through the lens of Shakespeare.
Graduate
2021-11-20
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Books on the topic "Richard of Middleton"

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Savage, Henry. Richard Middleton: The Man And His Work. Kessinger Publishing, LLC, 2007.

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Savage, Henry. Richard Middleton: The Man and His Work. Kessinger Publishing, 2005.

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Middleton, Richard. The day before yesterday . By : Richard Middleton: Richard Barham Middleton was an English poet and author, ... stories, in particular "The Ghost Ship". Createspace Independent Publishing Platform, 2018.

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Doyle, Patrick James. The disintegration of divine illumination theory in the Franciscan School, 1285-1300: Peter of Trabes, Richard of Middleton, William of Ware. 1985.

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Liu, Chih-Chieh. Denaturalizing Coco’s “Sexy” Hips. Edited by Melissa Blanco Borelli. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199897827.013.018.

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This chapter, starting from a seemingly standardized dance promotion in Mandarin pop, one of the dominant music genres in East Asia, attempts to reveal the cultural logics and to denaturalize the corporeal discourses behind what is commonly perceived as the “naturally” spectacular hip movement of a Chinese-American superstar, Coco Lee, whose dance is, in Taiwan, often linked with the idea of “sexiness” and “American-ness.” Calling upon Judith Butler’s idea of performativity (1990) in tandem with Richard Dyer’s notion of star image (1979) and the concept of the dancing body (Thomas 1995; Foster 1996), this chapter, using music video analysis (Vernallis 2004; Beebe and Middleton 2007), delineates Coco’sHip Hop Tonight(2006) to point out the contradictions and reversals of the body in contemporary multimedial context in that “sexiness” is desexualized, “American-ness” is Sinocized, and the meaning of “Chinese-ness” continues to shift according to local cultural and political sensibilities. In this process, music video becomes an intersecting point in which cultural boundaries negotiate and body politics fight to gain the upper hand, revealing a web of complex power struggles in Taiwan where meaning of the body is locally produced yet globally contested.
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Collected Supernatural and Weird Fiction of Richard Middleton: Forty-One Short Stories of the Strange and Unusual Including 'Children of the Moon', 'the Coffin Merchant', 'the Wrong Turning', 'a Railway Journey', 'the Last Adventure', 'a Railway Journey' and 'Blue Blood'. Leonaur Limited, 2022.

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Collected Supernatural and Weird Fiction of Richard Middleton: Forty-One Short Stories of the Strange and Unusual Including 'Children of the Moon', 'the Coffin Merchant', 'the Wrong Turning', 'a Railway Journey', 'the Last Adventure', 'a Railway Journey' and 'Blue Blood'. Leonaur Limited, 2022.

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Spelman Genealogy: The English Ancestry and American Descendants of Richard Spelman of Middletown, Connecticut 1700. Creative Media Partners, LLC, 2018.

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Fannie Cooley Williams 1854-19 Barbour. Spelman Genealogy; The English Ancestry and American Descendants of Richard Spelman of Middletown, Connecticut, 1700 .. Franklin Classics Trade Press, 2018.

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Barbour, Fannie Cooley Williams. Spelman Genealogy: The English Ancestry and American Descendants of Richard Spelman of Middletown, Connecticut, 1700. Franklin Classics, 2018.

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Book chapters on the topic "Richard of Middleton"

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Cross, Richard. "Richard of Middleton." In Encyclopedia of Medieval Philosophy, 1–4. Dordrecht: Springer Netherlands, 2018. http://dx.doi.org/10.1007/978-94-024-1151-5_441-2.

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Hockey, Thomas. "Richard of Middleton." In Biographical Encyclopedia of Astronomers, 1831. New York, NY: Springer New York, 2014. http://dx.doi.org/10.1007/978-1-4419-9917-7_9117.

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Cross, Richard. "Richard of Middleton." In A Companion to Philosophy in the Middle Ages, 573–78. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470996669.ch115.

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Abbey, Leonard B., Wayne Orchiston, Hüseyin Topdemir, Joseph S. Tenn, Carl‐Gunne Fälthammar, A. Clive Davenhall, Leif L. Robinson, et al. "Richard of Middleton." In The Biographical Encyclopedia of Astronomers, 1270. New York, NY: Springer New York, 2007. http://dx.doi.org/10.1007/978-0-387-30400-7_9117.

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Boer, Sander, Alfonso Maierù, Josep Maria Ruiz Simon, Christophe Erismann, Harro Höpfl, Teresa Rupp, Egbert Bos, et al. "Richard of Middleton." In Encyclopedia of Medieval Philosophy, 1132–34. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-1-4020-9729-4_441.

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Cross, Richard. "Richard of Middleton." In Encyclopedia of Medieval Philosophy, 1682–85. Dordrecht: Springer Netherlands, 2020. http://dx.doi.org/10.1007/978-94-024-1665-7_441.

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SCHABEL, Christopher D. "Note on the Vernacular Name of Richardus de Mediavilla: Of ‘Menneville’, Not ‘Middleton’." In Rencontres de Philosophie Médiévale, xix—xxii. Turnhout, Belgium: Brepols Publishers, 2020. http://dx.doi.org/10.1484/m.rpm-eb.5.120296.

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Ingram, Robert G. "I know not what to make of the author." In Reformation without end. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526126948.003.0006.

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Part II of this book (chapters 6-9) concern Conyers Middleton. This introductory chapter to Part II sets the scene for this story by considering feud between Middleton and Richard Bentley and its implications for Middleton’s later career. It illustrates two salient points. Firstly, it shows how seemingly scholarly debates — Middleton’s dispute with Bentley over Bentley’s proposed edition of the New Testament in Greek and Latin — were sometimes really just proxy wars in more parochial political squabbles. Secondly, it shows how polemical divines used the law to coerce and punish their polemical rivals.
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Ingram, Robert G. "Conversing … with the ancients: Rome and the Bible." In Reformation without end. Manchester University Press, 2018. http://dx.doi.org/10.7228/manchester/9781526126948.003.0007.

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Having lost a legal battle with Richard Bentley, Conyers Middleton went to Rome for a year and a half during the mid 1720s. During his time in Italy, Middleton developed a view of Christian antiquity at odds with the mainstream orthodox one. This chapter examines both the evolution of Middleton’s stance orthodoxy to heterodoxy and the perceptions and consequences of that evolution. It considers the arguments of his Letter from Rome (1729), highlighting their latently heterodox implications. It shows how the Letter from Rome’s latent heterodoxy became manifest in Middleton’s Letter to Dr Waterland (1730). Finally, it details the ways that his attacks on Daniel Waterland destroyed his relationship with his first patron — Edward Harley, second earl of Oxford — and permanently damaged his career prospects.
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"Leadership in the real world: a postscript by Richard Middleton." In Leadership, 140–47. Routledge, 2005. http://dx.doi.org/10.4324/9780203995716-12.

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