Relevant bibliographies by topics / Rich heroine

Academic literature on the topic 'Rich heroine'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2024

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Journal articles on the topic "Rich heroine"

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Tikhomirov, Vladimir V. "Alexander Ostrovsky vis-a-vis Fyodor Dostoevsky: the omedy “Rich Brides” and the novel “The Idiot”." Vestnik of Kostroma State University 27, no. 4 (December 23, 2021): 113–19. http://dx.doi.org/10.34216/1998-0817-2021-27-4-113-119.

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The comedy “Rich Brides” by Alexander Ostrovsky and the novel “The Idiot” by Fyodor Dostoevsky are close in staging the main plot move – the fate of a woman who sinned due to life circumstances. The main characters of both works fell victims to wealthy patrons who were going to marry them off. They have different personalities, and the heroine of “Rich Brides” Valentina Belyosova, unlike Fyodor Dostoevsky's heroine Nastasya Barashkova, at first glance seems frivolous, but the women, being accused of immorality, transformed, as female pride and a desire to defend themselves awakened in them. Impressed by Yuriy Tsyplunov's bitter emotional accusations, Valentina Belyosova is imbued with respect for him and even confesses her love. The characters in “Rich Brides” are melodramatic and comic with unexpected turns of events. Alexander Ostrovsky does not parody or imitate the author of the novel “The Idiot”, but the metamorphosis that occurred in the feelings and behaviour of Valentina Belyosova (partly in Yuriy Tsyplunov) testifies to the playwright's ability to portray complex characters, which brings his talent closer to Fyodor Dostoevsky's ability to artistically represent the dialectic of personality.
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Barry, Herbert. "Inference of Personality Projected onto Fictional Characters Having an Author's First Name." Psychological Reports 89, no. 3 (December 2001): 705–6. http://dx.doi.org/10.2466/pr0.2001.89.3.705.

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Jane Austen projected some of her personality characteristics onto her fictional namesakes Jane Bennet in the novel Pride and Prejudice and Jane Fairfax in the novel Emma. Wishful fantasy seems satisfied by two attributes of both Janes. They are very beautiful, and they marry rich men they love. A feeling of inferiority was expressed by two attributes of both Janes, depicted as deficient in social communication and subordinate to the heroine of the novel.
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Yang, Cancan. "Angels Wear White: The Expression of Social Symptoms in Feminist Perspective." Philosophy and Social Science 1, no. 1 (January 2024): 1–4. http://dx.doi.org/10.62381/p243101.

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Angels Wear White starts with a child sexual abuse case, presenting the real social situations of females with different identities as the plot unfolds. Female characters in the film, the heroine, Mia, Wen, and Lily, Wen’s mother, Xin, and the allegorical figure of Monroe with rich connotations shed light on women’s lowliness and helplessness in patriarchy. This article will analyze this movie from critical feminist theory, revealing the tough situation that women face under discipline, oppression, and the rise of rebel consciousness after being hurt.
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Lyubimov, Nikolay Ivanovich. "Philosophical problematic in the lyrics of Nadezhda Emykan." Филология: научные исследования, no. 12 (December 2020): 178–88. http://dx.doi.org/10.7256/2454-0749.2020.12.34706.

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Within the framework of studying the typological varieties of modern Mari philosophical poetry, this article examines the lyrics of the contemporary Mari poet Nadezhda Emykan (Vasilyeva), particularly the poems from the compilation “I am the Daughter of Spring” (2016), which reflect the philosophical worldview and perception of the author, and in a certain way characterize the lyrical heroine. Research methodology contains historical-typological and structural-semantic analysis of the works, which allowed describing the structural-semantic levels of philosophical problematic, as well as revealing the authorial concept of the world and a human, and the type of lyrical heroine in the poetry of Nadezhda Emykan. The article discusses the fundamental philosophical problems of the lyrics of Nadezhda Emykan. In this aspect, the lyrics of this contemporary Mari poet is analyzed for the first time. It is proven that the philosophical problematic in Emykan’s lyric poetry is rich and diverse, demonstrating lateral thinking of the author, mental and emotional activity of the lyrical heroine. It is concluded that in analyzing various aspects of life, looking deeply into the present, the author of the book of poems “I am the Daughter of Spring” appears in two guises – as a romanticist, who refuses to accept many aspects of modern life, and as the “core” of the current “sinful” world; she understands the complexity of being, preserves her life principles, inner freedom and honesty therein.
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Hall, Ann C. "The Act of Interpretation." Thornton Wilder Journal 3, no. 1 (July 1, 2022): 45–55. http://dx.doi.org/10.5325/thorntonwilderj.3.1.0045.

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Abstract This article discusses various ways to teach Thornton Wilder’s script and Alfred Hitchcock’s film version of Shadow of a Doubt (1943). While serving as a metaphor for academic research, Shadow of a Doubt is also rich enough to present students with the question of interpretation: How can one work create multiple, even conflicting, meanings? After introducing basic film techniques and literary terms, more complicated interpretive situations, such as Hitchcock’s problematic representation of women or the differences between script and film, may be considered. Students, like the film’s heroine, must investigate the evidence to find responses to these issues.
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Ty, Eleanor. "Asianfail in the City: Michael Cho’s Shoplifter." Asian Diasporic Visual Cultures and the Americas 4, no. 1-2 (March 4, 2018): 45–64. http://dx.doi.org/10.1163/23523085-00401003.

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Michael Cho’s graphic novel Shoplifter is a fine example of “Asianfail,” where the heroine fails to excel as Asian North Americans are “supposed to.” Narratives of failure are either rare or untold in Asian North American literature because Asians are often stereotyped as the successful model minority. Yet Shoplifter is more than simply a story about a twenty-something woman’s search for identity. With its rich details and striking colours, Cho’s visual language suggests that the graphic novel is also about contemporary urban life: its strange beauty and darkness, its complexities and hollowness. Shoplifter is a narrative about the development of a young Asian North American woman as well as a tribute to—and critique of—big city life.
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Ding, Xueying. "Madame Bovary in the Context of Greimas’ “Semiotic Rectangle” Theory." International Journal of Languages, Literature and Linguistics 9, no. 3 (June 2023): 182–86. http://dx.doi.org/10.18178/ijlll.2023.9.3.401.

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Algirdas Julien Greimas (1917–1992) was a famous French structuralist linguist who developed the famous “semiotic rectangle” theory to reveal the rich connections behind complex things. Madame Bovary is one of the masterpieces of the famous French writer Gustave Flaubert (1821–1880), in this novel, the heroine Emma keeps trying to pursue romantic love, but finally chooses to end her life by taking poison due to debt. Based on Grimes’ “semiotic rectangle” theory, this article analyzes character relationships on a structural level in order to fully reveal the surface and deep connotations of the text. The results show that Flaubert criticizes vulgar romanticism and bourgeois characters by establishing several pairs of opposing relationships, and that the fundamental source of the tragedy that led to Emma’s life was the social climate of the time, in which people betrayed each other.
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Petr, Chekalov. "The theme of women's fate in the works of T.Z. Tabulov." Kavkazologiya 2022, no. 2 (June 30, 2022): 214–32. http://dx.doi.org/10.31143/2542-212x-2022-2-214-232.

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This article examines the semantic and linguistic features of T.Z. Tabulov’s works of the 1930s, united by the theme of the situation of the mountain woman in pre-revolutionary times. The story “Jalduz” traces the sad fate of the heroine, losing her husband, home, and forced to wander through the forest because of the capture of the village by the tsarist troops. This article thorough-ly analyzed the scene of the massacre of a baby, a blind old woman, and Jalduz herself. The author characterizes perpetrators of a brutal execution as soulless killing machines, confirmed by an ar-tistic detail: when describing them, the primary attention focuses on weapons. The story “Fatimat” points at the whole subsequent life of a free girl born is a chain of continuous restrictions, reduced to complete captivity after marriage. The widespread national speech formula “happiness has made its way”, related to the heroine, transformed into its semantic antipode when Musa-Big bought her for a thousand rubles. This notes that it is not the person, but wealth imperiously man-ages a person’s life, turning it into a continuous drama. The denouement is also eloquent, which not only reproaches, but denounces and rejects the system that destroys an innocent girl in favor of a rich sensualist. The song “Gulya and Fatimat” raises the same theme of disregard for the spir-itual needs of the individual, telling about the tragedy of a girl who was forcibly married off to an old and unloved rich man. And here the fate of the daughter is sacrificed to the greed of the par-ents. In parallel with interpreting texts, this work analyzes the language of the novels, as well as its functions in specific scenes and episodes. This article reveals the author’s skillful mastery of hyperbole, comparison, metaphor, personification, figurative parallel, antithesis. The considered material leads to the conclusion that such a wealth of expressive elements, such an organic fusion of vocabulary, stylistics and psychologism has not been found in any of the Abaza writers not only in the 1930s but also in later decades.
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Fruzińska, Justyna. "Self-sculpting in Ernest Hemingway’s The Garden of Eden." Crossroads. A Journal of English Studies, no. 44(1) (2024): 84–98. http://dx.doi.org/10.15290/cr.2024.44.1.06.

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Ernest Hemingway’s posthumously published novel The Garden of Eden features arguably the strongest and most transgressive heroine in the writer’s work. Catherine Bourne replays a fear present in other novels by Hemingway and in his view of the Fitzgeralds’ marriage: she is the rich and controlling wife of a writer, whose masculinity is threatened by her financial position. Additionally, Catherine starts a series of experiments connected to gender and sexuality, testing her and her husband’s limits, and ultimately putting at risk their relationship. The paper discusses Catherine’s gender-bending practices as a form of self-expression and self-sculpting, looking for an identity beyond the limitations imposed on her by society. Her transgression is analyzed both as an aim in itself and as a means in the process of self-fashioning, in which Catherine is more determined not only than Hemingway’s other female protagonists but also than her husband David.
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Le Cadet, Nicolas. "Quatre héroïnes en une: art du portrait et féminisme chez Marguerite de Navarre ( L’Heptaméron , 15)." French Forum 47, no. 2-3 (2022): 125–38. http://dx.doi.org/10.1353/frf.2022.a914325.

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Abstract: Nouvelle 15 of the Heptaméron follows the love life of an aristocratic woman over a long period of time: married at a very young age to a husband who completely neglects her in favor of a lady of the court, she first patiently endures her situation before experiencing three successive adulterous loves. In this sentimental education for women, the heroine constantly metamorphoses as she learns: far from a figure presented as unambiguously vicious or virtuous, she evolves in a gray area rich in multiple virtualities and never ceases to amaze the reader with her speeches or her attitude. In fact, Marguerite de Navarre offers here one of the most beautiful portraits of a woman in the entire collection, a portrait in movement and a multifaceted one nourished by four different literary models—the mal mariée , the virile woman, the cunning woman, the lady’s advocate—which reflect the tensions of her (proto-)feminism.
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Dissertations / Theses on the topic "Rich heroine"

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Arias, Mora Dennis [Verfasser]. "Criaturas de lo heroico y lo monstruoso : Metáforas del saber biopolítico y sus cuerpos (Costa Rica, 1900-1946) / Dennis Arias-Mora." Berlin : Freie Universität Berlin, 2013. http://d-nb.info/1045194956/34.

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Books on the topic "Rich heroine"

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Arrillaga, Carlos Gaztambide. Puerto Rico heroico: Cincuenta batallas en su historia : estudio épico-histórico. [Puerto Rico: C. Gaztambide Arrillaga, 1987.

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Orme, David. The cryptic code. Minneapolis: Stone Arch Books, 2009.

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Orme, David. The evil swarm. Minneapolis: Stone Arch Books, 2009.

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Orme, David. The frozen men of Mars. Minneapolis: Stone Arch Books, 2009.

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The Librarian. Penguin Books, Limited, 2012.

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Tryst Six Venom. Penguin Publishing Group, 2024.

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Tryst Six Venom. Independently Published, 2021.

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Code of Silence: A Mafia Romance. Independently published, 2020.

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The Wedding Debt. Auto-édition, 2022.

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The Wedding Debt. Independent, 2022.

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Book chapters on the topic "Rich heroine"

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Skinner, Gillian. "‘Spoken from the Impulse of the Moment’: Epistolarity, Sensibility, and Breath in Frances Burney’s Evelina." In The Life of Breath in Literature, Culture and Medicine, 241–59. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-74443-4_12.

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AbstractSkinner explores the neglected role of breath in the mapping and understanding of eighteenth-century sensibility. Thematically rich in their associations with body and spirit, life and death, breath and breathlessness are also woven into the stylistic particularities of both sentimental and epistolary fiction. Examination of the epistolarity of Evelina, and the dramatic use of dialogue Burney became known for, reveals breathlessness as the signifier of intense and instinctive moral discernment of the kind described by eighteenth-century philosophers such as Frances Hutcheson, complicating the view that the heroine of epistolary fiction more generally, and Evelina in particular, is purely passive. Instead, she emerges as actively involved in numerous scenarios that at once challenge her capacity for moral conduct and allow her to demonstrate her power to act.
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Michie, Helena. "Ladylike Anorexia: Hunger, Sexuality, and Etiquette in the Nineteenth Century." In The Flesh Made Word, 12–29. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780195060812.003.0002.

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Abstract The dinner table is an important locus of interaction in Victorian culture. In the novel, it is the place where characters, plots, and subplots come together to enjoy and to produce the rich complexities of Victorian fiction. In etiquette and conduct books, it is the central social space where the rules that govern Victorian society arc made manifest. Crucial to the dinner party that figures and so prominently figures in so many texts of the period is the heroine, ,vhosc presence and conversations at these social encounters so profoundly influence their outcome.
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Keymer, Tom. "7. Passion and Persuasion." In Jane Austen: A Very Short Introduction, 103–16. Oxford University Press, 2022. http://dx.doi.org/10.1093/actrade/9780198725954.003.0008.

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‘Passion and Persuasion’ explores psychology in Jane Austen’s Persuasion (1817), a novel focused on the suppression and eventual resurgence of passion. Memory is one of the work’s central themes, and the pressures exerted by past choices on consciousness in the present, and on future life. Indeed, the first volume of Persuasion narrates not a shallow capacity for passion but the crushing psychological consequence of wrong decisions and ongoing regret—a pattern amplified by the rich historical (indeed prehistoric) resonances of Lyme Regis, where a pivotal phase of the action takes place. Ultimately, Persuasion unfolds for the heroine as a clever but relentlessly painful reversal of the standard narrative trajectory of courtship fiction. We can observe how in Persuasion, the navy offers a salutary model of national progress in the post-war future.
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Wiśniewska-Kin, Monika. "Edukacyjny potencjał metody przekładu intersemiotycznego – propozycja dla nauczyciela." In Nauczyciel wczesnej edukacji. Oczekiwania społeczne i praktyka edukacyjna. Wydawnictwo Uniwersytetu Łódzkiego, 2011. http://dx.doi.org/10.18778/7525-559-1.12.

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The bibliography about the method of translation is very rich. There are a lot of definitions of this method I chose four approaches of Jan Polakowski, Alicja Baluch, Bożena Chrząstowska and Wiesława Żuchowska. The method of translation I applied on example of a fairy tale. The main aim of my research was the analysis of children’s skills to reflect the scheme of a fairy tale, also their skills to understand and recognize the main idea of a fairy tale. Thanks to working on the text of the fairy tale children were talking about the associations based on shape, colour, texture. They tried to build the home for the main heroine of the tale and also they tried to perceive other children’s problems and find the solution to the problems.
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Pechey, Graham. "‘A complex and violent revelation’: Epiphanies of Africa in South African Literature." In In a Province: Studies in the Writing of South Africa, edited by Derek Attridge and Laura Pechey, 183–204. Liverpool University Press, 2022. http://dx.doi.org/10.3828/liverpool/9781800854901.003.0012.

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This chapter puts to work Joyce’s refunctioning of the word “epiphany” in the study of an aspect of white South African writing. It traces “epiphanies of Africa” from Dante’s imagination of the Southern Hemisphere and Camõens’s depiction of the Cape before moving to the twentieth century and the work of William Plomer, and, in particular, his much-anthologized poem “The Scorpion”. Other literary works of this period are also discussed in relation to Plomer’s poem: Rider Haggard’s Prester John and Olive Schreiner’s Story of an African Farm among them, as well as Plomer’s own deliberately shocking Turbott Wolfe. The problem of early twentieth-century South Africa, as those rare liberal witnesses like Plomer saw it, was to find a discourse that was both symbolically rich and adequate to the highly complex and functionally differentiated society that was emerging out of the territory’s industrial revolution. The chapter also looks forward to J. M. Coetzee’s invented Empire in Waiting for the Barbariansand Nadine Gordimer’s writing an epiphany of sorts in Burger’s Daughter when the heroine sees a drunken black man on a cart cruelly flogging a donkey – a passage which Coetzee has himself related to Dante’s hell.
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Kushlan, James A., and James A. Hancock. "Schrenck’s Bittern Ixobrychus eurhythmus." In Herons, 323–25. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198549819.003.0057.

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Abstract Nothing is known of the population biology and dynamics of this species. As a small bittern that is fairly common and not as shy as other species, it is fairly well known, especially by rice farmers, who consider it to be beneficial. Rice fields are a critically important habitat for the species and may be responsible in part for its recent range expansion (Lansdown et al. 2000). It is probably a species that has benefited from the clearing of lowland forests for rice.As a result, its future in many ways depends on the distribution and continuation of rice farming practices conducive to the species.
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Kushlan, James A., and James A. Hancock. "Indian Pond-Heron Ardeola grayii." In Herons, 236–39. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198549819.003.0037.

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Abstract The Squacco Heron is a brownish-buff bird that blends completely into its surroundings. It typically is a lone feeder, standing, crouched low and still, watching for prey in the water below. It is bird of dense marshes and rice fields. The alarm and flight call is highly recognizable, giving the bird its name. Populations fluctuate, the causes not being clear; hunting, habitat change, and perhaps climate have all been advocated. The increase in rice fields are a likely cause of its recent population growth.
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"Heron Family (Ardeidae)." In Birds of Costa Rica, 48–58. University of Texas Press, 2010. http://dx.doi.org/10.7560/719651-019.

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Kushlan, James A., and James A. Hancock. "Dwarf Bittern Ixobrychus sturmii." In Herons, 329–31. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198549819.003.0059.

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Abstract This is not a well-understood heron, despite being relatively easy to observe. It feeds in rice fields and other open herbaceous wetlands by Walking slowly stalking prey, taking invertebrates and relatively large fish. It has a substantial repertoire of behaviours to use in locating and capturing prey and can also make use of a variety of habitats, especially agricultural situations. Much remains to be learned.
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Kushlan, James A., and James A. Hancock. "Malagasy Pond-Heron Ardeola idea." In Herons, 246–48. Oxford University PressOxford, 2005. http://dx.doi.org/10.1093/oso/9780198549819.003.0040.

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Abstract Walking slowly in shallow water or on the edge of the water. It feeds in the open, and is typically a bird of rice fields over much of its range. It is seen frequently and easily, and can be very numerous. It likely consumes a wider array of prey than is now known, and probably occupies a more diverse habitat. It is a successful species, benefitting from its association with agriculture.
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Conference papers on the topic "Rich heroine"

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Bozorova, Sabohat. "UZBEK HISTORICAL NARRATIVES INSPIRED BY THE “BABURNAMA”." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/jelx1104.

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Uzbekistan's journey toward independence prompted a profound reevaluation of its social, political, and spiritual landscape. This era witnessed a redefinition of literary concepts and criteria, leading to a more precise portrayal of history in literary works. Notably, these changes also influenced the storytelling genre, catalyzing its evolution. During this transformation, themes of freedom, national liberation, resistance against colonialism, and unwavering faith emerged as central narratives, previously considered too risky to explore in Uzbek literature. Instead, they became emblematic of national heroism. Understanding history became synonymous with self-awareness, with “Baburnama” by Babur, the founder of the Babur dynasty, serving as a faithful historical account. Inspired by “Boburnoma” Uzbek writers crafted unique narratives that continue to captivate readers. This study explores Uzbek historical narratives, drawing from the rich records within “Boburnoma”.
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Fan, Yujie, Yiming Zhang, Yanfang Ye, and Xin Li. "Automatic Opioid User Detection from Twitter: Transductive Ensemble Built on Different Meta-graph Based Similarities over Heterogeneous Information Network." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/466.

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Opioid (e.g., heroin and morphine) addiction has become one of the largest and deadliest epidemics in the United States. To combat such deadly epidemic, in this paper, we propose a novel framework named HinOPU to automatically detect opioid users from Twitter, which will assist in sharpening our understanding toward the behavioral process of opioid addiction and treatment. In HinOPU, to model the users and the posted tweets as well as their rich relationships, we introduce structured heterogeneous information network (HIN) for representation. Afterwards, we use meta-graph based approach to characterize the semantic relatedness over users; we then formulate different similarities over users based on different meta-graphs on HIN. To reduce the cost of acquiring labeled samples for supervised learning, we propose a transductive classification method to build the base classifiers based on different similarities formulated by different meta-graphs. Then, to further improve the detection accuracy, we construct an ensemble to combine different predictions from different base classifiers for opioid user detection. Comprehensive experiments on real sample collections from Twitter are conducted to validate the effectiveness of HinOPU in opioid user detection by comparisons with other alternate methods.
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Nedeljković, Uroš. "Miodrag Miša Nedeljković (1927–2004)." In 11th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design, 2022. http://dx.doi.org/10.24867/grid-2022-p79.

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The periodization of fine and applied art after the industrial revolution and the response of alienated artists to industrial kitsch testifies to the utility and purpose of art—the artistic and social avantgardes and the crown of all their endeavors in the heroic period. From art and craft pastiche, to utopian efforts to reform society through design, a rich linear syntagm was structured that intrigued and burdened the creatives from this region, who sought to introduce the land of peasants and barbarogens into the currents of industrial and social progress, culture and art. One of those individuals, in whom Morris and Marinetti, Van Doesburg and Itten, Gropius and Meyer, Vassarelli and Dibiffe... Müller-Brockman and Rand conflicted, tirelessly pursued the affirmation and institutionalization of applied art and design through pedagogical, editorial, theoretical and research work, as well as visual and graphic practice. Miodrag Miša Nedeljković was a modernist with a small 'm', artist and designer, theoretician and practitioner, who nomadically moved through the currents of modern and postmodern fine and applied art and design with renaissance curiosity, driven by intrigue and logic, was primarily concerned with the emergence and establishment of circumstances, and environmental issues.
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