Relevant bibliographies by topics / Rich, Adrienne

Academic literature on the topic 'Rich, Adrienne'

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Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Rich, Adrienne"

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Hussmann, Mary. "On Adrienne Rich." Iowa Review 22, no. 1 (January 1992): 221–25. http://dx.doi.org/10.17077/0021-065x.4127.

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Piercy, Marge. "The Journey of Adrienne Rich." Tikkun 32, no. 3 (2017): 56–60. http://dx.doi.org/10.1215/08879982-4162647.

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Martin, Wendy. "Adrienne Rich: 'Language is Power’." Women's Studies 46, no. 7 (October 3, 2017): 726–27. http://dx.doi.org/10.1080/00497878.2017.1363603.

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Haas, Lidija. "The World of Adrienne Rich." Dissent 63, no. 4 (2016): 18–23. http://dx.doi.org/10.1353/dss.2016.0069.

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Azad, Md Jahidul. "Female Depression through Symbolism: A Study on the Selected Poems of Adrienne Rich." IJOHMN (International Journal online of Humanities) 5, no. 6 (December 10, 2019): 10. http://dx.doi.org/10.24113/ijohmn.v5i6.150.

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This paper talks about Adrienne Rich’s support and standing with the women through her selected poems. The paper discusses the depression of women because of male dominance. Rich uses symbolism to display women depression. She also tries to clear the position of woman in the society. The research demonstrates the position of women through psychoanalysis, social problems and female point of view. This paper also tries to identify Rich’s view on feminism. Adrienne Rich has highlighted the hard reality in her writings. This paper also clarifies Adrienne Rich’s thinking or point view regarding feminism and sexuality. Her experiences regarding the depression of women are displayed here through symbolism. Thus the focal point of the paper is to show how Adrienne Rich shows female depression through symbolism.
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Calder, Jenni. "Adrienne Rich Collected Poems 1950-2012." Jewish Quarterly 64, no. 1 (January 2, 2017): 64. http://dx.doi.org/10.1080/0449010x.2017.1311609.

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Gelpi, Albert. "Powers of Recuperation: Tracking Adrienne Rich." Women's Studies 46, no. 7 (October 3, 2017): 718–19. http://dx.doi.org/10.1080/00497878.2017.1363579.

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Henneberg, Sylvia. "Adrienne Rich: Vigilant Custodian of Time." Women's Studies 46, no. 7 (October 3, 2017): 722–23. http://dx.doi.org/10.1080/00497878.2017.1363585.

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Eagleton, Mary. "Adrienne Rich, Location and the Body." Journal of Gender Studies 9, no. 3 (November 2000): 299–312. http://dx.doi.org/10.1080/713678003.

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Gargaillo, Florian. "Knowing Limits: Adrienne Rich in Rhyme." Twentieth-Century Literature 65, no. 4 (December 1, 2019): 393–410. http://dx.doi.org/10.1215/0041462x-7995612.

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Adrienne Rich’s early poems have long been criticized for their apparent stylistic conservatism. Reconsidering Rich’s first two volumes, this essay aims to offer a new understanding of their place in her poetic development as a whole. Far from traditional forms functioning for her as mere inhibitions, stylistic constraints provided Rich with patterns she could play with and against. In turn, formal rules allowed her to think critically about different social and political limits. This article hopes to encourage a more nuanced appreciation of Rich’s formalist period, highlight its continuities with her later work, and complicate the terms though which understandings of her first poems have been oversimplified—deemed narrowly “conservative” as opposed to “radical.”
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Dissertations / Theses on the topic "Rich, Adrienne"

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Cabral, Rodrigo Espinosa. "Poetry and politics in Adrienne Rich." Florianópolis, SC, 2001. http://repositorio.ufsc.br/xmlui/handle/123456789/81446.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão. Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente.
Made available in DSpace on 2012-10-19T04:07:52Z (GMT). No. of bitstreams: 0Bitstream added on 2014-09-25T21:44:27Z : No. of bitstreams: 1 184732.pdf: 2618142 bytes, checksum: 7b7111efe5e8bc113846d9109f093496 (MD5)
Adrienne Rich publicou 17 livros de poesia e 4 de ensaios. Desde 1951 sua produção literária tem crescentemente estimulado debates críticos e controvérsias, devido à sua poética intrinsecamente relacionada a movimentos de libertação das mulheres, pacifismo, anti-semitismo e outras questões sociais. Este estudo tem por objetivo analisar as relações entre poesia e política na poesia de Rich de 1951 a 1999, tentando acompanhar seu desenvolvimento. Para tanto, o primeiro capítulo discute as idéias de Mikhail Bakhtin e Theodor Adorno sobre lírica e sociedade em relação às de Rich sobre o assunto. Os capítulos posteriores analisam os poemas dela em diálogo com esse embasamento teórico, entrevistas e ensaios de Rich, assim como críticas sobre a obra dela.
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Oliveira, Marcia Gomes de. "Adrienne Rich : towards a feminist poetics." reponame:Repositório Institucional da UFSC, 1992. https://repositorio.ufsc.br/xmlui/handle/123456789/157726.

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Dissertação (mestrado) - Universidade Federal de Santa Catarina. Centro de Comunicação e Expressão
Made available in DSpace on 2016-01-08T17:29:22Z (GMT). No. of bitstreams: 1 90152.pdf: 2613512 bytes, checksum: 752aabb78b2900aba15e6f1d0562d359 (MD5) Previous issue date: 1992
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Hardy, Catherine. "Reforming America: A Study of Robert Lowell, Adrienne Rich and James Wright." The Ohio State University, 1990. http://rave.ohiolink.edu/etdc/view?acc_num=osu1391686454.

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Leao, Juraci Andrade de Oliveira. "Escrita, corpo e ação: a poética e a política de Adrienne Rich." Universidade Federal de Minas Gerais, 2007. http://hdl.handle.net/1843/ECAP-798H3Y.

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Este trabalho busca analisar a trajetória da poeta e ativista política estadunidense Adrienne Rich, investigando até que ponto o engajamento nas lutas sociais se reflete em sua obra. Para tanto, foi feito o levantamento da produção literária da autora, que incluem suas coleções de poemas, ensaios críticos e entrevistas concedidas por ela. Em relação às reflexões desenvolvidas no trabalho, foram utilizados tanto textos críticos sobre a poeta quanto outras teorias, nomeadamente as de Michel Foucault, Edward Said e Hannah Arendt, entre outras. A partir de sua escrita, é possível perceber os diversos papéis assumidos pela poeta e a maneira pela qual a experiência pessoal influencia seu olhar sobre a condição das mulheres na sociedade contemporânea. Rich tem participado de vários movimentos sociais e políticos em seu país, posicionando-se de forma crítica diante dos sucessivos governos dos Estados Unidos da América. A política assume um papel importante na composição de sua arte. A poeta reconhece o poder do discurso como um instrumento que possibilita transformações sociais, e por essa razão busca fortalecer o poder das mulheres também na esfera política. Rich privilegia o discurso que denuncia e procura desestabilizar o poder institucionalizado. Segundo ela, para realizar transformações concretas na sociedade é necessário estabelecer uma relação mais próxima entre o discurso e a ação. Em sua busca por unir escrita e ação política, a poeta teoriza o corpo como um espaço de representação cultural. A partir da análise de seus poemas, ensaios críticos e entrevistas é possível perceber como Rich procura revelar diferentes formas de vivenciar o corpo gendrado, ao mesmo tempo em que faz dessa experiência um ato que pode levar à ação política.
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Lemardeley-Cunci, Marie-Christine. "Trois femmes étude simultanée de poésie américaine, 1960-1980 : Adrienne Rich, Erica Jong, May Swenson /." Lille 3 : ANRT, 1988. http://catalogue.bnf.fr/ark:/12148/cb376152083.

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Munroe, Hotes Catherine. "Film into poetry : the influence of cinema on the poetry of Adrienne Rich." Thesis, University of Exeter, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.403199.

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Camargo, Sarah Valle. "Traduzindo Twenty-one love poems de Adrienne Rich: ambivalência rítmica como re-visão da tradição." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8160/tde-25032019-121336/.

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Este trabalho propõe uma primeira tradução do conjunto de poemas Twenty-One Love Poems (1974-1976) de Adrienne Rich para o português brasileiro e divide-se em dois eixos: o primeiro centra-se nos estudos feministas da tradução, revisando o projeto de Adrienne Rich e o balanço entre a cooperação da tradutora e a tradução como crítica. Discutem-se, caso a caso, as marcações de gênero na tradução, pensando a falácia da neutralidade e as possibilidades relacionadas ao gênero gramatical, com base nos trabalhos de Olga Castro e Myriam Diaz-Diocaretz. O segundo eixo centra-se nas estratégias de recriação de aspectos retórico-formais tais como o contraste entre características antiestéticas e a ambivalência rítmica gerada pela evocação do blank verse, aspectos implicados no ato de re-visão da tradição dos sonetos de amor ingleses performada pela sequência. Com base nos trabalhos de Alice Templeton, Sheila Black, Alicia Ostriker, dentre outras, busca-se mostrar como a postura ambivalente em relação à tradição poética é constituinte do desafio de Rich em sua busca por uma linguagem feminista que alinharia o estético e o político. Para a abordagem da recriação de traços formais, mobilizam-se trabalhos de Paulo Henriques Britto, Mário Laranjeira e Derek Attridge. O conceito de ambivalência que amarra o trabalho recai, por fim, sobre o uso de dêiticos para demarcar espaços, nomear o corpo e fundar a subjetividade autocrítica da voz poemática. Veicula-se a opacidade dos dêiticos, conforme abordada por Giorgio Agamben, a uma postura ambígua frente ao ato adâmico de nomear.
This work presents and discusses a translation of Adrienne Rich\'s set of poems Twenty-One Love Poems (1974-1976) into Brazilian Portuguese. Based on Alice Templeton\'s criticism, it aims to explore the notion of dialogue as well as the re-vision (Rich\'s concept) of the love sonnets\' tradition performed by this sequence of lesbian poems, perhaps the first one written by a major North American poet. The work consists of two parts: the first one focuses on feminist translation studies and the balance between translator\'s cooperation and criticism. It also discusses gender marks on a case-by-case basis, considering the fallacy of neutrality and some possibilities related to grammatical gender, based on the works of Olga Castro and Myriam Diaz-Diocaretz. The second part outlines strategies of re-creation of rhetorical-formal traits such as the anti-aesthetic features and the rhythmic ambivalence given by the poems\' evocation of the blank verse. Formal traits such as these reiterate the challenge faced by Rich in her search for a feminist language in confrontation with the masculine canon, as she reworks traditional poetic forms from another perspective, looking for the dream of a common language, that would align the poetic and the political aspects. This act of translation deals not only with the recreation of traditional Portuguese verse forms, but with the transposition of the notion of tradition to another context as well. This approach is based on the works of Haroldo de Campos, Paulo Henriques Britto, Mário Laranjeira and Derek Attridge.
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Lemardeley, Marie-Christine. "Trois femmes : étude simultanée de poésie américaine : 1960-1980 : Adrienne Rich, Erica Jong, May Swenson." Lyon 2, 1988. http://www.theses.fr/1988LYO20002.

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La lecture simultanee de trois poetes (adrienne rich, erica jong, may swenson) entend favoriser le dialogue entre des paroles poetiques singulieres. Les avatars du corps ecrit disent moins une realite du corps feminin qu'ils ne designent l'evanescence d'un reel (lacan). L'intertextualite permet de capter des bribes de textes ou de representations appartenant a tous, pour leur redonner une motivation poetique. Dans cette recherche imaginaire, le miroir est un instrument heuristique et non un simple ornement. Dans l'amerique des annees soixante secouee par des prises de conscience douloureuses, le feminisme et le poetique sont-ils compatibles? si a. Rich repond par l'affirmative, e. Jong est plus ambivalente et m. Swenson plus circonspecte. Le poeme permet du moins de rassembler des voix oubliees pour composer un palimpseste feminin. L'amerique semble le lieu ideal d'une ecriture utopique, car la question des origines ne cesse jamais de se poser. Les roles socialment prescrits influent sur l'apprehension du langage ordinaire que le poeme travaille. Pour rich la loi symbolique du pere imprime une marque infamante sur le langage, tandis qu'erica jong est stimulee par la dichotomie masculin feminin. Seule m. Swenson maintient a l'abri des poles determines par le sexe une vacillation poetique pure. L'etude du rythme et de la mer impose un rapprochement entre l'ecriture et le fort-da. La notion de voix poetique situe le poetique du cote du feminin, c'est-a-dire d'un reel difficile a cerner. Le nom propre signe l'oeuvre et marque la division irreductible du sujet de l'ecriture. Le feminin dans l'ecriture tient dans cette insistance a souligner la division interne propre a tout sujet d'enonciation: il est moins a rechercher dans les pleins d'un discours construit que dans les raccords et les sutures d'un tissu a inventer fil a fil
By reading three poets simultaneously (adrienne rich, erica jong, may swenson) we aim to further a dialogue between autonomous and distinct poetic "paroles". The metamorphic shapes of the written body tell us less about the reality of the female body than about the evanescent quality of the real (lacan). Intertextuality is a means to recapture snatches of texts or visual representations common to all, in order to give them renewed poetic meaning. In that imaginary quest the mirror is a heuristic implement and not a mere ornament. Does writing amidst the turmoil of the sixties in america mean that feminism and poetic writing are linked? a. Rich seems to answer yes, but e. Jong is more ambivalent and m. Swenson more wary about such equations. However, the poem is able to summon forgotten voices so as to recompose a feminine palimpsest. America seems to be the ideal place for a utopian mode of writing for the question of origins is ever present. The socially ascribed roles influence the poet's apprehension of everyday language that he she works with. For rich the symbolic law of the father puts its infamous imprint on the language, whereas jong finds the masculine feminine dichotomy challenging. Only m. Swenson is willing to adamantly maintain a purely poetic vacillation away from the gender-determined polarities. The study of rhythm and of the sea entails a parallel between writing and the freudian fort-da. The concept of poetic voice helps situate poetic writing in the realm of the feminine, or of the lacanian real, difficult to delimit and define. The name is the poet's signature and it is also the trace of the irreducible division of the subject of writing. The feminine aspect of writing lies in the insistent emphasis on this internal division of the subject of utterance : it is therefore less easy to discover it in the solid substance of discourse than in the shreds and the sutures of an ever-changing poetic fabric
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Shima, Alan. "Skirting the subject : pursuing language in the works of Adrienne Rich, Susan Griffin, and Beverly Dahlen /." Stockholm : Almqvist & Wiksell, 1993. http://catalogue.bnf.fr/ark:/12148/cb35577888h.

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Wadden, Paul Harris Victoria Frenkel. "Doubling and the holotropic urge the dialogical rhetoric of subjectivity in Robert Bly and Adrienne Rich /." Normal, Ill. Illinois State University, 1998. http://wwwlib.umi.com/cr/ilstu/fullcit?p9924356.

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Thesis (Ph. D.)--Illinois State University, 1998.
Title from title page screen, viewed July 18, 2006. Dissertation Committee: Victoria Frenkel Harris (chair), Charles B. Harris, Douglas D. Hesse. Includes bibliographical references (leaves 243-260) and abstract. Also available in print.
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Books on the topic "Rich, Adrienne"

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Stein, Karen F. Adrienne Rich. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4.

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Adrienne Rich. Philadelphia: Chelsea House Publishers, 2005.

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Lemardeley-Cunci, Marie-Christine. Adrienne Rich: Cartographies du silence. [Lyon]: Presses universitaires de Lyon, 1990.

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Langdell, Cheri Colby. Adrienne Rich: The moment of change. Westport, Conn: Praeger, 2004.

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Yorke, Liz. Adrienne Rich: Passion, politics, and the body. London: Sage Publications, 1997.

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Adrienne Rich: Passion, politics and the body. London: SAGE, 1997.

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Richard, McDougall, ed. The very rich hours of Adrienne Monnier. Lincoln: University of Nebraska Press, 1996.

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Werner, Craig Hansen. Adrienne Rich: The poet and her critics. Chicago: American Library Association, 1988.

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The aesthetics of power: The poetry of Adrienne Rich. Athens: University of Georgia Press, 1986.

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Bengoechea, Mercedes. Adrienne Rich: Génesis y esbozo de su teoría lingüística. [Madrid]: Excmo. Ayto. de Alcala de Henares, 1994.

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Book chapters on the topic "Rich, Adrienne"

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Stein, Karen F. "Introduction." In Adrienne Rich, 1–8. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_1.

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Stein, Karen F. "Sources." In Adrienne Rich, 9–20. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_2.

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Stein, Karen F. "Early Poems." In Adrienne Rich, 21–65. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_3.

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Stein, Karen F. "Later Poems, Part One: Feminism 1973–1981." In Adrienne Rich, 67–96. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_4.

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Stein, Karen F. "Later Poems, Part II: 1984–2012." In Adrienne Rich, 97–131. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_5.

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Stein, Karen F. "Adrienne Rich’s Prose." In Adrienne Rich, 133–49. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_6.

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Stein, Karen F. "Teaching Adrienne Rich." In Adrienne Rich, 151–63. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_7.

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Stein, Karen F. "Selected Resources for Studying and Teaching Rich." In Adrienne Rich, 165–72. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_8.

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Stein, Karen F. "Conclusion." In Adrienne Rich, 173–77. Rotterdam: SensePublishers, 2017. http://dx.doi.org/10.1007/978-94-6351-167-4_9.

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Schabio, Saskia. "Rich, Adrienne." In Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18574-1.

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