Academic literature on the topic 'Revenances'
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Journal articles on the topic "Revenances":
Berdet, Marc, and Gérard Dubey. "Place aux revenances !" Socio-anthropologie, no. 34 (December 30, 2016): 9–21. http://dx.doi.org/10.4000/socio-anthropologie.2408.
Paré, François. "Histoires de revenances." Voix et Images 33, no. 1 (2007): 147. http://dx.doi.org/10.7202/017534ar.
Trudel, Éric. "Revenances de Baudelaire." Littérature N° 209, no. 1 (March 2, 2023): 89–101. http://dx.doi.org/10.3917/litt.209.0089.
Ménard, Sophie. "Revenances de la Corriveau." Cahiers de littérature orale, no. 85 (June 18, 2019): 215–22. http://dx.doi.org/10.4000/clo.6157.
Fruteau de Laclos, Frédéric. "Les concepts meurent-ils ? Survivances et revenances dans les sciences." Philosophia Scientae, no. 26-1 (February 25, 2022): 151–67. http://dx.doi.org/10.4000/philosophiascientiae.3414.
Sill, Édouard. "Présences, revenances et rejeux espagnols dans l’internationalisme combattant féminin au Rojava (2014-2018)." Cahiers d’histoire. Revue d’histoire critique, no. 141 (May 1, 2019): 97–117. http://dx.doi.org/10.4000/chrhc.9870.
Foster, Jeremy. "Dancing on the grave of industry: Wenders, Bausch and the affective re-performance of environmental history." cultural geographies 25, no. 2 (December 31, 2017): 319–38. http://dx.doi.org/10.1177/1474474017748709.
Guzlowski, John Z. "Revenants." Polish American Studies 58, no. 2 (October 1, 2001): 110–11. http://dx.doi.org/10.2307/20148619.
Rousseau, Julien. "Revenants affamés." Terrain, no. 69 (April 24, 2018): 172–77. http://dx.doi.org/10.4000/terrain.16648.
Traynor, Desmond, Dermot Bolger, and Joe Ambrose. "Revenants' Revelance." Books Ireland, no. 247 (2002): 56. http://dx.doi.org/10.2307/20632404.
Dissertations / Theses on the topic "Revenances":
Hamel, Jean-François. "Revenances de l'histoire : poétiques de la répétition et narrativité moderne." Paris 3, 2002. http://www.theses.fr/2002PA030091.
The fact that many primitive mythologies were structured by cyclical temporalities is well-known, as is the will of modernity to definitely abandon these old superstitions. Although the XIXth century dreamt of its own progress through the ages, Kierkegaard's Repetition, Marx's The Eighteenth Brumaire of Louis Bonaparte, Nietzsche's The Gay Science and Thus Spoke Zarathustra, and Freud's Beyond the Pleasure Principle, these influential works developed philosophies concerned with repetition, reintegrating the eternal recurrence of things where it was banished. Parallel to this resurgence of repetition in philosophy, which also guides the work of Walter Benjamin and Gilles Deleuze, modern literature has experimented with narrative pragmatics based on repetition. The most representative of its numerous expressions are perhaps Louis-Auguste Blanqui's L'éternité par les astres, Pierre Klossowski's Le Baphomet, Hubert Aquin's Prochain épisode and Claude Simon's Les géorgiques. Questioning modern historical thought, these paradoxical temporal configurations reveal the profound mutation, initiated with the Enlightenment, in the traditional experience of time, and the concurrent transformation of the modalities of narrativity. In societies where the space of experience is dissociated from the horizon of expectation, how can one narrate the flux of time without minimizing the consciousness of the present as a space for action and initiative ? Modern poetics of repetition, concerned with the melancholy that penetrates the modern experience of time, begin emerging through mourning into a search for what Baudelaire calls a "memory of the present". Nevertheless, the issues raised by these poetics of repetition not only concern literary history, but shed new light on the theoretical consequences of the aporetics between time and narrative for the modern representation of historical time
Hamel, Jean-François. "Revenances de l'histoire poétiques de la répétition et narrativité moderne /." [Montréal] : Université de Montréal, 2002. http://wwwlib.umi.com/cr/umontreal/fullcit?pNQ80453.
Titre addit. en anglais: Recurrences of history : poetics of repetition and modern narrativity. "NQ-80453." "Thèse de doctorat déposée en juin 2002 en vue de l'obtention du doctorat en littérature, option littérature générale et comparée de l'Université de Montréal et du Doctorat en Littérature générale et comparée de l'Université Paris III-Sorbonne nouvelle dans le cadre du programme de cotutelle de thèse France/Québec." Version électronique également disponible sur Internet.
Namessi, Solange. "Écrire l’événement : poétiques de la revenance chez Tierno Monénembo, Kossi Efoui et Abdourahman A. Waberi." Electronic Thesis or Diss., Strasbourg, 2023. http://www.theses.fr/2023STRAC026.
The aim of this thesis is to shed light on the writing of the event in French-language literature from sub-Saharan Africa. It is based on a corpus of eight novels: Un rêve utile (1991), Un attiékè pour Elgass (1993), Bled (2016) by Guinean author Tierno Monénembo, Solo d'un revenant (2008), L'Ombre des choses à venir (2011), Cantique de l'acacia (2017) by Togolese author Kossi Efoui, Passage des larmes (2003) and Transit (2009) by Djiboutian author Abdourahman A. Waberi. This research highlights the ways in which these authors model history through writing whose implementation bears witness to an experience of time and which academic Jean-François Hamel theorizes and calls "revenance". Monénembo, Efoui and Waberi develop their conception of historicity, which is of the order of this "revenance" as a recurrent, retrospective movement of a present that constantly returns to a past that it ruminates, as it were. They take history back. Taking it back: in the sense of darning the imaginary formed on a lived history whose reading is made up of misunderstandings; but also seizing the possibility offered by writing of a possible grip on the course of this history
Livermore, Christian. "Revenants from the Church to literature." Thesis, University of St Andrews, 2016. http://hdl.handle.net/10023/7914.
Prébin, Elise. "Adoption internationale : les revenants de Corée." Paris 10, 2006. http://www.theses.fr/2006PA100194.
Discarded alter the war and left at the hands of foreign aid, foreign adoptees born in Korea got to be seen as orphans. Victime of baby traffic in the last 80s, when international adoption decupled. Objecte of national shame then, they are called today successful members of the Korean diaspora in the age of globalization. This lasting ambiguity is illustrated by the way Ach'im matang, a popular weekly family reunion television show on KBS (national charnel), valorizes young foreign adoptees' achievements while staging them with older Korean orphans and emigrants. All three groupe are marginal since they Jack fondamental blond, school and soil ties. Out of participants' memories, village maps and drawings, the hosts recreate the part, the countryside, the village, ideal time-space where conservative values of eider generations reigned. The hosts integrate the participants in a community they build by focusing on physical similarities, 'common tartes of fond and common blond. Foreign adoptees' integration to Korean society is pushed further by sommer !cultural programs organized every year since the 90s by adoption agencies, adoptees' organization or the government. On one hand, participants' school and soil ties are recreated by sommer schools certificates and honorary citizenship, which attach them to a district. On the other hand, the dramatic family reunion seems to recreate the blond tie but in fact is rather a symbol of the two Koreas unification: politicians, journaliste or scholars, ail interpret family separation as the direct consequence of the war, as a tragic event which occurred against people' will. The show evokes war but rather emphasizes "practices" of separation or children circulation: children were fostered by relatives or strangers, sent as labor force in rich houses, raised in orphanages or abandoned. Separations were often voluntary but sien temporary solutions mostly for poor, numerous or single parent familier. Today international adoption is often considered the rame way. As fathers never appear on the show reunions are fragile. Mort of family ties expressed at Ach'im matang do rot create kinship. Moreover, in spite of a high rate of divorce, South Korea shows no recomposed families. So why does a~ remarried parent who knows the tie cari be, accept to perform the reunion? Our hypothesis is that lost and abandoned children are regarded as potential inauspicious dead. Parents or the state must fend and turn them into auspicious beings through appeasing rituals, words and offerings. And reintegration rites turn out to be separation rites, which, like shamanistic rituals, aim to leave both rides in peace
Lugli, Ubaldo. "La rappresentazione dei revenants nella Roma antica." Paris, EPHE, 2006. http://www.theses.fr/2006EPHE5003.
Baker, Jennifer Anne. "Raising revenants : spectrality, embodiment, and the monstrous (un)dead child, 1830-1914." Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.720855.
Gordon, Stephen Richard. "The walking dead in medieval England : literary and archaeological perspectives." Thesis, University of Manchester, 2013. https://www.research.manchester.ac.uk/portal/en/theses/the-walking-dead-in-medieval-england-literary-and-archaeological-perspectives(040c3846-9e2f-4616-8107-f6fef74468e1).html.
Kapitaniak, Pierre. "Spectres, fantômes et revenants : phénomène et représentation dans le théâtre de la Renaissance anglaise." Paris 4, 2001. http://www.theses.fr/2001PA040156.
With the rejection of Purgatory by the Reformed Church, the ghosts became a fashionable subject in demonological debates, just as the rediscovery of Seneca encouraged spirits to haunt the European stages. The study of the relations between these two fields shows some similitude but mostly underlines the differences in apprehending the phenomenon itself : for the demonologists, the Devil always lurked behind apparitions of the souls, whereas the playwrights developed a paradoxical ghost figure insisting on its authority but questioning its reality. Beyond this contradiction, drama better than any other genre reflects the ghost's essential ambivalence, both human and supernatural, but also the ambivalence of its perception as a phenomenon, oscillating between credulity and scepticism
Guidée, Raphaëlle. "Mémoires de l'oubli : revenance et crise de la tradition dans les oeuvres de William Faulkner, Joseph Roth, Claude Simon, Georges Perec et W.G. Sebald." Poitiers, 2008. http://www.theses.fr/2008POIT5018.
Arising in the wake of the major historical disasters of the XXth century, the works of William Faulkner, Joseph Roth, Claude Simon, Georges Perec and W. G. Sebald question the paradoxical inheritance of a vanishing tradition. When the ghosts of history return to haunt the present, this is because their own universe has disappeared, and with it the traditional ways of transmission which ensured the survival of the ancestral world, as well as its representation. Rather than demonstrating the living presence of the past, this haunting presence thus seems to escort the certainty of an unredeemable death, a loss which no literary or artistic monument could make up for. Whereas Romantic representations of the dead associated writing with a form of grave-digging, capable both of resurrecting the dead and making up for their loss, the memory of the departed, in these narratives, is and remains fundamentally melancholic, insofar as it constantly marks the limits of literary resurrection and the fragility of narrative attempts in themselves threatened by the destructive power of Time. However, this departure from the model of the scriptural grave by no means stifles the call for justice accompanying such spectral apparitions. By answering the call of that which is irretrievably lost, these works bear the imprint of a process of memory and oblivion which attempts to recall the memory of the departed, but most of all to keep a trace of their loss. The double ethical pursuit of works such as these, built on the full recognition of the reality of unredeemable death, is to record what can possibly be recorded, and to mark the empty place of that which is beyond recall
Books on the topic "Revenances":
Hamel, Jean-François. Revenances de l'histoire: Répétition, narrativité, modernité. Paris: Minuit, 2006.
Hamel, Jean-Francois. Revenances de l'histoire: Répétition, narrativité, modernité. Paris: Editions de Minuit, 2006.
Hamel, Jean-François. Revenances de l'histoire: Répétition, narrativité, modernité. Paris: Minuit, 2006.
Blacker, Terence. Revenance. London: Bloomsbury, 1996.
Daix, Pierre. Les revenantes: Roman. [Paris]: Fayard, 2008.
Morel, Olivier. Revenants. [Paris]: Futuropolis, 2013.
Nowak, Mark. Revenants: Poems. Minneapolis: Coffee House Press, 2000.
Farrington, Geoffrey. The revenants. Sawtry, Cambs: Dedalus, 2001.
Tepper, Sheri S. The Revenants. London: Corgi, 1986.
Lelorain, Patrice. Revenants: Roman. Paris: La Table ronde, 2011.
Book chapters on the topic "Revenances":
Urbanski, Charity. "Revenants." In Medieval Monstrosity, 154–94. London: Routledge, 2023. http://dx.doi.org/10.4324/9780429243004-5.
Pierce, Seth. "Transtextual Haunting: Revenance." In A Theory of Spectral Rhetoric, 79–87. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69679-5_7.
Prohl, Inken. "Geister (Gespenster/Wiedergänger/Revenants)." In Metzler Lexikon Religion, 463–65. Stuttgart: J.B. Metzler, 2005. http://dx.doi.org/10.1007/978-3-476-00091-0_165.
Benziman, Galia. "“Still Corporeally Imminent”: Hardy’s Revenants." In Thomas Hardy’s Elegiac Prose and Poetry, 77–106. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-50713-6_4.
Bender, Jacob L. "Revenants of the Dispossessed: A Momentary Conclusion." In Modern Death in Irish and Latin American Literature, 233–36. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-50939-2_10.
Camino, Mercedes. "Holocaust Testimony: Survivors, Ghosts and Revenants (1947–2002)." In Memories of Resistance and the Holocaust on Film, 135–67. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-137-49969-1_5.
Carpenter, Damian A. "Restless Epitaphs: Revenance and Dramatic Tension in Bob Dylan’s Early Narratives." In Polyvocal Bob Dylan, 23–49. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-17042-4_2.
Wisker, Gina. "Postcolonial and Cultural Haunting Revenants—Letting the ‘Right’ Ones in." In Contemporary Women's Gothic Fiction, 117–32. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-30349-3_5.
Kührer-Wielach, Florian. "Habsburg Revenants on Victory Road. Greater Romania's Integration Process 1918–33." In Authoritarian Regimes in the Long Twentieth Century, 9–28. Göttingen: V&R unipress, 2022. http://dx.doi.org/10.14220/9783737015028.9.
Liggins, Emma. "Finding Her Place: Claustrophobia, Mourning and Female Revenants in the ghost stories of May Sinclair." In The Haunted House in Women’s Ghost Stories, 195–233. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-40752-0_6.
Conference papers on the topic "Revenances":
Namessi, Solange. "Poétiques de la revenance et redéfinition d’une mémoire postcoloniale chez Tierno Monénembo et Abdourahman Waberi." In Archives matérielles, traces mémorielles et littérature des Afriques. Fabula, 2021. http://dx.doi.org/10.58282/colloques.7149.
Corbellari, Alain. "« Un goût de reviens-y » : quelques réflexions narratologiques et anthropologiques sur le thème des revenants et des « cadavres encombrants » dans les fabliaux." In Les fabliaux en réseau. Fabula, 2024. http://dx.doi.org/10.58282/colloques.11625.