Academic literature on the topic 'Retouch techniques'
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Journal articles on the topic "Retouch techniques":
Martellotta, Eva Francesca, Yinika L. Perston, Paul Craft, Jayne Wilkins, and Michelle C. Langley. "Beyond the main function: An experimental study of the use of hardwood boomerangs in retouching activities." PLOS ONE 17, no. 8 (August 16, 2022): e0273118. http://dx.doi.org/10.1371/journal.pone.0273118.
Falcucci, Armando, and Marco Peresani. "The contribution of integrated 3D model analysis to Protoaurignacian stone tool design." PLOS ONE 17, no. 5 (May 18, 2022): e0268539. http://dx.doi.org/10.1371/journal.pone.0268539.
Patil, Balasaheb H., and Patil P.M. "A Comprehensive Review on State-of-the-Art Image Inpainting Techniques." Scalable Computing: Practice and Experience 21, no. 2 (June 27, 2020): 265–76. http://dx.doi.org/10.12694/scpe.v21i2.1654.
Gao, Xing, and Christopher J. Norton. "A critique of the Chinese ‘Middle Palaeolithic’." Antiquity 76, no. 292 (June 2002): 397–412. http://dx.doi.org/10.1017/s0003598x00090517.
Fasser, Nicolò, Federica Fontana, and Davide Visentin. "How many techniques to retouch a backed point? Assessing the reliability of backing technique recognition on the base of experimental tests." Archaeological and Anthropological Sciences 11, no. 10 (June 21, 2019): 5317–37. http://dx.doi.org/10.1007/s12520-019-00872-x.
Schunk, Lisa, Anja Cramer, Konstantin Bob, Ivan Calandra, Guido Heinz, Olaf Jöris, and João Marreiros. "Enhancing lithic analysis: Introducing 3D-EdgeAngle as a semi-automated 3D digital method to systematically quantify stone tool edge angle and design." PLOS ONE 18, no. 11 (November 30, 2023): e0295081. http://dx.doi.org/10.1371/journal.pone.0295081.
Cuer, Georges. "Archives et techniques : retour du corps, retour du lieu." La Gazette des archives 262, no. 2 (2021): 77–93. http://dx.doi.org/10.3406/gazar.2021.6048.
Vandenbergue, J. "Les techniques d'amélioration du retour veineux." RBM-News 21 (October 1999): S64. http://dx.doi.org/10.1016/s0222-0776(00)88287-5.
Geneste, Jean-Michel. "Retour sur « Systèmes techniques de production lithique »." Techniques & culture, no. 54-55 (June 30, 2010): 416–18. http://dx.doi.org/10.4000/tc.5068.
Akrich, Madeleine. "Retour sur « Comment décrire les objets techniques ? »." Techniques & culture, no. 54-55 (June 30, 2010): 202–4. http://dx.doi.org/10.4000/tc.5136.
Dissertations / Theses on the topic "Retouch techniques":
FASSER, NICOLÒ. "Lithic armatures manufacture during the Late Glacial and the beginning of the Early Holocene between North-Eastern Italy and South-Western France: production methods and techniques." Doctoral thesis, Università degli studi di Ferrara, 2022. http://hdl.handle.net/11392/2488461.
Questa tesi di dottorato analizza le modalità di fabbricazione delle armature litiche durante il Tardoglaciale e l’inizio del primo Olocene in due aree specifiche: l’Italia nord-orientale e la Francia sud-occidentale. Fin dai primi studi della fine del XIX e l’inizio del XX secolo, la variabilità tipologica delle armature litiche dopo il Gravettiano ha permesso di stabilire una divisione culturale tra le regioni atlantico-occidentali e quelle mediterraneo-balcaniche. La prima ha visto il susseguirsi di diverse culture (Solutreano, Badegouliano, Maddaleniano, Aziliano e Laboriano), mentre la seconda è caratterizzata da una maggiore continuità culturale che ha portato allo sviluppo dell’Epigravettiano antico e recente. All’inizio dell’Olocene entrambe le aree studiate presentano evidenze riferibili al Sauveterriano. L’obiettivo di questo progetto di ricerca è di contribuire alla definizione del quadro culturale di queste due regioni è di verificare se a questa chiara diversità morfo-tipologica corrisponde una differenza nelle modalità di produzione e in particolare nella selezione dei supporti e nei metodi e nelle tecniche di ritocco. Per raggiungere questo obiettivo sono state analizzate le armature di due siti della Francia sud-occidentale e di quattro dell’Italia nord-orientale. Per l’area italiana sono stati selezionati siti dell’Epigravettiano recente e del Sauveterriano localizzati in Friuli e nelle Prealpi e Alpi venete datati tra la fine del Dryas antico (GS-2a) e l’inizio dell’Olocene (17.000-10.000 cal BP). Per quanto riguarda l’area francese, invece, abbiamo scelto due siti pluristratificati che coprono approssimativamente lo stesso arco cronologico di quelli italiani e si riferiscono al Magdaleniano superiore, all’Aziliano antico e recente e al Laboriano antico. Non è stato possibile analizzare armature riferibili al Laboriano recente e al Sauveterriano francese. Le armature sono state studiate tramite una metodologia appositamente elaborata. Quest’ultima si basa su due approcci complementari, uno sperimentale e uno tecnologico. Entrambi mirano a ricostruire l’insieme delle catene operative che portano alla produzione delle armature. Sono state realizzate tre principali sessioni sperimentali: la prima dedicata alle tecniche di ritocco, la seconda alla tecnica del microbulino e la terza all’identificazione di altre tecniche utili ad ottenere una fratturazione controllata del supporto. In seguito, il campione sperimentale è stato esaminato combinando un’analisi a basso e alto ingrandimento e un analisi quantitativa. Si è quindi elaborato un approccio integrato spesso utilizzato nell’ambito dell’analisi funzionale, ma raramente applicato per la ricostruzione delle modalità di fabbricazione di strumenti litici. L’applicazione di questa metodologia ha permesso di osservare la variabilità delle armature sotto una nuova luce. I risultati delle analisi effettuate indicano che nonostante le notevoli differenze da un punto di vista morfo-funzionale tra le armature delle due aree prese in esame, molteplici sono i punti in comune. Questi riguardano soprattutto le modalità di selezione dei supporti, i metodi e le tecniche di ritocco, che in diversi periodi del Tardoglaciale sembrano seguire un evoluzione simile. Sebbene i motivi di queste affinità tecnologiche potrebbero essere ricondotti alle dinamiche climatico-ambientali che colpiscono entrambe le regioni durante il Tardoglaciale e l’inizio dell’Olocene, la presenza degli stessi comportamenti tecnici su ampia scala non può che essere il risultato di un’importante rete di connessioni tra i gruppi umani delle regioni atlantico-occidentali e quelle mediterraneo-balcaniche.
Fasser, Nicolò. "Lithic armatures manufacture during the Late Glacial and the beginning of the Early Holocene between North-Eastern Italy and South-Western France : production methods and techniques." Electronic Thesis or Diss., Toulouse 2, 2022. http://www.theses.fr/2022TOU20016.
This Ph.D thesis focuses on manufacturing modalities of lithic armatures during the Late Glacial and the first part of the Early Holocene in two specific areas: North-Eastern Italy and South-Western France. These two regions and more generally the Western-Atlantic and Mediterranean-Balkan areas are characterized, after the Gravettian period, by a clear cultural separation. The aim of this project was to contribute to the definition of the cultural framework in these two regions trying to emphasise variations and/or continuity into each chrono-cultural sequence and possible common trends between the two analysed territories. To answer this question, armatures from six sites located in South-Western France and North-Eastern Italy have been analysed. For the Italian area we selected three Late Epigravettian sites, and a Sauveterrian one, spanning from the latest part of the Oldest Dryas (GS-2a) to the beginning of the Early Holocene. For the French area we choose two multi-layered sites referring to the Upper Magdalenian, Early and Late Azilian and Early Laborian. Armatures were examined by applying a specifically designed methodology. This is based on two complementary approaches, an experimental and a technological one. Both were aimed at reconstructing the whole chaîne opératoire of armatures manufacture, from blanks selection to retouch methods and techniques. The latter were identified by combining a low and high magnifications analysis and a quantitative approach creating a new protocol for the study of lithic backed armatures. Applying this type of analysis allowed observing the variability of Late Glacial armatures in a new light. Despite the considerable morpho-functional divergences among armatures from the two territories analysed, common transformations concerning blanks selection and both retouch methods and techniques were recorded, suggesting the presence of important social networks linking Eastern and Western societies across time
Questa tesi di dottorato si concentra sulle modalità di fabbricazione delle armature litiche durante il Tardoglaciale e l’inizio del primo Olocene in due aree specifiche: l’Italia nord-orientale e la Francia sud-occidentale. Fin dai primi studi della fine del XIX e l’inizio del XX secolo, la variabilità tipologica delle armature litiche dopo il Gravettiano ha permesso di stabilire una divisione culturale tra le regioni atlantico-occidentali e quelle mediterraneo-balcaniche. La prima ha visto il susseguirsi di diverse culture (Solutreano, Badegouliano, Maddaleniano, Aziliano e Laboriano), mentre la seconda è caratterizzata da una maggiore continuità culturale che ha portato allo sviluppo dell’Epigravettiano antico e recente. All’inizio dell’Olocene entrambe le aree studiate presentano evidenze riferibili al Sauveterriano.L’obiettivo di questo progetto di ricerca è di contribuire alla definizione del quadro culturale di queste due regioni è di verificare se a questa chiara diversità morfo-tipologica corrisponde una differenza nelle modalità di produzione e in particolare nella selezione dei supporti, nei metodi e nelle tecniche di ritocco. Per raggiungere tale obiettivo sono state analizzate le armature di due siti della Francia sud-occidentale e di quattro dell’Italia nord-orientale. Per l’area italiana sono stati selezionati siti dell’Epigravettiano recente e del Sauveterriano localizzati in Friuli e nelle Prealpi e Alpi venete datati tra la fine del Dryas antico (GS-2a) e l’inizio dell’Olocene (17.000-10.000 cal BP). Per quanto riguarda l’area francese, invece, abbiamo scelto due siti pluristratificati che coprono approssimativamente lo stesso arco cronologico di quelli italiani e si riferiscono al Magdaleniano superiore, all’Aziliano antico e recente e al Laboriano antico. Non è stato possibile analizzare armature riferibili al Laboriano recente e al Sauveterriano francese.Le armature sono state studiate tramite una metodologia appositamente elaborata. Quest’ultima si basa su due approcci complementari, uno sperimentale e uno tecnologico. Entrambi mirano a ricostruire l’insieme delle catene operative che portano alla produzione delle armature. Sono state realizzate tre principali sessioni sperimentali: la prima è stata dedicata alle tecniche di ritocco, la seconda alla tecnica del microbulino e la terza all’identificazione di altre tecniche utili ad ottenere una fratturazione controllata del supporto. In seguito, il campione sperimentale è stato esaminato combinando un’analisi a basso e alto ingrandimento e un analisi quantitativa. Si è quindi elaborato un approccio integrato spesso utilizzato nell’ambito dell’analisi funzionale, ma raramente applicato per la ricostruzione delle modalità di fabbricazione di strumenti litici.L’applicazione di questa metodologia ha permesso di osservare la variabilità delle armature sotto una nuova luce. I risultati delle analisi effettuate indicano che nonostante le notevoli differenze da un punto di vista morfo-funzionale tra le armature delle due aree prese in esame, molteplici sono i punti in comune. Questi riguardano soprattutto le modalità di selezione dei 3 supporti, i metodi e le tecniche di ritocco, che in diversi periodi del Tardoglaciale sembrano seguire un trend simile. Sebbene i motivi di queste affinità tecnologiche potrebbero essere ricondotti alle dinamiche climatico-ambientali che colpiscono entrambe le regioni durante il Tardoglaciale e l’inizio dell’Olocene, la presenza degli stessi comportamenti tecnici su ampia scala non può che essere il risultato di un’importante rete di connessioni tra gruppi umani appartenenti a diverse culture
Dang, Thanh Trung. "Approche perceptuelle pour la retouche d'images : Algorithmes, évaluation et détection." Thesis, Paris 13, 2014. http://www.theses.fr/2014PA132004/document.
Image inpainting technique has emerged as one of the efficient solutions for restoring degraded images and even video and 3D visual contents. It is essential for restoration and conservation of archeological objects. Indeed, during the excavation of historic sites, many valuable artifacts such as statues, buildings, wall paintings, etc., have been unearthed and recovered. Unfortunately, most of them have been damaged or fractured in ancient times. With the aim to learn from these objects, digital techniques are used to restore them using some a priori knowledge provided by archeologists and artists. This helps to reconstruct, preserve and maintain these valuable artistic works. Recently, advances of computer technology and image acquisition systems made possible the transition from traditional manual retouching methods to digital techniques. It has opened up a very new and interesting research field within image processing, namely digital image inpainting.In this thesis, our work aims at analyzing and reviewing the state-of-the-art methods for image inpainting. Three groups of inpainting methods are identified. The advantages and drawbacks of each approach are analyzed using objective and subjective criteria. Based on this review, a new approach of image inpainting is introduced and compared to literature. The proposed method provides good performance in terms of quality and computation efficiency. Another contribution lies in the proposal of a new quality metric dedicated to image inpainting. To the best of our knowledge the inpainted images are very often evaluated subjectively or by means of some objective metrics far from being adapted to the peculiarities of image inpainting criteria. The last contribution of this work is a less investigated problem related to inpainting detection. This is motivated by the fact that, due to extensive research and rapid growth of technology, the output quality of inpainting algorithms became more than ever realistic and sophisticated. The inpainted regions are hard to detect by viewers, even for experts. As a result, these inpainted images could be used for different purposes, including digital tampering. Therefore, the last topic of the work is devoted to inpainting detection, also seen as an inverse problem of inpainting. Although, many papers have been introduced for forgery detection, there is almost no study about image inpainting forgery. Accordingly, a novel approach for inpainting detection is introduced based on the knowledge gathered in the previous steps of the thesis. Finally, the performance of proposed solutions is carefully evaluated with regards to human judgment as well as in comparison with the existing methods though a series of experimental studies
Kerdreux, Erwan. "Peinture, "aller et retour" : prolongation de problématiques picturales par l'usage du volume." Paris 1, 1994. http://www.theses.fr/1994PA010678.
"Forward and backward" perspectives on painting : extending pictorial considerations through the use of volume. The research presented herein provides the opportunity to introduce disturbances into the author's experience with the plastic arts. His painting is then taken to a heretofore unknown dimension : the dimension of volume. This text recognizes the alteration that takes place when resorting to such a use of volume. Over a very short period of time, this volumetric phase assumes a theoretical significance. The artist quickly realizes that volume, and more precisely the technique of folding, constitutes a state through which the painting rediscovers its fundamental meaning. The artistic richness of the whole experience resides in transporting the painting into some otherness in order to more closely resemble a hypothetical identity. The resultant form reveals, in time, something about the act of painting. Within the overall experiment, the folding sequence symbolizes the physical exchange between the painter and his work
Cirio, Gabriel. "Retour Multimodal et Techniques d'Interaction pour des Environnements Virtuels Basés Physique et Larges." Phd thesis, INSA de Rennes, 2011. http://tel.archives-ouvertes.fr/tel-00652077.
Laporte, Anne-Marie. "Les techniques de persuasion dans les discours d'Andocide sur les mystères sur son retour." Besançon, 2002. http://www.theses.fr/2002BESA1023.
This study is on the works of Andocide, a Greek orator of the 5th century BC. Its aim is to identify and analyse the means used by the speaker in order to have an effect on various audiences through persuasion. Only a historical study of the texts and their systematic exploration could make this examination possible. The On his Return and On Mysteries speeches make up an outstanding corpus :the same man pleads his own cause again after an interval of several years, and with the same goal : to obtain the right to live as a free citizen in his fatherland. With the first speech, the orator's attempt to persuade his listeners fails, whereas the On Mysteries is a success. Why were they given such a contrasting reception ? We applied the Aristotelian system to Andocide's first two speeches. Aristotle's system of Classification was used as a guide to help us understand how they had been composed
Dagneaux, Leslie. "Les techniques Freinet ou le cinéma scolaire autrement : l’émancipation comme maître-mot : Retour sur quarante ans d’expérimentations (1927-1968)." Thesis, Rennes 2, 2017. http://www.theses.fr/2017REN20054.
This unprecedented study addresses an unknown fold of Cinema History in education. The network « Freinet », named after its instigator Celestin Freinet, has played, since the end of the 20’s, an important role, by introducing the cinema into school in France. It brings together, outside the traditional system, educators campaining for new learning methods ; « experimenters » who use uncommon tools such as cinema in their class. Nowadays, if the network « Freinet » does still exist, the study is limited to the founders experimentations (1927 – 1968). This historical flashback aims to discover uncommon uses, also demonstrating a great modernity. Practices establish the main lead of the analysis in order to define a particularism in terms of uses of cinema in class, opposite common uses of movies as support of the lesson. The pupil becomes « actor ». This learning acceptance paves the way for new types of projection. It also opens the way for cinema as an expressing, creating and developing tool
Layec, Patricia. "Techniques de multiplexage spatial avec voie de retour limitée pour les systèmes multi-antennes multi-utilisateurs." Phd thesis, Université Paris Sud - Paris XI, 2009. http://tel.archives-ouvertes.fr/tel-00468761.
Achibet, Merwan. "Contributions to the design of novel hand-based interaction techniques for virtual environments." Thesis, Rennes, INSA, 2015. http://www.theses.fr/2015ISAR0031/document.
Directly using our hands to explore virtual environments and interact with their contents produces a natural and compelling interaction. In this thesis, we propose contributions to improve hand-based interaction in the context of Virtual Reality by considering two main challenges: (1) improving the control of articulated hand models, and (2) providing haptic sensations with accessible techniques. We first address the challenge of interacting through realistic, articulated virtual hands and propose two methods for easing their control. As a first step, we reduce the degrees of freedom of complex hand models in order to make multi-finger interaction possible with common multi-touch interfaces. The resulting system allows users to control a virtual hand by performing gestures over a tactile tablet. Then, we take another approach and separate the degrees of freedom of one virtual hand between two haptic interfaces handled in parallel. Through this distribution of controls and feedback, users are exposed to a variety of haptic effects, otherwise restricted to complex haptic workstations. We then address the challenge of providing haptic sensations during hand-based interaction. To do so, we introduce different techniques that combine passive haptic feedback and pseudo-haptics as an alternative to complex and cumbersome active interfaces. We consider various types of interaction at different scales, starting with coarse interaction with the arm through an elastic armature that provides an egocentric and mobile haptic feedback. We then focus on object grasping and manipulation and propose an interaction paradigm that relies on elastic input devices for reproducing grasping gestures and perceiving modulable haptic properties through crossmodal feedback. Finally, we consider fine multi-finger manipulation and we propose a passive exoskeleton that constrains the digits individually, associated to a multi-finger pseudo-haptic feedback for simulating complex interaction with heterogeneous materials
Pan, Qing. "Techniques d'interactions mixtes isotonique et élastique pour la sélection 2D et la navigation / manipulation 3D." Thesis, Lille 1, 2008. http://www.theses.fr/2008LIL10093/document.
The development of human-computer interaction technologies help people to work more efficiently. Meanwhile, traditional technologies could not fulfill the new born requirements in diverse situations. ln 2D WIMP environment the popular isotonic position control device, such as mouse, touch pad, suffers from clutching which is time-consuming and makes the interaction less smooth. lt is getting worse when using a small input device to interact with a larger screen. 3D interactions attract attentions of many researchers. However, the existing techniques allowing both object and view manipulations are not natural or efficient enough to be totally accepted by users. New input devices and corresponding interaction techniques should be proposed to improve the interaction quality. ln this thesis, we propose two techniques based on isotonic-position and elastic-rate control spaces: 2D RubberEdge for reducing the clutching and 3D Haptic Boundary for efficient object manipulations and exploration in VE. For RubberEdge, we adopted a simulation of the ration of a disc, and a mathematical treatment in its mapping function to guarantee a smooth switch between position and rate control. An evaluation of a 2D selecting task was performed. The result showed that RubberEdge outperforms position-only control by 20%. We then proposed two predictive models for selection time with position-only control and with the hybrid control of RubberEdge. We also presented the first RubberEdge prototype for laptop touchpad. Haptic Boundary allows precise object manipulations inside its isotonic zone and camera manipulation on its boundary. Two kinds of force feedbacks were adopted to provide richer camera motions and to avoid the explicit mode switch which greatly increases user's mentalload. The shape and size of isotonic zone is carefully chosen to maximize the benefit of the rate control with both two force feedbacks. An evaluation of car assembling task was performed. The result showed that Haptic Boundary outperformed the unimanual interface with explicit switch by 50%. After analyze the experiment result, the orbiting inspection is combined to enhance the applicability of Haptic Boundary
Books on the topic "Retouch techniques":
Kelby, Scott. Light it, shoot it, retouch it: Learn step by step how to go from empty studio to finished image. Berkeley, Calif: New Riders, 2012.
Celmat, Yannick. Photoshop CS3: Retouche photo : les techniques de pro. Saint-Herblain: E d. ENI, 2008.
Robert, Dimitri. Gimp 2.4: Débuter en retouche photo et graphisme libre. Paris: Eyrolles, 2007.
Robert, Dimitri. Gimp 2.4: De buter en retouche photo et graphisme libre. 3rd ed. Paris: Eyrolles, 2008.
Evening, Martin. Photoshop CS pour les photographes. Paris: Eyrolles, 2004.
Evening, Martin. Photoshop CS pour les photographes: [manuel de formation pour les professionnels de l'image]. Paris: Éditions Eyrolles, 2005.
Beene, Carrie. Real retouching: A professional step-by-step guide. Burlington, MA: Focal Press, 2011.
Zilberberg, Claude. Retour sur Bonne pensée du matin de Rimbaud. Limoges: PULIM, 2006.
Robert, Dimitri. Gimp 2.6: De buter en retouche photo et graphisme libre. 4th ed. Paris: Eyrolles, 2009.
Freeman, Michael. 101 trucs et astuces pour la photo numérique. [Paris]: Person, 2008.
Book chapters on the topic "Retouch techniques":
Riutort, Philippe. "Techniques de propagande et gestion des imaginaires." In Le retour des populismes, 93–101. La Découverte, 2018. http://dx.doi.org/10.3917/dec.badie.2018.02.0093.
Knittel, Fabien, and Pascal Raggi. "Introduction. Des techniques au genre et retour." In Genre et techniques, 11–21. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.189035.
AÏT-MOHAMMED, F., D. ROBERTON, E. LE GONIDEC, L. PAPILLAULT DES CHARBONNERIES, P. CONSTANTIN, L. AIGLE, and H. LEFORT. "L’infirmier militaire face aux situations de crise sanitaire." In Médecine et Armées Vol. 46 No.3, 247–54. Editions des archives contemporaines, 2018. http://dx.doi.org/10.17184/eac.7340.
CANARD, Sébastien, Sergiu CARPOV, Caroline FONTAINE, and Renaud SIRDEY. "Traiter des données multimédia chiffrées grâce au chiffrement homomorphe." In Sécurité multimédia 2, 191–232. ISTE Group, 2021. http://dx.doi.org/10.51926/iste.9027.ch6.
Beegan, Gerry. "The Picturegoer: Cinema, Rotogravure, and the Reshaping of the Female Face." In Women's Periodicals and Print Culture in Britain, 1918-1939. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474412537.003.0015.
GOURC, Jean-Pierre, and Philippe DELMAS. "L’expérience française des géosynthétiques à partir du comportement d’ouvrages anciens." In Les géosynthétiques d’hier à aujourd’hui, 221–316. ISTE Group, 2024. http://dx.doi.org/10.51926/iste.8175.ch7.
ANOMA, G., S. GUIBOURG, M. STEICHEN, G. CREFF, N. COROLLEUR, and S. DANET. "Exposition aux substances cancérogènes, mutagènes et toxiques pour la reproduction dans les armées." In Médecine et Armées Vol. 46 No.5, 473–96. Editions des archives contemporaines, 2018. http://dx.doi.org/10.17184/eac.7318.
Gélard, Marie-Luce. "« Les techniques du corps » de Marcel Mauss.Renouveau ou retour sur une question annexe ?" In Marcel Mauss, 81–100. Presses Universitaires de France, 2013. http://dx.doi.org/10.3917/puf.dian.2013.01.0081.
REPELLIN, M., A. CASTELNÉRAC, F. LECLERCQ, C. LAFFERRERIE, F. TRÉVIDIC, and J. M. CUVILLIER. "Incidence des pathologies médico-chirurgicales observées à bord des sous-marins nucléaires lanceurs d’engins français de nouvelle génération entre mai 1997 et décembre 2013." In Médecine et Armées Vol. 45 No.2, 167–76. Editions des archives contemporaines, 2017. http://dx.doi.org/10.17184/eac.7430.
Guido, Laurent. "Entre spectacles paradoxaux et dispositifs techniques : retour sur les danses serpentines du premier cinéma." In Filmer l'artiste au travail, 125–48. Presses universitaires de Rennes, 2013. http://dx.doi.org/10.4000/books.pur.74904.
Conference papers on the topic "Retouch techniques":
Maurau, Sylvaine. "Réhabilitation des sols des sites en déconstruction : retour d’expérience du site de Brennilis." In Evolutions réglementaires et techniques dans le démantèlement : impact et conséquences. Les Ulis, France: EDP Sciences, 2016. http://dx.doi.org/10.1051/jtsfen/2016evo06.
Bénichou, L. "Retour d’expérience sur la chirurgie robotique en chirurgie orale." In 66ème Congrès de la SFCO. Les Ulis, France: EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206601001.
Levoy, Franck, and Olivier Montfort. "Les transports sédimentaires sur les côtes sableuses, retour d'expérience sur la fiabilité des principales techniques de mesures." In Journées Nationales Génie Côtier - Génie Civil. Editions Paralia, 2002. http://dx.doi.org/10.5150/jngcgc.2002.040-l.
Marcattili, Letizia, and Maria Canavan. "Retouching a Retouched Painting: Evaluation and re-treatment of historic retouchings in the conservation of a painting by Lavinia Fontana." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13544.
Noohi, Sahar, and Manijeh Hadian-Dehkordi. "A TECHNICAL STUDY OF RED PAINTS IN THE RETOUCHING LAYER OF SOME WET-COLLODION GLASS PLATE NEGATIVES OF GOLESTAN PALACE PHOTO ARCHIVE." In RECH6 - 6th International Meeting on Retouching of Cultural Heritage. València: Editorial Universitat Politècnica de València, 2021. http://dx.doi.org/10.4995/rech6.2021.13624.
Rakotonirina, Mampionona, Thierry Joffroy, Laurent Daudeville, and Philippe Garnier. "Habitat parasinistre : objet interdisciplinaire entre territoire, culture et technique. Retour sur les interventions fondées sur les Cultures Constructives Locales (CCL) après le séisme du 12 janvier 2010 en Haïti." In Écocritique(s) et catastrophes naturelles : perspectives transdisciplinaires / Ecocriticism(s) and Natural Catastrophes: Transdisciplinary Perspectives. Fabula, 2022. http://dx.doi.org/10.58282/colloques.7941.
Reports on the topic "Retouch techniques":
Tea, Céline. REX et données subjectives: quel système d'information pour la gestion des risques? Fondation pour une culture de sécurité industrielle, April 2012. http://dx.doi.org/10.57071/170rex.
Catherine, Hugo. Étude comparative des services nationaux de données de recherche Facteurs de réussite. Ministère de l'enseignement supérieur et de la recherche, January 2021. http://dx.doi.org/10.52949/6.