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Relevant bibliographies by topics / Resonance Audio

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Academic literature on the topic 'Resonance Audio'

Author: Grafiati

Published: 25 June 2021

Last updated: 2 February 2022

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Journal articles on the topic "Resonance Audio"

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Ziarati, Mokhtar. "Magnetic resonance imaging compatible audio headset." Journal of the Acoustical Society of America 102, no. 4 (October 1997): 1924. http://dx.doi.org/10.1121/1.419706.

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Kohmoto, Osamu. "Ferromagnetic Resonance in Metal Audio Tapes." Japanese Journal of Applied Physics 33, Part 1, No. 12A (December 15, 1994): 6542–45. http://dx.doi.org/10.1143/jjap.33.6542.

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Kohmoto, Osamu, and Chester Alexander. "Ferromagnetic resonance in metal-evaporated audio tapes." Journal of Magnetism and Magnetic Materials 116, no. 3 (October 1992): 405–10. http://dx.doi.org/10.1016/0304-8853(92)90122-5.

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Todt, I., P. Mittmann, A. Ernst, S. Mutze, and G. Rademacher. "In vivoexperiences with magnetic resonance imaging scans in Vibrant Soundbridge type 503 implantees." Journal of Laryngology & Otology 132, no. 5 (April 23, 2018): 401–3. http://dx.doi.org/10.1017/s0022215118000518.

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AbstractObjective:To observe the effects of magnetic resonance imaging scans in Vibrant Soundbridge 503 implantees at 1.5Tin vivo.Methods:In a prospective case study of five Vibrant Soundbridge 503 implantees, 1.5T magnetic resonance imaging scans were performed with and without a headband. The degree of pain was evaluated using a visual analogue scale. Scan-related pure tone audiogram and audio processor fitting changes were assessed.Results:In all patients, magnetic resonance imaging scans were performed without any degree of pain or change in pure tone audiogram or audio processor fitting, even without a headband.Conclusion:In this series, 1.5T magnetic resonance imaging scans were performed with the Vibrant Soundbridge 503 without complications. Limitations persist in terms of magnetic artefacts.

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VanLue, Michael. "Cleft Palate Speech and Resonance: An Audio and Video Resource." Plastic & Reconstructive Surgery 147, no. 4 (March 19, 2021): 1029–30. http://dx.doi.org/10.1097/prs.0000000000007804.

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Akay, Cengiz, and Aytaç Yalçiner. "A New Weak Field Double Resonance NMR Spectrometer." Zeitschrift für Naturforschung A 50, no. 2-3 (March 1, 1995): 177–85. http://dx.doi.org/10.1515/zna-1995-2-309.

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Abstract Weak field NMR and double resonance spectrometers are mostly homemade. In this work, some electronic units of such a spectrometer operating at 1.437 mT were designed and realized by including new integrated circuits: an audio generator, digital sweep generator, digital additional field and delay unit, Quartz generator, NMR detector(Q-meter), AF-narrowband amplifier, phase shifter and phase sensitive detector.

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ABE, Tamotsu. "Audio equipment. Three conditions of high stiffness, non resonance, and lightweight." Journal of the Japan Society for Composite Materials 15, no. 2 (1989): 60–63. http://dx.doi.org/10.6089/jscm.15.60.

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Ru, Xue-min, Yue-ting Zhuang, and Fei Wu. "Audio steganalysis based on “negative resonance phenomenon” caused by steganographic tools." Journal of Zhejiang University-SCIENCE A 7, no. 4 (March 14, 2006): 577–83. http://dx.doi.org/10.1631/jzus.2006.a0577.

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Peng, Chao, HaiXin Sun, and En Cheng. "Detection of Weak Audio Signal in Ocean Based on Stochastic Resonance." Open Automation and Control Systems Journal 7, no. 1 (September 14, 2015): 1185–90. http://dx.doi.org/10.2174/1874444301507011185.

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Yu, Bin, Jun Hu, Mathias Funk, Rong-Hao Liang, Mengru Xue, and Loe Feijs. "RESonance: Lightweight, Room-Scale Audio-Visual Biofeedback for Immersive Relaxation Training." IEEE Access 6 (2018): 38336–47. http://dx.doi.org/10.1109/access.2018.2853406.

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Dissertations / Theses on the topic "Resonance Audio"

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Calvert, Gemma A. "Functional magnetic resonance imaging studies of lip-reading and audio-visual speech perception." Thesis, University of Oxford, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.390509.

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Widman, Ludvig. "Binaural versus Stereo Audio in Navigation in a 3D Game: Differences in Perception and Localization of Sound." Thesis, Luleå tekniska universitet, Institutionen för ekonomi, teknik, konst och samhälle, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:ltu:diva-85512.

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Recent advancements in audio technology for computer games has made possible for implementations with binaural audio. Compared to regular stereo sound, binaural audio offers possibilities for a player to experience spatial sound, including sounds along the vertical plane, using their own headphones. A computer game prototype called “Crystal Gatherer” was created for this study to explore the possibilities of binaural audio imple- mentation regarding localization and perception of objects that make sound in a 3D game. The game featured two similar game levels, with the difference that one used binaural sound, and the other stereo sound. The levels consisted of a dark space that the player could navigate freely with the objective to find objects that make sound, called “crystals”, as fast as they could. An experiment was conducted with 14 test sub- jects that played the game, qualitative and quantitative data was collected, including the time the players took to complete the game levels, respectively, and answers about how they experienced the levels. A majority of test subjects reported that they per- ceived a difference between the levels. No significant difference was found between the levels in terms of efficacy of finding the objects that made sound. Some test subjects stated that they found localization was better in the binaural level of the game, others found the stereo level to be better in this respect. The study shows that there can exist possibilities for binaural audio to change the perception of audio in computer games.

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Smith, Michael Sterling. "Strategies for the Creation of Spatial Audio in Electroacoustic Music." Thesis, University of North Texas, 2018. https://digital.library.unt.edu/ark:/67531/metadc1404593/.

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This paper discusses technical and conceptual approaches to incorporate 3D spatial movement in electroacoustic music. The Ambisonic spatial audio format attempts to recreate a full sound field (with height information) and is currently a popular choice for 3D spatialization. While tools for Ambisonics are typically designed for the 2D computer screen and keyboard/mouse, virtual reality offers new opportunities to work with spatial audio in a 3D computer generated environment. An overview of my custom virtual reality software, VRSoMa, demonstrates new possibilities for the design of 3D audio. Created in the Unity video game engine for use with the HTC Vive virtual reality system, VRSoMa utilizes the Google Resonance SDK for spatialization. The software gives users the ability to control the spatial movement of sound objects by manual positioning, a waypoint system, animation triggering, or through gravity simulations. Performances can be rendered into an Ambisonic file for use in digital audio workstations. My work Discords (2018) for 3D audio facilitates discussion of the conceptual and technical aspects of spatial audio for use in musical composition. This includes consideration of human spatial hearing, technical tools, spatial allusion/illusion, and blending virtual/real spaces. The concept of spatial gestures has been used to categorize the various uses of spatial motion within a musical composition.

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Sellrup, Jens, and Daniel Wilson. "Tonfrekvensspårledning : S-förbindningens funktion och dimensionering av alternativa material i förbindningen." Thesis, KTH, Data- och elektroteknik, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-168996.

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Spårledning används inom järnvägen för att lokalisera var tåg befinner sig. Detta examensarbete behandlar en modell av tonfrekvensspårledningar från Alstom. Teoridelen behandlar de båda modellerna DTC – 921 och DTC- 24 medan uträkningarna enbart behandlar den tidigare. Tonfrekvensspårledningar separeras med elektroniska skarvar genom förbindningar i spåret. Den förbindning som examensarbetet undersökt är av typ S-förbindning som idag består av en kopparkabel. Arbetet gick ut på att undersöka hur funktionen är uppbyggd och hur den skulle påverkas vid ett byte av material då koppar är stöldbegärligt. Undersökningar har gjorts på tre olika alternativ: aluminium, järn och safecable från safetrack. Genom att studera S-förbindningens funktion och hur den agerar med tillhörande tuningbox har materialets eventuella påverkan utvärderats. Med teoretiska uträkningar har parametrarna räknats ut för de olika materialen. För att bekräfta funktionen har simuleringar i Pspice utförts.
Track circuits are used to detect where the trains are along the railway. This report contains a study of two models of audio frequency track circuit from Alstom called DTC – 921 and DTC - 24. The calculations made in the result section are made on only DTC-921. The different frequencies between two track circuits are divided by an S-bond. The S-bond is made of cupper which is a material that is theft-prone. The purpose of the project was to investigate the functionality of the S-bond and how a cable with a different kind of material would affect the function. Three different kinds of materials have been investigated: aluminum, iron and safecable from safetrack. By studying the function of the S-bond and how it interacts with the tuning box the affect off the different materials have been evaluated. The parameters of the materials have been calculated and the function has been simulated in Pspice.

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Palomar, García María Ángeles. "Modificaciones de las interacciones audio-motoras asociadas con la formación musical y el aprendizaje de un vocabulario nuevo." Doctoral thesis, Universitat Jaume I, 2017. http://hdl.handle.net/10803/401545.

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Esta tesis tiene como objetivo investigar los cambios cerebrales que se producen como consecuencia de la estimulación audio-motora. Para ello, se han utilizado medidas de actividad y de conectividad funcional entre las regiones cerebrales implicadas en el procesamiento audio-motor. Dichos cambios se miden en tres estudios en los que la estimulación audio-motora tiene lugar mediante el aprendizaje de cómo tocar un instrumento musical (Estudio 1) y el aprendizaje de un vocabulario nuevo (Estudio 2 y 3). En conjunto, los resultados de estos tres estudios evidencian que ambos aprendizajes, ya sea musical o de un vocabulario nuevo, producen una huella a nivel cerebral en las interacciones audio-motoras incluso en ausencia de una tarea específica. Además, esta tesis muestra los cambios que produce el aprendizaje de un vocabulario nuevo no solo a corto sino a largo plazo, así como las modificaciones que produce en la lengua nativa.
The aim of the present thesis was to investigate neural changes associated with audiomotor stimulation. We measured brain activation as well as functional connectivity between brain regions implicated in audiomotor processing. Three studies were conducted to investigate the neural changes in audiomotor connectivity. The first study investigated the learning processes required to play a musical instrument, whereas the second and third investigated the acquisition of a new vocabulary. My thesis demonstrated that both musical training and learning a new vocabulary leaves an imprint in the brain that affects the audiomotor interactions, even in the absence of a specific task. Furthermore, my thesis showed that the acquisition of a new vocabulary not only produces short-term effects in the brain but even extends to long- term effects over a few weeks and, in addition, modifies the native language. Overall, my thesis provided insight in the ongoing neural changes during language and musical training.

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Books on the topic "Resonance Audio"

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Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Miller, Donald Gray. Resonance in singing: Voice building through acoustic feedback. Princeton, NJ: Inside View Press, 2008.

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Szabo, J. P. A forced vibration non-resonant method for the determination of complex modulus in the audio frequency range. Dartmouth, N.S: Defence Research Establishment Atlantic, 1992.

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Book chapters on the topic "Resonance Audio"

1

De Luca, F., B. C. De Simone, P. Fattibene, N. Lugeri, and B. Maraviglia. "Imaging of Solids by Audio Frequency Excitation in the Rotating Frame." In 25th Congress Ampere on Magnetic Resonance and Related Phenomena, 100. Berlin, Heidelberg: Springer Berlin Heidelberg, 1990. http://dx.doi.org/10.1007/978-3-642-76072-3_48.

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Pierrus, J. "Ohm’s law and electric circuits." In Solved Problems in Classical Electromagnetism. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821915.003.0006.

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This chapter considers various simple dc and ac circuits which contain at least one active element (always a voltage source) and passive elements (resistors, capacitors and inductors) arranged in different combinations to form a bilateral network. The notions of complex voltage, complex current and complex impedance are introduced and then used in the ensuing analysis. Some standard ‘network theorems’ including Kirchhoff’s rules, the delta-star transformation, Thevenin’s theorem and the superposition theorem are employed. Included in the questions are circuits involving bridges, filters, audio amplifiers and transformers. Important topics such as series and parallel resonance in LRC circuits are also considered along the way. Much of the laborious algebra involved in manipulating the complex quantities above is avoided by relegating this task to Mathematica.

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Davison, Claire. "European Peace in Pieces?" In Virginia Woolf, Europe, and Peace, 17–32. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781949979350.003.0002.

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The “Scrapbook Series” was a popular, long-running BBC broadcast launched in the late 1920s; conceived as a ‘microphone medley’ or ‘sonic pageant’, it revisited the acoustic highlights since the advent of recording technology. This remarkable audio documentary provides the starting-point for this Chapter, which explores essential links between cooperative broadcasting policies, Woolf’s heightened acoustic sensibility in the 1930s, and the era’s awareness of itself as being, for the first time in history, dimensioned by reiterable sound. Retracing the evolution of the European Broadcasting Union via sound archives, wave-length legislation, and primetime BBC programmes, the chapter charts the richest, most overlooked experiments in cultural diplomacy on air, designing a safer, more harmonious Europe which linked common listeners at home via the boldly trans-European resonance of music.

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Marks II, Robert J. "Introduction." In Handbook of Fourier Analysis & Its Applications. Oxford University Press, 2009. http://dx.doi.org/10.1093/oso/9780195335927.003.0006.

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Jean Baptiste Joseph Fourier’s powerful idea of decomposition of a signal into sinusoidal components has found application in almost every engineering and science field. An incomplete list includes acoustics [1497], array imaging [1304], audio [1290], biology [826], biomedical engineering [1109], chemistry [438, 925], chromatography [1481], communications engineering [968], control theory [764], crystallography [316, 498, 499, 716], electromagnetics [250], imaging [151], image processing [1239] including segmentation [1448], nuclear magnetic resonance (NMR) [436, 1009], optics [492, 514, 517, 1344], polymer characterization [647], physics [262], radar [154, 1510], remote sensing [84], signal processing [41, 154], structural analysis [384], spectroscopy [84, 267, 724, 1220, 1293, 1481, 1496], time series [124], velocity measurement [1448], tomography [93, 1241, 1242, 1327, 1330, 1325, 1331], weather analysis [456], and X-ray diffraction [1378], Jean Baptiste Joseph Fourier’s last name has become an adjective in the terms like Fourier series [395], Fourier transform [41, 51, 149, 154, 160, 437, 447, 926, 968, 1009, 1496], Fourier analysis [151, 379, 606, 796, 1472, 1591], Fourier theory [1485], the Fourier integral [395, 187, 1399], Fourier inversion [1325], Fourier descriptors [826], Fourier coefficients [134], Fourier spectra [624, 625] Fourier reconstruction [1330], Fourier spectrometry [84, 355], Fourier spectroscopy [1220, 1293, 1438], Fourier array imaging [1304], Fourier transform nuclear magnetic resonance (NMR) [429, 1004], Fourier vision [1448], Fourier optics [419, 517, 1343], and Fourier acoustics [1496]. Applied Fourier analysis is ubiquitous simply because of the utility of its descriptive power. It is second only to the differential equation in the modelling of physical phenomena. In contrast with other linear transforms, the Fourier transform has a number of physical manifestations. Here is a short list of everyday occurrences as seen through the lens of the Fourier paradigm. • Diffracting coherent waves in sonar and optics in the far field are given by the two dimensional Fourier transform of the diffracting aperture. Remarkably, in free space, the physics of spreading light naturally forms a two dimensional Fourier transform. • The sampling theorem, born of Fourier analysis, tells us how fast to sample an audio waveform to make a discrete time CD or an image to make a DVD.

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Killian, Karsten. "Acoustics as Resonant Element of Multi-sensory Brand Communication." In Audio Branding, 148–63. Nomos, 2009. http://dx.doi.org/10.5771/9783845216935-148.

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Kerner, Aaron Michael, and Jonathan L. Knapp. "Hearing: With a Touch of Sound—The Affective Charge of Audio Design." In Extreme Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402903.003.0002.

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This chapter focuses on sound design and its potential to elicit an affective response in the spectator. Films discussed in this chapter include: Berberian Sound Studio, Inside, and 127 Hours. Building off of Michel Chion’s work on cinematic sound, the chapter explores the complicated relationship between image and sound, between seeing and hearing. Chion argues for a model of the human senses that is “transsensorial,” suggesting that sound can be used by films to appeal to other senses, such as vision, smell, taste, and touch. Thus, sound can elicit sensation in the spectator’s body. Extreme films wield sound as a weapon: high-pitched drones communicate the intense pain of characters on screen and, slipping between diegetic and non-diegetic registers, do violence to the image and the narrative itself. Drawing from the work of Jean-Luc Nancy and Lisa Coulthard, the chapter explores how cinematic noise—screams, scrapes, and subterranean rumbles—are designed to resonate within spectators’ bodies.

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Winning, Ross. "Sound Image and Resonant Animated Space." In Advances in Media, Entertainment, and the Arts, 83–109. IGI Global, 2015. http://dx.doi.org/10.4018/978-1-4666-8205-4.ch006.

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Animation is a synthesis of ideas that often encounters unpredictable, illogical, and imagined domains. In those animated worlds, recorded sound is now part of a coalition of two sensory forms mediated through hearing and vision. Sound has therefore been embedded in the audio-visual toolbox since the successful synchronisation of sound and picture. Sonic elements now contribute significantly to how animators might shape their films and express ideas. These animated worlds also often represent deeply rooted expressions of the interior mind of the artists and animators themselves. This chapter explores the relationship of sound to image in the evolutionary and increasingly variable animated forms that are currently proliferating. It aims to focus on sound as being the primary channel that is best able to reflect those interior ideas within a range of animated media. The exploration seeks to do this through tracing proto-cinematic ideas in the art of the past and animation practice that researches the sonified and animated image using musical and figurative metaphors.

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Conference papers on the topic "Resonance Audio"

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Sun, Shui-fa, Ming Jiang, Xin-qiong Liu, Jun-li Wan, and Sheng Zheng. "A blind audio watermarking based on stochastic resonance signal processor." In 2008 9th International Conference on Signal Processing (ICSP 2008). IEEE, 2008. http://dx.doi.org/10.1109/icosp.2008.4697581.

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Zhang, Li, and Di He. "A novel robust audio watermark algorithm based on stochastic resonance." In Electronics (PrimeAsia). IEEE, 2009. http://dx.doi.org/10.1109/primeasia.2009.5397415.

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Krishna, Onkar, Rajib Kumar Jha, P. K. Biswas, and M. M. Mushrif. "Dynamic stochastic resonance-based improved watermark extraction from audio signal." In 2012 National Conference on Communications (NCC). IEEE, 2012. http://dx.doi.org/10.1109/ncc.2012.6176799.

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Vakula, Arthur S., and Sergey Yu Polevoy. "Technique for electron spin resonance registration based on audio card synchrodetector." In 2013 International Kharkov Symposium on Physics and Engineering of Microwaves, Millimeter and Submillimeter Waves (MSMW). IEEE, 2013. http://dx.doi.org/10.1109/msmw.2013.6622193.

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Armitage, Jack. "An experimental audio-tactile interface for sculpting digital resonance models using modelling clay." In '20: 4th International Conference on the Art, Science, and Engineering of Programming. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3397537.3398482.

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Tan, Chin-Tuan, Benjamin Guo, and Ivan Selesnick. "Resonance-based decomposition for the manipulation of acoustic cues in speech: An assessment of perceived quality." In 2011 IEEE Workshop on Applications of Signal Processing to Audio and Acoustics (WASPAA). IEEE, 2011. http://dx.doi.org/10.1109/aspaa.2011.6082329.

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Yebin Wang and Heming Zhao. "Vocal tract resonances tracking by auxiliary particle filters." In 2008 International Conference on Audio, Language and Image Processing (ICALIP). IEEE, 2008. http://dx.doi.org/10.1109/icalip.2008.4590124.

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T.G., Subhash Joshi, and Vinod John. "Small signal audio susceptibility model for Series Resonant Converter." In 2016 IEEE International Conference on Power Electronics, Drives and Energy Systems (PEDES). IEEE, 2016. http://dx.doi.org/10.1109/pedes.2016.7914463.

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Bonanos, E., M. Connolly, M. Harbinson, L. Dixon, P. Horan, K. Lyons, and N. Johnston. "5 Audit of stress cardiac magnetic resonance referrals in northern ireland." In Irish Cardiac Society Annual Scientific Meeting & AGM, Thursday October 17th – Saturday October 19th 2019, Galway, Ireland. BMJ Publishing Group Ltd and British Cardiovascular Society, 2019. http://dx.doi.org/10.1136/heartjnl-2019-ics.5.

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Obando, Pablo Vasquez, and Bengt Mandersson. "Frequency tracking of resonant-like sounds from audio recordings of arterio-venous fistula stenosis." In 2012 IEEE International Conference on Bioinformatics and Biomedicine Workshops (BIBMW). IEEE, 2012. http://dx.doi.org/10.1109/bibmw.2012.6470237.

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