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Books on the topic 'Repetitive element'

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Author: Grafiati

Published: 14 March 2023

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1

Baller, Lisa Maria. Analysis of a dispersed repetitive DNA element in Sclerotinia sclerotiorum. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1993.

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2

Carter, Andrew T. VL30: A mouse retrovirus-like family of repetitive DNA elements. [s.l]: typescript, 1985.

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3

Burt, Austin. Genes in conflict: The biology of selfish genetic elements. Cambridge, Mass: Belknap Press of Harvard University Press, 2006.

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4

J, Miller Wolfgang, and Capy Pierre, eds. Mobile genetic elements: Protocols and genomic applications. Totowa, N.J: Humana Press, 2004.

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5

Ferraresi, Gisella. Adverbial connectives. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198813545.003.0006.

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In this chapter, the rise and grammaticalization process of the adverbial connective elements aber and allerdings are discussed. Aber ‘but, however’, one of the oldest connectives, is attested in OHG as a VP adverb with restitutive meaning and as an IP adverb with repetitive meaning. Through a reanalysis, aber has come to be newly defined as an exponent of the category Coordination Phrase (CoorP). However, aber is only syntactically a coordinative element in the very first position. In other positions, it is syntactically an adverbial and semantically a coordinative element. The second adverbial connective considered in this chapter, i.e. allerdings ‘however’, has undergone a similar development from a VP adverb to a sentence adverb and later to a connective element. However, allerdings is syntactically still an adverbial element, also in the first position.

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6

Chamberlain, John William. Molecular cloning and characterization of HSAG-1, a middle repetitive genetic element capable of determining a cell surface antigen correlated with human chronic lymphocytic leukemia. 1985.

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7

Tengelsen, Leslie A. Characterization of interferon and retroposon-like repetitive elements in salmonid fish. 1992.

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8

Miller, Wolfgang J., and Pierre Capy. Mobile Genetic Elements. Humana Press, 2010.

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9

Mullany, Peter, and Adam P. Roberts. Bacterial Integrative Mobile Genetic Elements. Taylor & Francis Group, 2022.

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10

Bacterial Integrative Mobile Genetic Elements. Taylor & Francis Group, 2013.

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11

Mullany, Peter, and Adam P. Roberts. Bacterial Integrative Mobile Genetic Elements. Taylor & Francis Group, 2022.

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12

Mullany, Peter, and Adam P. Roberts. Bacterial Integrative Mobile Genetic Elements. Taylor & Francis Group, 2022.

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13

Chandler, Michael, Martin Gellert, Phoebe A. Rice, Nancy L. Craig, and Alan M. Lambowitz. Mobile DNA III. ASM Press, 2020.

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14

Chandler, Michael, Martin Gellert, Phoebe A. Rice, Nancy L. Craig, and Alan M. Lambowitz. Mobile DNA III. Wiley & Sons, Limited, John, 2015.

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15

Chandler, Michael, Martin Gellert, Phoebe A. Rice, Nancy L. Craig, and Alan M. Lambowitz. Mobile DNA III. ASM Press, 2015.

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16

Mobile genetic elements: Protocols and genomic applications. Totowa, NJ: Humana Press, 2003.

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17

(Editor), Wolfgang J. Miller, and Pierre Capy (Editor), eds. Mobile Genetic Elements (Methods in Molecular Biology). Humana Press, 2004.

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18

Mobile Genetic Elements Protocols And Genomic Applications. Humana Press, 2012.

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19

Hacker, Jörg, and James B. Kaper. Pathogenicity Islands and Other Mobile Virulence Elements. Wiley & Sons, Limited, John, 2014.

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20

(Editor), James B. Kaper, and Jorg Hacker (Editor), eds. Pathogenicity Islands and Other Mobile Virulence Elements. ASM Press, 1999.

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21

Parsons, Laurel, and Brenda Ravenscroft. Hildegard of Bingen, O Ierusalem aurea civitas (ca. 1150–1170). Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190237028.003.0002.

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This chapter contextualizes Hildegard of Bingen’s monumental sequence for her monastic community’s patron St. Rupert, O Ierusalem aurea civitas, both within Hildegard’s own output of sequences, and within the sequence repertory at large. Considering her deep sensitivity to the relationship between text and music, including close attention to grammatical structure, word stress, and word and syllable parsing, the essay proposes that Hildegard uses a varied repetition technique, adapting the standard sequence form. Instead of strict repetition, she varies many elements of the melodic surface through expansion or contraction, preserving an audible sense of repetition while responding directly to new text structures. The essay provides a textual and musical analysis of the entire sequence, demonstrating the composer’s large-scale control of musical structure.

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22

Joshi, Mahesh K., and J. R. Klein. The Future of Human Workers. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198827481.003.0018.

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New technologies like artificial intelligence, robotics, machine intelligence, and the Internet of Things are seeing repetitive tasks move away from humans to machines. Humans cannot become machines, but machines can become more human-like. The traditional model of educating workers for the workforce is fast becoming irrelevant. There is a massive need for the retooling of human workers. Humans need to be trained to remain focused in a society which is constantly getting bombarded with information. The two basic elements of physical and mental capacity are slowly being taken over by machines and artificial intelligence. This changes the fundamental role of the global workforce.

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23

Blog, Medic. MCAT Flashcards: Create Your Own Flash Cards for MCAT Prep. Includes Spaced Repetition Schedule and Lapse Tracker - Periodic Elements Cover. Independently Published, 2019.

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24

lio, Ricardo Q. Auce. Atomic fluorescence spectroscopic methods for ultratrace elemental analysis using a high-repetition rate tunable dye laser and furnace sample atomization. 1999.

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25

Millie, Julian. The Public Metaculture of Islamic Preaching. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190652807.003.0012.

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The chapter concerns the public culture of Islam in Indonesia. Drawing on field experience in West Java, it observes that Islamic oratory invariably includes repetitive and solemn elements, especially the citation and translation of Qur’an and Hadith. Yet preachers also rely on their abilities to move listeners with skillful multivocality, drawing on many genres and ways of speaking within listeners’ competency, not just religious ones. When speaking and writing normatively about oratory, however, Indonesians construct a monologic image that characterizes preaching as the circulation of religious knowledge, ignoring or even proscribing the multivocality and generic variation that ensures the continuation of that circulation. This chapter analyses the clash between preaching’s multivocal performances and its monologic metaculture against the background of public reverence for Islam, which disallows overt recognition of preaching skill. The monologic construction of preaching sustains the public aspiration that Islam be maintained as a sphere separated from worldly matters.

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26

Wallach, Otto. Tabellen Zur Chemischen Analyse Zum Gebrauch Im Laboratorium und Bei der Repetition : Erster Teil : A. Theoretisches. und B. Verhalten der Elemente und Ihrer Verbindungen. Zweiter Teil: Methoden Zur Auffindung und Trennung der Elemente. de Gruyter GmbH, Walter, 2021.

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27

Brown, Andrew, Christopher T. Flinton, Josh Gibson, Brian Grant, Barrie Greiff, Duane Hagen, Stephen Heidel, et al. The Broken Contract. Edited by Andrew Brown, Christopher T. Flinton, Josh Gibson, Brian Grant, Barrie Greiff, Duane Hagen, Stephen Heidel, et al. Oxford University Press, 2018. http://dx.doi.org/10.1093/med/9780190697068.003.0003.

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Broken relationships develop over time and with repetition and have a corroding effect on loyalty and commitment, which are the glue that holds people together enough to accomplish mutual goals. Managers need to know if someone important to their work is feeling that way, particularly if the person feels that way about them. A key part of understanding such ruptures is to understand the implicit interpersonal promises, better known as the psychological contract. The psychological contract has five essential components: predictability versus confusion, dependence versus independence, distance versus intimacy, change versus stability, and danger versus safety. This chapters explores these elements in cases about business performance and relationships between supervisors and employees.

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28

Pathogenicity islands and the evolution of pathogenic microbes. Berlin: Springer, 2002.

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29

Fachinelli, Elvio. On Freud. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/12791.001.0001.

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Writings on Freud by Italy's leading psychoanalyst of the twentieth century. Elvio Fachinelli was one of the most original and controversial Italian psychoanalysts of the twentieth century. He viewed psychoanalytic theory as inextricably linked to the concrete experience of everyday reality and as a crucial compass for understanding the social and political turmoil of his era. This compact volume collects Fachinelli's writing on Freud, offering readers both an accessible and engaging introduction to Freud's thinking and an overview of Fachinelli's own main ideas. Written between 1966 and 1989, these essays serve to introduce readers to some of the most provocative aspects of Fachinelli's critiques of psychoanalysis and society. On Freud includes a long essay on Freud that weaves the theoretical foundations of psychoanalysis together with a surprising number of idiosyncratic observations about Freud the person. In it, Fachinelli offers a series of parallax perspectives: Freud the conquistador, who leads psychoanalysis to the exploration of new fields of knowledge; Freud the archaeologist, who discovers antithetical and incongruous elements in the territory of the unconscious; and Freud the Victorian, whose bourgeois values clashed with the revolutionary character of his discovery. Other essays include an assessment of psychoanalysis as a general social phenomenon that is increasingly showing its historical limits; a discussion of an encounter between Freud and the poet Rainer Maria Rilke; Fachinelli's pointed account of Freud's view of psychoanalysis for “the poor”; and an examination of the importance of the element of surprise—for both analyst and analysand—in analysis. Without surprise, Fachinelli writes, psychanalysis is just a “ministering and administering of knowledge, a repetition of the already known.” This edition includes an authoritative survey of Fachinelli's work and insight into how it continues to be relevant today.

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30

Li, Shulin. Electroporation Protocols: Preclinical and Clinical Gene Medicine. Humana Press, 2010.

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31

Li, Shulin, Justin Teissie, and Lingqian Chang. Electroporation Protocols: Microorganism, Mammalian System, and Nanodevice. Springer, 2020.

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32

Abbott, Helen. Baudelaire’s Assemblage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.003.0002.

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Song is a combination of elements, of which the outcome is not always stable. This chapter examines the nature of the bonds formed between poem and music by proposing a new ‘‘assemblage’’ model, which focuses on five key parameters: (a) metre/prosody; (b) form/structure; (c) sound properties/repetition; (d) semantics/word painting; (e) live performance options. This approach bridges methodological gaps exposed through an examination of existing models used in translation theory, adaptation theory, and word/music theory. The two stages in the assemblage model examine: (1) adhesion strength (how closely poem and music stick together); (2) accretion/dilution (how successful the song setting is). The phases of analysis factor in how song is a non-permanent form which goes through multiple iterations of repackaging, including different performances of the same song and different settings of the same poem.

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33

Larmour, David H. J. Juvenal in the Specular City. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198768098.003.0005.

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Juvenalian satire writes specularity, firstly, by mirroring its own constitutive elements and discursive procedures, and, secondly, through its preoccupation with gazing at others and the self. The roving satirist-narrator, who resembles Kristeva’s ‘deject’ and Poe’s ‘Man of the Crowd’, inhabits the paradoxical space of Maingueneau’s paratopia within the specular city of Rome. As a specular text, Juvenal’s collection strives for coherence through various devices of doubling, repetition, and mirroring (linguistic, rhetorical, and thematic); yet in this cityscape the search for a unified sense of self, and an accompanying topographical wholeness, is continually frustrated, as the satirist—along with us, the spectators accompanying him—is confronted by human and architectural embodiments of ambiguity, transgression, and the pernicious mixing of categories, including Umbricius at the Porta Capena (3.12–20 and 318–22), Otho with his mirror (2.99–109), and Gracchus’ appearance as a retiarius in the arena (2.143–8 and 8.200–10).

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