Relevant bibliographies by topics / Repeating narrative

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Repeating narrative'

Author: Grafiati
Published: 30 May 2022
Last updated: 31 May 2022

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Journal articles on the topic "Repeating narrative"

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Strömberg, Mikael. "History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta." Nordic Theatre Studies 29, no. 1 (December 27, 2017): 102. http://dx.doi.org/10.7146/nts.v29i1.102970.

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The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.
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Strömberg, Mikael. "History Repeating Itself. The function of turning points and continuity in three historical narratives on operetta." Nordic Theatre Studies 29, no. 1 (January 27, 2018): 102. http://dx.doi.org/10.7146/nts.v29i1.103311.

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The article’s primary aim is to discuss the function of turning points and continuity within historiography. That a historical narrative, produced at a certain time and place, influence the way the historian shapes and develops the argument is problematized by an emphasis on the complex relationship between turning points and continuity as colligatory concepts within an argumentative framework. Aided by a number of examples from three historical narratives on operetta, the article stresses the importance of creating new narratives about the past. Two specific examples from the history of operetta, the birth of the genre and the role of music, are used to illustrate the need to revise not only the use of source material and the narrative strategy used, but also how the argument proposed by the historian gathers strength. The interpretation of turning points and continuity as colligatory concepts illustrate the need to revise earlier historical narratives when trying to counteract the repetitiveness of history.
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Beck, Deborah. "Emotional and Thematic Meanings in a Repeating Homeric Motif: A Case Study." Journal of Hellenic Studies 138 (2018): 150–72. http://dx.doi.org/10.1017/s0075426918000095.

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AbstractThe regularly occurring Homeric motif τρὶς μέν … τρὶς δέ shares key characteristics with both formulas and type scenes. Like a formula, it is a group of metrically localized words that refers regularly to the same idea. Like a type scene, it describes a series of discrete events that feature ‘repeated attempts to do something, often by two different characters’. This motif evokes the same basic theme in the narratives of both Homeric poems: a vigorous hero gains the sympathy of the audience in the course of repeated attempts, usually in vain, to surmount a powerful opposing force. As with many forms of narrative repetition in Homeric epic, most of the instances of the τρὶς μέν … τρὶς δέ motif display regular narrative patterns, and then a few key scenes elaborate on those patterns in order to create moments of outstanding poetic and emotional force. Highly developed examples of this motif make significant contributions to the aristeia of Patroclus in Iliad 16, the death of Hector in Iliad 22 and Telemachus’ attempt to string Odysseus’ bow in Odyssey 21.
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Drake, Tynan. "Change the Narrative." Digital Literature Review 5 (January 13, 2018): 24–38. http://dx.doi.org/10.33043/dlr.5.0.24-38.

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In post-apocalyptic fiction, the concept of empathy often is depicted as a weakness that the characters cannot afford if they hope to survive. This depiction leads to harmful perceptions on the value of empathy and its ability to avert apocalyptic catastrophes. By examining David Clement-Davies young adult novel The Sight through theories of narrative empathy and through James Berger’s theories of post-apocalyptic representation, this essay argues that by representing empathic understanding, fiction writers have the power to influence positive changes in real world situations. By representing the need to teach empathy for all people, regardless of their differences, and the harm a lack of empathy can cause on both a personal level and on a large societal scale, this novel encourages future generations to seek peaceful and empathic solutions instead of repeating the cataclysmic mistakes of their forebearers.
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Лисичкіна, Ірина. "Mass-Media Specificity of Building an Effective Narrative as a Strategic Communication Tool." PSYCHOLINGUISTICS 26, no. 2 (November 12, 2019): 224–42. http://dx.doi.org/10.31470/2309-1797-2019-26-2-224-242.

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Objective. This research aims at defining the principles of constructing effective narratives with the use of the strategic communication capabilities and the media. Materials and Methods. Publications in modern English and Ukrainian mass-media have been analyzed using methods and techniques of discourse analysis, content- and intent-analysis with elements of pragmatic and narrative analysis. The author’s methodology included the following: to identify the author’s intention and motives, the main topoi and points of the narrative focalization, to define hidden beliefs, social and psychological basis for the recipient’s perception of the narrative, to outline effective strategies for the narrative construction and dissemination in the media. Results. In general, modern media have the capacity of constructing the desired frames in the audience’s consciousness by creating a mental model of the situation, on which the consumer of the information starts to rely. Decision-making now is reliant on the media consciousness, a virtual world imposed by the media and constructed with the help of relevant narratives. Modern strategic narratives usually have the external focalization which gets more credibility when supported and presented by the focalization points of celebrities and experts. Competing narratives, as well as the plurality of possible interpretations of events, are destroyed with the help of the media, which begin to broadcast one interpretation of the event that matches the narrative, by this making it the truth. Simultaneous use of several different media intensifies the influence and support the narrative. Repeating information changes its status and makes it not just a fact, but general knowledge. Any narrative is not only a sequential story of the selected events, but also persuasion in its nature. Persuasion is enhanced when narratives resonate with the audience's value system. Conclusions. As a strategic communication tool, an effective narrative is constructed with regard to all the aspects of communication, psycholinguistic and social aspects being especially important. Further insights into the problem of shaping narratives will allow outlining best practices and their elements to develop image-forming narratives.
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Norrick, Neal R. "Negotiating the reception of stories in conversation." Narrative Inquiry 18, no. 1 (August 15, 2008): 131–51. http://dx.doi.org/10.1075/ni.18.1.07nor.

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In this article, I explore strategies storytellers use to increase listener response to their performances, such as (1) repeating a salient phrase, particularly a piece of dialogue; (2) adding an explanation of the point of a story; (3) drawing out some consequence of the story; and particularly (4) the unobtrusive strategy of producing a minimal response to draw out a more extensive reaction from listeners. This last strategy came to light in a large-scale corpus-based search. Instead of working from a set of narratives, I begin by looking at a linguistic element, namely items from the class of discourse markers like so and y’know in all kinds of contexts in a very large corpus, and slowly narrowed my focus to narrative passages within the whole array of examples. In the process, I discovered distributions and functions for items, which have not been described in previous research on conversational narrative.
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Blancas Blancas, Noé. "Los de abajo. Mitificación y metalepsis." Literatura Mexicana 32, no. 2 (August 31, 2021): 43–72. http://dx.doi.org/10.19130/iifl.litmex.2021.32.2.29152.

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The study of narrative resources such as free indirect discourse and narrated monologue, in Los de abajo, although it has been clearly pointed out by critics such as Mansour, Escalante and St. Ours, is scarce in comparison with the works on the Mexican Revolution and the controversy over the ideological position of its author, Mariano Azuela. In the present work, an approach to these resources is made, following the precepts of narratology, starting from the relationship between the narrative voice and the figural discourse, and between the discourses of the characters; that is, from the citation processes. Specifically, an approach is made to the way in which Demetrio Macías recounts his exploits by repeating the speech of Alberto Solís, shaped, in turn, by other anonymous speeches. The relevance of self-narrating in this way is such that it implies a radical change in the personality and destiny of Demetrio Macías.
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Lockley, Catherine. "Health vs. hedonism: public communication of nutrition science." Journal of Science Communication 19, no. 03 (June 16, 2020): C03. http://dx.doi.org/10.22323/2.19030303.

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Do differences in narrative approach; hedonic language vs. scientific language, influence public perception and opinion of Nutrition and food consumption? Our study investigated this question using qualitative research via Focus Group (FG). The stimulus films and subsequent meals exemplified hedonic language and biomedical language respectively. The FG was chosen to elucidate alternative narrative tools for further research and public health communication. Five sessions were held over 4 weeks with 8–10 non-repeating participants at each session. Film clips were viewed in a dining room environment and food served in buffet style after viewing. 47 people participated in the focus groups (15 males, and 32 females [ages 18–78]). Recruitment was by social media, local news outlets, word of mouth, and printed material and followed up via email. Study eligibility included self-identifying as primary food provider/cook, being over eighteen years old, and providing informed consent. Qualitative content analysis and grounded theory was used for coding and analysis. Interpretive reading of the transcript identified manifest and latent content before a coding frame was arrived at based on the frequency of relevant categories. Cross-coding was undertaken and patterns identified according to our primary research question. Communication disparities suggested by previous research were confirmed in our findings with participants emphasizing that the personal impact of hedonic and psychosocial narrative on their personal food experience held greater weight than the ‘health’ narrative alone. We conclude that scientific nutrition communication paradigms are less effective than emotional narrative that engages passion, memory and deep feeling. The findings support a move towards nutrition communication strategies that incorporate wider human emotional experience through gastronomic narratives.
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Shin, Michael D. "The afterlives of Yi Gwangsu: Narrating the trauma of colonial collaboration." Bulletin of the School of Oriental and African Studies 84, no. 2 (June 2021): 355–75. http://dx.doi.org/10.1017/s0041977x21000690.

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AbstractThis article seeks to examine the repeated appearance of Yi Gwangsu (1892–1950) in South Korean postcolonial fiction as a sign of collective trauma. Yi was a pioneering novelist who was a nationalist hero to his readers, but later became a collaborator who supported Japan's war effort. This article focuses on depictions of Yi in the works of three postcolonial writers – Choe Inhun, Seonu Hwi, and Bok Geoil – whose works bore witness to how traumatic his collaboration was. Their works displayed many of the defining characteristics of trauma such as delayed experience and transmission to others. They were also marked by narrative rupture as represented by Yi's mutually incompatible identities as both a nationalist and a collaborator. Rather than repeating the traumatic event, these stories employed various strategies to create new narratives that attempted to heal the trauma.
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Pichugina, T. A., S. A. Dan'shina, G. V. Merzlyakova, and E. I. Mikhaleva. "BEHAVIORAL SCENARIOS OF STUDENTS IN THE FORMATION OF THE IMAGE OF THE UNIVERSITY: EXPERIENCE OF NARRATIVE ANALYSIS." Bulletin of Udmurt University. Series Philosophy. Psychology. Pedagogy 31, no. 3 (October 25, 2021): 302–9. http://dx.doi.org/10.35634/2412-9550-2021-31-3-302-309.

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The article presents the results of a study aimed at identifying behavioral scenarios of students of the Institute of Social Communications in the narrative about the Udmurt State University. The typology of behavioral scenarios was built using narrative analysis based on the methodological foundations laid down in the works of G. Rosenthal. The research possibilities of the method of narrative analysis in the study of large social groups on a given topic were considered, the parameters of the external and internal image of the Udmurt State University and the Institute of Social Communications were determined, on the basis of narrative essays / individual biographies, idealtypical / behavioral scenarios of students were identified as stable, repeating in a certain sequence ways of categorizing ideas about the image of the university in everyday life.The sample consisted of students (N=378, 25 % - men) Institute of Social Communications of the Udmurt State University (bachelor's degree, full-time education, 2-4 courses) in all areas of study (Advertising and public relations, Tourism, Hotel business, Organization of work with youth, Cultural Studies). The experience of narrative analysis has confirmed the validity of the ideas that in order to conduct narrative and analytical studies of large social groups, it is necessary to collect data with direct reference to the carriers of the corresponding group identity. Based on the identified behavioral scenarios of students, it is possible to assess the image of an educational institution with a forecast of its formation.
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Dissertations / Theses on the topic "Repeating narrative"

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Jespersdotter, Högman Julia. "Repeating Despite Repulsion: The Freudian Uncanny in Psychological Horror Games." Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42829.

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This thesis explores the diverse and intricate ways the psychological horror game genre can characterise a narrative by blurring the boundaries of reality and imagination in favour of storytelling. By utilising the Freudian uncanny, four video game fictions are dissected and analysed to perceive whether horror needs a narrative to be engaging and pleasurable. A discussion will also be made if video game fictions should be considered in the literary field or its own, and how it compares to written fiction in terms of interactivity, engagement, and immersion.
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Codner, Paul Martin. "The repeating text : Signifyin(g), creolization and marronage in African diaspora womanist narratives." FIU Digital Commons, 2006. http://digitalcommons.fiu.edu/etd/2394.

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This thesis studied African-American and Caribbean fiction using models of African diasporization, creolization and womanism to discover how those theoretics affected understandings of black subjectivities. The diverse theoretics above-mentioned were examined to discover how their intersections enabled productive cross-fertilizations, notwithstanding differences. Black women's literary texts crossing diverse locations and experiences were examined. It was shown that their metadiscursivity enabled creative theorizations of creolization and African diasporization around the repeating text formulation. Their Eyes Were Watching God was analyzed as a prototypical womanist diasporic text, whose attributes were repeated and re-elaborated across various boundaries in Jane and Louisa Will Soon Come Home and No Telephone to Heaven. This study found that African diaspora womanist texts and theoretics, unbounded by location, engaged each other in conversations and contestations, affirmed kinship beyond differences and challenged various hegemonies. It concluded that the repeating text expanded parameters of black literary criticism and theory.
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Ivashkevych, E., and Yuliia Chala. "To the problem of studying narrative levels of graphic novels." Thesis, 2019. http://repository.kpi.kharkov.ua/handle/KhPI-Press/46383.

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Books on the topic "Repeating narrative"

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Roy, Olivier. Is Europe Christian? Translated by Cynthia Schoch. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190099930.001.0001.

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As Europe wrangles over questions of national identity, nativism, and immigration, this book interrogates the place of Christianity, foundation of Western identity. Do secularism and Islam really pose threats to the continent's ‘Christian values’? What will be the fate of Christianity in Europe? Rather than repeating the familiar narrative of decline, the book challenges the significance of secularized Western nations' reduction of Christianity to a purely cultural force relegated to issues such as abortion, euthanasia, and equal marriage. It illustrates that, globally, quite the opposite has occurred: Christianity is now universalized and detached from national identity. Not only has it taken hold in the Global South, generally in a more socially conservative form than in the West, but it has also ‘returned’ to Europe, following immigration from former colonies. Despite attempts within Europe to nationalize or even racialize it, Christianity's future is global, non-European, and immigrant, as the continent's Churches well know. The book represents a persuasive and novel vision of religion's place in national life today.
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Murer, Jeffrey Stevenson. Repeating Hate: Narratives of Loss and Anxiety Among the Hungarian Far Right. Palgrave Macmillan, 2020.

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Greene, Paul D. Contemporary Buddhist Chanting and Music. Edited by Michael Jerryson. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199362387.013.27.

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Music and patterned expressions of sound (whether classified as music or not) serve Buddhist cultures and practices in many important ways. This chapter takes stock of the many diverse practices of the world’s Buddhist cultures, in the vehicles of Theravada, Mahayana, Vajrayana, and Zen. Functions of music, sound, and chanting include proclaiming, memorizing, and contemplating the Dhamma; signaling transitions in rituals; repeating mantras; narrating Jataka stories; cultivating a sense of community within Buddhist lay groups; and performing a rich pageantry of processual music to glorify shrines. Scholarship on Buddhist chanting and music is rapidly growing, though it is divided by language and dispersed among many fields of study. The emerging Buddhist musicology holds great promise, if lingering obstacles between fields of study and languages of scholarship can be overcome.
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Damon, Cynthia. Writing with Posterity in Mind. Edited by Sara Forsdyke, Edith Foster, and Ryan Balot. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199340385.013.43.

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Thucydides and Tacitus are both uncomfortable authors whose unsparing commitment to revealing the truth results in grim depictions of the amoral deployment of political power—power for the sake of power—in idiosyncratic and difficult idioms. However, Tacitus never announces a program of Thucydides-imitation, whether pertaining to methodology or theme. Nor do ancient commentators link Tacitus to his Greek predecessor. Nevertheless, the two are much alike in important aspects of their historiographical achievements. The chapter explores a pair of passages in which the two historians treat one of history’s “repeating events”—defection from an imperial power. In examining the narratives of the Mytilenean and Batavian revolts (Thuc. 3.2–6, 8–18, 23–33, 35–50; Tac. H. 4.12–37, 54–79, 5.14–26), it gives due attention to “each new permutation of circumstances,” the important proviso that Thucydides attaches to his prediction about recurrence (3.82.2).
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Book chapters on the topic "Repeating narrative"

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Sorsoli, Lynn. "Echoes of Silence: Remembering and Repeating Childhood Trauma." In Healing plots: The narrative basis of psychotherapy., 89–109. Washington: American Psychological Association, 2004. http://dx.doi.org/10.1037/10682-005.

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Toffano, Giacomo, and Kevin Smets. "Migration Trail: Exploring the Interplay Between Data visualisation, Cartography and Fiction." In Research Methodologies and Ethical Challenges in Digital Migration Studies, 87–112. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-81226-3_4.

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AbstractThis chapter focuses on the interplay between data visualisation, fiction and cartography in the context of migration. It revolves around a case study of Migration Trail, a website that attempts to provide an original portrayal of human mobility. First, it explores recent literature on each of the three elements interacting on the site. This is followed by an in-depth investigation of their interplay in the overall experience. The study employs a multi-method approach to the content, combining multimodal analysis, that is further validated with a semi-structured expert interview. The research thoroughly maps Migration Trail’s functions, including the dynamic interplay of its different multimedia elements. Ultimately, the chapter reflects on the question: To what extent can fictional narratives and the multimedia approach in a fictional production like Migration Trail successfully challenge stereotypical portrayals of migrants? The analysis shows that there is potential to go beyond the dichotomous, typical representation of migrants, but that it can also fall into the trap of repeating the “deservingness” trope that is part of common imaginaries of migration into Europe.
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"Narrative Style: Repeating Stories – Noah." In Exploring the Qur’an. I.B. Tauris, 2017. http://dx.doi.org/10.5040/9781350986329.ch-007.

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Laird, Kieran. "Endlessly Repeating Ourselves: Narrative and Self-Repetition." In The Political Mindor 'How to Think Differently', 106–39. Edinburgh University Press, 2008. http://dx.doi.org/10.3366/edinburgh/9780748623860.003.0004.

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"4. Endlessly Repeating Ourselves: Narrative and Self-Repetition." In The Political Mind, 106–41. Edinburgh University Press, 2008. http://dx.doi.org/10.1515/9780748630226-005.

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Ono, Jumpei, and Takashi Ogata. "Surprise-Based Narrative Generation in an Automatic Narrative Generation Game." In Advances in Linguistics and Communication Studies, 162–85. IGI Global, 2018. http://dx.doi.org/10.4018/978-1-5225-4775-4.ch004.

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The authors have been developing an automatic narrative generation game using the method of table-talk role playing game (TRPG) that is an analog game based on the interactive process by real humans. This system progresses by repeating of the interaction between a game master (GM) and players (PLs). Although the GM prepares a story as a basis of the process, the PLs can detail and change the story. A basic idea in this chapter is that a gap created through the interaction between the GM and the PLs, namely the gap between the original story by the GM and the changed story, gives various impressive effects for an interesting story or narrative, especially a kind of surprise. Based on the above basic idea, in a previous research the authors studied the relationships between gap and surprise, narrative or story techniques producing surprise, and so on using short stories really generated by the authors' narrative generation system.
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Altiparmak, Burcu. "Reproduction of the City Image in Political Narrative." In Advances in Media, Entertainment, and the Arts, 257–72. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4903-2.ch014.

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The digital age has affected and changed individuals, businesses, marketing-advertising activities, and city and country governments. Designing action plans suitable for the digital age in political, economic, and social fields acting in accordance with the requirements of the digital age has almost become a necessity. In political communication, party leaders, candidates, and local administrators communicate with the public by using social media tools. In Turkey, after the local elections held on March 31, 2019, IMM, the decision of repeating election of 23rd June, was given. This study examines Twitter posts that are shared by the municipalities in Turkey. The study will examine how the image of the city is reproduced and transmitted within the political narrative in local elections.
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Altiparmak, Burcu. "Reproduction of the City Image in Political Narrative." In Advances in Media, Entertainment, and the Arts, 257–72. IGI Global, 2021. http://dx.doi.org/10.4018/978-1-7998-4903-2.ch014.

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The digital age has affected and changed individuals, businesses, marketing-advertising activities, and city and country governments. Designing action plans suitable for the digital age in political, economic, and social fields acting in accordance with the requirements of the digital age has almost become a necessity. In political communication, party leaders, candidates, and local administrators communicate with the public by using social media tools. In Turkey, after the local elections held on March 31, 2019, IMM, the decision of repeating election of 23rd June, was given. This study examines Twitter posts that are shared by the municipalities in Turkey. The study will examine how the image of the city is reproduced and transmitted within the political narrative in local elections.
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Ali, Rami, Džemal Šibljaković, Felix Lippe, Ulrich Neuburg, and Florian Neuburg. "‘You’re Against Dawla, But You’re Listening to Their Nasheeds?’ Appropriating Jihadi Audiovisualities in the Online Streetwork Project Jamal Al-Khatib–My Path!" In Jihadi Audiovisuality and its Entanglements, 222–46. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474467513.003.0010.

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“Jamal al-Khatib” is a participatory project in the field of P/CVE, which aims at delivering alternative narratives to adolescents via digital youthwork. The target groups are youngsters who either sympathize with jihadi propaganda online, or are vulnerable to online recruitment efforts. The project was initiated by a former in prison whose intention, after he extricated himself from the jihadi scene, was to prevent other youngsters from repeating his mistakes. Besides professionals from various backgrounds reaching from social work and Islamic studies to film production and digital content management, the team consists of adolescents who either dropped out of the jihadi scene or proved to be resilient against recruitment efforts of jihadi online actors. According to the project’s peer-to-peer approach, their experiences form the basis for the campaign’s contents. Resorting to the method narrative biography-work, videos featuring alternatives to jihadist propaganda are produced. A lot of effort is put into adapting to the audiovisual appearance of IS propaganda. The videos are posted on different social media platforms, delivered to the target group via the fictional character “Jamal al-Khatib” and discussed in the course of online street work. Evaluation demonstrates that the project was successful in attracting a hard-to-reach target group online.
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Goedde, Petra. "“If You Want Peace, Prepare for War”." In The Politics of Peace, 12–38. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780195370836.003.0002.

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The first chapter of The Politics of Peace provides an analysis of peace within the context of the diplomatic relationship between East and West. Between the late 1940s and early 1960s, both sides in the Cold War battle used the rhetoric of peace to advance their own domestic and international political agendas. By repeating the narrative of their failure to prevent World War II, US and Western European governments promoted a strategy of peace through strength and military preparedness. The United States in particular regarded peace advocates as a threat to national security and often accused them of being either communist agents or naïve idealists who had been duped into becoming puppets of international communism. While the Soviet Union and its allies followed a similar strategy of military preparedness, they linked the rhetoric of peace to internationalism, often institutionalizing peace activism within the bureaucratic machinery of the Communist Party.
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