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Books on the topic 'Repacking'

Author: Grafiati

Published: 28 June 2021

Last updated: 9 February 2022

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1

1957-, Shapiro David A., ed. Repacking your bags: Lighten your load for the good life. 3rd ed. San Francisco: Berrett-Koehler Publishers, 2012.

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1957-, Shapiro David A., ed. Repacking your bags: Lighten your load for the rest of your life. 2nd ed. San Francisco: Berrett-Koehler, 2002.

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1957-, Shapiro David A., ed. Repacking your bags: Lighten your load for the rest of your life. San Francisco: Berrett-Koehler, 1995.

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1957-, Shapiro David A., ed. Repacking your bags: How to live with a new sense of purpose. New York: MJF Books, 1999.

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5

Subhasis, Chaudhuri, and SpringerLink (Online service), eds. Video Analysis and Repackaging for Distance Education. New York, NY: Springer New York, 2012.

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6

Ram, A. Ranjith, and Subhasis Chaudhuri. Video Analysis and Repackaging for Distance Education. New York, NY: Springer New York, 2012. http://dx.doi.org/10.1007/978-1-4614-3837-3.

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7

Unesco. Regional Office for Education in Asia and the Pacific. Manual for repackaging of information on population education. Bangkok: Unesco Regional Office for Education in Asia and the Pacific, 1986.

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8

Lissu, Tundu Antiphas. Repackaging authoritarianism: NGO policy reform and the freedom of association and expression in Tanzania. Dar es Salaam, Tanzania: Lawyers' Environmental Action Team, 2000.

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9

Foster, David. Repackaging Republican appeals: The use of propaganda by conservative presidential candidates in the years from 1968 through 2012. Champaign, IL: Common Ground Pub. LLC, 2013.

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10

Saracevic, Tefko. A course in information consolidation: A handbook for education and training in analysis, synthesis and repackaging of information. Paris: General Information Programme and UNISIST, United Nations Educational, Scientific and Cultural Organization, 1985.

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11

Regional Training Course on the Use of Multimedia Techniques in Repackaging of Information of FLCG Crops Development Technologies (1993 Bogor, Indonesia). Report on Regional Training Course on the Use of Multimedia Techniques in Repackaging of Information of FLCG Crops Development Technologies, 1-20 November 1993, Bogor, Indonesia. Bogor, Indonesia: Southeast Asian Regional Centre for Tropical Biology, 1993.

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12

Standing Conference of Eastern, Central and Southern African Librarians (7th 1986 Gaborone, Botswana). Libraries and literacy: Proceedings of the Seventh Meeting of the Standing Conference of Eastern, Central and Southern African Librarians, Gaborone, 4-8 August 1986 : together with reports on SCECSAL/FID pre-conference workshop, repackaging scientific and technical information for illiterate and/or semi-literate users, Gaborone, 31 July-1 August, 1986, and BLA/DLS/IDRC post-SCECSAL seminar on education and training for librarianship and information work in Southern, Central, and Eastern Africa, Gaborone, 11-12 August 1986. Gaborone [Botswana]: Botswana Library Association, 1987.

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13

Leider, Richard J. Repacking Your Bags. Berrett Koehler Publishers, Inc., San Francisco, 2002.

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14

Horton, Todd A., and Lynn Lemisko. Educator to Educator: Unpacking and Repacking Generative Concepts in Social Studies. Springer, 2015.

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15

Leider, Richard J., and David A. Shapiro. Repacking Your Bags: How to Live With a New Sense of Purpose. MJF Books, 1999.

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16

Repacking Your Bags: Lighten Your Load for the Rest of Your Life. Berrett-Koehler Publishers, 1996.

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17

Leider, Richard J., Shapiro Leider, and David A. Shapiro. Repacking Your Bags: Lighten Your Load for the Rest of Your Life. Audio Literature, 1998.

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18

Wilson, Learning. Repacking Your Bags: Lighten Your Load for the Rest of Your Life. Wilson Learning Corporation, 1995.

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19

Abbott, Helen. Repackaging Baudelaire. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.003.0003.

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Beginning with a survey of known Baudelaire settings, this chapter analyses the extent of reworkings of Baudelaire’s poetry, including those made by the poet himself, through the different editions of Les Fleurs du mal, and translations of his work beyond France. The rationale for the selected corpus of song settings is then outlined (focus on an important time period for transmission of Baudelaire’s poetry across Europe; analysis of groups of Baudelaire poems set to music by a given composer; focus on scores which converge around the mélodie genre). It explores definitions of a ‘song set’ as: (a) a looser grouping than the ‘song cycle’ of the German Lied tradition; and (b) shaped by both aesthetic and commercial concerns. These concerns influence the analysis which seeks to balance ‘quantifiable’ features of song settings against the challenges of evaluating songs which emerge from a given historical and cultural context.

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20

Lee, Sul H. Repackaging Libraries for Survival. Routledge, 2014. http://dx.doi.org/10.4324/9781315877921.

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21

Chatterjee, Pranab. Repackaging of the Welfare State. NASW Press, 1999.

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22

Video Analysis And Repackaging For Distance Education. Springer, 2012.

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23

Simon, Gleeson. Part III Investment Banking, 18 Securitization and Repackaging. Oxford University Press, 2012. http://dx.doi.org/10.1093/law/9780199643981.003.0018.

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24

Simon, Gleeson. Part III Investment Banking, 18 Securitization and Repackaging. Oxford University Press, 2018. http://dx.doi.org/10.1093/law/9780198793410.003.0018.

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This chapter discusses securitization requirements under Basel 3. The Basel 3 reforms have rewritten the capital treatment of securitisations. However this rewriting sits on top of some major restructuring of the regime effected by Basel 2.5. Given that the Basel Accord is intended to reflect credit risk, it might be expected that the rationale for a separate treatment of securitization exposures would have disappeared, and that exposures to securitization vehicles would be evaluated in exactly the same way as exposures to other types of vehicles, based on credit characteristics. However, the opposite is the case. The chapter begins with an explanation of securitization. It then discusses true sale and derecognition of assets, risk weighting of securitization exposures, weighting holdings of securitization positions, the internal ratings-based approach approach, and revolving credit securitizations.

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25

'Ad'Apting to Markets: Repackaging Commercials in Indian Languages. SAGE Publications India Pvt, Ltd., 2015.

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26

Repackaging Libraries for Survival: Climbing Out of the Box. Taylor & Francis Group, 2013.

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27

Lee, Sul H. Repackaging Libraries for Survival: Climbing Out of the Box. Taylor & Francis Group, 2011.

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28

Administrator's Introduction to Application Repackaging and Software Deployment using Windows Installer. InstallShield Press, 2002.

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29

Kumar, P. S. G. Information Analysis, Repackaging, Consolidation and Information Retrieval ; Paper X and XI of UGC Model Curriculum. B.R. Publishing Corporation, 2004.

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30

United States. Environmental Protection Agency. Office of Water and United States. Environmental Protection Agency. Office of Pollution Prevention and Toxics, eds. Pollution prevention (P2) guidance manual for the pesticide formulating, packaging, and repackaging industry: Implementing the P2 alternative. Washington, D.C: Office of Water and Office of Pollution Prevention and Toxics, U.S. Environmental Protection Agency, 1998.

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31

Reece, Richard L. Voices of Health Reform: Interviews with Health Care Stakeholders at Work: Options for Repackaging American Health Care. Practice Support Resources Inc., 2005.

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32

Land, Isaac. ‘Each Song Was Just Like a Little Sermon’. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812425.003.0014.

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This chapter is central to the volume’s chronological contentions, as its argument accounts for the specialized, one-dimensional Dibdin of ‘Tom Bowling’ that has endured into recent scholarship. Focusing on Dibdin’s posthumous reception, it examines the moral and rhetorical difficulties of repackaging Dibdin’s works for a Victorian sensibility; it explores the specifics of mid-century concert culture previously highlighted by Derek Scott and William Weber as central to changes in nineteenth-century taste and programming; and it develops the theme of nostalgia into a revelatory consideration of the relationship between new naval technologies, national pride, and military training, and the songs, people, and language of a remembered Napoleonic ‘golden age’—to which Dibdin proves to have been as central, in the Victorian imagination, as Nelson.

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33

Foster, David. Repackaging Republican Appeals: The Use of Propaganda by Conservative Presidential Candidates in the Years from 1968 through 2012. Common Ground Research Networks, 2013. http://dx.doi.org/10.18848/978-1-61229-129-1/cgp.

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34

Abbott, Helen. Baudelaire’s Assemblage. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794691.003.0002.

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Song is a combination of elements, of which the outcome is not always stable. This chapter examines the nature of the bonds formed between poem and music by proposing a new ‘‘assemblage’’ model, which focuses on five key parameters: (a) metre/prosody; (b) form/structure; (c) sound properties/repetition; (d) semantics/word painting; (e) live performance options. This approach bridges methodological gaps exposed through an examination of existing models used in translation theory, adaptation theory, and word/music theory. The two stages in the assemblage model examine: (1) adhesion strength (how closely poem and music stick together); (2) accretion/dilution (how successful the song setting is). The phases of analysis factor in how song is a non-permanent form which goes through multiple iterations of repackaging, including different performances of the same song and different settings of the same poem.

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35

Caps, John. Looking Back, Looking On. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036736.003.0018.

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This chapter discusses the legacy of Henry Mancini. Mancini should be remembered for three contributions to popular culture: first the reinventing, the freshening of film scoring in the 1960s. Mancini offered to the young Kennedy-era generation his own bright and clear sophisticated style—as clean and courteous as mainstream pop, but as cool and knowing as modern jazz. His second contribution was his repackaging of the melodic material from those colorful scores into jazz-pop record albums for home listening (coinciding with the invention of the stereo vinyl disc and high-fidelity recording techniques) that put his memorable tunes and orchestral inventiveness directly into people's lives and gave him, unlike past film composers, fame under his own name. Third was his reintroduction of lyricism into popular music—of carefully composed, personally expressive, harmonically interesting melody writing that had flourished once, then dried up in the 1950s when a cold war reigned between capitalism and communism as between one war-torn generation and their anxious offspring.

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