Dissertations / Theses on the topic 'René'
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Aguilera, Pinta Camila, Zuñiga Geraldy Cañete, and Quezada Carlos Ochoa. "René." Tesis, Universidad de Chile, 2013. http://www.repositorio.uchile.cl/handle/2250/116589.
Full textEn esta bitácora el objetivo principal es dar cuenta del proceso de creación de la obra de titulo “René” a través del análisis de las condiciones en la que fue desarrollada y su relación directa con las decisiones de dirección desprendidas de las diversas situaciones y dificultades que enfrentamos como equipo. En esta bitácora el análisis del cortometraje está en directa relación y constante dialogo con sus momentos de desarrollo, lo que permitirá un mejor entendimiento de mi tesis. Es preciso además advertir que tanto en mi bitácora como tesis, mis textos están escritos desde mi posición como realizadora y estudiante lo que propone entender el proceso de René como una reflexión que involucra ambos espacios en su interpretación.
Aguilera, Pinto Camila, Zuñiga Geraldy Cañete, and Quezada Carlos Ochoa. "René." Tesis, Universidad de Chile, 2013. http://repositorio.uchile.cl/handle/2250/133373.
Full textEn esta bitácora el objetivo principal es dar cuenta del proceso de creación de la obra de titulo “René” a través del análisis de las condiciones en la que fue desarrollada y su relación directa con las decisiones de dirección desprendidas de las diversas situaciones y dificultades que enfrentamos como equipo. En esta bitácora el análisis del cortometraje está en directa relación y constante dialogo con sus momentos de desarrollo, lo que permitirá un mejor entendimiento de mi tesis. Es preciso además advertir que tanto en mi bitácora como tesis, mis textos están escritos desde mi posición como realizadora y estudiante lo que propone entender el proceso de René como una reflexión que involucra ambos espacios en su interpretación.
Boyé, Philippe. "René Girard et l'évolution." Bordeaux 2, 1990. http://www.theses.fr/1990BOR25101.
Full textCarbone, Silvia Maria. "Conversações com René Girard." Pontifícia Universidade Católica de São Paulo, 2014. http://tede2.pucsp.br/handle/handle/2471.
Full textConversations with René Girard proposes understanding of the work of Girard in all its complexity. The thesis focuses on analyzing the theory of mimetic desire, the relationship between violence and the sacred, and the need for a scapegoat. Three interwoven, united themes surround all the work of Girard, explained for the first time in the Violence and the Sacred essay considered as one of the pillars of Girardian thought. According to Girard, violence intrinsic to humanity, is the desire to control the violence that establishes the passage of the state of nature to the state of culture. The channeling of violence is vital to the existence of societies - archaic and modern. Girard shows us that the way to control violence is possible only by the institution of the sacred, that is through the atoning sacrifice of the victim. For the author, the desire is always mimetic desire : what is desired by the other subject, which raises the rivalry and consequently the violence that needs to be contained
Conversações com René Girard propõe o entendimento da obra de Girard em toda sua complexidade. A tese concentra a análise sobre a teoria do desejo mimético, a relação da violência com o sagrado e a necessidade do bode expiatório. Três temas entrelaçados, uníssonos que circundam toda a obra de Girard, explicitados pela primeira vez em A violência e o Sagrado, ensaio considerado como um dos pilares do pensamento girardiano. Para Girard, a violência é intrínseca à humanidade, é o controle do desejo de violência que estabelece a passagem do estado de natureza para o estado de cultura. A canalização da violência é vital para a existência das sociedades arcaicas e modernas. Girard nos mostra que a forma de controle da violência só é possível pela instituição do sagrado, que o faz por meio dos sacrifícios da vítima expiatória. Para o autor, o desejo é sempre mimético, desejamos aquilo que é desejado por outro sujeito, o que suscita a rivalidade e, consequentemente, a violência que precisa ser contida
Blottière, Sylvie. "René Quillivic : 1879-1969." Rennes 2, 1986. http://www.theses.fr/1986REN20019.
Full textResearch about art in Brittany between the beginning and the middle of this century, through the monograph of René Quillivic's work. Born in very simple surroundings, he comes up to Ecole des beaux-arts in Paris by the favour of a local statesman. Since the beginning of his career he gets the war memorial's expert. He knows haw to join academic traditions, realism and regionalism. In 1925, as J. J. Lemordant or the Seiz Breur, but very alone among them, he has share in the Brittany’s art revival, especially in ceramics and wood-engraving. Since 1937, in Paris, his works get less and less estimated among the critics therefore he prefers to turn back about Brittany. After the second war, he appears as the symbol of Breton invention especially for historical, cultural and stylistic opportunities. Indeed, between the first and the second mondial war, when Quillivic's career was at the top, that was just the beginning of a cultural revival in Brittany. His celebrity comes also from his birth in a popular family. His work seems to realise the connexion abetween manual trade and art. But the most important opportunity is his own style: he mingles realism and stylization: faces are generally portraits, volumes and dress are schematized. After the last war, thoughts about an original Breton culture are more and more imperious and René Quillivic appears as the modern Breton sculpture's forefather
Yu, Myongja. "René Magritte : écriture, peinture." Poitiers, 1995. http://www.theses.fr/1995POIT5012.
Full textA study rene magritte, writing painging on the evolution of rene magritte's (1898-1967) ideas about words and images composed of four parts : "genesis of a painter", "under the sign of the words and the images", "thaught image", "poetry of magritte's art". Evolution towords the combination of words and images to makes visible the true inspirated poetic thaught which tend to end in magrittian conception of "real art of painting", that is a visible poetry. Magritte's art pursue to oblige the thaught, "prisoner", to "think" ("see") and to make free throwout the liberated images. This painting is the material sign of the liberty of the thaught. In this way, it has the same goal as the verbal langage, it is used as a mean pf think. This the most remarkable analogy bethween writing and magritt's painting which trys to be poetic. The research of the poetic thaught lead the artist to the reveal of the thaught as a absolut mystery which becomes incarnate in the picture the two mysteries (1966). That is the materialisation of magritte's pictorial and mental univers who was researcher of the mystery of the world and the life
Le, Cornec Joëlle. "René Char : l'écriture fragmentaire." Rennes 2, 1990. http://www.theses.fr/1990REN20015.
Full textFragmentary writing may be considered as an aspect of Charier abstruseness, whereas its elucidation has led to speak of the readibility of Char. A study of the fragment and its established shows that Charier writing, rather than adopting these, in the invention of a form - a writing based on its ruptures and blanks. The second part deals with the way of constructing the meaning. The fragmental here is understood to be the principle of the breaking up. He discovers the creative energy of form, slipt up by the discontinuity, the blank-semantic and graphic - the ellipsis. The third, the imaginary of charier writing: a diairetic object of the image revealed by three mother-figures. A musing of the fragmentation delivers the three axes from imagination: the pulverized, the dislocated (the major and minor tones of the fragment) and the fragile. The architecture of the work however reveals two antinoma forms: the pulverized and the linking showing that the fragment finds a means of becoming connected, though in intratextuality. The metatextualite takes on also the function of cohesion
Piot, Jean-Marie. "Le Président René Coty." Paris 2, 1985. http://www.theses.fr/1985PA020014.
Full textRenfert, Christof. "René Chars tragische Lyrik." Doctoral thesis, Humboldt-Universität zu Berlin, Philosophische Fakultät II, 2005. http://dx.doi.org/10.18452/15216.
Full textThe purpose of this work is to show that the french poet René Char (1907-1988) develops his esthetic comprehension of poetry through the concepts of Nietzsches early work „The birth of tragedy“ and that Chars poetry is essentially tragic. I first analyse the concept of tragic esthetic. Tragic esthetic consists in two principles, the apollinian and the dionysian. These principles constitute the dynamic of tragic esthetic. These principles are other forms of what the european esthetic tradition calls the beautiful and the sublime, and Nietzsches concepts result from this tradition. In a second step I analyse how these principles constitute the basics of Chars poetry. First I analyse the apollinian dimension of his poems, particularly the importance of dream and the surrealistic aspect of Chars poems. Then I analyse deeper the working of the dynamic of these two principles. This esthetic dynamic has to be understood as a transformation of negativity. Transformation of negativity means in Chars poetry first of all a poetic transformation of the nationalsocialist negativity, against which Char fought. By analysing this context, it appeared that Chars poetry contains an ethical dimension, which result from the tragic esthetic. And the heart of this ethical tragic esthetic is justice.
Côté, Louise. "La violence selon René Girard." Master's thesis, Université Laval, 1987. http://hdl.handle.net/20.500.11794/29251.
Full textDelliaux, Anne-Marie. "René Char ou l'effet miroir." Toulouse 2, 1995. http://www.theses.fr/1995TOU2A096.
Full textPresented in the framework of the university Toulouse le Mirail, mirail meaning in old french mirror, and in the context of seduction inherent in the poetry, this study rests on the privileged connections uniting mirror and seduction. Three compilations afford plentifully examples of it : la parole en archipel, la nuit talismanique qui brillait dans son cercle and aromates chasseurs
Belin, Olivier. "René Char et le surréalisme." Paris 4, 2008. http://ezproxy.normandie-univ.fr/login?url=https://www.classiques-garnier.com/numerique-bases/garnier?filename=obiMS01.
Full textRené Char officially belonged to the surrealist movement from 1930 to 1934. For all that, did the movement have a profound impact on his poetry ? This thesis sets out to answer in the affirmative by reconsidering the place of surrealism in the whole corpus published by Char from 1928 to 1988, in the light of unpublished correspondences or manuscripts. In the first part, it is a chronological study of the pre-war books which shows how the surrealist stage enabled Char, by attraction or repulsion, to form his own aesthetic and intellectual positions. The second part examines all of the post-war texts from different angles so as to reveal the persistence of the surrealist heritage, since Char constantly goes back to surrealism to define the meaning of his works, poetics, political tendencies, ethical thoughts or stylistic choices. Thus Char’s evolution provides a remarkable example of the dissemination of surrealism in the twentieth century French poetry
Morin, Eugénie. "René Char : éthique et Utopie." Thesis, Paris 4, 2010. http://www.theses.fr/2010PA040056.
Full textBy virtue of his tragic vision of the world, René Char initially appears to be far from a utopian. He is less interested in “enchanting dawns” than in the imminent dangers that await humanity. In many poems he attacks the naïve who believe that good will triumph, and values instead the pessimists “who see in their very lifetime the realization of what they most feared.” For this reason, Char has been placed alongside those who view utopia as the foyer of gulags and concentration camps, and hold utopianism responsible for the degeneration of so-called “socialist” states into totalitarian ones. Char suggests several times that between ethos (which encourages the adherence of poetry and thought to reality) and utopos (which distances us from the reality of the world) only an essential incompatibility can arise. To leave the question of utopia at this, however, is to ignore how a whole dimension of Char’s poetry is equally inspired by the “principle of hope.” His poetry from the early 1930s flows from a desire for “a world in every respect renewed by the attractive.” His later works are equally filled with “wish-images” of desiring consciousness, evocations of dreamed places – be it an “imperforate city,” a “country at the margins,” an “ideal citadel” or, indeed, “perfection, both earthly and inspired by the common good.” While Char has on several occasions taken it upon himself to attack future-oriented utopias, it is necessary to ask whether, from within this very criticism, we may find instead an invitation to think utopia otherwise
Ávila, Roberta Vieira da Cunha. "Julio Cortázar e René Magritte." reponame:Repositório Institucional da UFSC, 2017. https://repositorio.ufsc.br/xmlui/handle/123456789/182800.
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Essa dissertação é uma proposta de leitura comparada de Julio Cortázar e René Magritte. Para realizar essa análise, foram destacados, principalmente, os contos de Cortázar ?Circe? publicado em Bestiário, de 1951, e ?Axolote?, publicado em Final de Jogo, de 1956. As obras de Magritte selecionadas foram L´invention collective, de 1934, Le mal du pays (1940) e La bataille de l´Argonne (1964). O objetivo da dissertação é realizar uma leitura que ressalte a proximidade teórica e a intertextualidade entre os dois autores, que tinham raízes no surrealismo e exploraram temas relacionados ao mito.
Abstract : This dissertation is a comparative reading proposal of Julio Cortázar and René Magritte. To carry out this analysis, the short stories of Cortázar "Circe" published in Bestiário (1951) and "Axolote", published in Final of Game (1956) were highlighted. The works of Magritte selected were ?L'invention collective?, 1934, ?Le mal du pays? (1940), and ?La bataille de l'Argonne? (1964). The objective of the dissertation is to carry out a reading that emphasizes the theoretical proximity and the intertextuality between the two authors, who had roots in the surrealism and explored subjects related to the myth.
Rübbelke, René [Verfasser]. "Systematik zur innovationsorientierten Kompetenzplanung / René Rübbelke." Paderborn : Universitätsbibliothek, 2016. http://d-nb.info/1082284289/34.
Full textGonçalves, Angela. "Verdade e método em René Descartes." Pontifícia Universidade Católica do Rio Grande do Sul, 2014. http://hdl.handle.net/10923/6821.
Full textDans ce travail, on montre la cause de l’utilization d’une méthode pour Descartes, les préceptes de cette méthode et la relation de la même avec la vérité. Pour la recherche de la vérité, c’est un instrument et un moyen indispensable, quand existent obscurités, complexités à la resolution des problèmes, il faut qu’il intervienne. C’est à travers d’elle qu’on arrive aux évidences, idées claires et distinctes. On a l’évidence seulement à travers de l’intuition et de la deduction, c’est sont les deux voies pour arriver à la vraie science. Sont operations de l’entendement claires et distinctes. Elles n’a pas besoin de la méthode parce qu’elles sont antérieures à lui, sont à priori et sont justifiées par si mêmes. Elles seulement interviennent à la méthode quand elles sont nécessaires. On présente les quatres préceptes de la méthode, mais pour Descartes, le précept qui démontre, qui montre comment on arrive à la vérité, c’est l’analytique. La descendence méthodologique de l’auteur c’est de l’analyse des anciens géomètres et l’algèbre des modernes. C’est que l’auteur veut c’est l’évidence et la première qu’il a arrivée, a été le Cogito. Celui est obtenu par la méthode. C’est la première vérité claire et distincte. A partir de ce là, toutes les outres vérités émergent du Cogito. Selon Descartes la connaissance va du subjectif au l’objectif, Dieu, mais on défend que c’est qui fondement le Cogito c’est Dieu. On a fait un étude critique-comparatif entre le Discours de la Méthode et les Méditations Métaphysiques pour montrer que les oeuvres ce différencient selon l’objectif de Descartes. fre
Neste trabalho, mostra-se o porquê da utilização de um método por Descartes, os preceitos do mesmo e a relação do método com a verdade. Para a procura da verdade é um instrumento e meio imprescindível, quando existem obscuridades, complexidades na resolução de problemas, é necessário que ele intervenha. É através dele que se chega às evidências, ideias claras e distintas. Só se tem evidência através da intuição e dedução, as duas vias para se chegar à ciência verdadeira. São operações do entendimento claras e distintas. Elas não precisam do método porque são anteriores a ele, são à priori, justificadas por si próprias. Elas intervêm no método quando é necessário. Apresenta-se os quatro preceitos do método, mas o preceito que demonstra, que mostra como se chega à verdade é o analítico. A descendência metodológica do autor é da análise dos antigos geômetras e da álgebra dos modernos. O que o autor quer é evidência, e a primeira a que chegou foi o Cogito. Este foi obtido pelo método. É a primeira verdade clara e distinta. A partir de então todas as outras verdades emergem do Cogito. Segundo Descartes, o conhecimento vai do subjetivo ao objetivo, Deus, mas defende-se que quem fundamenta o Cogito é Deus. Fez-se um estudo críticocomparativo entre o Discurso do Método e as Meditações Metafísicas, para mostrar que as obras se diferenciam segundo o objetivo de Descartes.
Hadji, Khalid. "Sémiotique et imaginaire de René Char." Limoges, 1989. http://www.theses.fr/1989LIMOA001.
Full textKaczmarek, Tomasz. "Henri-René Lenormand et l'expressionnisme dramatique." Paris 4, 1999. http://www.theses.fr/1999PA040099.
Full textThe aim of this thesis is to make a thorough study of the dramatic work by H. R. Lenormand in the outlook of the expressionist aesthetics. .
Roche, Martine. "Le théâtre saisonnier de René Char." Montpellier 3, 1988. http://www.theses.fr/1988MON30037.
Full textJoemets, Micheline. "René Magritte, a critique of reification." Master's thesis, Université Laval, 1991. http://hdl.handle.net/20.500.11794/33550.
Full textThis essay examines René Magritte’s works from 1925 to 1933. It posits that Magritte’s paintings underwent two distinct stages of resistance to commodity relations, one around 1925-1927, the other starting in 1933 with the development of a work process known as objet-réponse. It suggests that the two stages of resistance to commodity relations were founded on opposite modes of construction. The works dating from the early years are understood as being the result of a constant effort to negate the structural principles of the 'organic’ work of art, while the works dating from 1933, are understood as aiming for the creation of a new value system, one which transcends the rational and quantitative norms imposed by reified society.
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Staiber, Marie-Louise. "L'Exil de René Schickele : 1932-1940." Université Marc Bloch (Strasbourg) (1971-2008), 1988. http://www.theses.fr/1988STR20042.
Full textThis thesis is devoted to the final period (1932-1940) in the work of René Schickele, the bilingual Alsatian writer, and it is a contribution to the study of anti-fascist German literature of exile. Its originality lies in the deliberate choice of concentrating research on the literary production of a writer whose situation is particularly complex. Methodologically, it is a synthesis combining literary analysis and historical study. This explains its emphasis on biography, the genesis of the works, and especially the public's response. Our interpretation is founded on first-hand documentation - various unpublished material to be found at the "deutsche Literatur- Archiv" in Marbach am Neckar - allowing for a better understanding of the period, which is certainly to be considered as the most interesting and controversial in the author's life and work. The first chapter deals with René Schickele’s position within the context of German exile literature, and the following ones are devoted to a chronological study of his works during that period. Finally, our thesis con- tributes to the rediscovery of an insufficiently appreciated writer who played a prominent part in German literature. On the one hand, this study brings out the historical dimension: the values of the western humanism as opposed to 20th century forms of totalitarianism, themselves seen as manifestations of irrationalism. At the same time it emphasizes the aesthetic value of René Schickele’s work
Quillier, Patrick. "L'Usage de l'oreille selon René Char." Toulouse 2, 1997. http://www.theses.fr/1997TOU20013.
Full textTrying to make a kind of audiocritics about char, this work first describes his soundscape : sounds and noises presented by the poem. A precise attention is given to each of them even in its very strange mentions. The second part shows the different gestures which construct char's sense of listening, the cooperation between hearing and the other organs, and the various possibilities to apply hearing and listening to symbolic, abstract or theoretical fields, like fantasies, social facts or ethics. Then we study how char is using hearing and listening in philosophical and metaphysical fields, in order to product a kind of intending semiology which is linked to the crisis of what is to decide, of what depends on discrepancy and on dualism. Consequently, we establish the foundations of a charian audiognoseology, which belongs to acroamatics : with its statements we can approach the metaphysical sounds this poetry is fond of, like sounds producted by space, time, voice, gods and being. . . By hearing, listening, and intending, the poet changes his language into a resonant body. This body is created by a complex mechanism : while the poet is writing, this mechanism puts the ears to speak. Theese are the purposes of the fourth part : to establish, in this resonant body, the linkages between poetics and music, and generally between poetics and audible ; to analyse acroamatically the main concepts of poetics - for instance, primus inter pares, rhythm. Char's hermetism is linked to ear's darkness, he used in complex and subtle ways, for instance resorting to acousmates, which are hallucinated or inner sounds
Sury-Bonnici, Claude-Jeanne. "René Seyssaud, 1867-1952, peintre moderne." Paris 4, 2001. http://www.theses.fr/2000PA040157.
Full textMoncelet, Christian. "L'univers poétique de René Guy Cadou." Clermont-Ferrand 2, 1988. http://www.theses.fr/1988CLF20014.
Full text"poetry as the whole of life" life as a dream" are two phrases of cadou that invite us to explore his poetical universe taking into account his biography, the slant of his soul and his aesthetics. The birth and maturity of a poet who died when young, the destiny of a man who chose to be a provincial, a life injured by trials ans bereavements, love radiating all along on that journey, are as many themes chronologically dealt with in rene guy cadou's life and passion, published by bof in 1975. In the bonds in this world (champ vallon, 1982), the connection of what is written with the spatio-temporal referent is analysed under the notion of "realyricism" and is integrated in the general problematics of interdependence. It is important for cadou to abolish the borders, to live through words the multiple relations between the animal, vegetable and mineral kingdoms, between the beings, the ego and the others, even between lyricism and humour. The virtue of communication and the fertility of exchange asserts itself as a fundamental value through a set of themas which can be as well spatial (doors, windows) as verbal (the functions of language, the fulfilled dynamics of questions ans answers). An anti-narcissus, cadou incarnates a generous orphism, softy "panic" (cf. Pan) in which the whoman, children and privileged animals are active figures. As a supreme value love demands a quasi mystical transparency. An ever-faithful man, the poet grew up out of his geographical, social and verbal fertilizing soil. He was born of the ordinary people and never stopped testifying to that belonging. The unpublished story poetry and the people shows that cadou was an exemplary conciliator. If he enjoyed populism (in novels or poetry) he also showed he was fond of popular, literary or paraliterary, culture. A member of the rochefort school or by himself, he committed himself in his own way by addressing everybody
Wickede, René von [Verfasser]. "Sonderkündigungsschutz im Arbeitsverhältnis. / René von Wickede." Berlin : Duncker & Humblot, 2009. http://d-nb.info/123836120X/34.
Full textGhouse, René [Verfasser]. "Langzeitverantwortlichkeit im parlamentarischen Gesetzgebungsverfahren / René Ghouse." Frankfurt : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2016. http://d-nb.info/1100729089/34.
Full textZimmermann, Flávio Miguel de Oliveira. "Ceticismo e certeza em René Descartes." Florianópolis, SC, 2005. http://repositorio.ufsc.br/handle/123456789/102765.
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O filósofo René Descartes formulou um modelo revolucionário para a filosofia de seu tempo, tendo como ponto de partida o desafio cético. Seu consentimento voluntário às inquietações sustentadas pelos seus antagonistas possibilitou-o a encontrar uma nova forma de resolver o impasse. A prova oferecida por ele, envolvendo o uso adequado da razão, é descrita na máxima "cogito ergo sum" ou "ego sum, ego existo", acompanhada da legitimada divina. Mas, ao invés de trazer conforto às mentes aflitas pelo conhecimento certo e verdadeiro, a certeza cartesiana acabou tendo que se defrontar, desde o tempo em que foi elaborada, com inúmeros adversários e opositores. O método da dúvida, enquanto alicerce de um sistema de pensamento filosófico, bem como, cada etapa do processo em que seu autor examina as próprias idéias, também foram alvos de críticas e questionamentos. Descartes foi acusado de fomentar um ceticismo ilegítimo, que pudesse ser refutado pela experimentação prática, e de ter incorrido em diversas falácias na fundação de suas primeiras certeza. A partir da análise de leitores de seu tempo e de atuais estudiosos, a presente dissertação tem por objetivo trazer ao debate a controvérsia envolvendo estes aspectos do pensamento cartesiano, e identificar, sempre que possível, as respostas do autor às réplicas apresentadas pelos seus oponentes. Os resultados obtidos indicam a possibilidade da dúvida metódica e de sua solução, desde que compreendida como passível de ser aplicada exclusivamente ao sujeito que reconhece a existência e efetividade da dúvida. A verdadeira crítica ao presente sistema, porém, em vez da acusação de falácias lógicas na argumentação rigorosa de Descartes, poderia estar na renúncia do ponto de partida de seu projeto de filosofia.
Truchot, Hélène. "Le droit constitutionnel de René Capitant." Thesis, Bourgogne Franche-Comté, 2018. http://www.theses.fr/2018UBFCF011.
Full textRené Capitant (1901-1970) was professor of public law, involved in the Resistance movement during the Second World War, deputy, and Gaullist minister. He bequeaths a constitutional work that has never been subjected to exhaustive legal analysis. Often critical and sometimes precursor, his doctrinal and political writings are of interest as much in the theoretical developments questioning the origin of positive law through its reception by individual consciences as in the practical aspects of the evolution of French regimes. Through a dynamic approach to constitutional law in which constitutional history, institutional practices and philosophical and political doctrines intermingle, René Capitant's constitutional law invites us to go beyond the texts to question the constitutional legitimacy of French democracy
Truchot, Hélène. "Le droit constitutionnel de René Capitant." Electronic Thesis or Diss., Bourgogne Franche-Comté, 2018. https://buadistant.univ-angers.fr/login?url=https://bibliotheque.lefebvre-dalloz.fr/secure/isbn/9782247201228.
Full textRené Capitant (1901-1970) was professor of public law, involved in the Resistance movement during the Second World War, deputy, and Gaullist minister. He bequeaths a constitutional work that has never been subjected to exhaustive legal analysis. Often critical and sometimes precursor, his doctrinal and political writings are of interest as much in the theoretical developments questioning the origin of positive law through its reception by individual consciences as in the practical aspects of the evolution of French regimes. Through a dynamic approach to constitutional law in which constitutional history, institutional practices and philosophical and political doctrines intermingle, René Capitant's constitutional law invites us to go beyond the texts to question the constitutional legitimacy of French democracy
Gingras, Denis. "René Cassin et les droits de l'homme." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25238.pdf.
Full textGroiß, René [Verfasser]. "Schnellladung und Pulsladung von Bleibatterien / René Groiß." Ulm : Universität Ulm. Fakultät für Naturwissenschaften, 2000. http://d-nb.info/1015269273/34.
Full textWolf, René [Verfasser]. "Vergleich von Dieselmotoren unterschiedlicher Größe / René Wolf." Aachen : Shaker, 2017. http://d-nb.info/1138179094/34.
Full textSchwonnek, René [Verfasser]. "Uncertainty relations in quantum theory / René Schwonnek." Hannover : Gottfried Wilhelm Leibniz Universität Hannover, 2018. http://d-nb.info/1166313905/34.
Full textBaadjou, René [Verfasser]. "Grundlagenuntersuchungen zur Herstellung thixogeformter Stahlverbundbauteile / René Baadjou." Aachen : Shaker, 2014. http://d-nb.info/1052408923/34.
Full textHafner, Josef. "René Char : de la fureur au mystère." Paris 3, 1988. http://www.theses.fr/1989PA030020.
Full textVol. I, three parts : 1) study of the origines of char, his rootedness in his home countra, his literary beginnings, his surrealiste years till 1936. 2) from 1936 to 1948. These years which changed europe and the whole world are one of the most important years in chr's life : war and resitance. The bibliography indicates many publications of char not or little known. This volume contents many reproductions concerning char's poetry (pages of title, manusripts, musical partitions, illustrations) and colored photos. Vol. Ii, annexe : this volume contents many publications of char, not included in the pleiade : 1) poems and writings. 2) interviews. 3. 1. ) arriere-histroire du poeme pulverise. (extracts). 3. 2. ) lettre a benjamin peret. 3. 3. ) les cloches sur le coeur
Gueraud, Jean-François. "Modes d'expression et symboles chez René Crevel." Lyon 3, 1992. http://www.theses.fr/1992LYO31007.
Full textThe present thesis undertakes to analyse the forms of expression and symbols used by the author to translate his dissatisfaction, his hopes and especially his fascination with death. This study comprises five chapters. It first examines the symbolic value of colours, throuhg which crevel translates his moods or particular psychological states. The second chapter studies the representation of the woman's body. The author aimed to restore desire, the source of all being. The third chapter is an analysis of crevel's bestiary. Through animal references, he expresses both thoughts and welldefined psychological context. The play on words, word play, studied in chapter four, provides an opportunity to breakdown the mechanisms used by crevel, and to appreciate the results he obtains. The last chapter, polemic impact and techniques presents an overview of the historical context of this period and examines the polemic writing techniques. Thoughout these five steps, we prepare an inventory of the psychological represenations of his imagination
Mokrane, Hakim. "René Char ou la métamorphose d'une poétique." Chambéry, 2002. http://www.theses.fr/2002CHAML014.
Full textSoulé, Yves. "René Char : l'imbattable ordonnance de la géologie." Montpellier 3, 2000. http://www.theses.fr/2000MON30011.
Full textMicheau, Madeleine. "Genèse de René Leys de Victor Segalen." Paris 4, 1997. http://www.theses.fr/1997PA040043.
Full textVictor Segalen's René Leys remained uncompleted after a second recast in 1916 and it never proved possible to establish whether the novelist actually meant to leave it as it was then, or work at it again - hadn't death prevented him doing so in 1919. A main feature of Segalen's method as a writer consisted in passing rapidly from one draft to another, trusting in the underground working of time and germination. A first version had been strenuously conducted within a few months between 1913 and 1914 in Tientsin and Peking. Based upon preliminary marginal notes, it most probably followed a ten-odd pages outline written at the beginning of 1913. In Segalen's hand, on what was meant to be a frontpage of the manuscript bound in book-form, could be read "novel founded on fact". This foreword pointed to the real adventure at the root of the novel which - initially and for some other purpose - had been put down in writing as mere notes under the title of Annales secrètes d'après MR, that is to say Maurice Roy whose pekinese and imperial narratives initiated the novel. Content with this first draft, Victor Segalen was satisfied with amending his manuscript until the need of a thorough rewriting eventually dawned upon him. Between these two stages the work was reread, annotated, sized up and judged. Our study aims at tracing back the writing of the novel through, on the one hand, a minute analysis of the two manuscripts, their notes, the rough drafts kept in the manuscript department of the French national Library and, on the other hand, the textual transcription of the first manuscript which supplements this doctoral dissertation
Roussille, Frédéric. "René Char ou la nature de l’image." Thesis, Aix-Marseille, 2015. http://www.theses.fr/2015AIXM3063.
Full textIn his poetic body ok work, René Char develops a way to make image where the evident and the obscure are equivalent. For what is, for him, set in plain sight is not conceived according to a use of language where the world ans words would be face to face. As it cannot be reduced by language, the world is then this gesture thanks to which, at the risk of inventing itself, it is seen or said, drawn or written. Following the unfoldind of the poet's career, we can observe how such an endeavour towards sovereign poetry took shape, the better to see why Char was fascinating by painters ; how he belongs to a romanticized philosophy of nature while breaking away from it ; how, fanilly, his denial of teleological history considered as a hindrance to sovereignty led him to take a stand in his century
Pahud, de Mortanges René [Verfasser]. "Swiss Legal History / René Pahud de Mortanges." Frankfurt a.M. : Peter Lang GmbH, Internationaler Verlag der Wissenschaften, 2020. http://d-nb.info/1207722057/34.
Full textFischer, Katharina [Verfasser], René [Akademischer Betreuer] Schilling, and Niels [Akademischer Betreuer] Jacob. "Equilibria in Quitting Games and Software for the Analysis / Katharina Fischer. Gutachter: René Schilling ; Niels Jacob. Betreuer: René Schilling." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://d-nb.info/1068153598/34.
Full textFischer, Katharina [Verfasser], René L. [Akademischer Betreuer] Schilling, and Niels [Akademischer Betreuer] Jacob. "Equilibria in Quitting Games and Software for the Analysis / Katharina Fischer. Gutachter: René Schilling ; Niels Jacob. Betreuer: René Schilling." Dresden : Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2013. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-119877.
Full textLanger, Christoph [Verfasser], René [Akademischer Betreuer] Reifarth, and Thomas [Akademischer Betreuer] Aumann. "Coulomb dissociation of 31Cl and 32Ar - constraining the rp process / Christoph Langer. Gutachter: René Reifarth ; Thomas Aumann. Betreuer: René Reifarth." Frankfurt am Main : Univ.-Bibliothek Frankfurt am Main, 2012. http://d-nb.info/104441247X/34.
Full textAndrosch, René [Verfasser]. "Reversibles Schmelzen und Kristallisieren von Polymeren / René Androsch." Halle (Saale) : Universitäts- und Landesbibliothek Sachsen-Anhalt, Halle, Hochschulschriften, 2005. http://d-nb.info/97881892X/34.
Full textDurand, Franck. "René Laforgue, de la névrose à la psychopolitique." Thesis, Montpellier 3, 2017. http://www.theses.fr/2017MON30054.
Full textPioneer of the psychoanalysis in France, René Laforgue seems to be, today, forgotten.Neverless, several elements of his works influenced durably certain aspects of psychoanalysis.Runner of the report that no monograph was again dedicated to René Laforgue and to its work, this present thesis settles for objective to fill this gap. This research has for ambition to call back what was René Lafarge's role in the development and the institutionalization of the psychoanalysis in France and to replace his work in the field of the psychoanalytical theory, by underlining the heursistical fertility and by trying to measure the contributions and the limits, as well as the innovative aspects, in particular as regards the extension of the psychoanalytical approach in the political domain. The work of Lafarge is also put in perspective with regard to that of Freud of which it proceeds originally, before differing from it
Marcaurelle, Roger. "René Daumal, ou, Les visages de l'Un multiple." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1996. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq21487.pdf.
Full textAtangana, Essomba Sylvain. "Esthétique romanesque de René Philombe. Essai d'analyse littéraire." Phd thesis, Université Paris-Est, 2012. http://tel.archives-ouvertes.fr/tel-00804851.
Full textFuhrich, René [Verfasser]. "Infrarotschweißen von Kunststoffen mit thermischen Strahlungsemittern / René Fuhrich." München : Verlag Dr. Hut, 2013. http://d-nb.info/103304136X/34.
Full textHoss, Chantal. "Pensée méditerranéenne et religions monothéistes selon René Habachi." Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=33287.
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