Relevant bibliographies by topics / Renato Simoni

Academic literature on the topic 'Renato Simoni'

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Published: 10 March 2023

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Journal articles on the topic "Renato Simoni"

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Escosteguy, Ana Carolina Damboriarena, Muniz Sodré, Renato Ortiz, Nilda Jacks, and Simone Maria Rocha. "Testemunhos brasileiros que fazem memória de Jesús Martín-Barbero." MATRIZes 15, no. 2 (August 31, 2021): 147–53. http://dx.doi.org/10.11606/issn.1982-8160.v15i2p147-153.

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Almeida, Simone Cavalcante de, and Gisela Belluzzo de Campos. "Pensando o design gráfico de literatura para infância no Brasil." Revista Extraprensa 12, no. 2 (August 19, 2019): 240–57. http://dx.doi.org/10.11606/extraprensa2019.150941.

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Este artigo faz uma incursão pelo design gráfico de literatura para infância no Brasil em diálogo com os estudos visuais e a aprendizagem, a partir das obras: O alvo, de Ilan Brenman e Renato Moriconi; O livro inclinado (The slant book), de Peter Newell; Este livro comeu o meu cão! (This book just ate my dog!), de Richard Byrne; e O menino, o cachorro, de Simone Bibian e Mariana Massarani. Esse caminho exploratório utiliza como referências fontes do design relacionadas ao pensamento de Buck-Morss sobre a multiplicidade da imagem enquanto experiência sensorial, assim como de Kats acerca dos quatro níveis básicos de aprendizagem. O propósito é apresentar três propostas para se pensar o design gráfico fora de modelos convencionais de visualidade: 1. como das formas se enraízam sentidos; 2. quando os artifícios são metalinguagem do visual; e 3. pensando novos modos de acessar o visual.
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Houska, Miriam. "Ewert, Michael; Riedner, Renate; Schiedermair, Simone (Hrsg.): Deutsch als Fremdsprache und Literaturwissenschaft. Zugriffe, Themenfelder, Perspektiven." Informationen Deutsch als Fremdsprache 40, no. 2-3 (June 1, 2013): 190–92. http://dx.doi.org/10.1515/infodaf-2013-2-333.

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Frankl Sperber, Suzi. "33 anos de lume, passando por Ilinx." Letras Escreve 8, no. 4 (September 9, 2019): 241. http://dx.doi.org/10.18468/letras.2018v8n4.p241-243.

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<p>Estamos no fim do ano de 2018. O Lume já completou 33 anos de existência! Neste período houve a gestação do trabalho com o corpo do ator no Brasil, com e no Lume, a partir de hipóteses e repertório coligidos por Luís Otávio Burnier e experimentados inicialmente por Carlos Simioni, e pouco depois por Ricardo Puccetti. Foi a busca de uma linguagem. Os dois ou três anos iniciais foram de algo como “a despersonalização da mudez” da qual fala Clarice Lispector, já que havia alguns pressupostos, mas além disto uma ao mesmo tempo frenética e paciente busca de expressão – muda – do corpo pessoal, com a finalidade de atingir aspectos gerais, universais. Nos dez anos iniciais do Lume houve a criação de um vocabulário de ações físicas, uma reflexão sobre o cômico, sobre a contribuição e valorização do cotidiano, o caminho para uma dança pessoal que, com ou sem conhecimento do caminho inverso que vinha sendo feito, por exemplo, por Pina Bausch, estava sendo feito pelo Lume: o caminho do apagamento dos limites entre dança e teatro. Não creio que seja excessivo reconhecer que Luís Otávio Burnier, o fundador do Lume, fez para o teatro, no Brasil, para o Brasil e para fora dele, aquilo que um Meyerhold, que um Stanislavski, que um Grotowski, Eugenio Barba fizeram para o teatro em suas terras, projetando-se para o mundo. Costumamos, nós, brasileiros, valorizar muito o que vem de fora. Eu, uma típica brasileira chamada SFS, reconheçoem Luís Otávioum valor paralelo ao dos grandes teorizadores do teatro. Aliás, trabalho realizado por ele em apenas dez anos, infelizmente – e felizmente. Porque foi uma vida breve. E parte fundamental deste trabalho consistiu na formação de um grupo de atores. São eles, além de Carlos Simioni e Ricardo Puccetti, já mencionados, Renato Ferracini, Jesser Sebastião de Souza, Ana Cristina Colla, Raquel ScottiHirson e Naomi Silman. Só sete atores.</p>
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Lehmann, Elmar. "Renate von Heydebrand/Simone Winko : Einführung in die Wertung von Literatur. Systematik – Geschichte – Legitimation (UTB. 1953). Paderborn: Ferdinand Schöningh, 1996. 406 S." Poetica 30, no. 3-4 (August 14, 1998): 523–26. http://dx.doi.org/10.30965/25890530-0300304015.

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Fonseca, Maria Augusta, Anderson Gonçalves da Silva, and Ana Paula Sá e. Souza Pacheco. "Editorial." Literatura e Sociedade 25, no. 31 (December 2, 2020): 6–8. http://dx.doi.org/10.11606/issn.2237-1184.v0i31p6-8.

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A Jornada de Literatura e Cinema “Hiroshima mon amour”: poética, ética, história e subjetividade, ocorrida na Faculdade de Filosofia, Letras e Ciências Humanas, com apoio do Consulado Geral da França, e que foi organizada pelo Departamento de Teoria Literária e Literatura Comparada, em parceria com o Departamento de Línguas Modernas (francês), deu ensejo a esta publicação da revista Literatura e Sociedade, número 31. No corpo dos ensaios, celebrando 60 anos desse filme de Alain Renais, roteirizado por Marguerite Duras, os estudos publicados estão voltados para as relações entre literatura e cinema. Essa seção axial, organizada por Cleusa Rios Pinheiro Passos, Maria Cristina Vianna Kuntz e Maurício Ayer, abre com a apresentação da professora Cleusa Rios. Seguem-se as contribuições de Maria Cristina Vianna Kuntz, Laura Degaspare Monte Mascaro, Maria Luiza Berwanger da Silva, Júlia Simone Ferreira, Maurício Ayer, Celina Maria Moreira Mello, Alessandra Brum e Mateus Araújo.Na seção “Traduções”, o destaque é dado para dois importantes textos, o primeiro, “A história literária e a sociologia”, palestra de 1904 de Gustave Lanson, que tem tradução de Yuri Cerqueira dos Anjos. O segundo traz um raro e importante estudo do formalista e crítico russo Iúri Tyniánov, denominado “Fato literário” (1924), traduzido por David Gomiero Molina. As duas traduções são inéditas em português.
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Ventura, Elisa, Simone Buraschi, Stephen J. Williams, Antonino Belfiore, Renato V. Iozzo, Antonio Giordano, and Andrea Morrione. "Abstract 97: Mechanisms of action and regulation of the progranulin/EphA2 axis in mesothelioma." Cancer Research 82, no. 12_Supplement (June 15, 2022): 97. http://dx.doi.org/10.1158/1538-7445.am2022-97.

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Abstract Mesothelioma is an aggressive tumor with very poor prognosis. The limited availability of therapeutic options for mesothelioma patients suggests the need for a better understanding of mesothelioma biology and the identification of novel therapeutic targets. Progranulin is a pluripotent growth factor whose dysregulation is implicated in several human pathologies including cancer. The pro-tumorigenic activity of progranulin depends on the activation of its functional receptor EphA2. Indeed, in bladder cancer, progranulin promotes EphA2 phosphorylation at Ser897 and triggers EphA2 oncogenic action resulting in increased tumor cell migration, invasion and in vivo tumor growth. Both progranulin and EphA2 are expressed in mesothelioma, with progranulin promoting tumor angiogenesis in a VEGF-independent manner and EphA2 being often mutated or overexpressed. However, in mesothelioma, the potential functional interaction between progranulin and EphA2 is unexplored. Using a panel of mesothelioma cell lines covering all mesothelioma subtypes, we observed increased levels of phosphorylated EphA2 at Ser897 when compared to immortalized normal mesothelial cells, and the levels of phosphorylation positively correlated with progranulin expression. Progranulin-dependent activation of EphA2 in mesothelioma cells promoted the activation of the MAPK and AKT pathways and ERK1/2-dependent EphA2 phosphorylation at Ser897. Transient depletion of progranulin by siRNA approaches as well as GRN gene knock-out by CRISP/Cas9 strategies in mesothelioma cells reduced the activation of the AKT signaling pathway and inhibited the migratory and invasive capabilities of progranulin-depleted cells when compared to parental cells, suggesting that the progranulin/EphA2 axis is oncogenic in mesothelioma. However, EphA2 genetic ablation resulted in an increased basal activation of AKT and MAPK and in progranulin-evoked EphA2-independet AKT/MAPK activation, indicating that alternative membrane receptors might compensate for EphA2 loss and sustain progranulin action in mesothelioma. Using several pharmacological and genetic approaches, we uncovered a role for EGFR and FAK in compensating for EphA2 loss by triggering progranulin-dependent oncogenic signaling in mesothelioma, highlighting a complex functional cross-talk between EphA2, EGFR and FAK in mediating progranulin-dependent tumorigenesis. Thus, these results suggest the need for combinatorial therapeutic approaches to blunt progranulin oncogenic action in mesothelioma. Citation Format: Elisa Ventura, Simone Buraschi, Stephen J. Williams, Antonino Belfiore, Renato V. Iozzo, Antonio Giordano, Andrea Morrione. Mechanisms of action and regulation of the progranulin/EphA2 axis in mesothelioma [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2022; 2022 Apr 8-13. Philadelphia (PA): AACR; Cancer Res 2022;82(12_Suppl):Abstract nr 97.
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Šeina, Viktorija. "Literary canon studies: methodological guidelines." Literatūra 61, no. 1 (December 20, 2019): 11–24. http://dx.doi.org/10.15388/litera.2019.1.1.

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The article presents for the Lithuanian audience an interdisciplinary approach of literary canon studies that integrates diverse methods of various disciplines (sociology of literature and culture, literary and cultural history, teaching of literature, text reception and aesthetic response history, memory and media research and bibliography studies). The most intense development of literary canon studies can be observed in Western Europe and the United States in the last decade of the 20th century. This was due to the fact that the scholars engaged in the field of postcolonialism, gender studies and neo-Marxism gave it a strong impulse by initiating a debate about insufficient representation of some social groups (women, racial or ethnic minorities and people from lower social strata) in high school curricula in the USA. The debate was expanded into theoretical polemics of whether the canon is formed by means of objective aesthetic criteria or, on the contrary, canon depends on the social contract. Methodologically, investigations of literary canon that are genetically related to the tradition of sociology of culture seem to be the most productive, while this perspective provides an apparatus for a detailed investigation of relations between specific interests of literary field and wider national, social or group interests.The framework of this article is based on the studies of John Guillory, Renate von Heydebrand and Simone Winko. Their essential starting point is the understanding of the canon as a sociocultural process in which the political elite selects a corpus of significant texts in accordance with tradition and formulates practices that ensure the transmission of those texts for future generations. Therefore, canon formation turns to be a strategy based on complex relations of evaluation, cognition and actions that aims to conserve this selected knowledge and transmit it to future generations. The structure of the canon is directly related to the notion of literature and literariness; a society (or its group) defines its canon by considering what they recognize as valuable.Unlike religious canons, which can only be constructed by theologians, there are a lot of canonizing institutions (schools, universities, literary criticism, theatre repertoire, book market, libraries, etc.) involved in the formation of literary canons. They do not create any well-balanced system of the canon but rather conduct diverse practices of canonization. We can distinguish a micro and macro level in the process of canon formation. The micro level contains a lot of separate actions of canonization that propel the canonization process which enables the canon formation at macro level. Origin, stabilization and transformation of literary canon are multidimensional processes, thus it is essential not to lose sight of the interaction of separate dimensions.
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Bettiol, A., M. L. Urban, F. Alberici, C. Agostini, C. Baldini, E. Bozzolo, P. Cameli, et al. "OP0148 MEPOLIZUMAB FOR EOSINOPHILIC GRANULOMATOSIS WITH POLYANGIITIS (EGPA): A RETROSPECTIVE REAL-WORLD EUROPEAN STUDY ON 142 PATIENTS." Annals of the Rheumatic Diseases 79, Suppl 1 (June 2020): 94–95. http://dx.doi.org/10.1136/annrheumdis-2020-eular.5544.

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Background:Evidence on the efficacy of Mepolizumab (MEPO) in Eosinophilic Granulomatosis with Polyangiitis (EGPA) is scarce [1].Objectives:To assess the efficacy and safety of MEPO in real-life clinical practice.Methods:We retrospectively included patients diagnosed with EGPA and treated with MEPO (100 or 300 mg/month). MEPO efficacy was evaluated in the first 12 months in terms of systemic disease and asthma control. The occurrence of any adverse event (AE) was recorded.Results:142 patients were included (38% males; median age 46.4 (IQR 36.7-54.4); 110 and 32 on MEPO 100 and 300 mg/month, respectively). General, ear-nose-throat, pulmonary, and neurological symptoms significantly decreased during treatment (table 1). MEPO accounted for a significant reduction in the BVAS (figure 1) and for a steroid sparing effect (figure 2). The proportion of patients with asthma attacks decreased by 90% at 12 months compared to t0, and asthma-related emergency accesses dropped from 17.4% to 2.3%. Overall, 21.1% of patients had a non-serious AE.Table 1.Control of clinical symptomsMEPO beginning (t0)3 monthsp-value(t3 vs t0)6 monthsp-value(t6 vs t0)12 monthsp-value(t12 vs t0)N obsN=142N=135N=123N=89General symptoms40 (28.2%)17 (12.6%)<0.00119 (15.5%)<0.00113 (14.6%)0.002Cutaneous manifestations13 (9.2%)6 (4.4%)0.0085 (4.1%)0.0254 (4.5%)0.180ENT manifestations106 (74.7%)52 (38.5%)<0.00144 (35.8%)<0.00129 (32.6%)<0.001Pulmonary manifestations130 (91.6%)59 (43.7%)<0.00139 (31.7%)<0.00128 (31.5%)<0.001Cardiac manifestations6 (4.2%)2 (1.5%)0.0832 (1.6%)0.08300.157Intestinal manifestations10 (7.0%)1 (0.7%)0.0054 (3.3%)0.0593 (3.4%)0.059Renal manifestations5 (3.5%)3 (2.2%)0.41400.0461 (1.1%)0.317Neurological manifestations36 (25.4%)22 (16.3%)0.01218 (14.6%)0.00310 (11.2%)0.035Figure 1.Changes in BVASFigure 2.Steroid treatmentConclusion:MEPO effectively controlled systemic and respiratory EGPA symptoms in a large European cohort, with no major safety concerns.References:[1]Wechsler et al. MEPO or Placebo for Eosinophilic Granulomatosis with Polyangiitis. NEJM. 2017Disclosure of Interests:Alessandra Bettiol: None declared, Maria Letizia Urban: None declared, Federico Alberici: None declared, Carlo Agostini: None declared, Chiara Baldini: None declared, Enrica Bozzolo: None declared, Paolo Cameli: None declared, Nunzio Crimi: None declared, Stefano Del Giacco: None declared, Allyson Egan: None declared, Georgina Espigol-Frigole Consultant of: Roche and Janssen, Mara Felicetti: None declared, Marco Folci: None declared, Paolo Fraticelli: None declared, Marcello Govoni: None declared, Anna Kernder Grant/research support from: Grant/research support from: GlaxoSmithKline and UCB Pharma for performing the LuLa-study., Carlo Lombardi: None declared, Giuseppe Lopalco: None declared, Claudio Lunardi: None declared, Aladdin J Mohammad Speakers bureau: lecture fees from Roche and Elli Lilly Sweden, PI (GiACTA study), Frank Moosig: None declared, Simone Negrini: None declared, Thomas Neumann: None declared, Pavel Novikov Grant/research support from: This work was supported by the 5-100 Project, Sechenov University, Moscow, Giuseppe Paolazzi: None declared, paola parronchi: None declared, Luca Quartuccio Consultant of: Abbvie, Bristol, Speakers bureau: Abbvie, Pfizer, Vito Racanelli: None declared, Carlo Salvarani: None declared, Maxime Samson: None declared, Jan Schroeder: None declared, Savino Sciascia: None declared, Renato A. Sinico: None declared, Benjamin Terrier: None declared, Paola Toniati: None declared, Domenico Prisco: None declared, Augusto Vaglio: None declared, Giacomo Emmi: None declared
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Esselborn, Karl. "Riedner, Renate; Schiedermair, Simone (Hrsg.): Literarisches und alltägliches Erzählen unter (fremd-)sprachendidaktischer Perspektive. München: iudicium, 2020 (LiKuM -- Literatur Kultur Medien in Deutsch als Fremd- und Zweitsprache, 1). -- ISBN 978-3-86205-631-6. 208 Seiten, 24,00 [Open Access unter www.iudicium.de]." Informationen Deutsch als Fremdsprache 49, no. 2-3 (April 1, 2022): 244–49. http://dx.doi.org/10.1515/infodaf-2022-0043.

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Dissertations / Theses on the topic "Renato Simoni"

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Lo, Kii-Ming. "Turandot auf der Opernbühne /." Frankfurt am Main ; Berlin ; Bern : Peter Lang, 1996. http://catalogue.bnf.fr/ark:/12148/cb36963029f.

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Lennartz, Claudia Simone [Verfasser], and Gunnar [Akademischer Betreuer] Heine. "Renale und kardiovaskuläre Prognosemarker bei Patienten mit nicht-dialysepflichtiger chronischer Nierenerkrankung / Claudia Simone Lennartz ; Betreuer: Gunnar Heine." Saarbrücken : Saarländische Universitäts- und Landesbibliothek, 2016. http://d-nb.info/1118499247/34.

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Awan, Daniyal Amir [Verfasser], Slawomir [Akademischer Betreuer] Stanczak, Slawomir [Gutachter] Stanczak, Vincent [Gutachter] Poor, Osvaldo [Gutachter] Simeone, and Renato [Gutachter] Cavalcante. "Robust learning in wireless networks : efficacy of models and prior knowledge in learning from small sample sets / Daniyal Amir Awan ; Gutachter: Slawomir Stanczak, Vincent Poor, Osvaldo Simeone, Renato Cavalcante ; Betreuer: Slawomir Stanczak." Berlin : Technische Universität Berlin, 2021. http://d-nb.info/1226852831/34.

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Falangola, Chiara. "Le romans à images description et fragmentation dans Le Jardin des Plantes de Claude Simon, L’Inauguration de la salle des Vents de Renaud Camus et Terrasse à Rome de Pascal Quignard." Thesis, University of British Columbia, 2013. http://hdl.handle.net/2429/44617.

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The framework used to study the three novels arises from the need to define a particular type of descriptive and fragmented scripta, which textualize an historical or existential disaster. Approaching our texts as ‘romans à images’, we endeavour to create a definition that problematizes the techniques of the ‘conventional’ novel and engenders a new conception of narrative and of its formal dominant, in relation to art and to the notion of incommensurability. The three novels textualize an existential or historical disaster: Simon’s Jardin thematizes World War II through the author’s own experience, as well as the inscription in the text of the painter Gastone Novelli’s post-Holocaust art. Camus’ Inauguration is a three hundred pages long elegy to those friends lost because of AIDS, whose memory the novel tries to preserve. The circular, mirrored structure of L’Inauguration is inspired by the artist Jean-Paul Marcheschi’s work. Quignard’s Terrasse is a series of literary tableaux writing the quest for the origins of and the quest for the self. The poetics of the latter draws heavily from the fictitious 16th century engraver Meaume. The three novels explicitly refer to art and are structured on internal laws, which more closely resemble those of poetry and the visual arts than conventional narratives. They take the form of fragmented and syncopated narratives, constructed by and laid out in a visual mode. The latter is constituted by the juxtaposition of typographically and thematically independent paragraphs – blocs or fragments –, whose unity resides in the harmony or counterpoint of their juxtaposition. The chronological and syntagmatic construction of the ‘conventional’ novel is replaced by a paradigmatic dynamic that assembles and juxtaposes the image-blocs according to the laws created, governed by the signifier's materiality or by the principle of variation. Central to the mimetic and aesthetic work of the three novels is restoration of a pictorial or mental image, which sometimes manifests itself in an obsessive search for the mot juste. The three novels confront the referent in their radical search for an ever-postponed meaning, which seems to become fixed only in the aesthetic elsewhere of pictorial harmonies and poetic suggestions.
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Gonçalves, Simone Cristina Mikosz. "Resposta inflamatória à sobrecarga de volume em pacientes portadores de doença renal crônica : análise da hipótese da endotoxenia / Simone Cristina Mikosz Gonçalves ; orientador, Miguel Carlos Riella ; co-orientador, Roberto Pecoits-Filho." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2005. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=1116.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2005
Bibliografia: f. 18-22
A inflamação sistêmica é um importante preditor do aumento da morbidade e mortalidade cardiovascular (CV) em pacientes com doença renal crônica (DRC), porém o mecanismo pelo qual ocorre a ativação do sistema imune não é totalmente conhecido. Os pacientes
Inflammation is an important predictor of increased cardiovascular (CV) morbidity and mortality in patients with chronic kidney disease (CKD), but the mechanisms behind the chronic activation of the immune system are not clearly understood. CKD patients d
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Dirschnabel, Acir José. "Prevalência das manifestações bucais e dos índices de placa, gengival, de ocupação marginal e profundidade de sondagem em pacientes sob diálise e transplantados renais / Acir José Dirschnabel ; orientador, Maria Ângela Naval Machado ; co-orientador, Simone Tetu Moysés." reponame:Biblioteca Digital de Teses e Dissertações da PUC_PR, 2005. http://www.biblioteca.pucpr.br/tede/tde_busca/arquivo.php?codArquivo=433.

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Dissertação (mestrado) - Pontifícia Universidade Católica do Paraná, Curitiba, 2005
Inclui bibliografia
A Insuficiência Renal Crônica (IRC) representa uma alteração estrutural renal que implica na redução ou limitação da capacidade de filtração glomerular dos rins. O tratamento da IRC inclui semanalmente a hemodiálise ou diálise peritoneal substituindo a fi
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GJATA, ADELA. "Renato Simoni: un'idea di teatro tra drammaturgia, critica teatrale e pratiche registiche." Doctoral thesis, 2014. http://hdl.handle.net/2158/855504.

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La tesi ha come oggetto lo studio e la ricostruzione del profilo artistico di Renato Simoni sulla base di tre principali linee di indirizzo, riferibili in primo luogo alla sua attività di drammaturgo e di critico teatrale, ma poi soprattutto a quella di regista, indagata a partire dalle coordinate di riferimento dell’esperienza di Simoni in questo settore, gli allestimenti per il Festival Internazionale del Teatro di Venezia e quelli per il Maggio Musicale Fiorentino. La ricerca archivistica condotta principalmente presso la Biblioteca Livia Simoni di Milano, l’Archivio Storico della Biennale di Venezia, l’Archivio Storico del Maggio Musicale Fiorentino, il Centro Studi del Teatro Stabile di Torino e il Centro di Studi Teatrali di Casa Goldoni a Venezia, ha consentito di reperire una cospicua e articolata quantità di materiali documentari consistenti maggiormente in lettere autografe, bozzetti scenografici, figurini, foto di scena, manifesti, locandine, programmi di sala, bilanci consuntivi e contratti, che sono risultati poi particolarmente utili non solo a rintracciare la biografia artistica e intellettuale dell’uomo di teatro veneto e ad approfondirne specifici episodi, ma soprattutto a collocare l’intero percorso di Simoni nel contesto più generale del teatro italiano della prima metà del Novecento. La tesi è arricchita da un corpus documentario per larga parte inedito, nel quale le diverse tipologie di fonti sono organizzate disponendosi attorno agli allestimenti di Renato Simoni, allo scopo di fornire per ogni singolo evento spettacolare uno specifico e articolato corredo documentario. La sezione Documenti si completa con una folta serie di Lettere a Renato Simoni, indirizzate al critico e regista da alcuni tra i più importanti uomini di teatro, della cultura e della politica italiana del primo Novecento. / The dissertation aims to reconstruct the artistic biography of Renato Simoni through his activities as playwright, theater critic and stage director; this last activity is investigated mainly through the theater productions directed by Simoni for the International Theatre Festival of Venice and for the Maggio Musicale Fiorentino. The archival research at the Livia Simoni Library of Milano, the Historical Archive of Venice Biennale, the Historical Archive of Maggio Musicale Fiorentino, the Center for Studies of Teatro Stabile di Torino and the Theatrical Library at the Goldoni House has allowed to obtain a large and varied amount of documentary material such as autograph letters, scenographic sketches, stills, posters, theater programs, balance sheets and contracts, which has been particularly useful not only to trace Simoni’s intellectual biography and to investigate specific episodies, but also to place his artistic route in the more general cultural and theatrical context of the first half of the twentieth century. The dissertation is accompanied by a corpus of unpublished documents which informs about every single performance directed by Simoni. The Documents section is completed by some selected autograph letters sent to Simoni from the main italian personalities of theater, culture and diplomacy in the first half of the twentieth century.
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Simons, Bettina Renate [Verfasser]. "Retrospektive Analyse von Patienten mit paroxysmaler nächtlicher Hämoglobinurie (PNH) / vorgelegt von Bettina Renate Simons." 2001. http://d-nb.info/962736384/34.

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Pourová, Kristina. "Srovnání zátiší typu vanitas v italském, francouzském a holandském prostředí 17. století a dohledání případných vlivů na českou školu." Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-434219.

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My diploma thesis concerns itself with the depiction of the still life, in particular the type known as "vanitas", symbolizing the transience of human life. I focus on several artists working in Italy, France and Netherlands during the 17th century - Salvator Rosa, Simon Renard de Saint Andre, Jan Davidsz de Heem, and Nicolaes van Verendael - and explore their influence on the Czech artists Johann Adalbert Angermeyer, Jan Kaspar Hirschely, and Vaclav Vavrinec Reiner, who dealt with the same topic.
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Books on the topic "Renato Simoni"

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Ecole régionale des beaux-arts de Nantes., ed. Peio Aguirre, Simona Denicolai, Dettie Flynn, Thierry Froger, Uta Kollmann, Tanja Ostojic, Renata Poljak, Diego Schindler-Castro, Nina Sidow, Liena Vayzman: ERBAN post-diplôme 1998-1999. Nantes: Ecole régionale des beaux-arts, 1999.

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Herdin, Thomas, Maria Faust, and Guo-Ming Chen, eds. De-Westernizing Visual Communication and Cultures. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748906933.

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This edited volume gives voice to pluralised avenues from visual communication and cultural studies regarding the Global South and beyond, including examples from China, India, Cambodia, Brazil, Mexico and numerous other countries. Defining visual communication and culture as an umbrella term that encompasses imagery studies, the moving image and non-verbal visual communication, the first three chapters of the book describe de-Westernisation discourse as a way to strengthen emic research and the Global South as both a geographical concept and, even more so, a category of diversity and pluralism. The subsequent regional case study-based chapters draw on various emic theories and methodologies and find a complex arrangement of visuality between sociocultural and sociopolitical practices and institutions. This book targets a wide range of scholars: academics with expertise in (regional) visual studies as well as researchers, students and practitioners working on the Global South and de-Westernisation. With contributions by Jan Bajec, Sarah Corona Berkin, Ivana Beveridge, Birgit Breninger, Guo-Ming Chen, Uttaran Dutta, Maria Amália Vargas Façanha, Maria Faust, Hiroko Hara, Thomas Herdin, Thomas Kaltenbacher, Fan Liang, Xin Lu, C.S.H.N.Murthy, Ana Karina de Oliveira Nascimento, Simeona Petkova, Radmila Radojevic, Renata Wojtczak
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Breckner, Ingrid, Albrecht Göschel, and Ulf Matthiesen, eds. Stadtsoziologie und Stadtentwicklung. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783845276779.

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Das Handbuch bietet erstmals einen Überblick über aktuelle und historische städtische Entwicklungen unter fünf zentralen Kategorien: Stadtentwicklung in intermediären Aushandlungsprozessen; Urbanität im Spannungsfeld von Heterogenisierung und Integration; Identitätskonstrukte und kulturelle Praktiken in Stadtkulturen; Städte als Akteure von Zukunft; Visionen und Utopien der Stadt. Informationen über Institutionen der Stadtforschung, wichtige Zeitschriften und Ausbildungseinrichtungen für Stadtsoziologie und Stadtentwicklung schließen den Band ab. Das Wechselspiel von Akteuren, Prozessen und Strukturen wird in fachlich angemessenen und allgemeinverständlichen Beiträgen aus unterschiedlichen Disziplinen der deutschsprachigen Stadtforschung greifbar. Damit ist dieses Handbuch allen Akteuren in Studium, Forschung und Praxis eine anregende Referenzquelle, ein konzises Nachschlagewerk und ein verlässlicher Begleiter im Arbeitsalltag. Mit Beiträgen von Mazda Adli | Sabine Baumgart | Nina Baur | Heidede Becker † | Klaus J. Beckmann | Solveig Behr | Maximilian Berger | Christoph Bernhardt | Matthias Bernt | Regina Bittner | Ingrid Breckner | Hans-Joachim Bürkner | Jens Dangschat | Ursula Drenckhan | Werner Durth | Susanne Frank | Sybille Frank | Thomas Gil | Albrecht Göschel | Gernot Grabher | Busso Grabow | Simon Güntner | Joachim Häfele | Nina Hälker | Tilman Harlander | Jens Hasse | Elisabeth Heidenreich | Hubert Heinelt | Dietrich Henckel | Heike Herrmann | Felicitas Hillmann | Jasmin Jossin | Johann Jessen | Sigrun Kabisch | Robert Kaltenbrunner | Volker Kirchberg | Gabriele Klein | Martin Kronauer | Carsten Kühl | Gerd Kuhn | Klaus Kunzmann | Bastian Lange | Christoph Laimer | Dieter Läpple | Sebastian Lentz | Rolf Lindner | Julia Lossau | Heinrich Mäding | Ulf Matthiesen | Marcus Menzl | Monika Meyer | Michael Mönninger | Kornelia Müller | Anna-Lisa Müller | Jörg Pohlan | Stefan Reiß-Schmidt | Dieter Rink | Marianne Rodenstein | Cornelia Rösler | Roland Roth | Renate Ruhne | Jonas Schöndorf | Dieter Schott | Dirk Schubert | Christoph Schwarzkopf | Klaus Selle | Ariane Sept | Walter Siebel | Annette Spellerberg | Wendelin Strubelt | Gabriele Sturm | Wulf Tessin | Joachim Thiel | Eberhard von Einem | Luise Willen | Sophie Wolfrum | Evgenia Yosifova | Gesa Ziemer | Karsten Zimmermann | Martin zur Nedden
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Book chapters on the topic "Renato Simoni"

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von Wangenheim, Georg. "Diskussion zu den Referaten von Udo Ernst Simonis und Renate Schubert." In Die Entwicklungsländer im Zeitalter der Globalisierung., 165–66. Duncker & Humblot, 2021. http://dx.doi.org/10.2307/j.ctv28hj4tp.14.

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Seltzer, Robert M. "The Secular Appropriation of Hasidism by an East European Jewish Intellectual: Dubnow, Renan, and the Besht." In Polin: Studies in Polish Jewry Volume 1, 151–62. Liverpool University Press, 2004. http://dx.doi.org/10.3828/liverpool/9781904113171.003.0012.

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This chapter studies the role that Hasidism played in the thought of the modernized Jewish intelligentsia of Eastern Europe toward the end of the 19th century. Simon Dubnow played a pivotal role in the emergence of this new image of Hasidism. In his autobiography, Dubnow describes in some detail the influence on him at that time of Leo Tolstoy and Ernest Renan. The influence of Renan's History of Christianity is quite evident in the structure of Dubnow's History of Hasidism as well as in some of Dubnow's solutions to problems of interpretation. Like Renan, Dubnow opened with a discussion of the social and intellectual background of a movement that can be traced to a founder known only for a long time through oral sources which retained the character of legend or saga. Applying Renan's statement that such pious biographies have a historical core, Dubnow stripped the life of the Baal Shem Tov, as recorded in the Shivhei ha-Besht, of its supernatural elements to reveal a simple, humble man who loved nature, especially the forests of the Carpathian mountains; a man who had immense affection for the common people and disdain for the proud, aloof scholars of his time and who preached a lofty doctrine of religious pantheism and universal brotherhood.
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Goldman, Lawrence. "Richard Jones and William Whewell." In Victorians and Numbers, 126–38. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192847744.003.0006.

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Richard Jones, Professor of Political Economy at the East India College, Haileybury, and William Whewell, Fellow and later Master of Trinity College, Cambridge, had been undergraduate contemporaries. They collaborated in the foundation of the Statistical Movement and in the development of an inductive economics, dependent on statistical data, that would challenge the rigid deductivism and a priori generalizations of Ricardo’s political economy, which held sway in the 1830s. They envisaged economics as a discipline built on the close observation of actual economic behaviour and its contexts, and on numerical evidence, rather than dependent on generalized assumptions about human behaviour as in Ricardianism. Jones published his Essay on the Distribution of Wealth and on the Sources of Taxation. Part 1. Rent in 1831; Whewell, whose role was largely to encourage Jones, made some of the first contributions to econometrics in the early 1830s. They looked upon the Statistical Movement as an intellectual enterprise but became disenchanted when it veered towards policy and politics. Their work was influenced by the Saint-Simonian movement in France at this time, and it influenced Karl Marx in turn, who greatly admired Jones’s Essay. Their inductivism and empiricism makes them founders of the historical school of economics in Victorian Britain, a critical intellectual movement which became more evident and influential later in the century.
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Conference papers on the topic "Renato Simoni"

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Kohl, Marie-Anne. "Die weinende Jury. »Geschlechtslose« Tränen bei globalen Musik-Castingshows?" In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.59.

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Tears are flowing. Whether Yvonne Catterfeld, Kazim as-Sahir, Unati Msenga-na, Liu Huan, Simon Cowell or Lira – they are all part of a jury of global music casting show formats such as The Voice, Idol or Got Talent and show their tears in front of the camera, seemingly ashamed and yet completely uninhibited. Their tears flow in reaction to ‘particularly soulful’ music titles or to the candidates’ tragic personal stories, paired with the ‘right’ song selection. The display of great emotions is an essential element of reality TV formats. With Sara Ahmed, they can be understood in the sense of an ‘affective economy’ as an effect of their circulation, their staging as a specific ‘emotional style’ of dealing with emotions (Eva Illouz). The circulation of affects in casting shows is a global one, since the formats, developed in Europe, have produced local versions in over 60 countries worldwide. Emotions play an important role in the successful localization of the formats and define a complex area of conflict between a sensitization to socio-cultural characteristics and the ‘reproduction of culturalistic concepts’ (Laura Sūna) or clichés. In European cultural history, tears have developed a special significance as guarantors of the authenticity of empathy (Sigrid Weigel), and are generally associated with femininity, however at the same time have been film-historically recoded as ‘gender-neutral’ (Renate Möhrmann). Keeping in mind that all these casting show formats have been exported from Europe, these observations are of special interest, especially since one can see men and women crying equally in the Arabic, German or South African versions of e. g. The Voice. This article questions the concurrence of musical performance, display of tears, gender performance and the translocal dramaturgy of music casting shows.
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