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Books on the topic 'Renaissance theatre'

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Author: Grafiati

Published: 4 June 2021

Last updated: 20 February 2023

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1

Mulryne, J. R., and Margaret Shewring, eds. Theatre of the English and Italian Renaissance. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21736-6.

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2

R, Mulryne J., Shewring Margaret, and Seminar on 'English and Italian Renaissance Theatre' (1987 : University of Warwick), eds. Theatre of the English and Italian Renaissance. New York: St. Martin's Press, 1991.

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3

1903-1967, Gassner John, and Allen Ralph G, eds. Theatre and drama in the making: From antiquity to the Renaissance. New York, NY: Applause Books, 1992.

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4

Wetmore, Kevin J., ed. Revenge Drama in European Renaissance and Japanese Theatre. New York: Palgrave Macmillan US, 2008. http://dx.doi.org/10.1057/9780230611283.

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5

C. W. R. D. Moseley. English Renaissance drama: A very brief introduction to theatre and theatres in Shakespeare's time. Tirril [England]: Humanities-Ebooks, 2008.

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6

C. W. R. D. Moseley. English Renaissance drama: A very brief introduction to theatre and theatres in Shakespeare's time. Tirril [England]: Humanities-Ebooks, 2008.

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7

Roper, David. Dame Judi, director: David Roper talks to the actress Judi Dench soon after her debut as a director [of 'Much ado about nothing' for the Renaissance Theatre Company]. [London]: [BBC], 1988.

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8

C. W. R. D. Moseley. English Renaissance drama: A very brief introduction to theatre and theatres in Shakespeare's time. Tirril [England]: Humanities-Ebooks, 2008.

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9

Marshall, Peter H. The theatre of the world: Alchemy, astrology and magic in Renaissance Prague. London: Harvell Secker, 2006.

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10

Janicka-Swiderska, Irena. Dance in drama: Studies in English Renaissance and modern theatre. Łódz: Wydawnictwo Uniwersytetu Łódzkiego, 1992.

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11

Orrell, John. The human stage: English theatre design, 1567-1640. Cambridge [England]: Cambridge University Press, 1988.

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12

Renaissance revivals: City comedy and revenge tragedy in the London theatre, 1576-1980. Chicago: University of Chicago Press, 1986.

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13

Renaissance drama in action: An introduction to aspects of theatre practice and performance. London: Routledge, 1998.

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14

Mazzetti, Katherine André. Uncluttered Shakespeare: The Renaissance Theatre Company's Much ado about nothing on stage and film. Birmingham: University of Birmingham, 1993.

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15

Alan, Howe, and Waller Richard 1941-, eds. En marge du classicisme: Essays on the French theatre from the Renaissance to the Enlightenment. Liverpool: Liverpool University Press, 1987.

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16

A beautiful pageant: African American theatre, drama, and performance in the Harlem Renaissance, 1910-1927. New York: Palgrave Macmillan, 2002.

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17

Woodward, Jennifer. The theatre of death: The ritual management of royal funerals in Renaissance England, 1570-1625. Woodbridge, Suffolk, UK: Boydell Press, 1997.

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18

Cairns, Christopher. Renaissance Theatre. Taylor & Francis Group, 2020.

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19

Cairns, Christopher. Renaissance Theatre. Taylor & Francis Group, 2019.

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20

Theatre Italian Renaissance. University of Cambridge ESOL Examinations, 2000.

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21

Shakespeare, William. King Lear (Renaissance Theatre). Random House UK Ltd, 1994.

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22

Shakespeare, William. King Lear (Renaissance Theatre). Random House Audiobooks, 1994.

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23

Cairns, Christopher. Renaissance Theatre: Two-Volume Set. Taylor & Francis Group, 2023.

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24

Renaissance Theatre: Texts Performance Design. Taylor & Francis Group, 2019.

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25

Christopher, Cairns, ed. The Renaissance theatre: Texts, performance, design. Aldershot, Hants, England: Ashgate, 1999.

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26

Cairns, Christopher. The Renaissance Theatre: Texts, Performance, Design. Ashgate Pub Co, 1999.

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27

Renaissance Theatre: Texts, Performance and Design. Taylor & Francis Group, 2019.

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28

Cairns, Christopher. Renaissance Theatre: Texts, Performance and Design. Taylor & Francis Group, 2019.

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29

Cairns, Christopher, ed. The Renaissance Theatre: Texts, Performance, Design. Routledge, 2019. http://dx.doi.org/10.4324/9780429026430.

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30

Cairns, Christopher. The Renaissance Theatre Texts, Performance, Design. Edited by Christopher Cairns. Routledge, 2019. http://dx.doi.org/10.4324/9780429433023.

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31

Theatre, Chichester (England) Festival. Chichester Festival Theatre presents the Renaissance Theatre Company in Coriolanus. (Chichester, 1992.

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32

Society for Renaissance Studies (Great Britain). The Renaissance Theatre: Texts, Performance, and Design: English and Italian Theatre. Ashgate Pub Ltd, 1999.

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33

Cairns, Christopher. The Renaissance Theatre: Texts, Performance and Design. Ashgate Pub Ltd, 1999.

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34

R, Mulryne J., and Shewring Margaret 1952-, eds. Theatre of the English and Italian Renaissance. Basingstoke: Macmillan, 1991.

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35

100 great monologues from the Renaissance theatre. Lyme, NH: Smith and Kraus, 1994.

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36

Shrewring, Margaret, and J. R. Mulryne. Theatre of the English and Italian Renaissance. Palgrave Macmillan, 1991.

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37

Theatre of the English and Italian Renaissance. Palgrave Macmillan Limited, 1991.

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38

Hutson, Lorna. Theatre. Edited by James Simpson and Brian Cummings. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199212484.013.0013.

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Abstract:

In the 1980s, New Historicist critics suggested that Renaissance theater was marked by the Reformation; specifically, that it expressed the vanishing of ritual and sacrament from ordinary people’s lives. More recently, critics like Sarah Beckwith have shown how pre-Reformation theater worked as ritual and sacrament by revealing the extent to which it was implicated in the jurisdiction of confession, penance and absolution for sin. This article revisits the question of how the Reformation abolition of annual mandatory confession affected theater. It qualifies both the New Historicist view of Renaissance theater as evacuated ritual and Beckwith’s view of the Protestant abolition of confession as an exteriorization of penance. Reading the first English Renaissance neoclassical comedy in English,Gammer Gurton’s Needle(c.1553-60), the article shows how profoundly its neoclassical concern with proof and evidence is tied in with a rejection of priestly confession and an invitation to parishioners and neighbors to be more skeptical and less credulous in believing the worst of one another.

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39

John, Gassner, and Ralph Allen. Theatre and Drama in the Making: Antiquity to the Renaissance. Applause Books, 2000.

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40

John, Gassner, and Ralph Allen. Theatre and Drama in the Making: Antiquity to the Renaissance. Leonard Corporation, Hal, 2000.

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41

John, Gassner, and Ralph Allen. Theatre and Drama in the Making: Antiquity to the Renaissance. Leonard Corporation, Hal, 2000.

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42

John, Gassner, and Ralph Allen. Theatre and Drama in the Making: Antiquity to the Renaissance. Leonard Corporation, Hal, 2000.

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43

Convention Et Theatre: Actes de La Table Ronde VI (Tudor Theatre). Peter Lang Publishing, 1998.

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44

Sturgess, Keith. Routledge Library Editions : Renaissance Drama: Jacobean Private Theatre. Routledge, 2018.

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45

Schure, Edouard. The Renaissance of the Classic and Romantic Theatre. Kessinger Publishing, 2005.

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46

Jr, Wetmore Kevin J. Revenge Drama in European Renaissance and Japanese Theatre. Palgrave Macmillan, 2008.

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47

Migliarisi, Anna Giovanna. Renaissance And Baroque Directors: Theor (Studies in Drama & Theatre). Legas Publishing, 2003.

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48

Orrell, John. Human Stage: English Theatre Design, 1567-1640. Cambridge University Press, 2009.

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49

Dijkhuizen, Jan Frans van. Devil Theatre: Demonic Possession and Exorcism in English Renaissance Drama, 1558-1642 (Studies in Renaissance Literature) (Studies in Renaissance Literature). D.S.Brewer, 2007.

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50

Shakespeares Stage Traffic Imitation Borrowing And Competition In Renaissance Theatre. Cambridge University Press, 2014.

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