Relevant bibliographies by topics / Religious poetry

Academic literature on the topic 'Religious poetry'

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Published: 4 June 2021
Last updated: 31 July 2024

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Journal articles on the topic "Religious poetry"

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Scheindlin, Raymond P. "Ibn Gabirol's Religious Poetry and Sufi Poetry." Sefarad 54, no. 1 (June 30, 1994): 109. http://dx.doi.org/10.3989/sefarad.1994.v54.i1.936.

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Kalandarov, Tokhir S. "Tajik Migrant Religious Poetry." Вестник антропологии (Herald of Anthropology) 48, no. 4 (December 10, 2019): 169–77. http://dx.doi.org/10.33876/2311-0546/2019-48-4/169-177.

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Today there are hundreds of papers published on the problem of labor migration from Central Asian countries, its political, social and economic aspects, as well as on the problem of integration and adaptation of migrants in the Russian society. However, the topic of migrant poetry is still poorly studied in Russia. At least there is no such research on Tajik labor migrants. The genres of Tajik migrant poetry vary significantly and include such forms as love poems, political songs, songs about migration hardships, religious poems. This paper is based on the results of monitoring social networks «Odnoklassniki», «Facebook», as well as on the results of personal communication and interviews with poets. In the paper we use the poems of three authors written in Tajik, Russian and Shugnani languages. The semantic translation from Tajik and Shugnani was done by the author of this paper
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Dickstein, M. "Is Religious Poetry Possible?" Literary Imagination 2, no. 2 (January 1, 2000): 135–51. http://dx.doi.org/10.1093/litimag/2.2.135.

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Basney, Lionel. "Review: Contemporary Religious Poetry." Christianity & Literature 38, no. 1 (December 1988): 67–68. http://dx.doi.org/10.1177/014833318803800112.

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Latef, Rushdi Talal. "Religious Intetextuality in Jasim Mohammad Jasim's poetry." JOURNAL OF LANGUAGE STUDIES 4, no. 1 (October 3, 2023): 182–98. http://dx.doi.org/10.25130/jls.4.1.12.

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This paper deals with intertextuality as a critical literary phenomenon Known throughout history. Religious intertextuality in poetry is not out of this scope for this poet for he recollects texts from the past, applied the technique of intertextuality and presents them after endowing them with the spirit of modernism and making them open to the future according to a vision governed by poetic language, rich imagination, effective style and this is a revitalization of the religious heritage and a dialogue with it.This paper is only concerned with the texts with religious connotations in Jasim Mohammad Jasim's poetry in which he makes use of the Holy Qur'an, Hadith, Sufi doctrine and other religions. Some of the expressions with religious dimensions became material for his present texts as a source for enriching his poetic experience because they were rich with stories, teachings and moral lessons as well as their literary language of elevated style and accurate expressions. For these reasons they attracted the poet and tempted him to quote what enables him to come out with poetic texts of religious nature to satisfy readers, who long for the religious past, with literary, poetic art rich with feelings and emotions.
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Alıyeva, Saltanat. "GAZI BURHANADDIN’S “DIVAN” AND ITS RESOURCES." Scientific Journal of Polonia University 58, no. 3 (September 1, 2023): 15–22. http://dx.doi.org/10.23856/5802.

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The sources of the XIV century Azerbaijani poet Qazi Burhanaddin's creativity are diverse and rich. These resources are mainly: 1. Oral folklore 2. Written all-Turkic poetry 3. Religious sources, Quran motifs 4. Sufistic philosophy Oral folk literature is defined as the main and primary source for the poet's creativity. As we investigate, it becomes clear that the work of Yunus Amre, one of the representatives of Turkish-language poetry, had a serious impact on the worldview of the poet. The reason for this is primarily Yunus Emre's creativity, including It is shown that the Sufism poetry of XIII,XIV centuries became widespread. The influence of the poet by Nizami Ganjavi's poetry was also emphasized. As well as his excellent religious education and the demands of the time, the motifs of the Qur'an also acted as a source for the poet's creativity. The question of reflection of the Sufism philosophy, which became the object of controversy in the artist's poetry for a long time, was also clarified. As a result, it has been proved by facts that Sufism philosophy plays the role of a source for the poet's creativity.
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Murchadha, Felix Ó. "Poetry and revelation: for a phenomenology of religious poetry." International Journal for Philosophy of Religion 90, no. 1 (July 5, 2021): 85–89. http://dx.doi.org/10.1007/s11153-021-09801-2.

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Collins, John J., and Bilhah Nitzan. "Qumran Prayer and Religious Poetry." Journal of Biblical Literature 114, no. 2 (1995): 316. http://dx.doi.org/10.2307/3266955.

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Orwin, Martin, and Farouk Topan. "Islamic religious poetry in Africa." Journal of African Cultural Studies 14, no. 1 (June 2001): 5–6. http://dx.doi.org/10.1080/136968101750333932.

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Schuller, Eileen, and Bilhah Nitzan. "Qumran Prayer and Religious Poetry." Jewish Quarterly Review 88, no. 1/2 (July 1997): 104. http://dx.doi.org/10.2307/1455075.

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Dissertations / Theses on the topic "Religious poetry"

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Juknytė, Ernesta. "Modern religious consciousness in Lithuanian exodus poetry." Doctoral thesis, Lithuanian Academic Libraries Network (LABT), 2010. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2010~D_20100426_163046-20195.

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Brand, Prudence. "Emily Pfeiffer and Victorian women's religious poetry." Thesis, Royal Holloway, University of London, 2012. http://repository.royalholloway.ac.uk/items/6766393a-e1ab-a987-0223-0460c5622c28/8/.

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As a Christian, Emily Pfeiffer (1827-1890) saw women's fight for emancipation as a crusade that transcends the earthly state. Yet, although her poetry was well-received during her life-time, Pfeiffer remains obscure. In order to challenge values that may have helped to perpetuate Pfeiffer's non-canonical status, I examine Pfeiffer's poetry against a broader definition of religious practice and worship than was traditionally applied to Victorian women's poetry. Responding to a recent re-evaluation of the criteria for what constitutes nineteenth-century religious literature, I demonstrate that Pfeiffer's poetry occupies a unique position in the canon of Victorian women's religious poetry. To determine what made Pfeiffer such an original thinker, my research considers childhood experiences from which the psychological imprint nev~r faded. In order to compensate for losses and disappointments, Pfeiffer learned to channel her frustrations into her poetry early in life. A Central Anglican, Pfeiffer belonged to a declining strand of the Established Church during a period when other branches of Christianity were expanding.
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Mandal, Umesh Chandra. "Religious thoughts in T S Eliot`s poetry." Thesis, University of North Bengal, 1992. http://hdl.handle.net/123456789/1150.

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Updegraff, Derek Kramer Johanna Ingrid. ""Fore ðære mærðe mod astige" two new perspectives on the Old English Gifts of men /." Diss., Columbia, Mo. : University of Missouri--Columbia, 2008. http://hdl.handle.net/10355/5623.

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The entire thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file; a non-technical public abstract appears in the public.pdf file. Title from PDF of title page (University of Missouri--Columbia, viewed on October 6, 2009). Thesis advisor: Dr. Johanna Kramer. Vita. Includes bibliographical references.
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Buuren, Martinus Johannes Joseph van. "Waiting : the religious poetry of Ronald Stuart Thomas, Welsh priest and poet /." [S.l. : s.n], 1993. http://catalogue.bnf.fr/ark:/12148/cb35619867z.

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Crouse, Jamie S. "To enlarge the sphere of religious poetry : the rise of Victorian women's religious verse." Thesis, University of Kent, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.544026.

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Cooper, Ian David. "Poetry, idealism and religious thought from Hölderlin to Eliot." Thesis, University of Cambridge, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.614248.

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McIlvanney, Liam. "The poetry of Robert Burns in its religious context." Thesis, University of Oxford, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.339044.

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Bateman, Vivienne Margaret. "The themes and images of classical Gaelic religious poetry." Thesis, University of Aberdeen, 1990. http://digitool.abdn.ac.uk/R?func=search-advanced-go&find_code1=WSN&request1=AAIU032963.

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The thesis is an examination of all the published religious Gaelic poetry composed in syllablic metres. An analysis of its themes and images reveals the theological concepts of the poets and the mechanisms by which these were forged into a distinct genre of poetry. A legal metaphor forms the basis of the sociology of the poets. They held that mankind will only be redeemed by the Passion if Christ's claim for His blood-price can be met at Doom. This can only be achieved if Christ deems that mankind's debt to Him is cancelled out by the debt He owes to our kinswoman, the Virgin Mary, for having raised Him and suffered on His account. Both the ambivalence of the consequences of the Passion and the all-importance of kinship in our hopes for redemption are extensions of orthodox Catholic thinking. The corpus of poetry is remarkably homogeneous. Exceptions are the occasional and anti-clerical poems and those growing out of personal circumstance. By and large, difference in tone is seen to accord with difference in subject-matter, rather than with the feelings of the individual poet or with changes in influence over the period. Most poems contain several themes and several changes in tone, held together by a unifying metaphor. New poems are made by the reworking and rearranging of a limited scope of themes and images. The thesis, in the main, is concerned with relationships within the corpus of Classical material. However, references are also made where possible to the Gaelic poetry preceding the Classical period and to medieval thought in general. It is hoped that the thesis may be useful in doing further research aimed at placing the Classical Gaelic religious poetry in its European context.
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Buckner, Elisabeth. "Superior Instants: Religious Concerns in the Poetry of Emily Dickinson." TopSCHOLAR®, 1985. https://digitalcommons.wku.edu/theses/2195.

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When I decided to write a thesis on Emily Dickinson's poetry, my intention was to show that she did, indeed, implement a concrete philosophy into her poetry. However, after several months of research, I realized that this poet's philosophy was ongoing and sometimes inconsistent. Emily Dickinson never discovered the answers to all of her religious and spiritual questions although she devoted her entire life to that pursuit. What Dickinson did discover was that orthodox religion had no place in her heart or mind and she must make her own choices where God was concerned. Immortality was an intense fascination to Emily, and many of her poems are related to that subject. In fact, the majority of Dickinson's poems deal, in some way, with spirituality. Emily Dickinson is a poet who deserves to be studied on the basis of her philosophical pursuits as well as her style. Dickinson scholarship has improved in the past several decades; however, Emily Dickinson has yet to receive the attention she deserves as a philosopher and thinker.
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Books on the topic "Religious poetry"

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1924-, Ramsey Paul, ed. Contemporary religious poetry. New York: Paulist Press, 1987.

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1938-, Murray Les A., ed. Anthology of Australian religious poetry. North Blackburn, Vic: Collins Dove, 1991.

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Solovyov, Vladimir Sergeyevich. The religious poetry of Vladimir Solovyov. San Rafael, CA: Semantron Press, 2008.

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Pandey, M. S. The Religious poetry of W.H. Auden. Jaipur: Pointer Publishers, 1990.

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Greeley, Andrew M. Religion as poetry. New Brunswick, N.J: Transaction Publishers, 1996.

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John, Hatcher. The poetry of Ṭáhirih. Oxford: George Ronald, 2002.

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Bodo, Murray. Poetry as prayer: Denise Levertov. Boston: Pauline Books & Media, 2001.

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White, Helen Constance. Prayer and poetry. Latrobe, Pennsylvania: Saint Vincent Archabbey Publications, 2014.

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Brendan, Kennelly. Poetry my arse: A poem. Newcastle upon Tyne: Bloodaxe Books, 1995.

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Shaw, LeTonya R. All-occasion religious poems. Owings Mills, MD: Watermark Press, 1998.

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Book chapters on the topic "Religious poetry"

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Conner, Patrick W. "Religious Poetry." In A Companion to Anglo-Saxon Literature, 251–67. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405165303.ch14.

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Leishman, J. B. "‘Religious’ Poems." In The Art of Marvell's Poetry, 193–220. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003214571-4.

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Kennedy, Charles W. "Minor Religious Poems." In The Earliest English Poetry, 311–31. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003424222-11.

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Kennedy, Charles W. "The Religious Heroic Tale." In The Earliest English Poetry, 267–89. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003424222-9.

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Molekamp, Femke. "Female Piety and Religious Poetry." In A Companion to Renaissance Poetry, 432–45. Chichester, UK: John Wiley & Sons, Ltd, 2018. http://dx.doi.org/10.1002/9781118585184.ch32.

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Giannouli, Antonia. "Catanyctic Religious Poetry: a survey." In Studies in Byzantine History and Civilization, 86–109. Turnhout: Brepols Publishers, 2013. http://dx.doi.org/10.1484/m.sbhc-eb.1.101920.

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Finnegan, Ruth. "Religious Poetry." In Oral Literature in Africa, 165–200. Open Book Publishers, 2012. http://dx.doi.org/10.11647/obp.0025.07.

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Kean, P. M. "The religious poetry." In Chaucer and the Making of English Poetry Volume II, 186–209. Routledge, 2019. http://dx.doi.org/10.4324/9780429341748-5.

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Pearsall, Derek. "Lydgate’s Religious Poetry." In John Lydgate, 255–92. Routledge, 2019. http://dx.doi.org/10.4324/9780429198205-9.

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Callison, Jamie. "Sacred Ground: Orthodoxy, Poetry and Religious Change." In The Edinburgh Companion to Modernism, Myth and Religion, edited by Suzanne Hobson and Andrew Radford, 373–88. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474494786.003.0024.

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This chapter uses the example of the twentieth-century retreat movement to challenge several assumptions about the relationship between secularisation and literary modernism. It shows how institutional religions – in this case of the Church of England – responded to processes of religious change at work through the first half of the twentieth century. The silent retreats developed by the Anglo-Catholic Association for Promoting Retreats (APR) represent an attempt on the part of institutional religion to draw on (and to draw in) the contemporary interest in mysticism and spirituality and to provide it with a religious home within the church. The development of a new religious practice, namely the rise of mass participation in lay retreat, is considered alongside developments in twentieth-century religious poetry as represented by T. S. Eliot’s Four Quartets. The chapter argues that transformations in religious orthodoxy are as an important a development in the emerging relationship between modernism and religion as the rise of new religions and the well-documented prominence of no religion.
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Conference papers on the topic "Religious poetry"

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Xu, Liu. "POETRY BY N.A. KLYUEV AND OLD BELIEVER ICONOGRAPHY." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3694.rus_lit_20-21/59-63.

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Poetry of N.A. Klyuev has a special system of images and a deep religious sense. The origins of Klyuev’s poetic world are closely connected with culture and tradition of Old Believers, and with culture of Ancient Russia in general. Klyuev knew well and highly valued ancient Russian icons, his poems contain a lot of information about the meaning and existence of icons in the life of the people; historical memories and realities are also perceived and consecrated by the poet through the prism of the icons. In this article we will try to give some information about Old Believer icons in the life and work of the poet, compare the figurative world of the poet’s work with the iconographic and theme features of Old Believer icons, analyze the possible connections of the poet’s poetic worldview, his religious and historiosophical ideas with the tradition of Old Believer icons.
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MÉNES, András. "ÁGNES NEMES NAGY AND RELIGIOUS POETRY." In 15TH INTERNATIONAL CONFERENCE OF J. SELYE UNIVERSITY. J. Selye University, 2023. http://dx.doi.org/10.36007/4959.2024.65.

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Musaeva, A. "SYMBOLISM IN THE POETRY BY S. SOKOLKIN AND A. ABDURASHIDOVA." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3714.rus_lit_20-21/155-157.

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Symbols play an important role in the lyrics of poets of the late 20th - early 21st centuries. The article is devoted to their identification and study in the works of modern Russian poets: Sergey Sokolkin and Aminat Abdurashidova. The achievements of science, historical processes have had a strong influence on the development of modern poetry. Religious, scientific, folklore symbolism is actively used by these poets to create images in poems.
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Zeng, Haijin. "INFLUENCE OF CHRISTIANITY ON THE CREATIVITY OF THE GUANGDONG POET HUANG LIHAI." In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.25.

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Huang Lihai is one of the most active contemporary Chinese poets in the past two decades. His poems are a return to poetry, language and life. In the era of change and grand discourse dominating the aesthetic interpretation of literature, Huang Lihai’s poetry and spiritual exploration have obvious implications. His vitality in poetry creation and poetry activities has an important connection with his Christian faith and his thought resources. Huang Lihai pays close attention to individual life with heavy religious feelings, and tries to restore the relationship between man and god, the relationship between man and man, and the relationship between man and nature in the post-modern era. Backed by belief, he maintained human dignity and integrity with poetry, and opened up the divine dimension of poetry writing, which opened up a new aesthetic dimension for the Chinese contemporary poetry.
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Nurmujiningsih, Erlis, Dina Amalia, Mu’jizah Mu’jizah, Suryami Suryami, Erli Yetti, and Purwaningsih Purwaningsih. "Religiosity, Covid 19, and Death Threats in Indonesian Poetry." In International Symposium on Religious Literature and Heritage (ISLAGE 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220206.017.

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MEHMETALI, Bekir. "THE ARAB-TURKISH BROTHERHOOD IN MODERN ARABIC POETRY." In VI. International Congress of Humanities and Educational Research. Rimar Academy, 2023. http://dx.doi.org/10.47832/ijhercongress6-3.

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Since ancient times, Arabic poetry has been a depiction of everything that is happening in the Arab environment that surrounds the poet wherever he is, and his igniting flame has not been extinguished in their souls, despite the subjugation of the Arab world to the rule of non-Arabs after Islam. It is known that the Arab Muslims set out from the Arabian Peninsula as conquerors and heralds of the serious Islamic religion, and as a result of this the entry of nonArabs into Islam that enlightened the darkness of their hearts, so the Persians, Romans, Copts, Abyssinians, Turks, and others will be enlightened by his guidance... Muslim rulers will succeed in ruling the Islamic state Arabs and non-Arabs, such as Persians, Turks, Kurds, and others. And when the Turkish Ottoman state was established on an Islamic religious basis, the Turkish Muslims carried the banner of Islam, so they defended it, relying on Muslims of all nations, from the Turks, the Laz, the Arabs, and others, so the Islamic Ottoman rule extended over common areas that included almost the entire Arab lands, and they did not differentiate between Muslim and another in view of his race, color or geography. However, this matter did not satisfy the lurking enemies who wanted sedition and division between the Arabs and the Turks, so they stirred up the winds of nationalism that some Arab poets sought in the modern era, such as Ibrahim al-Yaziji and Khalil Mutran. Herein lies the importance of the research, its objective, and its value. The research uses the descriptive and analytical approaches in order to highlight the manifestations of this brotherhood, which received sufficient attention from Arab poets in the modern era.
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Vlad, Florian Andrei. "From Religious Belief To Identity Games In Ted Hughes’s Early Poetry." In DIALOGO-CONF 2020. Dialogo, 2020. http://dx.doi.org/10.18638/dialogo.2020.6.2.20.

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Sarikose, Mehmet. "PERSONAGES IN THE DIVAN OF BABUR." In The Impact of Zahir Ad-Din Muhammad Bobur’s Literary Legacy on the Advancement of Eastern Statehood and Culture. Alisher Navoi' Tashkent state university of Uzbek language and literature, 2023. http://dx.doi.org/10.52773/bobur.conf.2023.25.09/hryx7126.

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Classical Turkish literature is a literary tradition of approximately six centuries, within the general development of Turkish literature, whose theoretical and aesthetic principles were formed within the circle of Islamic civilization and shaped especially by the influence of Arabic and Persian literature. Classical Turkish literature, which is based on religious, historical, mythological and folklore foundations, also serves as a historical source with the "human" element it contains. Its’ statesmen, scholars, philosophers, poets, religious and sufi elders, legendary heroes and similar figures who left their mark on the culture and history of the society in which they lived are the most important sources of Classical Turkish Literature. Starting from this point, in this study, the names of the individuals mentioned in the Divan of Babur, one of the most important works of Chagatai Turkish, were examined and it was aimed at revealing the influence of the individuals within Babur's poetry world.
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LI, Li-hong. "On the Religious Emotion Revealed in the Poetry of Puritanical Christina Georgina Rossetti." In proceedings of the 2nd International Conference on Literature, Art and Human Development (ICLAHD 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.201215.466.

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Mulyono, Tri, Masfu’ad Santoso, Mursyidah Hartati, and Basukiyatno Basukiyatno. "The Value of Religious Character Education on the Children’s Poetry by Kamilah Siswati." In Proceedings of the 1st International Conference on Social Science, Humanities, Education and Society Development, ICONS 2020, 30 November, Tegal, Indonesia. EAI, 2021. http://dx.doi.org/10.4108/eai.30-11-2020.2303706.

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Reports on the topic "Religious poetry"

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Lyzanchuk, Vasyl. THE CHARITABLE ENERGY OF THE JOURNALISTIC WORD. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11415.

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The article investigates the immortality of books, collections, including those, translated into foreign languages, composed of the publications of publications of worldview journalism. It deals with top analytics on simulated training of journalists, the study of events and phenomena at the macro level, which enables the qualitative forecast of world development trends in the appropriate contexts for a long time. Key words: top, analytics, book, worldview journalism, culture, arguments, forecast.The article is characterized intellectual-spiritual, moral-aesthetic and information-educational values of of scientific and journalistic works of Professor Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades”. Mykola Ivanovych’s creative informational and educational communication are reviews, reviews, reviews and current works of writers, poets, publicists. Such as Maria Matios, Vira Vovk, Roman Ivanychuk, Dmytro Pavlychko, Yuriy Shcherban, Bohdan Korsak, Hryhoriy Huseynov, Vasyl Ruban, Yaroslav Melnyk, Sofia Andrukhovych. His journalistic reflections are about memorable events of the recent past for Ukrainians and historical figures are connected with them. It is emphasized that in his books Mykola Hryhorchuk convincingly illuminates the way to develop a stable Ukrainian immunity, national identity, development and strengthening of the conciliar independent state in the fight against the eternal Moscow enemy. Among the defining ideological and political realization of the National Idea of Ukrainian statehood, which are mentioned in the scientific and journalistic works of M. Hryhorchuk, the fundamental ones – linguistic and religious – are singled out. Israel and Poland are a clear example for Ukrainians. In these states, language and religion were absolutized and it is thanks to this understanding of the essence of state-building and national identity that it is contrary to many difficulties achieve the desired life-affirming goal. The author emphasizes that any information in the broadest and narrow sense can be perceived without testing for compliance with the moral and spiritual mission of man, the fundamental values of the Ukrainian ethnic group, putting moral and spiritual values in the basis of state building. The outstanding Ukrainian philosopher Hryhoriy Skovoroda emphasized: “Faith is the light that sees in the darkness…” Books by physicist Mykola Hryhorchuk “Where are you going, Ukraine?” and “Freedom at the Barricades” are illuminated by faith in the Victory over the bloody centuries-old Moscow darkness.
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