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Books on the topic 'Rehearsing'

Author: Grafiati

Published: 24 June 2021

Last updated: 17 February 2022

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1

Rubin, Leon. Rehearsing Shakespeare. New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429422843.

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2

Craft, Michael. Rehearsing: A novel. San Diego: Los Hombres Press, 1993.

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3

Potter, Jon. Rehearsing with Rat. Studio City, CA: Players Press, 1997.

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4

Williamson, John E. Rehearsing the band. Galesville, MD: Meredith Music Publications, 2008.

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5

Williamson, John E. Rehearsing the band. Galesville, MD: Meredith Music Publications, 2008.

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6

McConnell, Fiona, ed. Rehearsing the State. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2016. http://dx.doi.org/10.1002/9781118661192.

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7

Espaillat, Rhina P. Rehearsing absence: Poems. Evansville, Ind: University of Evansville Press, 2001.

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8

Rehearsing the future. Copenhagen: The Danish Design School Press, 2010.

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9

Rae, Fiona. Fiona Rae: Rehearsing the Spontaneous. London: ICA, 1993.

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10

Jonathan, Feist, ed. Tips for singers: Performing, auditioning, and rehearsing. Boston, MA: Berklee Press, 2008.

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11

Boonshaft, Peter Loel. Teaching Music with Passion: Conducting, Rehearsing and Inspiring. Galesville, MD: Meredith Music Publications, a division of G. W. Music, Inc., 2002.

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12

Evoking sound: Fundamentals of choral conducting and rehearsing. Chicago: GIA Publications, 1996.

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13

Huff, Roland. The contemporary writing curriculum: Rehearsing, composing, and valuing. New York: Teachers College Press, 1987.

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14

Boonshaft, Peter Loel. Teaching Music with Purpose: Conducting, rehearsing and inspiring. Galesville, MD: Meredith Music Publications, a division of G. W. Music, Inc., 2006.

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15

Henderson, William McCranor. Running your rock band: Rehearsing, financing, touring, succeeding. New York: Schirmer Books, 1996.

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16

Rehearsing the soul: 52 devotions for the church choir. Nashville, TN: Abingdon Press, 1999.

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17

Rehearsing new roles: How college students develop as writers. Carbondale: Southern Illinois University Press, 2002.

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18

Staging the musical: Organizing, planning, and rehearsing the amateur production. New York: Prentice Hall Press, 1986.

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19

Grote, David. Staging the musical: Organizing, planning, and rehearsing the amateur production. Englewood Cliffs: Prentice Hall, 1986.

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20

Rehearsing the audience: Ways to develop student perceptions of theatre. Urbana, Ill: ERIC Clearinghouse on Reading and Communication Skills, 1988.

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21

1951-, Sol H. G., ed. Decision enhancement services: Rehearsing the future for decisions that matter. Amsterdam: IOS Press, 2008.

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22

The Wednesday workout: Practical techniques for rehearsing the church choir. Nashville: Abingdon Press, 1993.

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23

Rehearsing God's just kingdom: The eucharistic vision of Mark Searle. Collegeville, Minnesota: Liturgical Press, 2013.

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24

Rehearsing emotions: The process of creating a role for the stage. Stockholm: Stockholm University, 2010.

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25

Simon, Ronald T. Rehearsing with gods: Photographs and essays on the Bread & Puppet Theater. White River Junction, Vt: Chelsea Green Pub., 2004.

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26

Johnson, Odai. Rehearsing the revolution: Radical performance, radical politics in the English Restoration. Newark, [Del.]: University of Delaware Press, 2000.

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27

Behind the scenes at the ballet: Rehearsing and performing The sleeping beauty. New York: Viking, 1995.

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28

McConnell, Fiona. Rehearsing the state: The political practices of the Tibetan government-in-exile. Chichester, UK: John Wiley & Sons, 2016.

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29

European Theatre Directors Forum (4th 1998 Maastricht). Rehearsing the future: 4th European Theatre Directors Forum, Maastricht December 2-6, 1998. Maastricht: Jeker Studio, 1998.

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30

Dunnigan, Patrick. Marching band techniques: Designing, rehearsing, and perfecting marching band shows with school ensembles. Northfield, Ill: Instrumentalist Publishing Co., 1998.

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31

Maastricht), European Theatre Directors Forum (4th 1998. Rehearsing the future: Strategies for the emerging director in Europe : 4th European Theatre Directors Forum. Maastricht: Jeker Studio, 1998.

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32

European Theatre Directors Forum (4th 1998 Maastricht). Rehearsing the future: Strategies for the emerging director in Europe : 4th European Theatre Directors Forum. Maastricht: Jeker Studio, 1998.

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33

Maastricht), European Theatre Directors Forum (4th 1998. Rehearsing the future: Strategies for the emerging director in Europe : 4th European Theatre Directors Forum. Maastricht: Jeker Studio, 1998.

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34

It's time to stop rehearsing what we believe and start looking at what difference it makes. Nampa, Idaho: Pacific Press Pub. Association, 1998.

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35

B, Allen Thomas. War games: The secret world of the creators, players, and policy makers rehearsing World War III today. New York: McGraw-Hill, 1987.

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36

B, Allen Thomas. War games: The secret world of the creators, players, and policy makers rehearsing World War III today. New York: Berkley, 1989.

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37

Colson. Rehearsing. Rl, 2015.

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38

Jack, Jordynn. Rehearsing Gender. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038372.003.0005.

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This chapter discusses “autism dads” who write about their children. By analyzing memoirs written by several fathers of autistic children, it shows how fathers rehearse topoi related to fatherhood, masculinity, the family as an institution, and their professional or disciplinary identities in order to rhetorically constitute roles for themselves. In order to constitute this character, fathers must sometimes reject or revise other characters grounded in the commonplaces of hegemonic masculinity that emphasize male strength, success, and power and adopt new topoi of fatherhood. However, although fathers refigure available characterizations of fatherhood, few reject that role entirely. Whereas narratives written by mothers tend to take on a quest for recovery, narratives written by fathers tend to take on a quest for understanding—not simply of the child in question but of the father's own character and identity.

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39

Sieck, Stephen. Rehearsing the Choir. Meredith Music Publications, 2019.

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40

Sieck, Stephen. Rehearsing the Choir. Meredith Music Publications, 2019.

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41

E, Williamson John, and Neidig Kenneth L, eds. Rehearsing the band. Cloudcroft, NM: Neidig Services, 1998.

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42

Rehearsing the band. Cloudcroft, NM: Neidig Services, 1998.

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43

Keene, Carolyn. Rehearsing for romance. New York: Pocket Books, 1996.

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44

Keene, Carolyn. Rehearsing for Romance (Nancy Drew Files (Turtleback)). Turtleback Books Distributed by Demco Media, 1996.

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45

Rehearsing the Event. Teachers in Development Education (TIDE), 2002.

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46

Sieck, Stephen. Rehearsing the Choir. Meredith Music, 2019.

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47

Siegmund, Gerald. Rehearsing In-Difference. Edited by Rebekah J. Kowal, Gerald Siegmund, and Randy Martin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199928187.013.54.

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European choreographers Pina Bausch and Jérôme Bel share a critical line of inquiry into the established dance practices of their time, putting both the identity of their subjects and the identity of the genre of dance at risk. By addressing and including their own rehearsal processes in the performance, Bausch and Bel play with their own aesthetic strategies and their coming into being as social practices. As the author argues, the political, here, lies in the blurring of definite and defining categories, thus creating ambivalent and polyvalent scenes that defy explanation. Yet, Bausch and Bel’s work on repetition also produces an excess of energy that blurs distinctions and differences. As an emotional response to a rhythm that is created out of the in-difference to difference, this force undoes what subjects have learned socially. It is here that their freedom lies.

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48

Norbrook, David. Rehearsing the Plebeians. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198806899.003.0009.

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This chapter pursues across a wide span of intellectual history reflections on the kind of plebeian political agency so graphic in the opening of Coriolanus. Examining presentations of popular tumult in Shakespeare’s source, Livy, it tracks both Machiavelli’s republican reading of Livy and the interest in Livy’s narrative displayed by Shakespeare’s contemporary, Gabriel Harvey. The broadening of parameters recovers a line of thinkers open to relatively radical ideas about the constitution of a mixed polity, sharply contrasting the repressive anti-populism doctrinal in Elyot’s Boke Named the Governour and official Tudor discourse. Shakespeare’s play unfolds a distinctive doubleness of tone, dramatizing conflicting political perspectives rather as Livy had done, but with a prevailing darkness to its caustic and destabilizing vision. Shakespeare incorporates into this Roman yet contemporary drama a charged, emergent lexicon, deploying such relative novelties as ‘depopulate’ and ‘plebs’, and coining the term ‘Weales men’.

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49

Rehearsing Our Roles. Teachers in Development Education (TIDE), 2002.

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50

Rehearsing for Romance #114. Tandem Library, 1999.

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