Academic literature on the topic 'Regionalismo culturale'
Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles
Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Regionalismo culturale.'
Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.
You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.
Journal articles on the topic "Regionalismo culturale"
1
Lira, José Tavares Correia de. "O urbanismo e o seu outro: raça, cultura e cidade no Brasil (1920-1945)." Revista Brasileira de Estudos Urbanos e Regionais, no. 1 (May 31, 1999): 47. http://dx.doi.org/10.22296/2317-1529.1999n1p47.
Full textAbstract:
Este trabalho explora algumas matrizes do pensamento social brasileiro em sua abordagem da formação do espaço urbano no país, em particular no que concerne às relações raciais, étnicas e culturais nas cidades. Parte da hipótese de que, a partir dos anos 20, o discurso urbanístico encontra na eugenia e no regionalismo bases confiáveis ao realinhamento nacionalista de sua intervenção técnica no espaço e na cultura de cidades complexamente divididas. Tendo em vista a problemática contemporânea das renovações urbanas, examina as questões de segregação social, distribuição no espaço e identificação cultural de grupos étnicos, nacionais e regionais em estudos e trechos de estudos sobre cidades de Oliveira Vianna, Gilberto Freyre, José Mariano Filho, Donald Pierson e Samuel Lowrie. Palavras-chave: urbanismo; cidade; nação; pensamento social brasileiro; relações raciais; etnicidade; eugenia; culturalismo; regionalismo. "Urbanism and its alter: race, culture and the city in Brazil (1920-1945)" Abstract: This paper deals with some important sources of the social thought in Brazil as they refer to the formation of the urban space in the country, particularly in respect to racial, ethnic, and cultural relations in the city. It raises the hypothesis that the urbanistic discourse, from the 1920s onwards, finds in eugenics and regionalism some reliable basis for the nationalistic realignment of its technical intervention in complexly divided urban spaces and cultures. Having in mind the contemporary question of urban renovation, it specially examines matters of social segregation, spatial distribution and cultural identification of ethnic, national and regional groups in some writings of Oliveira Vianna, Gilberto Freyre, José Mariano Filho, Donald Pierson and Samuel Lowrie. Keywords: urbanism; city; nation; Brazilian social thought; racial relationships; ethnicity; eugenics; culturalism; regionalism.
2
Lorenzetti, Luigi. "Regioni e regionalità in area alpina: dalle architetture politiche alle architetture costruite / Regions and regionalism in the Alpine area: from political architectures to built architectures." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 24–29. http://dx.doi.org/10.30682/aa1801b.
Full textAbstract:
The article deals with the concept of regionalism including it in the dialogue between architectural culture and alpine world through an interdisciplinary perspective. As a result of historical processes of interaction with external cultural, social and economic situations, the Alps look as a mosaic of identities with an evasive and discontinuous contour. This has encouraged the segmentation of approaches to read them and the increase of the geographies, through regionalism, has tried to reconstruct the logic and coherence of this space. In the second half of last century, the criticism to the regionalist paradigm has led to a new view of the region that can find new perspectives in the regionalism as a space of governance of the territory. Through regionalism, the contemporary alpine architecture brings up the complex network of cultural circulation and government and political systems. The architectural culture stands as a medium of comprehension of the territory as an expression of values, awareness and common and shared practices. In this perspective, regionalism reflects the cultures and the needs of living in the mountains. At the same time the culture of construction needs the participation of a civil society aware of the values of inclusion and belonging; in other words a society that, through culture, expresses awareness and common and shared practices; in other words its regionalism.
3
Hubík, S. "Social and cultural logic of regionalism." Agricultural Economics (Zemědělská ekonomika) 48, No. 2 (February 29, 2012): 93–96. http://dx.doi.org/10.17221/5294-agricecon.
Full textAbstract:
Research into the globalisation processes leads to establishing the set of concepts with the relative heuristic, methodological, and theoretical effectiveness as well as consequent practical effectiveness. Yet, a simple analysis shows this set of concepts as dependent on certain political programmes and projects. Scientific research is not a prirori limited by any other language – except its own, i.e. scientific language. To accept the language of non-scientific discourse means (mostly) to accept the non-scientific logic, too. Scientific establishment of region, community or similar social unit is a matter of logic different from the logic of political programmes or projects. Scientific research seeks logic of a subject (region, e.g.) from outside as well as from inside. That is why ideas and principles of social constructivism would have to play an important role among the scientific research tools. These principles and ideas are not a part of simple language and logic of political programmes and projects. Substitution of scientific language and scientific logic by political ones could lead to a fatal error. A region is the result of social construction, yet the scientific construct of a region is only one dimension of this complex process. This process can be called a social and cultural cartography process and could be based on parallel or complementary research methodologies – on standard methodology (working by means of standard descriptive and analytical quantitative research tools) and on social constructivism methodology (social and cultural cartography). Such complementary research is capable of overcoming relatively naive language and logic of political programmes and projects as well as limited heuristic possibilities of a standard scientific approach.
4
Fiol, Stefan. "Articulating Regionalism through Popular Music: The Case ofNauchami Narayanain the Uttarakhand Himalayas." Journal of Asian Studies 71, no. 2 (May 2012): 447–73. http://dx.doi.org/10.1017/s0021911812000101.
Full textAbstract:
As regionalism has become a politically and economically advantageous policy across much of Asia, vernacular popular music has concomitantly become an important arena for articulating and codifying shared regionalist sentiment. This article explores the reasons for the emergence of subnational regionalism within post-independence India, and its more recent resurgence since the 1990s, arguing that expansion and diversification of popular music (in combination with other media) industries have been central to these processes. Examining the case of the protest song “Nauchami Narayana” from the Uttarakhand Himalayas, the article then investigates how vernacular popular music can blend local signs of devotion and cultural identity in order to effect political change and articulate a space of regional belonging.
5
Keane, Damien. "Contrary Regionalisms and Noisy Correspondences: The BBC in Northern Ireland circa 1949." Modernist Cultures 10, no. 1 (March 2015): 26–43. http://dx.doi.org/10.3366/mod.2015.0096.
Full textAbstract:
This essay examines the limits and possibilities of the mid-century broadcasting field in Northern Ireland, by attending to the dynamic interplay at the BBC's Belfast station of three competing regional formations: the political regionalism of the Northern Irish state; the cultural regionalism of a coterie of Northern Irish writers and intellectuals; and the broadcasting regionalism instituted as part of the BBC's policy of national programming. These contrary regionalisms each had different and, at times, competing criteria for what constituted particular and typical details of life in the North, and broadcasters had to negotiate the inexact correspondences among them with ears tuned to the political relations triangulated by Belfast, Dublin, and London. Beginning with a consideration of how broadcasters in Northern Ireland produced forms of mediated actuality both in and beyond the studio, the essay concludes with Sam Hanna Bell's This is Northern Ireland (1949), a feature that explores the tension of overspill and containment effected less by the partition of Ireland than by the contradictions inherent to the broadcasting field.
6
Panov, P. V. "REGIONALIST PARTIES IN EUROPEAN COUNTRIES: FACTORS OF SUCCESS." Вестник Пермского университета. Политология 16, no. 3 (2022): 5–14. http://dx.doi.org/10.17072/2218-1067-2022-3-5-14.
Full textAbstract:
At the end of the XX - beginning of the XXI centuries, regionalist parties have become reputable and influential political players in the European political landscape, however, the unevenness of their development in the cross-regional dimension raises the question of the factors that impact their success. The article aims to test the hypothesis developed in previous works based on other empirical data and using different ways of operationalizing variables. The study is carried out by the method of multiple linear regression on the empirical material of all 313 administrative-territorial units of European countries that fully correspond to the concept of "region". As a result of the analysis, it was found that the socio-cultural and historical specificity of the region has the most stable influence on the success of regionalist parties, while the socio-cultural one is of utmost importance. The level of economic development of the region is also statistically significant, but its effects are multidirectional. In the countries of "old" Europe, more developed regions tend to have regionalism, while in "new" Europe, on the contrary, regionalist parties are more successful in underdeveloped regions. The hypothesis regarding the positive impact of decentralization on the development of regionalist parties is not confirmed.
7
Secklehner, Julia. "A New Austrian Regionalism: Alfons Walde and Austrian Identity in Painting after 1918." Austrian History Yearbook 52 (April 5, 2021): 201–26. http://dx.doi.org/10.1017/s0067237821000072.
Full textAbstract:
AbstractThis essay assesses the role of regionalism in interwar Austrian painting with a focus on the Tyrolean painter and architect Alfons Walde (1891–1958). At a time when painting was seen to be in crisis, eclipsed by the deaths of prominent Viennese artists such as Gustav Klimt and Egon Schiele, regionalism offered an alternative engagement with modern art. As the representative of a wider regionalist movement, Walde paved the way for a clearly identifiable image of rural Austria without foregoing the modernization process that took place in the Alps at the time. Filtering essential elements of local culture and synthesizing them with both a modern formal language and “modern” topics, most significantly ski tourism, he created a regionalism that reverberated beyond the narrow confines of his home province and caught particular momentum during the rise of the Austrian Ständestaat in the 1930s. Moving in between regional and national significance, Walde's work underlines the essential position of the region in Austria after 1918 and conveys that an engaged regionalism that responded to the rapid cultural and political changes taking place became a significant aspect of interwar Austrian painting.
8
Paula, Flávia Ferreira de, and Célia Regina Delácio Fernandes. "Pluralidade cultural na literatura infantojuvenil brasileira: Projeto Literatura em Minha Casa em questão." Acta Scientiarum. Language and Culture 38, no. 3 (August 16, 2016): 233. http://dx.doi.org/10.4025/actascilangcult.v38i3.30688.
Full textAbstract:
O objetivo deste artigo é buscar as representações de pluralidade cultural brasileira nas obras de literatura infantojuvenil do Programa Nacional Biblioteca da Escola [PNBE], nas edições de 2001, 2002 e 2003, anos do projeto Literatura em Minha Casa, em especial aquelas destinadas à 4 e 5ª séries do Ensino Fundamental. O estudo parte dos editais de convocação para inscrição das obras que diziam que as coleções deveriam “[...] apresentar-se como um pequeno retrato da cultura brasileira [...]” (Brasil, 2001; 2002; 2003, p. 12), entendendo essa cultura como marcada pela diversidade. Para tanto, a análise foi dividida em dois momentos: o primeiro, que trata de pluralidade étnica, e o segundo sobre cultura e regionalismo. Em linhas gerais, os resultados apontam que, dentre 120 obras analisadas, 15 apresentam pluralidade étnico-racial e 12 obras apresentam aspectos de regionalismos e culturas de diferentes lugares do Brasil.
9
Tessaro Pelinser, André, and Márcio Miranda Alves. "La permanencia del regionalismo en la literatura brasileña contemporánea." Poligramas, no. 53 (September 5, 2021): e2311576. http://dx.doi.org/10.25100/poligramas.v0i53.11576.
Full textAbstract:
Este artículo analiza la permanencia de marcas del regionalismo en la prosa de la literatura brasileña contemporánea. Considerado superado por la crítica literaria y renegado por los escritores, el regionalismo entró a la historia de la literatura brasileña como sinónimo de arte de baja calidad estética. Sin embargo, se percibe que los temas regionales nunca dejaron de ser materia para la narrativa ficcional brasileña, desde Guimarães Rosa, Erico Verissimo y Josué Guimarães, hasta Luiz Antonio de Assis Brasil, Antônio Torres y Milton Hatoum. Se observa que la diferencia entre el presente y el pasado reside en el énfasis dado por los escritores al contexto y al espacio regionales, orgullosos, en un primer momento, de las particularidades regionales y, en la contemporaneidad, preocupados por la problematización de los contrastes culturales. Se concluye que la literatura brasileña contemporánea debe mucho a la tradición regionalista, sin que ello implique cuestionamientos de calidad estética, y que le corresponde a la crítica investigar los temas y las formas de la narrativa como claves de interpretación para problemas históricos que perduran.
10
Zanon, Bruno, Giorgio Tecilla, Roberto Paoli, and Marco Piccolroaz. "Trentino. Territorio, paesaggio e architettura del regionalismo / Territory, landscape and critical regionalism in Trentino." Regionalità e produzione architettonica contemporanea nelle Alpi, no. 1 ns, november 2018 (November 15, 2018): 138–51. http://dx.doi.org/10.30682/aa1801p.
Full textAbstract:
The progress of the practice and the debate on architecture in the Alpine region of Trentino, in the last fifty years, has been characterised by a pivotal role of the Autonomous Province, the local authority with key competencies in environmental matters and spatial organisation, on the one hand, and by the experimentation and the promotion of discussion events on architecture, on the other. In the Sixties, spatial planning was conceived as a key instrument to support the development of a mountain province. Change was the perspective, and this required the activation of landscape control procedures centred on the control of the quality of architectural projects. This was not enough to qualify the professional practice, although some architects were able to propose innovative projects and began to animate the cultural debate, to establish supra-local relationships and to consolidate the awareness of the role of the architectural project. The contributions proposed are aimed at critically examine such issues, with a particular focus on the experience of institutions such as the “Scuola per il Governo del Territorio e del Paesaggio” within the Trentino School of Management, the “Osservatorio per il Paesaggio” within the Autonomous Province and the “Circolo Trentino Architettura Contemporanea”. Factors that led a decisive evolution of the spatial planning framework in the last decade, characterised by a new attention to the landscape and to the quality of architectural design, thanks to cultural initiatives, occasions of debate, and training paths.
Dissertations / Theses on the topic "Regionalismo culturale"
1
Ribeiro, Odenei de Souza. "Tradição e modernidade no pensamento de Leandro Tocantins." Universidade Federal do Amazonas, 2012. http://tede.ufam.edu.br/handle/tede/3138.
Full textAbstract:
Made available in DSpace on 2015-04-20T12:32:39Z (GMT). No. of bitstreams: 1
odenei.pdf: 1522789 bytes, checksum: ce99ff360f98e4ba4b5219719a0b928a (MD5)
Previous issue date: 2012-11-06The dialectical cycles of expansion/contraction of capitalism in the Amazon during the twentieth century have left indelible marks on the cultural and social sphere. The rubber period was one of the most significant moments of this process, the economic values transacted in the apogee of rubber exploration turned Manaus and Belém in modern urban centers, equipped with infrastructure services that would come later to other Brazilian cities. The short time between the peak and decline of the rubber extraction was marked by a vigorous intellectual production, ranging from an optimistic view about the future of the region to the pessimism of the Amazon abandonment by the public power of the Union. Born in 1928, Leandro Tocantins, sought to understand the social change processes that led to the decline of the regional economy and at the same time signals a political strategy to put the region on the national political agenda. His intellectual production and political action moved gradually from the national developmentalism for the conservative modernization. In this sense, the concept of tradition and modernity in his thinking is intimately articulated to the intellectual role he played in the organization and direction of cultural, regional and national living.
Os ciclos dialéticos de expansão/contração do capitalismo na Amazônia durante o século XX deixaram marcas indeléveis na esfera cultural e social. O período da borracha constituiu um dos momentos mais significativos desse processo, os valores econômicos transacionados no apogeu da exploração borracha transformaram Manaus e Belém em modernos centros urbanos, dotadas de infraestrutura de serviços que só mais tarde chegariam a outras cidades brasileiras. O curto espaço de tempo entre o ápice e o declínio do extrativismo da borracha foi marcado por uma vigorosa produção intelectual, indo de uma visão otimista em relação ao futuro da região ao pessimismo do abandono da Amazônia pelo poder público da União. Nascido em 1928, Leandro Tocantins, procurou compreender os processos sociais de mudança que levaram ao declínio a economia regional e ao mesmo tempo assinala uma estratégia política para pôr a região na agenda política nacional. Sua produção intelectual e sua ação política deslocaram-se gradativamente do nacional desenvolvimentismo para a modernização conservadora. Nesse sentido, a concepção de tradição e modernidade em seu pensamento está articulada intimamente ao papel intelectual que desempenhou na organização e direção da vida cultural, regional e nacional.
2
Polito, J?ssica de Almeida. "Paisagem Mogiana: transitoriedades e resist?ncias na configura??o de um territ?rio." Pontif?cia Universidade Cat?lica de Campinas, 2018. http://tede.bibliotecadigital.puc-campinas.edu.br:8080/jspui/handle/tede/1137.
Full textAbstract:
Submitted by SBI Biblioteca Digital (sbi.bibliotecadigital@puc-campinas.edu.br) on 2018-09-11T16:39:22Z
No. of bitstreams: 1
Jessica de Almeida Polito.pdf: 22916945 bytes, checksum: 075ea6b276974f858c0a08ce4c1e580d (MD5)Made available in DSpace on 2018-09-11T16:39:22Z (GMT). No. of bitstreams: 1 Jessica de Almeida Polito.pdf: 22916945 bytes, checksum: 075ea6b276974f858c0a08ce4c1e580d (MD5) Previous issue date: 2018-06-15
Pontif?cia Universidade Cat?lica de Campinas (PUC-Campinas)
This dissertation aims to demonstrate that S?o Paulo State?s urban history was surrounded, from the beginning, by the imprecision between the urban and rural environments, especially in the mogiana region, which spawned a rural urbanity apart from the administrative limits and strongly related to Minas Gerais. This way, it relativizes the civilization?s approaches, presenting shards of a road network and spread preexistent neighborhoods, deeply related to the natural landscape, structured according the way of life and imagination of their inhabitants and where ideas and goods that supplied the internal market traveled. At the same time, they worked as communication channels with areas already considered urbanized, from where came diluted influences built from the diversity of beings and ways. This culturally diverse landscape shaped a perception of the urban environment compatible to the existing rural way of life and adapted to the reality and possibilities of the rural population. Therefore, the cultural landscape was the base for the insertion of the administrative network then consolidated the modern regional territoriality. Like stacked layers, intersection and detachment moments are observed, influenced by the encounters, conflicts, dialogs, resistances and redeterminations of the landscape itself and the network. The failure in immediately complying with an external urbanizing model, makes this process peculiar, consistent with the local culture and detached from the belle ?poque concept. This regionalist urbanity kept rustic cultural aspects that justified its spatial features and the organization method of the society around communities, where the production and genealogy defined them as groups. Under this scenario, urban cores presented themselves as places of political representativeness, linking the region to the capital of S?o Paulo, while converting it in a metropolis. This administratively fragmented cultural landscape between S?o Paulo and Minas Gerais territories was kept until late 19th century and the industrialization process, that began during the 20th century, was a milestone on the frontier definitions.
Esta tese se apoia na leitura da paisagem como estrutura de an?lise, e retoma a discuss?o sobre o processo de urbaniza??o brasileiro, buscando demonstrar que na din?mica existente entre o territ?rio administrativo e o territ?rio das viv?ncias existiram momentos de intersec??es demarcados pela pr?pria rede urbana. Se por um lado a vivencias, os v?nculos e os la?os afetivos entre indiv?duos e a terra fomentaram a consolida??o de estruturas de organiza??o pertinentes ao meio no qual estava inserido, por outro, o processo de funda??o de novas vilas e freguesias correspondeu ? logica dos dom?nios territoriais administrativos que avan?ava sobre o sert?o. Entre estas duas l?gicas de compreens?o territorial verificava-se a imprecis?o entre seus contornos, aproxima??es e distanciamento que dinamizaram a Paisagem Mogiana. Dela participaram fragmentos de uma rede de caminhos e bairros dispersos preexistentes, por onde circulavam diferentes entes e influ?ncias dilu?das. Esta paisagem culturalmente multifacetada fomentou o forjar de uma no??o de urbano compat?vel ao modus operandi existente no sert?o. Como camadas sobrepostas, verificam-se momentos de intersec??es e distanciamentos marcados pelos encontros, conflitos, di?logos, resist?ncias e ressignifica??es da pr?pria paisagem e da rede. A n?o compatibiliza??o imediata com um modelo urbanizador externo converte este processo em algo peculiar, condizente com a cultura local e distanciado do conceito de belle ?poque. Esta urbanidade regionalista guardava consigo tra?os culturais r?sticos, que justificavam a sua espacialidade e a forma de organiza??o da sociedade em torno de comunidades, onde a produ??o e a genealogia os definiam enquanto grupo. Neste cen?rio, os n?cleos urbanos se mostravam como locais da representatividade pol?tica, interligando a regi?o ? capital paulista, ao passo que a convertia em metr?pole. A paisagem cultural que ao mesmo tempo era fragmentada administrativamente entre territ?rio paulista e territ?rio mineiro se manteve assim at? finais do s?culo XIX, sendo o processo de industrializa??o iniciado no s?culo XX um marco na defini??o das fronteiras.
3
Falcao, Ana Paula Pereira. "Juventude, música e regionalismo: ressignificações sobre o lugar nordeste." Universidade Federal da Paraíba, 2010. http://tede.biblioteca.ufpb.br:8080/handle/tede/9738.
Full textAbstract:
Submitted by Vasti Diniz (vastijpa@hotmail.com) on 2017-12-28T13:15:34Z
No. of bitstreams: 1
arquivototal.pdf: 3899658 bytes, checksum: 35cb97170444f1c51b7c0b61275739fd (MD5)Made available in DSpace on 2017-12-28T13:15:34Z (GMT). No. of bitstreams: 1 arquivototal.pdf: 3899658 bytes, checksum: 35cb97170444f1c51b7c0b61275739fd (MD5) Previous issue date: 2010-02-19
Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - CAPES
The present study has as object of analysis the young musical groups of the city of João Pessoa, that are fit into the musical gender MPB neo-regionalist, which articulate elements of the traditional musicality of the Northeast area with rhythms and languages of musical genres considered universal. The research had as objective to analyze the image of Northeast that is built over the musical production of those groups. That production is characterized by the hybridization of rhythms and timbers of the traditional musicality, with elements of a globalized culture, like, for instance, the use of electronic instruments and rhythms as jazz, rock, funk, reggae and ska. The theoretical-methodological way that was used was inspired by the Cultural Studies and by some elements of the Semiotics. The research demonstrated that those groups are building a new image of the Northeast area, that follows the contemporary articulations among the Northeast, Brazil and the New World Economical Order, likewise the intensified tourist flows. The contemporary musical scene of the city was characterized as well as the dialogues that the current groups establish with traditional icons of the regional music. also, The new forms of production and musical circulation of the city were emphasized in addition to the performance of the significant cultural agents, like the representatives of the State and SEBRAE. It was observed the consolidation of a neo-regional musical gender, that builds an image of the Northeast which comes out as a hybridized place, a mix of tradition and modernity, that is also a place of ambiguities involving poverty and violence living side by side with wealth, culture and exuberant nature.
O presente estudo tem como objeto de análise, grupos musicais juvenis da cidade de João Pessoa que se enquadram no gênero musical MPB neo-regionalista, que articulam elementos da musicalidade tradicional da região Nordeste, que articulam elementos da musicalidade tradicional da região Nordeste, com ritmos e linguagens de gêneros musicais considerados universais. A pesquisa teve como objetivo analisar a imagem de Nordeste que se constrói a partir da produção musical desses grupos. Essa produção caracteriza-se pela hibridização de ritmos e timbres da musicalidade tradicional, com elementos de uma cultura globalizada, a exemplo do uso de instrumentos eletrônicos e ritmos como jazz, rock, funk, reggae e ska. O caminho teórico-metodológico utilizado inspirou-se nos Estudos Culturais e em alguns elementos da Semiótica. A pesquisa mostrou que esses grupos estão construindo uma nova imagem da região Nordeste, que acompanha as articulações contemporâneas entre o Nordeste, o Brasil e a Nova Ordem Econômica Mundial, bem como os fluxos turísticos intensificados. Foi feita uma caracterização da cena musical contemporânea da cidade e dos diálogos que os grupos atuais estabelecem com ícones tradicionais da música regional. Foram, também, apontadas novas formas de produção e circulação musical da cidade e a atuação de agentes culturais significativos, a exemplo de representantes do Estado e do SEBRAE. Observou-se a consolidação de um gênero musical neo-regional, que constrói uma imagem do Nordeste que se apresenta como um local hibridizado, misto de tradição e modernidade, que é também local de ambiguidades envolvendo miséria, violência ao lado de riqueza, cultura, natureza exuberante.
4
Ribeiro, Jaqueline Alessandra Domanski. "CARIJO: A CRIA DOS FESTIVAIS." Universidade Federal de Santa Maria, 2013. http://repositorio.ufsm.br/handle/1/11021.
Full textAbstract:
The objective of this research is a dissertation of the history of the idealization and a wide look into the festival's history of Carijo Da Canção Gaúcha that takes place in Palmeira das Missões, in northern of Rio Grande do Sul. This dissertation will be used along with theoretical foundation and empirical research, through interviews with people who are or have been part of the festival as well as the use of documents available that can serve as a historical source for this dissertation. The theoretical foundation is based on literature related to culture, gaucho culture, as well as anthropology and research methods. Although this the oretical view is necessary, the dissertation will work in empirical research, where "voices" tell the story, facts and important moments of the festival which is the state s patrimonial because the preservation of the gaucho music. Empirical research based on interviews and searching for information in documents such as protocol, newspapers, private collections and in the actual booklet of the festival. Was the affective reactions that made me choose the object to be analyzed, and therefore, may occur some moments of brilliance and interviews. We will cover a course of Festival: Silver Jubilee, counting from the first to the twenty-fifth edition. The study is grounded in established names when referring to Gaucha Culture as Ruben Oliven, Luiz Carlos Barbosa Lessa, João Paixão Côrtes, Sandra Pesavento, and other scholars who eventually opted to analyze other subjects of this culture and also concepts related to general culture, as Roque Laraia.O objetivo desta pesquisa é a divulgação da história de idealização e um ciclo de história do festival Carijo da Canção Gaúcha da cidade de Palmeira das Missões, no norte do Rio Grande do Sul. Será utilizado embasamento teórico juntamente com pesquisa empírica, através de entrevistas com as pessoas que fazem ou fizeram parte da realização do festival assim como utilização de documentos existentes que possam servir de fonte histórica para esta dissertação. O embasamento teórico se fundamenta em literaturas referentes a cultura, cultura gaúcha, assim como antropologia e métodos de pesquisa. Embora seja necessário este viés teórico, o trabalho se debruçará em pesquisa empírica, onde as vozes contarão a história, fatos e relembrarão momentos importantes do festival que pela sua importância na preservação da música gaúcha é patrimônio do Estado. Pesquisa empírica baseada em entrevistas e busca de informações em documentos como atas, jornais, acervos particulares e no próprio livreto do festival. Foi a aproximação afetiva que me levou a escolha do objeto a ser analisado, e, portanto, poderá ocorrer certo brilhantismo dos momentos e entrevistas. Abordaremos um ciclo de Festival: Jubileu de Prata, contando da primeira edição até a vigésima quinta. O estudo será embasado em nomes consagrados quando nos referimos à Cultura Gaúcha como Ruben Oliven, Luiz Carlos Barbosa Lessa, João Paixão Côrtes, Sandra Pesavento, entre outros estudiosos que acabaram optando por analisar outros temas dessa cultura e também conceitos relacionados a cultura em geral, como Roque Laraia.
5
Andrade, Arlete Fonseca de. "As estrambóticas aventuras de Cornélio Pires e a cultura caipira no cenário hegemônico da cultura brasileira." Pontifícia Universidade Católica de São Paulo, 2012. http://tede2.pucsp.br/handle/handle/2343.
Full textAbstract:
Made available in DSpace on 2016-04-25T20:20:46Z (GMT). No. of bitstreams: 1
Arlete Fonseca de Andrade.pdf: 3808359 bytes, checksum: fc9f03750c109e884cd87527a55b7d29 (MD5)
Previous issue date: 2012-08-17Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
This research refers to the artistic and cultural production of Cornelius Pires (1884-1958) and the historical context of the country from the effects of colonization in the socio-economic and cultural, the presence of different ethnic groups and their inter-relations that have contributed to the formation of the regional culture paulista, the rustic. This background is relevant in the light of the stigmas attached to the rustics in view of "poverty" of São Paulo and its inhabitants by the end of the nineteenth century compared to other national locations and the downside of these distorted views with the resumption of popular culture on the part of intellectuals and artists by means of movements such as regionalism and the Modernism in search of a possible national identity. The justifications of these questions relate to historical tension that exists between popular culture and erudite culture and in the mediation of these two notions the contribution of laughter, humor as a way to smoothen the communication and insertion of the popular space in hegemonic society. Thus did Cornelius Pires, with his style facing the rural theme plus the humor in its production and penetrated hegemonic spaces allowing communication between the antagonisms present in our society such as: rural and urban, tradition and modernity, popular and erudite
A presente pesquisa refere-se à produção artística e cultural de Cornélio Pires (1884-1958) e ao contexto histórico do país a partir dos efeitos da colonização no campo socioeconômico e cultural, da presença de diferentes etnias e suas inter-relações que contribuíram para a formação da cultura regional paulista, a caipira. Essa contextualização é relevante em função dos estigmas atribuídos ao caipira em vista da pobreza de São Paulo e seus habitantes até fins do século XIX, comparado a outras localidades nacionais e o reverso dessas concepções distorcidas com a retomada da cultura popular por parte de intelectuais e artistas por meio de movimentos como o Regionalismo e o Modernismo, na busca de uma possível identidade nacional. As justificativas dessas questões referem-se à tensão histórica que existe entre cultura popular e cultura erudita e na mediação dessas duas concepções, a contribuição do riso, do humor como forma de suavizar a comunicação e inserção do popular no espaço hegemônico da sociedade. Assim fez Cornélio Pires, com seu estilo voltado para a temática rural acrescido do humor em sua produção, adentrando espaços hegemônicos e possibilitando a comunicação entre os antagonismos presentes em nossa sociedade como: rural e urbano, tradição e modernidade, popular e erudito
6
Zevallos, Gonzales Del Valle Adriana. "Museo marino en el Callao con énfasis en regionalismo crítico." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/652385.
Full textAbstract:
Esta tesis propone un Museo Marino en el Callao, basado en el potencial de difusión de la cultura biológica y marina del Perú.
La justificación para implementar un museo marino tiene como elemento principal la capacidad de esta tipología para transmitir cultura, y a través de esta, reintegrar a una comunidad con su pasado histórico. Creando un vínculo de los usuarios de la comunidad con la ciudad en la que se desarrollan, generando un impacto social positivo dentro del rango de acción del museo.
Sin embargo, no se limita a actuar en el ámbito cultural-social de los usuarios que recibe, ya que, gracias a la escala en la que funciona y los usos que reúne esta tipología, es capaz de generar un polo turístico con impacto económico para la región en la que sea ubicado.
El lugar elegido para el emplazamiento del Museo Marino es el Callao. Esta ubicación se ha elegido debido a 4 factores: su geografía a 0 msnm, la identidad de los ciudadanos chalacos que los relaciona con las actividades marinas, el potencial turístico del Callao, y la concentración de actividades relacionadas al oficio del mar en el mencionado puerto. Otro punto importante es la presencia del centro histórico, el cual complementa el carácter cultural del museo, proponiendo a futuro una regeneración turística y cultural en este sector del Callao.This thesis proposes a Marine Museum in Callao, based on the potential for spreading the biological and marine culture of Peru. The justification for a marine museum has as its main element the ability of this typology to transmit culture. And through this ability reintegrate a community with its historical past. Creating a link between the users of the community and the city in which it is located, generating a positive social impact within the museum's range of action. However, it is not limited to an act in the cultural-social sphere of the users who receive it. Because, thanks to the scale in which it works and the uses that this typology gathers, it is capable of generating a tourist pole with a positive economic impact for the region in which it is located. The place chosen for the location of the Marine Museum is Callao. Due to 4 factors: its geography at 0 masl, the identity of the Chalaco citizens that relates to marine activities, the tourist potential of Callao and the concentration of activities related to the trade of the sea in Callao. Another important point is the presence of the historic center, which complements the cultural character of the museum, which proposes a future of tourist and cultural regeneration in this sector of Callao.
Trabajo de investigación
7
Marsh, Robert Gerald. "John Hewitt and theories of Irish culture : cultural nationalism, cultural regionalism, and identity in the North of Ireland." Thesis, Queen's University Belfast, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.337020.
Full text
8
Albuquerque, Tulio Augusto Paz e. "Visões de Nordeste e de Desenvolvimento no Cinema Novo e Cinema da Retomada." Universidade Estadual da Paraíba, 2011. http://tede.bc.uepb.edu.br/tede/jspui/handle/tede/1671.
Full textAbstract:
Made available in DSpace on 2015-09-25T12:18:21Z (GMT). No. of bitstreams: 1
Tulio Augusto Paz e Albuquerque.pdf: 1589075 bytes, checksum: ae9ded191644fee212c62e7995024ed3 (MD5)
Previous issue date: 2011-09-28Conselho Nacional de Desenvolvimento Científico e Tecnológico
This dissertation aims at presenting views of Brazilian Northeast and development thrown an analysis of movies about Northeast and the dialogue with historical context in which they are inserted. The analyzed movies were: Barren Lifes (1963), God and the Devil in the Land of the Sun (1964), A Dog‟s will (2000) and Too Much Brazil (2000). Initially, we considered Northeast as an unit. Nevertheless, the Northeast has an unique plurality, as seen in works of Freyre (1946) and Canclini (2008). The movies analyzed from a film analysis methodology expressed by Morettin (2007) portrait: this multiplicity; the theoretical discussions in their Brazilian historical context from the beginning of twentieth century; the effervescent discussions about nationalism; and regionalism that Oliven (2000), Freyre (1976) and Albuquerque Jr. (2006 and 2007) present and that will influent the written compositions in which the movies were inspired by. The movies analysis was made from the following categories: people-government relation, cangaço, coronelismo, landscape and religiosity. After the analysis we found multiple views of Brazilian Northeast which survive and reinvent themselves in time.
Esta dissertação tem como objetivo apresentar, através de análise fílmica de alguns filmes sobre o Nordeste e do diálogo com o contexto histórico em que esses se inserem, as visões de Nordeste e de desenvolvimento. Os filmes analisados foram: Vidas Secas (1963), Deus e o Diabo na Terra do Sol (1964), O Auto da Compadecida (2000) e 2000 Nordestes (2000). Inicialmente, consideramos o Nordeste enquanto unidade, porèm o Nordeste è de um pluralismo önico, visto nas obras de Freyre (1946), Canclini (2008). Os filmes analisados, a partir da metodologia de análise fílmica expressa por Morettin (2007), retratam essa multiplicidade, as discussões teóricas no seu contexto histórico brasileiro do início do século XX, as discussões efervescentes sobre o nacionalismo e o regionalismo que Oliven (2000), Freyre (1976) e Albuquerque Jr. (2006 e 2007) nos apresentam, as quais vão influenciar as composições escritas em que os filmes foram inspirados. A análise dos filmes se deu a partir das seguintes categorias: relações povo-estado, o cangaço, o coronelismo, a paisagem e a religiosidade. Após a análise constatamos, múltiplas visões de Nordeste, visões que sobrevivem ao tempo, e que se reinventam com o passar deste.
9
Godoy, Ana Paula Pacheco. "O Manguebeat entre o global e o local: a disputa na cena cultural pernambucana nos anos 1990." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/100/100135/tde-29062015-111036/.
Full textAbstract:
A preocupação com uma noção de cultura, que contribuísse para a definição de uma identidade cultural brasileira, norteou diversos estudos desde os anos 1920 no Brasil. A região nordestina, por contar com expressivas manifestações populares, é considerada, por diversos estudiosos como sendo o local de surgimento dessa cultura. Foi a partir dessa premissa que autores como Gilberto Freyre e Ariano Suassuna, desenvolveram todo um ideário que buscasse preservar o que eles consideravam ser a essência dessa cultura. Dessa forma, boa parte da produção cultural da região passou a ser influenciada por essa noção que visava, na busca de elementos da cultura popular, a produção de uma cultura erudita. No final da década de 1980 e início dos anos 1990, a cidade de Recife ainda se encontrava com um quadro econômico e social instável, o que aliado a insatisfação com essa visão tradicionalista de cultura, acabaram por contribuir para o surgimento do movimento Manguebeat. Nesta sentido, este estudo se propõem a analisar a relação que se estabeleceu na cena cultural pernambucana na década de 1990 entre o movimento Manguebeat e o movimento Armorial, tomando como princípio que uma relação de oposição entre estabelecidos e outsiders pode ser encontrada ali naquele momento. A partir dos conceitos desenvolvidos por Norbert Elias em seu livro Os estabelecidos e os Outsiders e os conceitos de campo desenvolvidos por Bourdieu em diversas de suas obras, trataremos de averiguar de que forma o hibridismo do Manguebeat o posiciona naquela cena e como essa característica fornece elementos que o permitiu subverter a ordem estabelecida pelo movimento Armorial.The concern with a notion of culture that contribute to the definition of a Brazilian cultural identity has guided many studies since the 1920s in Brazil. The northeastern region, for having expressive popular manifestations, is considered by many researchers the place of emergence of this culture. From this premise that authors like Gilberto Freyre and Ariano Suassuna have developed an entire ideology that sought to preserve what they considered to be the essence of this culture. Therefore, much of the cultural production of the region was influenced by this notion that aimed to, in the search for elements of popular culture, the production of a high culture. In the late 1980s and early 1990s, Recife was still with an unstable social and economic framework, which allied to the dissatisfaction with this traditionalist view of culture, turned out to contributing to the emergence of the movement called Manguebeat. In that sense, this work propose to examine the relationship established in the cultural scene of Pernambuco in the 1990s between the movement Armorial and the movement Manguebeat , taking as principle that an opposition between established and outsiders settled there at that time. From the concepts developed by Norbert Elias in his book The Established and the Outsiders and the \"field\" concepts developed by Bourdieu in several of his works, we will cover how the hybridity of Manguebeat place it in that scene and how this feature provides elements that allows subverting the established order by Armorial movement.
10
Olivera, Cieza Itamarati. "Principios de la Arquitectura Regionalista aplicados en un Mercado Artesanal para la integración e interpretación arquitectónica en Lambayeque." Bachelor's thesis, Universidad Peruana de Ciencias Aplicadas (UPC), 2020. http://hdl.handle.net/10757/653125.
Full textAbstract:
Lambayeque es un departamento norteño que se caracteriza por su cultura ancestral. En él se desarrolló la civilización Sicán, por ende, heredó una tradición artesanal que sigue desarrollándose actualmente. Sin embargo, no existe un equipamiento adecuado para exponer y comercializar artesanía. Así mismo, la deficiente distribución y localización de centros de venta artesanal ha provocado la desvalorización de esta actividad.
Por otro lado, los artesanos lambayecanos se encuentran afectados por las lluvias del Niño Costero que ha ocasionado la perdida de sus talleres, herramientas de trabajo y acceso a materia prima. Según el Ministerio de Comercio Exterior y Turismo del Perú (MINCETUR), registraron 266 artesanos damnificados en la región. Por lo tanto, el estado está desarrollando un plan de contención e inversión para la recuperación de sus centros de trabajo. Asimismo, en Lambayeque existe 3993 artesanos escritos en el Registro Nacional del Artesano esto quiere decir que la actividad es rentable y es el sustento de muchas familias.
Por consiguiente, esta investigación se basa en el estudio de los mercados de producción artesanal con el fin de determinar el adecuado funcionamiento y diseño, ya que en su mayoría son espacios que han sido adaptados para esta actividad. Conjuntamente aplicando los principios de la Arquitectura Regionalista para la integración e interpretación arquitectónica de Lambayeque se logrará el desarrollo de un mercado cultural.Lambayeque is a northern department that is characterized by its ancestral culture. The Sicán civilization developed there, and therefore, inherited a tradition of craftsmanship that continues to develop today. However, there is not an adequate equipment to exhibit and commercialize handicrafts. Also, the deficient distribution and location of centers of artisan sale has caused the devaluation of this activity. On the other hand, the artisans of Lambayeque are affected by the rains of the Niño Costero which has caused the loss of their workshops, work tools and access to raw materials. According to the Ministry of Foreign Trade and Tourism of Perú (MINCETUR), 266 artisans were affected in the region .Therefore, the state is developing a containment and investment plan for the recovery of their workplaces. Likewise, in Lambayeque there are 3 993 artisans written in the National Registry of the Artisan this means that the activity is profitable and it is the sustenance of many families. Therefore, this research is based on the study of the markets of artisan production in order to determine the adequate functioning and design, since most of them are spaces that have been adapted for this activity. Jointly applying the principles of Regionalist Architecture for the integration and architectural interpretation of Lambayeque, the development of a cultural market will be achieved.
Trabajo de investigación
Books on the topic "Regionalismo culturale"
1
Kunsch, Waldemar Luiz, José Marques de Melo, and Cicilia Krohling Peruzzo. Mídia, regionalismo e cultura. São Bernardo do Campo: Universidade Metodista de São Paulo, 2003.
Find full text
2
Kelly, Ursula Anne Margaret. Marketing place: Cultural politics, regionalism, and reading. Halifax, N.S: Fernwood Pub., 1993.
Find full text
3
Greiner, Alyson L. Anglo-Celtic Australia: Colonial immigration and cultural regionalism. Santa Fe, NM: Center for American Places, 2003.
Find full text
4
1938-, Jordan-Bychkov Terry G., ed. Anglo-Celtic Australia: Colonial immigration and cultural regionalism. Santa Fe, N.M: Center for American Places, 2002.
Find full text
5
Joan, Fuster Sobrepere, ed. El regionalismo bien entendido: Ambigúedades y límites del regionalismo en la España franquista. Granada: Editorial Comares, 2021.
Find full text
6
Schwengel, Hermann, Olaf Schwencke, and Norbert Sievers. Kulturelle Modernisierung in Europa: Regionale Identitäten und soziokulturelle Konzepte. Hagen: Kulturpolitische Gesellschaft, 1993.
Find full text
7
Colloque interdisciplinaire "Régions, nations, mondialisation : aspects politiques, économiques, culturels" (1995 Luxembourg). Régions, nations, mondialisation: Aspects politiques, économiques, culturels. Luxembourg: Centre universitaire de Luxembourg, 1996.
Find full text
8
Culture locali: Senso soggettivo e senso macrosistemico. Milano, Italy: F. Angeli, 1989.
Find full text
9
Andrade, Maristela Oliveira de. Cultura e tradição nordestina: Ensaios de história cultural e intelectual. 2nd ed. João Pessoa, PB: Manufatura, 2000.
Find full text
10
Nanzer, Angel Omar. Cultura y desarrollo nacional: Investigación, diagnóstico, regionalismo, planificación y acción práctica. Buenos Aires: Editorial Humanitas, 1990.
Find full textBook chapters on the topic "Regionalismo culturale"
1
Foote, Stephanie. "The Cultural Work of American Regionalism." In A Companion to the Regional Literatures of America, 25–41. Oxford, UK: Blackwell Publishing Ltd, 2007. http://dx.doi.org/10.1002/9780470999080.ch3.
Full text
2
Narvselius, Eleonora. "Cultural Diversity in the Area Between the Black and Baltic Seas: A Tentative Approach." In Baltic-Black Sea Regionalisms, 55–74. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-24878-9_5.
Full text
3
Boyer, Christopher R. "Geographic Regionalism and Natural Diversity." In A Companion to Mexican History and Culture, 119–30. Oxford, UK: Wiley-Blackwell, 2011. http://dx.doi.org/10.1002/9781444340600.ch5.
Full text
4
Dale, Allan. "Towards Endemic Regionalism in Northern Australia." In Beyond the North-South Culture Wars, 101–11. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05597-8_9.
Full text
5
Sehgal, Rakhi. "South Asian Regionalism: A People's Movement Perspective." In Thirty Years of SAARC: Society, Culture and Development, 170–75. B1/I-1 Mohan Cooperative Industrial Area, Mathura Road New Delhi 110 044: SAGE Publications Pvt. Ltd, 2016. http://dx.doi.org/10.4135/9789353885960.n16.
Full text
6
Upton, Stevie. "Overcoming Cultural Resistance to City-Regionalism: What Role for Universities?" In Entrepreneurial Learning City Regions, 249–66. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61130-3_15.
Full text
7
Kostopoulou, Stella, Evina Sofianou, and Dimitrios Kyriakou. "Silk Road Regionalism and Polycentric Tourism Development." In Culture and Tourism in a Smart, Globalized, and Sustainable World, 737–62. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-72469-6_49.
Full text
8
Chami, Georgina, and Jerome Teelucksingh. "Carnival Celebrations in Trinidad and Tobago and Abroad: Cultural Diplomacy in Action/Practice." In Ideology, Regionalism, and Society in Caribbean History, 265–93. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-61418-2_10.
Full text
9
Mosley, Philip. "‘Walloon Literature’: Some Questions of Regionalism in a Bi-lingual Culture." In The Literature of Region and Nation, 233–41. London: Palgrave Macmillan UK, 1989. http://dx.doi.org/10.1007/978-1-349-19721-7_18.
Full text
10
Berger, Lutz. "From Universalism to Regionalism: The Question of the Break-Up of the Abbasid Empire Revisited." In Universal- und kulturhistorische Studien. Studies in Universal and Cultural History, 281–91. Wiesbaden: Springer Fachmedien Wiesbaden, 2022. http://dx.doi.org/10.1007/978-3-658-36876-0_12.
Full textConference papers on the topic "Regionalismo culturale"
1
Martínez de Guereñu, Laura. "Letter from the Basses-Pyrénnées: An Unintended Trigger for a Site Exchange." In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.915.
Full textAbstract:
Abstract: The contents of an unpublished letter (FLC I1-17-5), sent to Le Corbusier from the Basses-Pyrénées during the development of the Villa Ocampo project (1928), is the key to understanding the Swiss-French master’s particular response to the site at the end of the 1920s. Countess Adela Cuevas de Vera, who negotiated the project from Anglet, revealed the Côte Basque as an attractive new market and claimed Le Corbusier's presence there. Furthermore, she reminded him of the prevailing regionalism and the strong cultural identity of the place, as well as the fact that Robert Mallet-Stevens, a great competitor of his, had already embarked there. Whatever the content of this letter awakened in Le Corbusier, led him to submit a very similar version of the third Villa Meyer project (1925) (designed for Paris) to be built in Buenos Aires. This paper re-evaluates the reasons behind a site exchange between two Southern cities on different sides of the Atlantic, studying the role of the negotiation site in the design process; and reassesses Le Corbusier’s critical attitude towards regionalism, mapping out his relationship with a French region in which he never intervened. Through primary source research, this paper also recognizes that in architecture, rivalry, pride and ambition can quite often be authentic triggers for action. Resumen: El contenido de una carta inédita (FLC I1-17-5), enviada a Le Corbusier desde los Bajos Pirineos durante el desarrollo del proyecto de la Villa Ocampo (1928), es la clave para entender la muy particular respuesta al lugar del maestro suizo-francés a finales de los años 20. La Condesa Adela Cuevas de Vera, que negoció el proyecto desde Anglet, presentó a Le Corbusier la Côte Basque como un atractivo mercado, al tiempo que reclamó allí su presencia. Le habló del regionalismo imperante y de la fuerte identidad cultural del lugar, recordándole que Robert Mallet-Stevens, un gran competidor suyo, había desembarcado ya allí. La reacción a esta carta llevó a Le Corbusier a entregar un proyecto muy similar a la tercera versión del proyecto de la Villa Meyer (1925) (proyectado para París) para ser construido en Buenos Aires. Este artículo reevalúa las razones que pueden existir tras el intercambio de lugar entre dos ciudades del Sur situadas a los dos lados del Atlántico, estudiando para ello el papel que el lugar de negociación juega en el desarrollo de un proyecto; y reexamina la actitud crítica de Le Corbusier hacia el regionalismo, mapeando su relación con una región francesa en la que nunca intervino. A través de la investigación de fuentes primarias, este artículo muestra también cómo la rivalidad, el orgullo y la ambición pueden asimismo ser auténticos desencadenantes para la acción durante el desarrollo de un proyecto. Keywords: Site; negotiation; pragmatism; universalism; regionalism; dwelling. Palabras clave: Lugar; negociación; pragmatismo; universalidad; regionalismo; habitar. DOI: http://dx.doi.org/10.4995/LC2015.2015.915
2
Picca, Laura. "Diseño mediterrâneo. Análisis preliminar de epígrafes." In Systems & Design 2017. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/sd2017.2017.7262.
Full textAbstract:
Este artículo trata sobre el Diseño Mediterráneo como elemento de identidad cultural y tiene como objetivo fundamental identificar a través de la revisión literaria aquellos epígrafes que definen a la “identidad mediterránea” en el área del diseño industrial.Grandes diseñadores y profesionales emergentes se cuestionan y preguntan sobre la continuidad de la profesión en estos tiempos de crisis, por lo que se hace necesario comprender que el diseño no es ajeno a los cambios sociales, económicos y políticos, que la cultura del proyecto ha de ampliarse para generar alternativas más sensibles con la realidad.Frente a lo ampliamente hablado del “estilo mediterráneo” desde diferentes disciplinas como la arquitectura, la moda, incluso la cocina con la denominada “dieta mediterránea”, es que este análisis preliminar tiene como objetivo centrarse en la naturaleza que define la “mediterraneidad”Todo ello atendiendo a las variables socio-culturales, económicas y políticas en proyectos y acciones como el Corredor Mediterráneo, el cual define el marco geográfico de actuación (el Arco Mediterráneo Latino).Se detecta en primer término; la existencia de empresas que actualmente y a modo intuitivo utilizan la “identidad mediterránea” en el diseño y desarrollo de sus productos; y en segundo lugar un importante incremento de los valores de autenticidad, respeto por el medio y los productos naturales, junto al valor cultural asociado al producto. Conviviendo los binomios artesanía-producción industrial y los regionalismos en un mercado globalizado.
3
Lyubichankovsky, Alexey Valentinovich. "Role Of Mentality Geography For Studies On Cultural Regionalism." In SCTCGM 2018 - Social and Cultural Transformations in the Context of Modern Globalism. Cognitive-Crcs, 2019. http://dx.doi.org/10.15405/epsbs.2019.03.02.152.
Full text
4
Wei, Li-ying, Li-na Zhan, and Hao-yu Zhang. "Theoretical Exploration on Tourism Souvenir Development Based on Culture Regionalism." In 2010 International Conference on E-Product E-Service and E-Entertainment (ICEEE 2010). IEEE, 2010. http://dx.doi.org/10.1109/iceee.2010.5660729.
Full text
5
Cabrera Jiménez, Sebastián. "Diseño de un sitio web que genere un nexo integral -económico, social, educativo y de reconocimiento- entre los tatuadores y sus clientes de la ciudad de Pasto." In Encuentro de investigación formativa en Diseño – Semilleros y Grupos de investigación RAD 2019. Pasto, Colombia: Red Académica de Diseño - RAD, 2019. http://dx.doi.org/10.53972/rad.eifd.2019.2.14.
Full textAbstract:
El estudio nace de la necesidad de aportar desde el Diseño, al nexo que existe entre los centros de tatuaje y sus clientes. El propósito del Diseño de servicios en el mundo del tatuaje, es mejorar el servicio ofrecido por los artistas, al hacer que su imagen comercial sea la adecuada para sus clientes habituales o futuros. La intervención del Diseño Gráfico en esta industria, resulta adecuada al generar artefactos comunicacionales tangibles e intangibles que colaboran en la difución de un arte milenario en la región. En los últimos años, la cantidad de personas tatuadas ha aumentado, lo cual indica una consolidación de la cultura del tatuaje, a pesar de los problemas como la informalidad, el desconocimiento de las personas que ejercen el oficio y el regionalismo. Estos factores han hecho que el arte del tatuaje en la ciudad de Pasto, aún sea asumido con un tono tradicional en su difusión y sin presencia substancial a nivel nacional. A través del Diseño Gráfico puede promocionarse y crecer, con la consiguiente generación de beneficios a nivel social, económico y cultural. Así, la solución planteada para mejorar el nexo entre tatuadores y clientes, tiene como base una metodología proyectual basada en los estudios de Bruno Munari y Morris Asimow junto con el pensamiento de diseño como herramienta inherente al proceso de ideación, prototipado y testeo. El estudio concluyó que el servicio de diseño se expresa a través de la experiencia que obtiene el usuario al utilizar el sitio web, acompañado de la obtención de un tatuaje. El conjunto de opciones develadas por el uso a pronfundidad del sitio web, crea en el usuario valor y empatia, para permanecer y continuar usando Tattoo Finder.
6
Ribeiro, Suzana Barretto. "Almeida Junior e a fotografia: uma nova dimensão da obra do artista." In Encontro da História da Arte. Universidade Estadual de Campinas, 2006. http://dx.doi.org/10.20396/eha.2.2006.3909.
Full textAbstract:
Durante a fase regionalista da pintura de Almeida Junior, é nítida a influência e as mudanças proporcionadas pelo uso da fotografia. O crítico Ernesto de Sousa Campos, já na década de 50, analisa a obra Apertando o Lombilho (1895) e a caracteriza como “um exato instantâneo do que estamos habituados a ver ao longo das estradas”. Entre os pesquisadores da obra do artista, este é o primeiro a fazer referência à presença da característica do instantâneo. No entanto, apesar de reconhecer a peculiaridade da experiência formal, o autor não chega a estabelecer uma possível relação do uso da fotografia como modelo pictórico. Na análise das obras Amolação Interrompida (1888), Caipira picando fumo (1892) e Caipiras negaceando (1888), a incorporação do instantâneo pode ser ainda melhor observada. Nestas telas, a gestualidade do protagonista está centrada na nitidez do registro, no potencial significante do enquadramento e na exploração dos efeitos de luz. Essa nova atitude formal proporciona algumas hipóteses; a primeira é a de que o artista ao estabelecer diálogo com fotógrafos e literatos interessados em aspectos singulares da cultura do interior paulista estabelece trocas que irão interferir na representação pictórica. A outra, é a de que a obra do artista incorpora o uso e a exploração de características específicas da técnica fotográfica. Rever o processo de instauração das transformações pictóricas pelo viés da fotografia é o desafio que perpassa a comunicação.
Reports on the topic "Regionalismo culturale"
1
Buichik, A. G. DIVERSITY OF THE HISTORICAL AND CULTURAL HERITAGE OF THE RUSSIAN FEDERATION: CLASSIFICATION AND REGIONALISM. QUESTIONS OF MODERN SCIENCE Vol. 37, 2019, 2019. http://dx.doi.org/10.18411/buichik-ag-doi-9.
Full text