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Books on the topic 'Refugees – Mediterranean Region'

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Author: Grafiati

Published: 26 July 2024

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1

Greder, Armin. Mediterranean. Allen & Unwin, 2018.

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2

The Mediterranean. Allen & Unwin Children's Books, 2017.

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3

Westra, Laura. Forced Migrations and Refugees in the Mediterranean Basin and the MENA Region. Nova Science Publishers, Incorporated, 2021.

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Westra, Laura. Forced Migrations and Refugees in the Mediterranean Basin and the MENA Region. Nova Science Publishers, Incorporated, 2021.

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5

Boulby, Marion, and Kenneth Christie. Migration, Refugees and Human Security in the Mediterranean and MENA. Palgrave Macmillan, 2018.

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6

Boulby, Marion, and Kenneth Christie. Migration, Refugees and Human Security in the Mediterranean and MENA. Palgrave Macmillan, 2019.

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7

Cast away: True stories of survival from Europe's refugee crisis. The New Press, 2016.

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8

At Europe's Edge: Migration and Crisis in the Mediterranean. Oxford University Press, 2019.

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9

McDonald-Gibson, Charlotte. Cast Away: Stories of Survival from Europe's Refugee Crisis. Portobello Books, 2017.

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10

McDonald-Gibson, Charlotte. Cast Away: True Stories of Survival from Europe's Refugee Crisis. New Press, The, 2016.

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11

Mediterranean diasporas: Politics and ideas in the long 19th century. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2015.

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12

Mazzara, Federica. Reframing Migration: Lampedusa, Border Spectacle and the Aesthetics of Subversion. Lang AG International Academic Publishers, Peter, 2019.

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13

Mazzara, Federica. Reframing Migration: Lampedusa, Border Spectacle and the Aesthetics of Subversion. Lang AG International Academic Publishers, Peter, 2019.

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14

Mazzara, Federica. Reframing Migration: Lampedusa, Border Spectacle and the Aesthetics of Subversion. Lang AG International Academic Publishers, Peter, 2019.

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15

Robson, Laura. The Politics of Mass Violence in the Middle East. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198825036.001.0001.

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The Mashriq today is characterized by an astonishingly bloody civil war in Syria; an ever more highly racialized and militarized approach to the concept of a Jewish state in Israel and the Palestinian territories; an Iraqi state paralyzed by the emergence of class- and region-inflected sectarian identifications; a Lebanon teetering on the edge of collapse from the pressures of its huge numbers of refugees and its sect-bound political system; and the rise of a wide variety of Islamist paramilitary organizations seeking to operate outside all these states. The region’s emergence as a “zone of violence” characterized by a viciously dystopian politics of identity is a relatively recent phenomenon, developing only over the past century or so; but despite these shallow historical roots, the mass violence and dispossession now characterizing Syria, Lebanon, Israel/Palestine, and Iraq have emerged as some of the twenty-first century’s most intractable problems. This book uses a framework of mass violence—encompassing the concepts of genocide, ethnic cleansing, forced migration, appropriation of resources, mass deportation, and forcible denationalization—to explain the emergence of a dystopian politics of identity across the Eastern Mediterranean in the modern era and illuminate the contemporary breakdown of the state from Syria to Iraq to Israel.

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16

Launchbury, Claire, and Megan C. MacDonald, eds. Urban Bridges, Global Capital(s). Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789628111.001.0001.

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This book on Trans-Mediterranean Francospheres offers an examination of cultural production and the flows between urban capitals and “capital” in and of a selection of Mediterranean cities and sites. In three parts, the book covers both familiar and overlooked terrain, in chapters which examine writing the city, the transit between different poles, film and EU-designated cultural capitals. The book brings together texts and their critical readings in new comparative ways. Following Jacques Derrida's peregrinations in L'Autre Cap, the book interrogates the what of Europe; the when or where of Paris; the who of the Mediterranean. Or might the Mediterranean fall under the rubric of paleonomy, that is, as Michael Naas recalls Derrida's words in Positions: “the ‘strategic’ necessity that requires the occasional maintenance of an old name in order to launch a new concept.” Taking this forward, we understand the Mediterranean as an old name to launch a new concept and the chapters in the book each reflect on this in different ways. Issues concerning identity are challenged. As borders become reinforced in the region, trans-Mediterranean bridging narratives may be thwarted, especially by those who write across Europe, Africa and the Middle East, in the face of the contemporary refugee crisis. Finally, chapters explore what it means to define a Mediterranean city—such as Marseille as European Capital of Culture—and interrogate how this feeds into the cultural production of a city whose multi-ethnic identities are as outward-looking towards North Africa as they are inward towards the French capital.

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17

Firebrace, William. Marseille Mix. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/14432.001.0001.

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A journey through the history, cultures, and societies of Marseille. There are many Marseilles, or at least many versions of Marseille: seaside village, haven of gangsters, gateway to the East, city of immigrants and outcasts. It is by turns the dull bourgeois provincial town where nothing ever happens and the mysterious unknowable city of the Mediterranean. In Marseille Mix, William Firebrace explores the many Marseilles, the invented and the actual. Leading readers down narrow streets, through undulating terrain that seems at once, or serially, Italian, Greek, Levantine, and North African, Firebrace traces the history and culture of Marseille through landscapes, buildings, food, films, literature, and criminology. In seven chapters, in writing that is by turns essay, narrative, description, list, recipe, glossary, and conversation, Firebrace investigates the city's defining mix. He tells stories of famous Marseillais, including Marcel Pagnol and Antonin Artaud, and famous visitors, including the dying Arthur Rimbaud and Walter Benjamin (who wrote about one visit in “Hashish in Marseille”). He describes the brief period when Marseille was the point of departure for European refugees fleeing the Nazis and the city's mixture of desperation and decadence during the Vichy regime. He visits the basilica of Notre Dame de la Garde and gazes down from its terrace at the panoramic view: an agglomeration of neighborhoods and landscapes that became a city.

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