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Books on the topic 'Reed organ and tabla music'

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Author: Grafiati
Published: 25 July 2024

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1

Franck, César. L'organiste: Pièces pour orgue ou harmonium. Wien: Wiener Urtext Edition, 1997.

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2

Tournemire, Charles. Variæ preces: For organ, op. 21. Boca Raton, Fla: Masters Music Publications, 1995.

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3

Bhālodakara, Jayanta. Saṃvādinī (hāramoniyama). Naī Dillī: Kanishka Pabliśarsa, Ḍisṭrībyūṭarsa, 2006.

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4

Harmonium-Instrumente in Synagogen. Berlin: Wissenschaftlicher Verlag Berlin, 2018.

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5

The harmonium in North Indian music. New Delhi: New Age Books, 2010.

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6

Brockschmidt, Kraig. The harmonium handbook: Owning, playing, & maintaining the Indian reed organ. Nevada City, CA: Crystal Clarity Publishers, 2005.

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7

1928-, Dīkshita Rājeśa, ed. 5 dina kā hāramoniyama vādana korsa. Dillī: Ḍī. Pī. Bī. Pablikeśansa, 1997.

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8

Bābī, Lat̤īf Jān. Bājah. Kābul: Puṣhto Yawn, 2005.

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9

Vehlow, Gero Ch. Studien zur Geschichte der Musik für Harmonium. Kassel: G. Bosse, 1998.

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10

Brockschmidt, Kraig. The harmonium handbook: Owning, playing, and maintaining the Indian reed organ. Nevada City, Calif: Crystal Clarity Publishers, 2008.

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11

Bākre, Sadāśiva. Śr̥tivijñāna va rāgasaundarya. Puṇe: Rājahãsa Prakāśana, 2015.

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12

Karg-Elert, Sigfrid. The theoretical works =: Die theoretischen Werke. Paderborn: P. Ewers, 2004.

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13

Brockschmidt, Kraig. The harmonium handbook: Owning, playing, & maintaining the devotional instrument of India. Naraina Phase-I, New Delhi: New Age Books, 2004.

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14

Büchler, Jörg. Die Instrumentensammlung Schiedmayer: Ein Katalog der Celesten, Saitenklaviere und Harmonien, mit einer Einführung und Klangbeispielen auf einer CD. Wilhelmshaven: Florian Noetzel Verlag, Heinrichshofen-Bücher, 2017.

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15

Peeters, Flor. 60 Short Pieces for Pipe or Reed Organ. Alfred Publishing Company, 2000.

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16

Manufacturing the Muse: Estey Organs and Consumer Culture in Victorian America (Music/Culture). Wesleyan, 2002.

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17

Oliveros, Pauline. The wanderer. 2007.

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18

Rice, Albert R. The Baroque Clarinet and Chalumeau. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190916695.001.0001.

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Abstract:
The second edition of The Baroque Clarinet (1992) is a history of the clarinet and chalumeau from antiquity to 1760 in six chapters: “Origins of the Chalumeau,” “Music for the Chalumeau,” “The Earliest Clarinets,” “Playing Techniques for the Baroque Clarinet,” “Music for the Baroque Clarinet,” and “Baroque Clarinet in Society.” There are five appendices: four checklists of extant chalumeaux, extant clarinets, chalumeau music and sources from 1694 to 1780, clarinet music and sources from about 1715 to 1760; and a fifth of chalumeau and clarinet concerts, rehearsals, and clarinets for purchase in newspaper advertisements from 1718 to 1760. The second edition has significant additions of makers, players, music, and iconography, that last in a chapter called “The Baroque Clarinet in Society.” Topics discussed include single-reed instruments in Egyptian antiquity and from the 10th through the 17th centuries; the mock trumpet; chalumeaux during the 17th and 18th centuries; Jacob Denner’s chalumeaux and clarinets; an organ pipe that sounds like a chalumeau; chalumeau players; chalumeau descriptions from the mid-18th century; later documented chalumeau makers; chalumeau reproductions; how and why Johann Christoph Denner improved the chalumeau and invented the clarinet, based on previous studies of mechanical inventions; chalumeau and clarinet music and composers; and the Baroque clarinet’s use by traveling musicians, in court and aristocratic music, church and civic music, and military music.
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