Relevant bibliographies by topics / Recording Technology

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Recording Technology'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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Journal articles on the topic "Recording Technology"

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A. Smith, Jaclyn, and Ashley Woodcock. "Cough Recording Technology." Current Respiratory Medicine Reviews 7, no. 1 (February 1, 2011): 34–39. http://dx.doi.org/10.2174/157339811794109318.

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Tasker, Ronald R., Jonathan O. Dostrovsky, and W. D. Hutchison. "Microelectrode Recording Technology." Techniques in Neurosurgery 5, no. 1 (June 1999): 46–64. http://dx.doi.org/10.1097/00127927-199905010-00005.

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Desserre, J. R. "MAGNETIC RECORDING TECHNOLOGY." Le Journal de Physique Colloques 46, no. C6 (September 1985): C6–85—C6–92. http://dx.doi.org/10.1051/jphyscol:1985615.

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Naberhuis, Steve. "Probe-based recording technology." Journal of Magnetism and Magnetic Materials 249, no. 3 (September 2002): 447–51. http://dx.doi.org/10.1016/s0304-8853(02)00459-6.

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Sheridan, Geraldine. "Recording Technology in France." Cultural and Social History 5, no. 3 (September 2008): 329–54. http://dx.doi.org/10.2752/147800408x331425.

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Shah, Neal A., Jessica Jue, and Tim K. Mackey. "Surgical Data Recording Technology." Annals of Surgery 271, no. 3 (March 2020): 431–33. http://dx.doi.org/10.1097/sla.0000000000003510.

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Imamura, Nobutake. "Special issue. Advances in magnetic recording. 4. New technology on magnetic recording. 2. Magneto optical recording technology." Journal of the Institute of Television Engineers of Japan 39, no. 4 (1985): 365–73. http://dx.doi.org/10.3169/itej1978.39.365.

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Miyashita, Eiichi. "1. Trend of Recording Device and Future Recording Technology." Journal of the Institute of Image Information and Television Engineers 68, no. 1 (2014): 22–25. http://dx.doi.org/10.3169/itej.68.22.

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Oba, Yoshinobu. "Digital Recording Technologies. Introduction. Trends of Digital Recording Technology." Journal of the Institute of Television Engineers of Japan 47, no. 6 (1993): 797–801. http://dx.doi.org/10.3169/itej1978.47.797.

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Gaona-González, Andrés, Ana María Santillán-Doherty, Rita Virginia Arenas-Rosas, Jairo Muñoz-Delgado, Miguel Angel Aguillón-Pantaleón, José Domingo Ordoñez-Gómez, and Alejandra Márquez-Arias. "Recording vocalizations with Bluetooth technology." Behavior Research Methods 43, no. 2 (February 27, 2011): 340–52. http://dx.doi.org/10.3758/s13428-010-0052-x.

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Dissertations / Theses on the topic "Recording Technology"

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Xinnong, Zhang. "Recent Advance in Instrumentation Recording Technology in China." International Foundation for Telemetering, 1987. http://hdl.handle.net/10150/615270.

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International Telemetering Conference Proceedings / October 26-29, 1987 / Town and Country Hotel, San Diego, California
In this paper the YJ2-4 portable tape recorder, which was recently developed by Beijing Research Institute of Telemetry, is described, and some of its major design features are discussed. YJ2-4 is a high performance, wideband, and microcomputerbased recorder/reproducer system, and compatible with existing international standards in the field of instrumentation tape recording (ISO 6068-1985 and IRIG 106-86).
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Sun, Hyojung. "Digital disruption in the recording industry." Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/23631.

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With the rise of peer-to-peer software like Napster, many predicted that the digitalisation, sharing and dematerialisation of music would bring a radical transformation within the recording industry. This opened up a period of controversy and uncertainty in which competing visions were articulated of technology-induced change, markedly polarised between utopian and dystopian accounts with no clear view of ways forwards. A series of moves followed as various players sought to valorise music on the digital music networks, culminating in an emergence of successful streaming services. This thesis examines why there was a mismatch between initial predictions and what has actually happened in the market. It offers a detailed examination of the innovation processes through which digital technology was implemented and domesticated in the recording industry. This reveals a complex, contradictory and constantly evolving landscape in which the development of digital music distribution was far removed from the smooth development trajectories envisaged by those who saw these developments as following a simple trajectory shaped by technical or economic determinants. The research is based upon qualitative data analysis of fifty five interviews with a wide range of entrepreneurs and innovators, focusing on two successful innovation cases with different points of insertion within the digital recording industry; (1) Spotify: currently the world’s most popular digital music streaming service; and (2) INgrooves: an independent digital music distribution service provider whose system is also used by Universal Music Group. The thesis applies perspectives from the Social Shaping of Technology (“SST”) and its extension into Social Learning in Technological Innovation. It explores the widely dispersed processes of innovation through which the complex set of interactions amongst heterogeneous players who have conflicting interests and differing commitments involved in the digital music networks guided diverging choices in relation to particular market conditions and user requirements. The thesis makes three major contributions to understanding digital disruption in the recording industry. (1) In contrast to prevailing approaches which take P2P distribution as the single point of focus, the study investigates the multiplicity of actors and sites of innovation in the digital recording industry. It demonstrates that the dematerialisation of music did not lead to a simple, e.g. technologically-driven transformation of the industry. Instead a diverse array of realignments had to take place across the music sector to develop digital music valorisation networks. (2) By examining the detailed processes involved in the evolution of digital music services, it highlights the ways in which business models are shaped through a learning process of matching and finding constantly changing digital music users’ needs. Based on the observation that business models must be discovered in the course of making technologies work in the market, a new framework of ‘social shaping of business models’ is proposed in order to conceptualise business models as an emergent process in which firms refine their strategies in the light of emerging circumstances. (3) Drawing upon the concepts of musical networks (Leyshon 2001) and mediation (Hennion 1989), the thesis investigates the interaction of the diverse actors across the circuit of the recording business – production, distribution, valorisation, and consumption. The comprehensive analysis of the intricate interplay between innovation actors and their interactions in the economic, cultural, legal and institutional context highlights the need to develop a more sophisticated and nuanced understanding of the recording industry.
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Li, Guijun, and 李桂君. "Development of recording technology with FePt recording media and magnetic tunnel junction sensors with conetic alloy." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hub.hku.hk/bib/B50899776.

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With highly demanding requirement in current emerging cloud storage and personal computers, hard disk drive recording with high stability and high volume has attached much attention in industry and academy. Recording media and recording head feasible for future high-density recording are both crucial to utilize magnetic recording with 1T bit/in2 recording density. Recoding media with FePt for high density and high stability was investigated in this thesis using FePt polymers with imprinting methods and FePt thin films with ion-beam bombardment technologies. The FePt polymers can be patterned using imprint at micro-and nano-scales. The micro-and nano-patterns could be retained on substrates after sintering at high temperatures. The high magnetic coercivity was proved with line and dot patterns at different scales. Recording heads with Al2O3based magnetic tunneling junction sensors were also studied in thesis. The magnetic tunneling junction sensors were proved to work stable at different temperatures varying from -30oC to 100oC. The long time running test up to 100 hours also proved the stability of the magnetic tunneling junction sensors working in extreme temperatures. Withstate-of-art patterning and depositing technologies, new ideas about using FePt polymer to work as magnetic recording media and using ion beam bombardments to tune the FePt magnetic properties were verified. The feasibility of using Al2O3 based magnetic tunneling junction sensors as recording head was also discussed.
published_or_final_version
Electrical and Electronic Engineering
Doctoral
Doctor of Philosophy
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Cookson, Richard David. "Transverse susceptibility studies of recording media." Thesis, University of Central Lancashire, 2002. http://clok.uclan.ac.uk/7714/.

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A highly sensitive transverse susceptometer has been developed for the investigation of magnetic recording media. The susceptometer was based on the design of Pareti and Turilli[4] with modifications to the solenoid and sensing coils. The modifications have resulted in an improvement in the signal to baseline ratio of a factor of 525, and a reduction in random noise. The increase in the sensitivity of the susceptometer allowed the investigation of Advanced Metal Particle (AMP) tapes and the measurement of the imaginary component of the transverse susceptibility (TS) proposed by Papusoi[5]. Also, a modification was developed which allowed the investigation of the non-linear TS, proposed by Chantrell et al[7]. The work reported for the latter two techniques was the first experimental demonstration of these measurements on magnetic recording media. Samples of Co-y-Fe203, Cr02, mixed y-Fe203 / Cr02 and AMP tapes were investigated, as were y- Fe201, Cr0 2 and AMP powders. The investigations suggested that the incoherent reversal mode was dominant in the systems containing Cr02, with coherent reversal dominant in the remaining systems. The anisotropy peaks measured using the non-linear IS were found to be less dependent on sample texture than those of the traditional linear measurement. In particular the anisotropy peaks of the non-linear TS for incoherently reversing systems appeared to be independent of texture and it was proposed that these were a direct measure of the anisotropy field distribution, although independent verification was not performed. The determination of magnetic coating thickness after Sollis and Bissell[6] was extended to allow the measurement of AMP tapes. A computer model was developed to investigate the error in the technique due to the particulate nature of the coating. The results of the model indicated that the error increased as coating thickness and volume packing fraction decreased. Correction factors were determined for MP3 and MP4 particle based systems. The detection of the imaginary component of TS and its close agreement with the theoretical predictions of Papusoi suggested that the dassification of TS as a 'stiffness' method of anisotropy field determination might be in error.
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Miller, Eric R. "The Influence of Recording Technology on Music Performance and Production." Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1367581047.

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Thei, Federico <1976&gt. "A hybrid technology for parallel recording of single ion channels." Doctoral thesis, Alma Mater Studiorum - Università di Bologna, 2011. http://amsdottorato.unibo.it/3594/.

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Hybrid technologies, thanks to the convergence of integrated microelectronic devices and new class of microfluidic structures could open new perspectives to the way how nanoscale events are discovered, monitored and controlled. The key point of this thesis is to evaluate the impact of such an approach into applications of ion-channel High Throughput Screening (HTS)platforms. This approach offers promising opportunities for the development of new classes of sensitive, reliable and cheap sensors. There are numerous advantages of embedding microelectronic readout structures strictly coupled to sensing elements. On the one hand the signal-to-noise-ratio is increased as a result of scaling. On the other, the readout miniaturization allows organization of sensors into arrays, increasing the capability of the platform in terms of number of acquired data, as required in the HTS approach, to improve sensing accuracy and reliabiity. However, accurate interface design is required to establish efficient communication between ionic-based and electronic-based signals. The work made in this thesis will show a first example of a complete parallel readout system with single ion channel resolution, using a compact and scalable hybrid architecture suitable to be interfaced to large array of sensors, ensuring simultaneous signal recording and smart control of the signal-to-noise ratio and bandwidth trade off. More specifically, an array of microfluidic polymer structures, hosting artificial lipid bilayers blocks where single ion channel pores are embededed, is coupled with an array of ultra-low noise current amplifiers for signal amplification and data processing. As demonstrating working example, the platform was used to acquire ultra small currents derived by single non-covalent molecular binding between alpha-hemolysin pores and beta-cyclodextrin molecules in artificial lipid membranes.
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McGinn, Emily. "The Science of Sound: Recording Technology and the Literary Vanguard." Thesis, University of Oregon, 2014. http://hdl.handle.net/1794/18389.

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This project is a comparative study of Irish and Latin American modernisms and the literary responses to the advent of recorded sound. It focuses particularly on George Bernard Shaw's Pygmalion, Flann O'Brien's The Third Policeman, Leopoldo Lugones's short stories "La fuerza omega" and "Yzur," and Jaime Torres Bodet's novel Proserpina rescatada. It examines how each author grapples with the dislocation of the human voice from the body made possible through new recording technology. This selection of texts displays a range of engagements with this new technology, from a critique of rising positivism and machines in the early twentieth century, to experiments with aural metaphors in the wake of sounded film, and finally to the 1930s, when sound recording becomes an arm of government surveillance against its citizens. In each instance, the circulation of sound technology causes a shift in modes of representation that require new definitions of what it means to be human in an increasingly mechanized world.
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Sztein, Baremberg Gabriella Ana. "Musical time and recording technology: A perspective from music theory." Thesis, University of Ottawa (Canada), 1994. http://hdl.handle.net/10393/9595.

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This thesis deals with two categories of musical time, concrete and subjective, and the effect of recording technology on musical time. Concrete musical time can be measured in an objective way, for example, through reference to standards of time external to the listener, such as clocks. Subjective musical time refers to the musical time that cannot be measured objectively: it depends entirely on the listener who experiences the musical work. It is my conclusion that recording technology affects the concrete aspect of musical time, but not the subjective one. Chapter one defines the relationship between time and different forms of art, as well as the relationship between time and music. Chapter two defines concrete and subjective musical time. Chapter three discusses recording technology and the changes it imposes on the musical aesthetic ritual. By musical aesthetic ritual, I mean the agreed-upon physical actions which are related to the activities involving music and the experience of music. Chapter four explains the influence of recording technology on certain musical aesthetic ideas such as the reproduction of music, the completeness of the musical work, and the temporality of the musical work. Chapter five presents my conclusions with regards to the influence of recording technology on concrete and subjective musical time.
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Jensen, Peter, and Christopher Thacker. "A NEW GENERATION OF RECORDING TECHNOLOGY THE SOLID STATE RECORDER." International Foundation for Telemetering, 1998. http://hdl.handle.net/10150/607372.

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International Telemetering Conference Proceedings / October 26-29, 1998 / Town & Country Resort Hotel and Convention Center, San Diego, California
The Test & Evaluation community is starting to migrate toward solid state recording. This paper outlines some of the important areas that are new to solid state recording as well as examining some of the issues involved in moving to a direct recording methodology. Some of the parameters used to choose a solid state memory architecture are included. A matrix to compare various methods of data recording, such as solid state and magnetic tape recording, will be discussed. These various methods will be evaluated using the following parameters: Ruggedness (Shock, Vibration, Temperature), Capacity, and Reliability (Error Correction). A short discussion of data formats with an emphasis on efficiency and usability is included.
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Champion, Eric J. "Digital magnetic recording systems utilizing magnetoresistive (MR) playback technology : theoretical studies /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9732699.

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Books on the topic "Recording Technology"

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Mee, C. D. Magnetic recording. - 1: Technology. New York,N.Y: McGraw-Hill, 1987.

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Recording studio technology, maintenance, and repairs. New York: McGraw-Hill, 2003.

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Buckingham, David. Video cultures: Media technology and everyday creativity. New York: Palgrave Macmillan, 2009.

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Cohen, Alan A. Audio technology fundamentals. Indianapolis, Ind., U.S.A: H.W. Sams, 1989.

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Weimer, Douglas Reid. Digital audio recording technology and American copyright law. [Washington, D.C.]: Congressional Research Service, Library of Congress, 1992.

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1920-, Nakano Takashi, ed. Optical near-field recording: Science and technology. Berlin: Springer, 2005.

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M, Taratorin A., ed. Magnetic information storage technology. San Diego: Academic Press, 1999.

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Rebekah, Willett, ed. Video cultures: Media technology and everyday creativity. New York: Palgrave Macmillan, 2009.

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Buckingham, David. Video cultures: Media technology and everyday creativity. New York: Palgrave Macmillan, 2009.

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TV and video technology. Hove: Wayland, 1989.

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Book chapters on the topic "Recording Technology"

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Shibaya, Hiromichi, Tatsuo Nomura, and Hotaka Minakuchi. "Recording Technology." In High Definition Television, 173–208. Boston, MA: Springer US, 1993. http://dx.doi.org/10.1007/978-1-4684-6536-5_5.

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Huber, David Miles, and Robert E. Runstein. "Digital Audio Technology." In Modern Recording Techniques, 195–217. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-6.

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Huber, David Miles, and Robert E. Runstein. "MIDI and Electronic Music Technology." In Modern Recording Techniques, 281–335. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-9.

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Huber, David Miles, and Robert E. Runstein. "The Art and Technology of Mixing." In Modern Recording Techniques, 449–91. Edition 9. | New York; London : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315666952-17.

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Eargle, John M. "Principles of Sound Recording." In Music, Sound, and Technology, 233–59. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-011-7070-3_13.

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Eargle, John M. "Principles of Sound Recording." In Music, Sound, and Technology, 259–87. Boston, MA: Springer US, 1995. http://dx.doi.org/10.1007/978-1-4757-5936-5_13.

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Jiles, David. "Magnetic Materials — Magnetic Recording Technology." In Introduction to the Electronic Properties of Materials, 279–93. Boston, MA: Springer US, 1994. http://dx.doi.org/10.1007/978-1-4615-2582-0_14.

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Hoffmann, Klaus-Peter, and Florian Solzbacher. "Recording and Processing of Biosignals." In Springer Handbook of Medical Technology, 923–45. Berlin, Heidelberg: Springer Berlin Heidelberg, 2011. http://dx.doi.org/10.1007/978-3-540-74658-4_46.

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Barbarien, Joeri, Marc Jacobs, and Adrian Munteanu. "Compression Formats for HD Recording and Production." In Signals and Communication Technology, 137–56. Berlin, Heidelberg: Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-12802-8_5.

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Gossink, R. G., G. H. Werumeus Buning, and R. Wimberger-Friedl. "Polymers for Optical Recording Media." In Integration of Fundamental Polymer Science and Technology—3, 335–44. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-1115-4_42.

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Conference papers on the topic "Recording Technology"

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Clinton, Tom. "Hybrid Recording Technology." In Joint International Symposium on Optical Memory and Optical Data Storage. Washington, D.C.: OSA, 2011. http://dx.doi.org/10.1364/isom_ods.2011.otue3.

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Bell, Jr., Bernard W. "DataPlay's mobile recording technology." In Optical Data Storage, edited by Terril Hurst and Seiji Kobayashi. SPIE, 2002. http://dx.doi.org/10.1117/12.453385.

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Peled, A. "Photodeposition Recording And Display Technology." In 16th International Congress on High Speed Photography and Photonics, edited by Michel L. Andre and Manfred Hugenschmidt. SPIE, 1985. http://dx.doi.org/10.1117/12.968052.

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Frank, Paul, and Roger Wood. "A Perspective on the Future of Hard Disk Drive (HDD) Technology." In 2006 Asia-Pacific Magnetic Recording Conference. IEEE, 2006. http://dx.doi.org/10.1109/apmrc.2006.365887.

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Leong, S. H., B. Santoso, C. L. Ong, J. B. Lim, S. B. Hu, and Z. Yuan. "Media testing technology for magnetic defects detection and measurement." In 2009 Asia-Pacific Magnetic Recording Conference (APMRC). IEEE, 2009. http://dx.doi.org/10.1109/apmrc.2009.4925371.

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Baev, Sergej G., and Viktor P. Bessmel'tsev. "Characteristics of the thermosensitive recording materials in the process of laser thermal recording." In Electronic Imaging: Science & Technology, edited by Jan Bares. SPIE, 1996. http://dx.doi.org/10.1117/12.236966.

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Hong, F., W. E. Wong, S. Zhang, and J. N. Teoh. "Servo performance analysis and PES prediction for patterned media technology." In 2009 Asia-Pacific Magnetic Recording Conference (APMRC). IEEE, 2009. http://dx.doi.org/10.1109/apmrc.2009.4925403.

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Bearnth, R. E., and N. A. Moore. "Broad-Band Recording Through Ghost Elimination." In Offshore Technology Conference. Offshore Technology Conference, 1990. http://dx.doi.org/10.4043/6338-ms.

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Chooruang, Komkrit, and Mustafa M. Aziz. "Experimental studies of shingled recording using contact recording test system." In 2013 10th International Conference on Electrical Engineering/Electronics, Computer, Telecommunications and Information Technology (ECTI-CON 2013). IEEE, 2013. http://dx.doi.org/10.1109/ecticon.2013.6559498.

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Talke, F. E. "Tribology issues of contact and proximity recording technology." In Technical Digest Summaries of papers presented at the Conference on Lasers and Electro-Optics Conference Edition. 1998 Technical Digest Series, Vol.6. IEEE, 1998. http://dx.doi.org/10.1109/cleo.1998.675853.

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Reports on the topic "Recording Technology"

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Heffner, R. H., C. D. Adams, and E. L. Brosha. Giant magnetoresistance materials for magnetic recording technology. Office of Scientific and Technical Information (OSTI), December 1997. http://dx.doi.org/10.2172/555556.

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Hughes, K. R., and N. L. Moore. The United States Department of Energy Office of Industrial Technology`s Technology Benefits Recording System. Office of Scientific and Technical Information (OSTI), September 1994. http://dx.doi.org/10.2172/10190543.

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Overbay, Larry, and George Robitaille. Standardized UXO Technology Demonstration Site Open Field Scoring Recording Number 231 (Human Factors Applications, Inc.). Fort Belvoir, VA: Defense Technical Information Center, July 2005. http://dx.doi.org/10.21236/ada440249.

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Buehler, David, Richard Fischer, John Wilkerson, Stacy Worley, David Smith, Emily Hockman, and Stephanie Prevost. Demonstration of autonomous aerial acoustic recording systems to inventory Department of Defense bird populations. Engineer Research and Development Center (U.S.), March 2021. http://dx.doi.org/10.21079/11681/39921.

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This demonstration project addressed the Department of Defense need for innovative technology for monitoring avian populations in inaccessible areas. This report presents results from field validation tests for an autonomous aerial acoustic recording system, a helium-filled weather balloon that transported an instrument payload over inaccessible areas (e.g., ordnance impact areas) to record avian vocalizations.
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Atkinson, Dan, and Alex Hale, eds. From Source to Sea: ScARF Marine and Maritime Panel Report. Society of Antiquaries of Scotland, September 2012. http://dx.doi.org/10.9750/scarf.09.2012.126.

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The main recommendations of the panel report can be summarised under four headings: 1. From Source to Sea: River systems, from their source to the sea and beyond, should form the focus for research projects, allowing the integration of all archaeological work carried out along their course. Future research should take a holistic view of the marine and maritime historic environment, from inland lakes that feed freshwater river routes, to tidal estuaries and out to the open sea. This view of the landscape/seascape encompasses a very broad range of archaeology and enables connections to be made without the restrictions of geographical or political boundaries. Research strategies, programmes From Source to Sea: ScARF Marine and Maritime Panel Report iii and projects can adopt this approach at multiple levels; from national to site-specific, with the aim of remaining holistic and cross-cutting. 2. Submerged Landscapes: The rising research profile of submerged landscapes has recently been embodied into a European Cooperation in Science and Technology (COST) Action; Submerged Prehistoric Archaeology and Landscapes of the Continental Shelf (SPLASHCOS), with exciting proposals for future research. Future work needs to be integrated with wider initiatives such as this on an international scale. Recent projects have begun to demonstrate the research potential for submerged landscapes in and beyond Scotland, as well as the need to collaborate with industrial partners, in order that commercially-created datasets can be accessed and used. More data is required in order to fully model the changing coastline around Scotland and develop predictive models of site survival. Such work is crucial to understanding life in early prehistoric Scotland, and how the earliest communities responded to a changing environment. 3. Marine & Maritime Historic Landscapes: Scotland’s coastal and intertidal zones and maritime hinterland encompass in-shore islands, trans-continental shipping lanes, ports and harbours, and transport infrastructure to intertidal fish-traps, and define understanding and conceptualisation of the liminal zone between the land and the sea. Due to the pervasive nature of the Marine and Maritime historic landscape, a holistic approach should be taken that incorporates evidence from a variety of sources including commercial and research archaeology, local and national societies, off-shore and onshore commercial development; and including studies derived from, but not limited to history, ethnology, cultural studies, folklore and architecture and involving a wide range of recording techniques ranging from photography, laser imaging, and sonar survey through to more orthodox drawn survey and excavation. 4. Collaboration: As is implicit in all the above, multi-disciplinary, collaborative, and cross-sector approaches are essential in order to ensure the capacity to meet the research challenges of the marine and maritime historic environment. There is a need for collaboration across the heritage sector and beyond, into specific areas of industry, science and the arts. Methods of communication amongst the constituent research individuals, institutions and networks should be developed, and dissemination of research results promoted. The formation of research communities, especially virtual centres of excellence, should be encouraged in order to build capacity.
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