Relevant bibliographies by topics / Recording

Academic literature on the topic 'Recording'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Recording"

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Anderson, Isobel, and Tullis Rennie. "Thoughts in the Field: ‘Self-reflexive narrative’ in field recording." Organised Sound 21, no. 3 (November 11, 2016): 222–32. http://dx.doi.org/10.1017/s1355771816000194.

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This article considers the presence of ‘self-reflexive narrative’ in field recording. The authors interrogate a common presumption within sonic arts practice and sound studies discourse that field recordings represent authentic, impartial and neutral documents. Historically, field recording practice has not clearly represented narratives of how, when, why and by whom a field recording is made. In contrast, the social sciences have already experienced a narrative ‘turn’ since the 1970s, which highlighted the importance of recognising the presence and role of the researcher in the field, and also in representations of fieldwork. This provides an alternative framework for understanding field recording, in considering the importance of the recordist and their relationship with their recordings. Many sonic arts practitioners have already acknowledged that the subjective, personal qualities of field recording should be embraced, highlighted and even orated in their work. The authors’ own collaborative projectThoughts in the Fieldfurther explores these ideas, by vocalising ‘self-reflexive narratives’ in real time, within field recordings. The authors’ collaborative composition,Getting Lost(2015), demonstrates the compositional potentials this approach offers.
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Subki, Ahmad, Muh Nasirudin Karim, and Bahtiar Imran. "Analisis Rekaman Suara pada Aplikasi Magic Call dengan Metode Forensik Audio untuk Mendapatkan Bukti Digital." Jurnal SAINTEKOM 13, no. 2 (September 30, 2023): 111–22. http://dx.doi.org/10.33020/saintekom.v13i2.373.

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Audio forensics is a method used to analyze sound or audio recordings. Voice or audio recording is one of the digital evidence that is easy to manipulate. One way to manipulate sound is to use magic call. Magic call has several levels of character voices that can be used such as cartoon, children, male and female voices. The analysis of the original voice recording with the magic voice recording is done by comparing the magic call sound and the voice with the original voice recording. The purpose of this study was to determine the voice recording produced by magic call from the magic call applications. As for the method used in this research is audio forensics, research on magic call sound using audio has never been done before. The results of this study indicate that the analysis of magic call sound recordings can be done using formant analysis and spectrograms, while pitch analysis on magic call voice recordings cannot be used. The formant and spectrogram values on magical voice recordings can still be searched because the original voice recordings have characteristics that are still attached to the magic recording calls.
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Zheng, Lilei, Ying Zhang, Chien Eao Lee, and Vrizlynn L. L. Thing. "Time-of-recording estimation for audio recordings." Digital Investigation 22 (August 2017): S115—S126. http://dx.doi.org/10.1016/j.diin.2017.06.001.

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Rennie, Tullis. "Power Struggles: The Politics of Composing with Sounds of Protest." Leonardo Music Journal 25 (December 2015): 17–20. http://dx.doi.org/10.1162/lmj_a_00927.

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The author challenges perceptions of authorship within the practice of field recording, discussing sonic arts responses to political subject matter and examining the power dynamic among recordist/composer, subject and listener. He considers compositions drawing on recordings of protests as a medium to represent political content without recourse to language.
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E., Anupriya, and Kaushlendra Kumar. "Test–Retest Reliability of Cervical and Ocular Vestibular Evoked Myogenic Potential With Simultaneous and Sequential Recording." American Journal of Audiology 28, no. 2S (August 28, 2019): 414–21. http://dx.doi.org/10.1044/2019_aja-ind50-18-0087.

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Purpose Simultaneous recording of cervical (cVEMP) and ocular (oVEMP) vestibular evoked myogenic potentials aids in reducing the testing time when compared to conventional sequential recordings. The purpose of this study was to examine the test–retest reliability of sequential and simultaneous acquisitions of cVEMP and oVEMP. Method cVEMP and oVEMP were recorded in 35 normal-hearing individuals. The cVEMP and oVEMP were obtained using sequential and simultaneous methods. The VEMP recordings were performed across 3 sessions. The 1st 2 recording sessions were consecutive with a gap of 5 min between sessions. The 3rd recording session was after a gap of 3–5 days. Results Both simultaneous and sequential recordings showed fair-to-good test–retest reliability for latencies and amplitude of cVEMP and oVEMP. Conclusion Simultaneous cVEMP and oVEMP recordings can be used to obtain fast VEMP recording with test–retest reliability comparable with that of sequential recording.
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Munusamy, Muralitheran. "Gamelan Melayu Sound Preservation and Archiving through Recording Methods and Production Techniques." ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 6 (December 4, 2020): 17–40. http://dx.doi.org/10.30819/aemr.6-2.

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Sound or audio engineering is a branch of the field of engineering, which involves the process of recording sound and reproducing it by various means, as well as storing in order to be reproduced later. Known as sound or audio engineers, these trained professionals work in a variety of sound production fields and expert in recording methods. They can be instrumental to implement the affordable technologies and technical process to distribute the audio data hence, making it accessible for future generations. The current role of these engineers not only to perform or limited to recording session but they create metadata for archiving and preservation for future needs. Currently, product sleeves of ethnographic recordings represent no technical elements of how traditional music recordings are produced. The product details focus only to some extent on historical elements and musical notation. To an audio archivist, declaring what devices are in a recording is not linked with preservation data. Apart from the format, the sleeved design, technical specification is essential to other social scientists such as audio engineer and field recordist of the future. The aim of the present research is to capture optimum dynamic range of the sound and applying a signal processing that would not alter the tonality, timbre and harmonic of the sound. Further applying a suitable information storage for the metadata to be preserve or archived for future accessing and reproduction.
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Xavier, Gregory, Anselm Su Ting, and Norsiah Fauzan. "Quantifying Conventional Electroencephalogram Recordings and Examining its Output Computation with a Quantitative Electroencephalogram." Journal of Cognitive Sciences and Human Development 7, no. 2 (September 22, 2021): 108–20. http://dx.doi.org/10.33736/jcshd.3656.2021.

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Quantitative electroencephalogram enables mathematical analysis of neurological recordings while conventional electroencephalogram lacks the mathematical output; hence, its usage is limited to neurological experts. This study was to determine if quantified conventional electroencephalogram recordings were compatible and comparable with quantitative electroencephalogram recordings. A group of post-call doctors was recruited and subjected to an EEG recording using a conventional electroencephalogram followed by a quantitative electroencephalogram device. The patterns and quantified recording results were compared. A comparative analysis of the two recording sets did not find differences in the recording patterns and statistical analysis. The findings promoted the use of a readily available conventional electroencephalogram in quantitative brain wave studies and have cleared potential compatibility bias towards data merging.
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Holmes, Sarah. "Discography of American Historical Recordings." Charleston Advisor 22, no. 2 (October 1, 2020): 30–33. http://dx.doi.org/10.5260/chara.22.2.30.

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The Discography of American Historical Recordings (DAHR) is an open-access database that has information on over 314,000 matrixes or master recordings from the early period of recording with recordings that date back to the late nineteenth century. The recordings come from a variety of companies and are composed of a large variety of styles and genres. The database not only includes information on recordings that were published but also on all known takes. The information provided comes from a variety of sources, including primary sources, all of which are verified if possible. The website is uncomplicated and easy to understand. DAHR is a comprehensive tool for researching recording artists of the time, recording practices, and the recordings themselves.
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Findlay-Walsh, Iain. "Hearing How It Feels to Listen: Perception, embodiment and first-person field recording." Organised Sound 24, no. 1 (April 2019): 30–40. http://dx.doi.org/10.1017/s1355771819000049.

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This article explores recent theories of listening, perception and embodiment, including those by Mark Grimshaw and Tom Garner, Salomé Voegelin, and Eric Clarke, as well as consequences and possibilities arising from them in relation to field recording and soundscape art practice. These theories of listening propose auditory perception as an embodied process of engaging with and understanding lived environment. Such phenomenological listening is understood as a relational engagement with the world in motion, as movement and change, which grants access to the listener’s emerging presence, agency and place in the world. Such ideas on listening have developed concurrently with new approaches to making and presenting field recordings, with a focus on developing phonographic methods for capturing and presenting the recordist’s embodied auditory perspective. In the present study, ‘first-person’ field recording is defined as both method and culturally significant material whereby a single recordist carries, wears or remains present with a microphone, consciously and reflexively documenting their personal listening encounters. This article examines the practice of first-person field recording and considers its specific applications in a range of sound art and soundscape art examples, including work by Gabi Losoncy, Graham Lambkin, Christopher Delaurenti and Klaysstarr (the author). In the examination of these methods and works, first-person field recording is considered as a means of capturing the proximate auditory space of the recordist as a mediated ‘point of ear’, which may be embodied, inhabited, and listened through by a subsequent listener. The article concludes with a brief summary of the discussion before some closing thoughts on recording, listening and the field, on field recording as practice-research and on potential connections with other fields in which the production of virtual environments is a key focus.
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Tańczuk, Renata, and Sławomir Wieczorek. "Sensitive Recording as a Form of Life: The Case of Ryszard Siwiec’s Message." Prace Kulturoznawcze 26, no. 1 (July 22, 2022): 35–52. http://dx.doi.org/10.19195/0860-6668.26.1.3.

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By analyzing the biography of Ryszard Siwiec’s recording of his message, we explore the function and changing identity of sensitive sound recordings, and the ethics of handling them. In our view, sensitive recordings are linked to the experiences of trauma, exclusion, and injustice of those whose voices were recorded and the community they were part of. A recording may also be considered sensitive if it is used in a racist context or for other stigmatizing practices. Sensitive recordings are “difficult,” sometimes “troubling,” but also “moving”; they stir emotions. Although sensitive recordings are associated with physical and social death and exclusion, we view them and what is recorded on them as a form of life. Each recording has its own biography and agency, becomes an active actor in a complex social network, and is subject to the actions of other actors. Our analyses of the biography of Siwiec’s recording reveal its affective and emotional power, its role as a carrier of family and national memory, its changing identity, and its agency in shaping the identities of its listeners. We would like to argue that sensitive recordings require attentive and sensitive listening. This kind of listening becomes an ethical postulate that results from a concern for those whose voices are made public, the author of the recording, and the recording itself.
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Dissertations / Theses on the topic "Recording"

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Olson, Ted. "Recording Review of Charlie Poole with The Highlanders: Complete Recordings." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1165.

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Olson, Ted. "Recording Review of Parchman Farm: Photographs and Field Recordings, 1947-55." Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etsu-works/1169.

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Vann, Stephanie Louise. "Recording the facts : a generic recording system for animal palaeopathology." Thesis, University of Leicester, 2008. http://hdl.handle.net/2381/30814.

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The impact of animal disease on human societies has been highly publicised recently, both as a consequence of diseases that have spread amongst animal populations (e.g. foot and mouth), as well as those that have 'jumped' from animal to human populations (e.g. HIV, bird flu and BSE). Non-disease-related pathologies can also provide much information about human-animal interactions, such as the use of animals for traction or riding. While the human, social and economic effect of such conditions is profound, the study of their impact on past human populations has been widely neglected. This is partly due to the inconsistent manner in which incidences of animal disease (palaeopathology) have been collected, recorded and interpreted which, together with the typically low incidence of specimens per site, has precluded any detailed studies of regional or temporal trends. The aim of this project was to improve the study of animal palaeopathology in order to attain a better appreciation of the potential for such research to resolve archaeological questions. This was to be achieved by designing, developing and implementing a methodology to overcome these problems and enable the past impact of animal disease to be better understood.;The primary objectives were to: Design and develop a generic methodology to facilitate the consistent recognition, recording and description of animal palaeopathological data; implement the methodology within a database system; and apply and critically evaluate the methodology, using assemblages from the Roman legionary fort at Alchester and the Roman town of Colchester, and demonstrate the benefits of adopting a systematic approach to recording animal palaeopathology.
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Lee, Hyun-Kyu, Hyun-So Lee, and Jae-Hoon Song. "Research About the Efficient Recording Structure of Installed Data Recording Devices." International Foundation for Telemetering, 2011. http://hdl.handle.net/10150/595772.

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ITC/USA 2011 Conference Proceedings / The Forty-Seventh Annual International Telemetering Conference and Technical Exhibition / October 24-27, 2011 / Bally's Las Vegas, Las Vegas, Nevada
Although the wireless data transmission technologies have evolved significantly, data recording devices are still being used because of the limitations of data rates and reliability issues over wireless environment in the avionics, military, space etc. Payload has limitation of weight. In addition, storage has limitation of capacity. So, we need to research about a data recording structure within a limited amount of memory. In this paper, we propose a new data recording structure through a condition necessary for efficient use of memory. The proposed structure has an equivalent function as other recording systems. But, it uses less memory than the other equivalent recording structures.
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Cranley, Nikki, and Diarmuid Corry. "Recording in the iNET Architecture: Moving to the Future of Recording." International Foundation for Telemetering, 2010. http://hdl.handle.net/10150/604269.

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ITC/USA 2010 Conference Proceedings / The Forty-Sixth Annual International Telemetering Conference and Technical Exhibition / October 25-28, 2010 / Town and Country Resort & Convention Center, San Diego, California
At the heart of many networked Flight Test Instrumentation (FTI) systems is the Network- Recorder. The high data rates typical in networked FTI systems put increased demands on the Network-Recorder to support ever faster read and write rates. However, thanks to the developments in CompactFlash and SATA technologies, such recording rates are achievable in the Network-Recorder. This paper discusses several ways in which the recorder can be optimized to improve the memory capacity usage, writing speed and relevance of the recorded data.
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Bashir, Muhammad Asif. "Alternative magnetic recording technologies." Thesis, University of Sheffield, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555664.

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Presented here are micromagnetic simulations to investigate alternative magnetic recording technologies including bit patterned media and domain wall storage. I have used a finite element/boundary element method to investigate the dynamics of the write process in magnetic recording systems; and a nudged elastic band method is used to calculate the thermal stability of written bits. Microwave assisted magnetization reversal of single phase media and exchange spring media is investigated. A reduction of the switching field by about a factor of two can be found in both single phase and exchange spring media when the microwave field reaches an amplitude that is 12 percent of the remanent coercivity without microwave assist. Furthermore, layer-selective writing of two-layer bitpatterned media is demonstrated by employing microwave assist technique. Selectivity is achieved by controlling the frequency of an oscillating magnetic field in the GHz range, applied in addition to the head field. Generation of the microwave field by means of a wire next to the tip of a single pole head is proposed. Optimization of writing heads is performed using micromagnetics and surrogate optimization. The shape of the pole tip is optimized for bit patterned, exchange spring recording media. I computed the write error rate and the adjacent track erasure for different maximum anisotropy in the multilayer, graded media. The results show a linear trade off between the error rate and the number of passes. Finally I have calculated magneto static fields from transverse and vortex magnetic domain walls in a planar Ni81Fe19 nanowire. These calculations indicate the required sensitivity of a nearby sensor for detecting either a domain wall of any type or being able to distinguish the domain wall character. Optimization of writing heads is performed using micromagnetics and surrogate optimization. The shape of the pole tip is optimized for bit patterned, exchange spring recording media. I computed the write error rate and the adjacent track erasure for different maximum anisotropy in the multilayer, graded media. The results show a linear trade off between the error rate and the number of passes. Finally I have calculated magneto static fields from transverse and vortex magnetic domain walls in a planar Ni81Fe19 nanowire. These calculations indicate the required sensitivity of a nearby sensor for detecting either a domain wall of any type or being able to distinguish the domain wall character.
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Wood, Tracy G. "Modern Data Acquisition Recording." International Foundation for Telemetering, 2005. http://hdl.handle.net/10150/604911.

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ITC/USA 2005 Conference Proceedings / The Forty-First Annual International Telemetering Conference and Technical Exhibition / October 24-27, 2005 / Riviera Hotel & Convention Center, Las Vegas, Nevada
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Brower, Alfred N. "DIGITAL WIDEBAND RECORDING SYSTEMS." International Foundation for Telemetering, 2001. http://hdl.handle.net/10150/606438.

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International Telemetering Conference Proceedings / October 22-25, 2001 / Riviera Hotel and Convention Center, Las Vegas, Nevada
Historically, those interested in recording one or more channels with analog content of greater than or equal to 2 MHz, must use an analog recorder. In the last few years, advancements in analog-to-digital converter technology, performance enhancement in Digital Signal Processors (DSPs), and digital recording devices have made cost-effective, wideband recording applications possible through the use of all-digital techniques. This paper has three objectives: 1. It attempts to explain the benefits of a wideband digital recorder over the traditional analog variety. 2. It discusses the key elements of a wideband digital recorder. 3. It presents a realizable 10-channel, 30 Mbit PCM digital recorder solution. 4. It presents a realizable 14-channel, 2 MHz (bandwidth) digital recorder solution.
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Olson, Ted. "Recording Review of Folksongs of Another America: Field Recordings from the Upper Midwest, 1937-1946." Digital Commons @ East Tennessee State University, 2017. https://dc.etsu.edu/etsu-works/1143.

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Wadsworth, Peter James. "Strawberry Recording Studios and the development of recording studios in Britain c.1967-93." Thesis, University of Manchester, 2007. http://www.manchester.ac.uk/escholar/uk-ac-man-scw:86691.

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This thesis studies the development of the British recording studio from the mid-1960s to the early-1990s. Although there are now a growing number of academic studies of popular music they have, so far, largely failed to study the evolving process by which artists were able to reproduce their music for mass distribution. Consequently, this dissertation investigates the image portrayed of the studio and its utilisation and representation by a combination of human, technological and locational factors. The first part of the thesis constructs an overview of the recording studio industry, as based on contemporary trade journals, in order to produce a traditional historical narrative, so far absent from music’s historiography, which provides the framework in which to place more detailed research. The prominence given by the industry to the ‘progress of technology’ is then compared to the public perception of the recording studio, as shown by the extent and content of its inclusion in the popular culture media of the period, both print and film based. How far the process of producing recorded music managed to permeate through the presentation of a music industry that was becoming increasingly reliant on the image and personality of the artists themselves is then analysed. The second part of the thesis is based on Latour’s concept of actor-networks and deconstructs the recording studio into three main components; technology, architecture and the human element within it. Using one particular studio (Strawberry Recording Studios in Stockport) as being representative of the increasing proportion of small independents in the industry, the further deconstruction of these three components into their constitutional networks, provides the key theme of the dissertation. Consequently, studio technology can be viewed not simply in terms of functional machinery in the studio setting (of Latourian ‘black boxes’) but more as a confusing and intrusive element that was developed, shaped and created by the requirements of those in the studio. And, whilst contemporary society has always elevated the status of the performer in the music industry, the human element in the studio can also be shown to comprise the industrial and social interaction between a wide range of support staff, whose roles and importance altered over time, and the artists themselves. Finally, studio buildings were not just backdrops to the work taking place in them but were seen to extend their boundaries and influence beyond their immediate location through their architecture, interior design and geography. In other words, the recording studio might be seen as the combination of a number of fluctuating networks rather than just as a passive element in the production of recorded music. As a result of the content of the subject being studied, this thesis utilises a number of sources that, in Samuel’s terminology, moves the study away from a ‘fetishization’ of the traditional historical archive towards those of ‘unofficial learning’. Given the immediacy of the period being studied, the personal accounts of those involved in the studio, mainly through the use of oral history, form a major part of the research material.
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Books on the topic "Recording"

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1967-, Norris Ann, and Norris Scott, eds. Recording. Saint Paul, Minn: Rada Press, 2005.

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Runstein, Robert E. Modern recording techniques. 2nd ed. Indianapolis, Ind., U.S.A: H.W. Sams, 1986.

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Alkin, E. G. M. Sound recording and reproduction. 2nd ed. Oxford: Focal Press, 1991.

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Alkin, E. G. M. Sound recording and reproduction. London: Focal Press, 1987.

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Miles, Liz. Making a recording. Chicago, Ill: Raintree, 2009.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. Classical Recording. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852.

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Moylan, William. Recording Analysis. New York: Routledge, 2020.: Focal Press, 2020. http://dx.doi.org/10.4324/9781315617176.

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White, Paul. Creative recording. Ely: Music Maker Books, 1991.

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White, Paul. Creative recording. Ely: Music Maker Books, 1989.

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Gracie, James. Recording history. [S.l.]: [s.n.], 2001.

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Book chapters on the topic "Recording"

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Quintet, Trout. "Recording." In Walter Gautschi, Volume 3, 767. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7132-5_13.

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Sitepu, B., N. D. Laksono, U. Setiawati, F. Nur, M. Rahmaningsih, Y. Anwar, P. Widodo, B. P. Forster, and A. R. Purba. "Recording." In Field trials in oil palm breeding: a manual, 59–75. Wallingford: CABI, 2020. http://dx.doi.org/10.1079/9781789241396.0059.

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Weik, Martin H. "recording." In Computer Science and Communications Dictionary, 1432. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_15698.

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Stewart, Peter, and Ray Alexander. "Recording." In Broadcast Journalism, 259–69. 8th ed. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003026655-19.

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Cockburn, Jay. "Recording." In The Podcaster's Audio Guide, 58–91. London: Focal Press, 2022. http://dx.doi.org/10.4324/9781003046578-3.

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Harris, Rob. "Recording." In London’s Global Office Economy, 18–63. Abingdon, Oxon ; New York, NY : Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.1201/9781003129967-2.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "The Decca Tree." In Classical Recording, 128–49. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-10.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "Ancillary microphones." In Classical Recording, 150–81. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-11.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "Surround sound techniques." In Classical Recording, 182–92. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-12.

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Haigh, Caroline, John Dunkerley, and Mark Rogers. "Solo instruments and orchestra." In Classical Recording, 193–210. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Audio Engineering Society presents...: Focal Press, 2020. http://dx.doi.org/10.4324/9780429316852-13.

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Conference papers on the topic "Recording"

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"Digests Of The Magnetic Recording Conference 1993." In Digests of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1993. http://dx.doi.org/10.1109/mrc.1993.662383.

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"Digests of The Magnetic Recording Conference [front matter]." In Digest of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1995. http://dx.doi.org/10.1109/mrc.1995.658237.

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Curland, N., and R. Machelski. "Integrating An Mr Head Into A Peak Detection Channel." In Digests of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1993. http://dx.doi.org/10.1109/mrc.1993.662393.

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"Index." In Digests of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1993. http://dx.doi.org/10.1109/mrc.1993.662417.

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Tsang, C., D. McCown, H. A. Santini, J. Lo, and R. E. Lee. "3 Gb/in2 Recording Demonstration With Dual Element Heads & Thin Film Disks." In Digest of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1995. http://dx.doi.org/10.1109/mrc.1995.658238.

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"Authors index." In Digest of the Magnetic Recording Conference 'Magnetic Recording Heads'. IEEE, 1995. http://dx.doi.org/10.1109/mrc.1995.658268.

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"Digests of The Magnetic Recording Conference." In Digests of the Magnetic Recording Conference 'Magnetic Recording Media'. IEEE, 1996. http://dx.doi.org/10.1109/mrc.1996.658154.

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Taralunga, Dragos D., G. MihaelaUngureanu, P. Bogdan C. Hurezeanu, Ilinca Gussi, Rodica Strungaru, and Werner Wolf. "Fetal electrocardiogram enhancement in abdominal recordings: Recording setup analysis." In 2013 35th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC). IEEE, 2013. http://dx.doi.org/10.1109/embc.2013.6609898.

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Mizuno, H., K. Takada, and M. Horie. "Extension of Linear-Velocity Margin in Phase Change Optical Recording with a Variable Pulse Compensation." In Symposium on Optical Memory. Washington, D.C.: Optica Publishing Group, 1996. http://dx.doi.org/10.1364/isom.1996.omd.4.

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Abstract:
In the history of optical disks, two flavors of usages have been proposed and implemented. The one usage is for the Audio-Visual use, such as Mini Disk, Compact Disk (CD) and their family. The other usage is for computer peripherals, such as MO disk conformable to ISO standard. One significant difference in these two usages is characterized by the linear-velocity in reading and recording. The former media is used at a low linear-velocity of less than 10m/s and suitable for real-time operation. The latter is used at higher linear-velocity of more than 10m/s to achieve high data transfer rate. Phase change optical disk (PC disk), especially Ge-Sb-Te recording film 1-2), can be applied for both of these two usages. The PC disk has the following favorable features, 1-beam overwrite, simple optical system similar with the CD family. PC disk also has capability for higher density recording by Land and Groove recording3), PWM recording4), and the recording with shorter wavelength laser.5) However, the PC disk usually poor linear-velocity margin in conventional overwriting. The composition of the recording layer and film stacks must be carefully designed for each velocity with respect to crystallization speed and ability of amorphization.6) There has been no report that demonstrates an extension of applicable linear-velocity of a PC disk with a fixed active layer and film stacks. It is desirable for a fixed PC disk to cover such a wide linear-velocity range because the above mentioned two usages are merging in recent multimedia era.
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Sugaya, H., T. Nakagawa, and T. Arai. "Re-recording In Overwrite Recording (re-recording Mechanism By Contact Printing Model)." In 1993 Digests of International Magnetics Conference. IEEE, 1993. http://dx.doi.org/10.1109/intmag.1993.642190.

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Reports on the topic "Recording"

1

Portman, L., C. Eckel, A. Johnston, and A. Hutton. Session Recording Protocol. Edited by H. Lum. RFC Editor, May 2016. http://dx.doi.org/10.17487/rfc7866.

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Kryder, Mark H. Ultra-High Density Optical Recording. Fort Belvoir, VA: Defense Technical Information Center, July 1999. http://dx.doi.org/10.21236/ada393961.

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Khizroev, Sakhrat, Roman Chomko, Yazan Hijazi, and Nissim Amos. Three-Dimensional Magnetic Recording Device. Fort Belvoir, VA: Defense Technical Information Center, December 2004. http://dx.doi.org/10.21236/ada434257.

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Allison, Jack, and Thomas Bertenshaw. High Density Digital Data Recording System. Fort Belvoir, VA: Defense Technical Information Center, January 1987. http://dx.doi.org/10.21236/ada181115.

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Schulthess, T. C., and M. K. Miller. Fundamental Scientific Problems in Magnetic Recording. Office of Scientific and Technical Information (OSTI), June 2007. http://dx.doi.org/10.2172/940298.

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Ravindranath, R., P. Ravindran, and P. Kyzivat. Session Initiation Protocol (SIP) Recording Metadata. RFC Editor, May 2016. http://dx.doi.org/10.17487/rfc7865.

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Toney, Michael F. High Anisotropy CoPtCrB Magnetic Recording Media. Office of Scientific and Technical Information (OSTI), June 2003. http://dx.doi.org/10.2172/813356.

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Heffner, R. H., C. D. Adams, and E. L. Brosha. Giant magnetoresistance materials for magnetic recording technology. Office of Scientific and Technical Information (OSTI), December 1997. http://dx.doi.org/10.2172/555556.

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Fletcher, Stacia, Burney J. LeBoeuf, Daniel P. Costa, Peter L. Tyack, and Susanna B. Blackwell. Onboard Acoustic Recording from Diving Elephant Seals. Fort Belvoir, VA: Defense Technical Information Center, June 1996. http://dx.doi.org/10.21236/ada327199.

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Derzon, M., and T. Barber. Performance comparison of streak camera recording systems. Office of Scientific and Technical Information (OSTI), July 1995. http://dx.doi.org/10.2172/95259.

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