Books on the topic 'Recorder and harpsichord music Analysis, appreciation'

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1

Dürr, Alfred. Das wohltemperierte Klavier.: Kritischer Bericht. Kassel: Bärenreiter, 1989.

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2

Karl, Heller. Bearbeitungen fremder Werke: Kritischer Bericht. Kassel: Bärenreiter, 1997.

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3

Bach's Well-tempered clavier: The 48 preludes and fugues. New Haven: Yale University Press, 2002.

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4

Goldberg, Clemens. Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber: Laaber-Verlag, 1987.

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5

A performer's guide to the keyboard partitas of J.S. Bach. New Haven: Yale University Press, 1989.

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6

Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber: Laaber-Verlag, 1987.

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7

The keyboard sonatas of Domenico Scarlatti and eighteenth-century music style. Cambridge: Cambridge University Press, 2003.

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8

J.S. Bach's Well-tempered clavier: In-depth analysis and interpretation. Hong Kong: Mainer International, 1993.

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9

Corruption and the decline of Rome. New Haven: Yale University Press, 1988.

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10

Flannery, Matthew. A Chronological Order For The Keyboard Sonatas Of Domenico Scarlattti (1685-1757) (Studies in the History and Interpretation of Music). Edwin Mellen Press, 2004.

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11

François-René, Tranchefort, ed. Guide de la musique de piano et de clavecin. [Paris]: Fayard, 1987.

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12

Ledbetter, David. Bach's Well-Tempered Clavier: The 48 Preludes and Fugues. Yale University Press, 2008.

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13

Ledbetter, David. Bach's Well-tempered Clavier: The 48 Preludes and Fugues. Yale University Press, 2002.

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14

Ledbetter, David. Bach's Well-Tempered Clavier: 48 Preludes and Fugues. Yale University Press, 2010.

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15

Sir Donald Francis Tovey (Editor) and Richard Jones (Editor), eds. The Well Tempered Clavier (Signature S.). Associated Board of the Royal School of Music, 1994.

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16

Sutcliffe, W. Dean. Keyboard Sonatas of Domenico Scarlatti and Eighteenth-century Music Style. Cambridge University Press, 2003.

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