Academic literature on the topic 'Recorder and harpsichord music Analysis'
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Journal articles on the topic "Recorder and harpsichord music Analysis"
KOOPMAN, TON. "EDITORIAL." Eighteenth Century Music 16, no. 1 (February 14, 2019): 5–7. http://dx.doi.org/10.1017/s1478570618000313.
Full textGoodchild, Meghan, Bruno Gingras, and Stephen McAdams. "Analysis, Performance, and Tension Perception of an Unmeasured Prelude for Harpsichord." Music Perception 34, no. 1 (September 1, 2016): 1–20. http://dx.doi.org/10.1525/mp.2016.34.1.1.
Full textJasiecka-Bury, Urszula. "A nostalgic return to the past or sound searching? On the use of contemporary harpsichords in early music performance." Notes Muzyczny 2, no. 16 (December 30, 2021): 117–35. http://dx.doi.org/10.5604/01.3001.0015.5496.
Full textBILIR EYÜPOĞLU, Emine. "IDENTIFYING THE DIFFERENCES THE HARPSICHORD AND THE PIANO INTERPRETATION OF J. S. BACH'S BWV 1056 CONCERTO IN F MINOR." SOCIAL SCIENCE DEVELOPMENT JOURNAL 7, no. 34 (November 15, 2022): 100–114. http://dx.doi.org/10.31567/ssd.770.
Full textArtola, Ines R. "“A composItIon wrItten wIthout creatIve lImItatIons” – Wanda Landowska and concerto for harpsichord and five instruments by ManueL de Falla (1923)." Notes Muzyczny 1, no. 15 (June 21, 2021): 67–107. http://dx.doi.org/10.5604/01.3001.0014.9691.
Full textZiemer, Tim, and Niko Plath. "Microphone and Loudspeaker Array Signal Processing Steps towards a “Radiation Keyboard” for Authentic Samplers." Applied Sciences 10, no. 7 (March 29, 2020): 2333. http://dx.doi.org/10.3390/app10072333.
Full textMammadova, Fidan. "Franghiz Alizadeh’s Composition ‘Wahe’ (‘Oasis’) for String Quartet and Tape Recorder." Bulletin of Kyiv National University of Culture and Arts. Series in Musical Art 4, no. 2 (December 3, 2021): 188–200. http://dx.doi.org/10.31866/2616-7581.4.2.2021.245793.
Full textKodenko, I. I. "Concepts of Early Music Re-creation in Wanda Landowska’s Work." Aspects of Historical Musicology 17, no. 17 (September 15, 2019): 261–79. http://dx.doi.org/10.34064/khnum2-17.17.
Full textWILLIS, CHRISTOPHER. "DOMENICO SCARLATTI (1685–1757) COMPLETE KEYBOARD SONATAS; SIX CONTINUO SONATAS (K78, K81, K88, K89, K90, K91) Richard Lester (harpsichord, fortepiano and organ), Mark Baigence (oboe), Warwick Cole (violoncello), Elizabeth Lester (recorder), Jonathan Morgan (flute), Ben Sansom (violin) and Taro Takeuchi (mandolin) Privilege Accord 68001 – 68020, 2001–2005; 38 discs." Eighteenth Century Music 3, no. 2 (September 2006): 352–55. http://dx.doi.org/10.1017/s1478570606320635.
Full textPretto, Niccoló, Carlo Fantozzi, Edoardo Micheloni, Valentina Burini, and Sergio Canazza. "Computing Methodologies Supporting the Preservation of Electroacoustic Music from Analog Magnetic Tape." Computer Music Journal 42, no. 4 (May 2019): 59–74. http://dx.doi.org/10.1162/comj_a_00487.
Full textDissertations / Theses on the topic "Recorder and harpsichord music Analysis"
Daniel, Andrew. "Two Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Solo Guitar." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc862826/.
Full textVera, Fernand Toribio Soler Antonio Soler Antonio. "Selected harpsichord sonatas by Antonio Soler analysis and transcription for classical guitar duo /." connect to online resource, 2008. http://digital.library.unt.edu/permalink/meta-dc-9727.
Full textWu, Siyu. "Harmonic and Rhythmic Transformation in Ligeti's Harpsichord Compositions: A Comparative Analysis of Continuum, Hungarian Rock and Passacaglia Ungherese." Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1595470695585872.
Full textVera, Fernand Toribio. "Selected Harpsichord Sonatas by Antonio Soler: Analysis and Transcription for Classical Guitar Duo." Thesis, University of North Texas, 2008. https://digital.library.unt.edu/ark:/67531/metadc9727/.
Full text王芳玉. "An Analysis and Interpretation of “Triosonata in F major for Alto Recorder and Harpsichord” adapted from BWV525 by Johann Sebastian Bach." Thesis, 2012. http://ndltd.ncl.edu.tw/handle/54416927901951330070.
Full text臺北市立教育大學
音樂學系教學碩士學位班
100
Johann Sebastian Bach (1685-1750) was a major composer in the later part of the Baroque period. Bach integrated the characteristics of Italian and French music and created his own enriched German style of music. The scope of his works covered all genera of music except opera in the Baroque period. It is not too much to say that Bach concluded the essence of music in the Baroque period, laying a foundation of musical development in the classical era, which had a profound influence on the musical compositions in later generations. The trio sonata was a kind of chamber music that was popular in the Baroque period. From 1727 to 1729, Bach wrote six trio sonatas (BWV525-530) for organ. He changed the form of the traditional trio sonata, and adopted the three-chapter style (fast-slow-fast) of Italian concerto, applying the technique of counterpoint to composing the sonatas. This work of study, “Trio Sonata in F major for Alto Recorder and Harpsichord” is a revision from the first E-flat major (BWV525) of the six trio sonatas. The main melodies of the tenor are played as a duet by alto recorder and the right hand of the harpsichord, while the left hand of the harpsichord plays the third melody consisting of bass notes. This study is primarily divided into five chapters for discussion. The first chapter, the introduction, states the motive, purpose and method of this study. The second chapter discusses the process of musical growth and composition style of Bach’s music and takes a look into Bach’s trio sonata (BWV525) from the perspective of the features of trio sonatas in the Baroque period. The third chapter analyzes the musical style, tonality and breakthrough of techniques in the composition of songs. The fourth chapter adds in the researcher’s personal findings in the interpretation of songs, from the articulations of the recorder and the correlation of melodies and harmony to the things to notice when accompanied by the harpsichord. The fifth chapter sums up what the researcher has learned and gives a conclusion to the study.
Muller, Stephanus. "An interpretative analysis of the Capriccio in B flat major, BWV 992, by J.S. Bach, with specific reference to comparative interpretations on the clavichord, harpsichord and piano." Diss., 1997. http://hdl.handle.net/10500/17540.
Full textDepartment of Musicology
M.Mus.
Books on the topic "Recorder and harpsichord music Analysis"
Dürr, Alfred. Das wohltemperierte Klavier.: Kritischer Bericht. Kassel: Bärenreiter, 1989.
Find full textKarl, Heller. Bearbeitungen fremder Werke: Kritischer Bericht. Kassel: Bärenreiter, 1997.
Find full textOrgass, Stefan. Disposition und Ausarbeitung in Bachs späten Clavier-Werken (1739-1749). Stuttgart: M & P Verlag für Wissenschaft und Forschung, 1996.
Find full textGoldberg, Clemens. Stilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber: Laaber-Verlag, 1987.
Find full textBach's Well-tempered clavier: The 48 preludes and fugues. New Haven: Yale University Press, 2002.
Find full textWang, An-Ming. Twentieth century music for flute and piano or flute solo. Bryn Mawr, PA: Hildegard Pub. Co., 1997.
Find full textStilisierung als kunstvermittelnder Prozess: Die französischen Tombeau-Stücke im 17. Jahrhundert. Laaber: Laaber-Verlag, 1987.
Find full textA performer's guide to the keyboard partitas of J.S. Bach. New Haven: Yale University Press, 1989.
Find full textJ.S. Bach's Well-tempered clavier: In-depth analysis and interpretation. Hong Kong: Mainer International, 1993.
Find full textThe keyboard sonatas of Domenico Scarlatti and eighteenth-century music style. Cambridge: Cambridge University Press, 2003.
Find full textReports on the topic "Recorder and harpsichord music Analysis"
Kiv, Arnold E., Vladyslav V. Bilous, Dmytro M. Bodnenko, Dmytro V. Horbatovskyi, Oksana S. Lytvyn, and Volodymyr V. Proshkin. The development and use of mobile app AR Physics in physics teaching at the university. [б. в.], July 2021. http://dx.doi.org/10.31812/123456789/4629.
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