Dissertations / Theses on the topic 'Recorded performances'
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Shrader, Angela D. "A Comparison of Audience Response to Live and Recorded Theatre Performances." Marietta College Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=marhonors1430070781.
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Tanner, Mark. "The Liszt Sonata in B minor : an analytical study of recorded performances." Thesis, Birmingham City University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310606.
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Korman, Pamela. "Intention, creative variability and paradox in recorded performances of the piano music of Maurice Ravel." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq25940.pdf.
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Yeager, Jonathan K. "Interpretive performance techniques and lyrical innovations on the bass trombone a study of recorded performances by George Roberts, Mr. Bass Trombone /." Thesis, connect to online resource, 2006. http://www.unt.edu/etd/all/Dec2006/Open/yeager_jonathan/index.htm.
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Thesis (D.M.A.)--University of North Texas, 2006.System requirements: Adobe Acrobat Reader. Accompanied by 4 recitals, recorded Nov. 12, 2001, Oct. 14, 2002, Mar. 31, 2003, and Oct. 17, 2006. Includes bibliographical references (p. 80-82).
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Chen, Kuo-Hua. "Effects of different performers and newly made violins on musicians' and non-musicians' perceptions of recorded violin performances /." view abstract or download file of text, 2002. http://wwwlib.umi.com/cr/uoregon/fullcit?p3055677.
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Thesis (D.M.A.)--University of Oregon, 2002.Reproduction fo typescript. Includes vita and abstract. Includes bibliographical references (leaves 114-120). Also available for download via the World Wide Web; free to University of Oregon users.
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Garst, John. "The Recorded Legacy of Enrico Caruso and its Influence on the Italian Vocal Tradition." Thesis, University of North Texas, 2016. https://digital.library.unt.edu/ark:/67531/metadc849763/.
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This dissertation presents evidence for the influence which tenor Enrico Caruso had on the Italian Vocal Tradition. This impact was clearly boosted by the revolution realized in the fledgling recording industry, and the recordable disc. In the years of 1902-1920 gramophones became commonplace, and collecting recordings became an interest for many. This new technology required specialized skills, and was especially suited to certain qualities of voice. Caruso enjoyed immense success in this medium, in recording over 250 records.
Italian vocal style at the turn of the century was changing, and Caruso employed a new "modern" style in his singing. His interpretive decisions, vocal method, and repertoire which he championed had an impact on the vocal tradition of future generations. Comparison of his recordings with tenors Fernando de Lucia, Giuseppe Anselmi, and Alessandro Bonci shows a marked contrast in styles of "the old school" and Caruso's "more straightforward" approach. A collection of historical documents for those who succeeded him include many biographies, reviews, and quotes to demonstrate the extent of his influence. Recordings also show a movement toward "the Caruso Sound." Jussi Bjoerling, Franco Corelli, Richard Tucker, Mario Lanza, and Luciano Pavarotti were all influenced by the great Caruso. Almost 100 years have passed since he sang his last performance. He continues to inspire singers to this day, through his recordings and legacy passed on by many generations. He is the ideal, the measuring stick for all tenors to follow, and continues even to today.
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Cross, Edward William. "Musical timing in the Adagio from Brahms' Violin Concerto, Op. 77 : an empirical study of rubato in recorded performances dating from 1927-1973." Thesis, University of Newcastle upon Tyne, 2014. http://hdl.handle.net/10443/2452.
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The inter-war period of the twentieth century represents something of a ‘golden age’ in solo violin playing. In addition to an unprecedented degree of technical prowess, a huge amount of variety existed between different performers, with the majority of well-known artists exhibiting their own unique sound and manner of delivery. One area of expression in which a divergence of approach is most evident is that of musical timing, whereby performers utilise what is generally termed ‘rubato’ in order to convey either the structure or emotional character of the music. This thesis utilises specialised computational methods of empirical analysis in order to investigate how rubato is used in thirty recordings of the Adagio from Brahms’ Violin Concerto, Op. 77, made by eminent performers who were active during this period. By comparing these recordings in detail, the principle aim is to ascertain just how much performers differ in their approaches to musical timing and, conversely, where there is some degree of common practice. Literary sources pertaining to rubato from the late-nineteenth and early-twentieth centuries are also scrutinised, in order to determine to what extent these written descriptions of rubato relate to use of the device in real-life performances. Key stylistic traits are identified and categorised, in order to inform performers who are looking to incorporate something of this twentieth-century style of rubato into their own playing. To date, the vast majority of empirical studies of performance have been conducted in the field of music psychology, with musicological approaches tending to favour closelistening methods in order to identify key stylistic traits. This study has attempted to use both empirical analysis and close-listening in tandem, which allows for the identification of common timing patterns across all thirty recordings, as well as the detailed examination of idiosyncrasies within their respective musical contexts. Sonic Visualiser software has been used to create a number of innovative video examples that incorporate tempo graphs with the original recorded sound, in order to see and hear what is happening in the music simultaneously.
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Sutanto, David T. "Pictures at an Exhibition: A Performer’s Guide Comparing Recorded Performances by Pianists Vladimir Horowitz and Evgeny Kissin: “Eccentric” v.s. “Academic” Playing." University of Cincinnati / OhioLINK, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1180300837.
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Sutanto, David T. "Pictures at an exhibition: a performer &8217;s guide comparing recorded performances by pianists Vladimir Horowitz and Evgeny Kissin: "Eccentric" v.s. "Academic " playing /." Cincinnati, Ohio : University of Cincinnati, 2007. http://www.ohiolink.edu/etd/view.cgi?ucin1180300837.
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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2007.Advisor: Frank Weinstock Title from electronic thesis title page (viewed Nov. 18, 2007). Includes abstract. Keywords: Pictures at an Exhibition; Vladimir Horowitz; Evgeny Kissin; Piano Includes bibliographical references.
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Rost, M. A. "The interaction of listener, speaker text, and task in academic lectures : An examination of second language listener performances following presentations of pre-recorded texts." Thesis, Lancaster University, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384341.
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Theodoropoulou, Marina. "Alessandro Scarlatti - soprano cantatas : edition, commentary and recorded performances of the autograph cantatas in Yale University, Beinecke Rare Book and Manuscript Library, Osborn Music MS 2." Thesis, University of York, 2012. http://etheses.whiterose.ac.uk/3808/.
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The current doctoral study uncovered and revived 28 autograph cantatas for Soprano and Basso Continuo composed between 1704 and 1705 by Alessandro Scarlatti (1660-1725). The studied cantatas are held in a manuscript containing 36 cantatas (one of which misses the beginning) in Yale University, Beinecke Rare Book and Manuscript Library, James Marshall and Marie-Louise Osborn Collection, Call Number: Osborn Music MS 2. The historical context in which the cantatas were written and performed is introduced. A physical description of the manuscript follows, with the aim to assist the reader in achieving a better appreciation and understanding of these cantatas in terms of performance practice. The relation between the text and the music, and the adaptation of the rhetorical characteristics of the text into music, are two of the most salient features of this cantata collection. These features are described in great detail and their implications for the performance of the cantatas have been explored. A major contribution of this study in the field of performance practice is the production of a modern performing edition with an editorial commentary and of a recording of the 28 autograph cantatas with harpsichord accompaniment.
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Scheirer, Eric David. "Extracting expressive performance information from recorded music." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/29103.
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Mangum, Tanya Crawford. "Performance Intensity Functions for Digitally Recorded Japanese Speech Audiometry Materials." Diss., CLICK HERE for online access, 2005. http://contentdm.lib.byu.edu/ETD/image/etd838.pdf.
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Wigent, Mark A., and Andrea M. Mazzario. "Spectrum Savings from High Performance Network Recording and Playback Onboard the Test Article." International Foundation for Telemetering, 2012. http://hdl.handle.net/10150/581609.
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ITC/USA 2012 Conference Proceedings / The Forty-Eighth Annual International Telemetering Conference and Technical Exhibition / October 22-25, 2012 / Town and Country Resort & Convention Center, San Diego, CaliforniaThe Test Resource Management Center's (TRMC) Spectrum Efficient Technologies (SET) S&T program is sponsoring development of the Enhanced Query Data Recorder (EQDR), a network flight recorder that is intended to meet the future needs of the networked telemetry environment. EQDR is designed to support the "fetch" of recorded test data during a test without interrupting the ongoing recording of data from the test article vehicle network. The key benefits of the network data recorder as implemented in EQDR are increased flexibility and efficiency of test in an environment with increasing demands on spectrum available for telemetered data. EQDR enables retrieval of individual recorded parameters on an as-needed basis. Having the flexibility to send data only when it is required rather than throughout the duration of the test significantly increases the efficiency with which limited spectrum resources are used. EQDR enables parametric-level data retrieval, based not only on time interval and data source, but also on the content of the recorded data messages. EQDR enables selective, efficient retrieval of individual parameters using indexes derived from the actual values of recorded data. This paper describes the design of EQDR and the benefits of selective data storage and retrieval in the application of networked telemetry. In addition it describes the performance of the EQDR in terms of data recording and data retrieval rates when implemented on single board computers designed for use in the aeronautical test environment with size, weight, and power constraints.
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Alessandri, Elena. "Evaluating recorded performance : an investigation of music criticism through Gramophone reviews of Beethoven piano sonata recordings." Thesis, Royal College of Music, 2014. http://researchonline.rcm.ac.uk/352/.
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Critical review of performance is today one of the most common professional and commercial forms of music written response. Despite the availability of representative material and its impact on musicians' careers, there has been little structured enquiry into the way music critics make sense of their experience of performances, and no studies have to date broached the key question of how music performance is reviewed by experts. Adopting an explorative, inductive approach and a novel combination of data reduction and thematic analysis techniques, this thesis presents a systematic investigation of a vast corpus of recorded performance critical reviews. First, reviews of Beethoven's piano sonata recordings (N = 845) published in the Gramophone (1923-2010) were collected and metadata and word-stem patterns were analysed (Chapters 3 and 4) to offer insights on repertoire, pianists and critics involved and to produce a representative selection (n = 100) of reviews suitable for subsequent thematic analyses. Inductive thematic analyses, including a key-word-in-context analysis on 'expression' (Chapter 5), were then used to identify performance features (primary and supervenient) and extra-performance elements critics discuss, as well as reasons they use to support their value judgements. This led to a novel descriptive model of critical review of recorded performance (Chapters 6, 7, and 8). The model captures four critical activities - evaluation, descriptive judgement, factual information and meta-criticism - and seven basic evaluation criteria on the aesthetic and achievement-related value of performance reliably used by critics, plus two recording-specific criteria: live-performance impact and collectability. Critical review emerges as a highly dense form of writing, rich in information and open to diverse analytical approaches. Insights gained throughout the thesis inform current discourses in philosophy of art and open new perspectives for empirical music research. They emphasise the importance of the comparative element in performance evaluation, the complexity and potentially misleading nature of the notion of 'expression' in the musical discourse, and the role of critics as filters of choice in the recording market. Foremost, they further our understanding of the nature of music performance criticism as a form of reasoned evaluation that is complex, contextual and listener specific.
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Tomlison, Scott. "The effects of recorded models on the performance achievement of beginning brass instrumentalists /." free to MU campus, to others for purchase, 1999. http://wwwlib.umi.com/cr/mo/fullcit?p9964004.
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Bowman, Peter. "Microtonality and the recorder 1961-2013 : repertoire, tone colour, and performance." Thesis, Canterbury Christ Church University, 2014. http://create.canterbury.ac.uk/15736/.
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This thesis investigates the development of the recorder's microtonal repertoire from 1961 through to 2013. The artistic impulses for the use of microtones are discussed and selected pieces studied and performed. An investigation is also undertaken into the relationship between pitch, dynamic, and tone colour. This leads to the development of a method for objectively identifying the changes in tone colour that result from using various microtonal fingerings. Very little substantial research has been undertaken into the recorder's contemporary repertoire, and even less so with regard to its engagement with microtones. The skills for producing the expressive effects of dynamic and tone colour, and thus microtones, were known in the early 16th century, lost, and then revived during the period of musical experimentation in post-war Europe. The application of this knowledge, however, has remained limited. This thesis addresses these shortcomings. Following consideration of intonation and interpretation in Chapter 2 a survey of writings analyzing changes in tone colour and dynamic, and the relationship between them, is undertaken in Chapter 3. These include a number of foreign language texts, whilst others appear in American journals, or conference papers not generally available to the British reader. They highlight the tendency for writers to discuss tone colour and dynamic in vague and subjective terms, and in relation to the performance of early music but rarely in the context of contemporary music. This strand of my inquiry is brought to fruition in Chapter 5, where research leading to the development of a method for identifying and quantifying changes in tone colour, through the application of different fingerings, is applied for the first time. The results of an investigation into the evolution of microtonal repertoire composed since the 1960s are recorded in Chapter 4. Different compositional approaches to both instrument and microtonality are reflected in my choice of seven pieces, plus my own composition, that are the subject of detailed study in Chapter 6. The analyses of the pieces discussed in this thesis, and the contexts in which they were composed, represent a significant step forward in the understanding of the instrument and the use of microtones in compositions of the period. My thesis concludes with a live performance in which a selection of microtonal pieces is presented. This serves as a demonstration and confirmation of the principles discussed in this thesis, drawing together the threads of my research, and applying the insights gained in the course of this study.
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Nebojša, Brkljač. "Uticaj primene faktora uspešnosti povratne logistike i barijera za implementaciju na performanse organizacije." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2018. https://www.cris.uns.ac.rs/record.jsf?recordId=106855&source=NDLTD&language=en.
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Cilj ovog istraživanja je ispitivanje uticaja orijentisanosti organizacije kaimplementaciji faktora uspešnosti povratne logistike i prisustva barijera zaimplementaciju povratne logistike na performanse organizacije.je i utvrđivanje međuzavisnih uticaja faktora uspeodnosno međuzavisnih uticaja barijera za implementaciju povratne logistikeIspitane su veze navedenih faktora i izdvojeni ključni faktori, koji utiču naproces implementacije povratne logistike u organizacijamadiskutovane i predložene mogućnosti za buduća istraživanja i dsmernice daljih poboljšanja.Doprinos istraživanja ogleda se, pre sveganaučnu i stručnu javnost, koje mogu predstavljati kvalitetne podlogerazvoju u oblasti.The aim of this research is to examine the impact of the organization'sorientation on the implementation of reverse logistics (RL) success factorsand the presence of barriers to the implementation of RL on theorganization's performance. Also, the goal is to determine the interdependentimpacts of the RL success factors, ie the interdependent impactbarriers for the implementation of RL.The links between these factors are examined and the key factors whichinfluence the process of implementation of RL in organizations have beenidentified. The possibilities for future research have been identified,discussed and proposed, and further improvement guidelines are given.The research contribution is reflected, above all, in new information for thescientific and professional public, which can represent qualitativebackgrounds for further development in the field.
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Justice, Matthew Adam. "Optimizing MongoDB-Hadoop Performance with Record Grouping." Thesis, The University of Arizona, 2012. http://hdl.handle.net/10150/244396.
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Computational cloud computing is more important than ever. Since time is literally money on cloud platforms, performance is the primary focus of researchers and programmers alike. Although distributed computing platforms today do a fine job of optimizing most types of workflows, there are some types, specifically those which are not computation-oriented, that are left out. After introducing important players in the world of computational cloud computing, this paper explores a possible performance enhancement for these types of workflows by reducing the overhead that platform designers assumed was acceptable. The enhancement is tested in two environments: an actual distributed computing platform and an environment that simulates that platform. Along the way it becomes clear that computational cloud computing is far from perfect and its use can often deliver surprising results. Regardless, the presented solution remains viable and is capable of increasing the performance of particular types of jobs by up to twenty percent.
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Palathinkal, Joel. "The effectiveness of virtual humans vs. pre-recorded humans in a standardized patient performance assessment." Doctoral diss., University of Central Florida, 2011. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4817.
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A Standardized Patient (SP) is a trained actor who portrays a particular illness to provide training to medical students and professionals. SPs primarily use written scripts and additional paper-based training for preparation of practical and board exams. Many institutions use various methods for training such as hiring preceptors for reenactment of scenarios, viewing archived videos, and computer based training. Currently, the training that is available can be enhanced to improve the level of quality of standardized patients. The following research is examining current processes in standardized patient training and investigating new methods for clinical skills education in SPs. The modality that is selected for training can possibly affect the performance of the actual SP case. This paper explains the results of a study that investigates if there is a difference in the results of an SP performance assessment. This difference can be seen when comparing a virtual human modality to that of a pre-recorded human modality for standardized patient training. The sample population navigates through an interactive computer based training module which provides informational content on what the roles of an SP are, training objectives, a practice session, and an interactive performance assessment with a simulated Virtual Human medical student. Half of the subjects interact with an animated virtual human medical student while the other half interacts with a pre-recorded human. The interactions from this assessment are audio-recorded, transcribed, and then graded to see how the two modalities compare. If the performance when using virtual humans for standardized patients is equal to or superior to pre-recorded humans, this can be utilized as a part task trainer that brings standardized patients to a higher level of effectiveness and standardization.; In addition, if executed properly, this tool could potentially be used as a part task trainer which could provide savings in training time, resources, budget, and staff to military and civilian healthcare facilities.ID: 030646195; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Thesis (Ph.D.)--University of Central Florida, 2011.; Includes bibliographical references (p. 128-134).
Ph.D.
Doctorate
Psychology
Sciences
Modeling and Simulation
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DiClemente, Ann Riesbeck. "Brahms performance practice in a new context the Bruce Hungerford recorded lessons with Carl Friedberg /." College Park, Md.: University of Maryland, 2008. http://hdl.handle.net/1903/9678.
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Thesis (Ph. D.) -- University of Maryland, College Park, 2008.Thesis research directed by: School of Music. Title from t.p. of PDF. Includes bibliographical references. Published by UMI Dissertation Services, Ann Arbor, Mich. Also available in paper.
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Smith, Grant M., and Dave Gaskill. "The Need for Standardized Performance Characteristics for Digital Strip Chart Recorders." International Foundation for Telemetering, 1988. http://hdl.handle.net/10150/615243.
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International Telemetering Conference Proceedings / October 17-20, 1988 / Riviera Hotel, Las Vegas, NevadaDigital-based linear-array chart recorders are replacing conventional stylus recorders in telemetry data stations everywhere. They offer advantages in virtually all respects, and are becoming indispensable. But because of the completely different writing method and technology employed, it is difficult to make completely analogous performance comparisons between analog and digital chart recorders. This has led to some confusion when replacing aging stylus recorders is contemplated. Objectives: Establish a set of universal, standardized performance characteristics for digital chart recorders. Introduce appropriate terminology, allowing valid, repeatable comparison of old and new systems.
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Nena, Tomović. "Prilog istraživanju uticaja modela integrisanog sistema menadžmenta na performanse transportnih organizacija." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101379&source=NDLTD&language=en.
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Naučni cilj istraživanja u okviru doktorske disertacije je kompleksnog karaktera, koji se manifestuje:identifikacijom performansi transportne organizacije, koje se mogu smatrati značajnim za uspešno upravljanje organizacijom i prevođenje iz postojećeg u željeno stanjeidentifikacijom SMS, kojom su posmatrane transportne organizacije implementirale i koje su postale sastavni delovi menadžment sistema organizacijeistraživanjem načina na koje je moguće meriti uticaj primene SMS, odnosno IMS na performanse organizacije, sa ciljem da se istovremeno ukaže na slabosti i mogućnosti razvoja organizacije.Polazeći od formulisanih ciljeva, definisana je orginalna metodologija, postupak kojim se dokazuje opravdanost uspostavljenih osnovnih hipoteza disertacije, čija suština je da modeli integrisanih sistema menadžmenta imaju uticaja na performanse transportnih organizacija.Scientific aim of this research is complex and it is manifested by following: Identification of transport organization performances which can be considered as important for succesful organization management and shift from existing to favorable condition; Identification of SMS which transport organizations implemented and which became parts of organization management system; Research of ways on which is possible to measure effect of SMS application or IMS to organization performances with aim to emphasize defeciencies and possibilities for organization development.According to formulated aims, original methodology is defined. Is is practice which justifies main hypotheses of disertation. Their purpose is to make integrated management system models effective for performances of transport organizations.
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Duško, Petrović. "Uticaj personalnih karakteristika zaposlenih u uslužnim sistemima na performanse organizacije." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2020. https://www.cris.uns.ac.rs/record.jsf?recordId=112490&source=NDLTD&language=en.
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Ispitivanje uticaja personalnih karakteristika davaoca usluga (osobine ličnosti imoral) na procenu kvaliteta usluge od strane korisnika usluga i procenu performansipreduzeća (rekreacionih cenrara) pokazalo je da personalne karakteristike davaocausluge direktno utiču na kvalitet usluge i performanse.An examination of the impact of the personal characteristics of the service provider(personality traits and morale) on the assessment of the quality of service by theservice users and the assessment of the performance of the company (recreationalcenters) showed that the personal characteristics of the service provider directlyaffect the quality of service and performance.
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Ivana, Tomić. "Analiza indikatora performanse u procesu donošenja strateških odluka u industrijskom preduzeću." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2017. https://www.cris.uns.ac.rs/record.jsf?recordId=105043&source=NDLTD&language=en.
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Predmet istraživanja predstavlja definisanje i analizu ključnih indikatora performanse prilikom donošenja strateških odluka u industrijskim preduzećima. Ispituje se uticaj ključnih indikatora performanse na organizovanje efektivne i efikasne proizvodnje uz minimalne troškove, kao i uticaj lojalnosti zaposlenih na performansu u uslužnim preduzećima. Pored naučnog doprinosa u oblasti menadžmenta, istraživanje ima i praktičnu primenu.The research subject is defining and analyzing key performance indicators for making strategic decisions in industrial companies. Examines the impact of key performance indicators for organizing effective and efficient production with minimum costs, and the impact of employees' loyalty to the performance of the service companies. In addition to scientific contributions in the field of management, the research also has practical application.
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Siniša, Mitić. "Uticaj informacionih tehnologija na organizacione performanse preduzeća u Srbiji." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2016. https://www.cris.uns.ac.rs/record.jsf?recordId=101478&source=NDLTD&language=en.
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Disertacija se bavi utvrđivanjem smera i intenzitetauticaja informacionih tehnologija na pojedineorganizacione i poslovne performanse u preduzećimau Srbiji. Pri tme su posmatrane sledeće performanse:zadovoljstvo poslom, zadovoljstvo komunikacijom, organizaciona posvećenost, međusobno poverenje naposlu, organizacionoo učenje, finansijskeperformanse i profesionalni respekt prema lideru.Istraživanje je realizovano u preduzećima u Srbiji,tako što su ispitanici (srednji menadžeri) popuniliupitnike. Za istraživanje su korišćeni odgovori odukupno N = 380 srednjih menadžera iz 102preduzeća. Najvažniji rezultati istraživanja su sledeći:1. Utvrđen je postojeći nivo savremenosti i primeneinformacionih tehnologija, kao i nivo pažnje koja sepoklanja informacionim tehnologijama, upreduzećima u Srbiji. 2. Utvrđeno je stanjeinformacionih tehnologija u zavisnosti od nekolikokriterijuma: pol CEO, godine CEO, vlasničkastruktura preduzeća, finansijske performanse, profesionalni respekt prema lideru i poverenje uakcije menadžmenta. 3. Utvrđeno je da suinformacione tehnologije pokazatelj nivoaposmatranih organizacionih i poslovnih performansi.4. Utvrđeno je da postoji statistički značajan uticajinformacionih tehnologija na posmatraneorganizacione i poslovne performanse. 5. Ispitana su idefinisana moderatorna dejstva tri moderatora:Profesionalni respekt prema lideru, Poverenje uakcije menadžmenta i Vlasnička struktura preduzeća, na odnos informacionih tehnologija i zadovoljstvakomunikacijom i organizacionog učenja. 6. Definisane su preporuke za lidere i menadžere u vezisa tim kako unaprediti performanse preduzeća,posmatrano iz perspektive informacionih tehnologijai njihove primene.The dissertation deals with determining the directionand intensity of the impact of informationtechnologies on individual and organizationalperformance of companies in Serbia. Observed arethe following performances: job satisfaction,communication satisfaction, organizationalcommitment, mutual trust at work, organizationallearning, financial performance and professionalrespect for the leader. The survey was conducted incompanies in Serbia, by the respondents (middlemanagers) completing questionnaires. For the studythere were used responses from a total of N = 380middle managers from 102 companies. The mostimportant results of the research are as follows: 1.Defined is the current level of modernity andapplication of information technologies, as well as thelevel of attention paid to information technologies incompanies in Serbia. 2. Defined is the situation ofinformation technologies depending on severalcriteria: gender of the CEO, age of the CEO, theownership structure of the company, financialperformance, professional respect for the leader andtrust in the actions of management. 3. It is found thatinformation technologies are an indicator of the levelof the observed organizational and businessperformance. 4. It is found that there is a statisticallysignificant impact of information technologies on theobserved organizational and business performance. 5. Tested and defined are the moderating effects of threemoderators: professional respect for the leader, trustin the action of management and ownership structureof the company, on the relationship of informationtechnologies and communication satisfaction andorganizational learning. 6. There are definedrecommendations for leaders and managers in thisregard to improve the performance of the company,from the perspective of information technologies andtheir application.
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Teixeira, Paulo Frederico de Andrade. "Samuel Kerr: um recorte analítico para performance de seus arranjos." Universidade de São Paulo, 2013. http://www.teses.usp.br/teses/disponiveis/27/27158/tde-31012014-152704/.
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Este trabalho teve como objetivos analisar o conjunto de arranjos corais elaborados pelo maestro Samuel Kerr e estabelecer possíveis ligações entre sua produção e sua trajetória artística. Para isso, apresentamos um texto biográfico originado a partir da pesquisa bibliográfica e notamos necessária uma entrevista com o maestro que visou apurar os caminhos condutores de sua escrita coral. Em seguida elencamos e exemplificamos os quatorze procedimentos encontrados recorrentemente durante o processo de análise de um conjunto de cento e noventa e nove arranjos. Por fim, escolhemos cinco arranjos representativos do conjunto para uma análise mais detalhada, realizada através do Referencial Silva Ramos, processo que nos possibilitou enxergar com clareza a aplicação dos procedimentos. Durante a dissertação buscamos relacionar a quantificação de aplicação dos procedimentos de escrita ao pensamento criativo e pedagógico que identificamos na pesquisa e evidenciamos na maior parte das análises.The purposes of this study were to analyze the set of choral arrangements elaborated by the conductor Samuel Kerr and establish possible connections between his production and his artistic career. Thereunto, we presented a biographical text originated from bibliographic research, and we realized that an interview with the conductor was needed to raise his background which led to his choral writing. Afterwards, we listed and exemplified the fourteen procedures recurrently found during the process analysis of a set of one hundred and ninety nine arrangements. At last, we choose five representatives arrangements from the set for a further detailed analysis, performed by Silva Ramos Benchmark, process that allowed us to understand clearly the application of the procedures. Throughout the dissertation we pursue to relate the quantification of the application of procedures writing to creative thinking and pedagogical research that we have identified in the research and we have evidenced in most analyzes.
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Bennetts, Kathryn. "Solo recorder music of the 1990s : analytical approaches to the repertoire and its performance." Thesis, Canterbury Christ Church University, 2016. http://create.canterbury.ac.uk/16332/.
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This thesis is the result of practice-based research concerning the analysis and performance of solo recorder repertoire composed during the 1990s. Its purpose is to demonstrate that recorder music can support critical scrutiny, and that knowledge gained from analysis can develop a deeper understanding of the rational and empirical aspects of both structure and content, leading to compelling performances governed by, and reflecting, informed choices. This work includes a catalogue of solo pieces for the recorder composed during the 1990s, totalling 326 items, from which five have been selected for detailed analysis and performance. They are by: Peter Crossley-Holland; Calliope Tsoupaki; Donald Bousted; Gerhard Braun, and Maki Ishii. These pieces have been contextualised with reference to some of the important aesthetic concepts prevalent in the 1990s, particularly those regarding conservative and progressive ideas. Three methods of analysis have been used for the repertoire in focus: structural, paradigmatic, and parametric, leading to an understanding of the compositional process at both macro and micro levels. The repertoire demands a vast range of instrumental techniques, many rediscovered from historical treatises as much as from avant-garde style experimentation, including microtones, percussive, and vocalized sounds, providing a serious challenge to both the performer and the instrument. Each is discussed within the context of the selected pieces. The effects of globalisation at the end of the twentieth century are evidenced in the selected composers' use of ideas from many cultures, including historical references to early Western music, as well as to those of Japan and Indonesia. Specific references are made to Derrida and 'différance', and the influence of the Japanese aesthetic and structural principles of 'wabi sabi' and 'jo ha kyū'.
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Olsson, Elisabeth. "Multi-trait evaluation of Swedish warmblood stallions at station performance tests including field and competition records /." Uppsala : Dept. of Animal Breeding and Genetics, Swedish University of Agricultural Sciences, 2006. http://epsilon.slu.se/10275067.pdf.
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Feaster, Patrick. ""The following record" making sense of phonographic performance, 1877--1908 /." [Bloomington, Ind.] : Indiana University, 2007. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3264321.
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Thesis (Ph. D.)--Indiana University, Dept. of Folklore and Ethnomusicology, 2007.Source: Dissertation Abstracts International, Volume: 68-05, Section: A, page: 2108. Adviser: Richard Bauman. "Title from dissertation home page (viewed Jan. 12, 2008)."
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Edin, Strukan. "Efekti liderstva na organizacione i poslovne performanse preduzeća." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2019. https://www.cris.uns.ac.rs/record.jsf?recordId=108162&source=NDLTD&language=en.
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Disertacija se bavi efektima liderstva, LMX i transformacionog liderstva na razliĉite organizacione i poslovne performanse preduzeća u Bosni i Hercegovini. Od poslovnih performansi su kao kljuĉne posmatrane finansijske i performanse uspješnosti razvoja novog proizvoda, a kao organizacione performanse posmatrani su: zadovoljstvo poslom, organizaciona posvećenost, organizaciona komunikacija i meĊusobno povjerenje na poslu. Pored toga, u disertaciji su obrazloţeni i neki drugi organizacioni ishodi koji su u uzroĉno-posljediĉnoj vezi sa liderstvom: organizaciono ponašanje, organizaciona kultura, motivacija i stres. Istraţivaĉki dio disertacije je zasnovan na podacima koji su dobijeni iz dva istovremeno sprovedena istraţivanja. Prvo istraţivanje je obuhvatilo anketiranje N=334 menadţera srednjeg nivoa iz 103 preduzeća u Bosni i Hercegovini. Od metoda statistiĉke obrade podataka korišteni su: deskriptivna statistika, korelaciona analiza, regresiona analiza i hijerarhijska regresiona analiza za ispitivanje moderatornog dejstva. Osnovni zakljuĉci ovog istraţivanja su: (1) Lideri u B&H preduzećima imaju visoka oĉekivanja u pogledu performansi, a malo podrške i osjećanja za zaposlene. Kazne su ĉešće nego nagrade, LMX je oko prosjeka, distanca moći iznad prosjeka, a organizaciona posvećenost ima nisku prosjeĉnu ocjenu. (2) Zaposleni u B&H preduzećima ne vole visoku distancu moći, preferiraju dobre meĊuljudske odnose, kako sa nadreĊenim tako i sa kolegama. Pored toga, zaposleni visoko cijene nagraĊivanje i strategijske sposobnosti lidera. Insistiranje lidera na visokim performansama, kao i primjena sistema kaţnjavanja, ne daju pozitivne efekte. (3) Zadovoljstvo poslom, zadovoljstvo organizacionom komunikacijom i meĊusobno povjerenje na poslu su oko prosjeka. Zaposleni su više zadovoljni aspektima posla koji su vezani za socijalne odnose u preduzeću nego postojećim i potencijalnim naknadama. Generalno posmatrano,zadovoljni su organizacionom komunikacijom, naroĉito sa onom koju realizuju sa menadţerima srednjeg nivoa, a meĊusobno povjerenje je nešto intenzivnije kada su u pitanju namjere i akcije kolega nego namjere i akcije menadţmenta preduzeća. (4) Vlasniĉka struktura i nacionalno porijeklo preduzeća nisu znaĉajni moderatori posmatranih odnosa. Moderatorni efekat pokazao se samo u malom broju sluĉajeva. (5) Lideri treba da smanje distancu moći, smanje visoka oĉekivanja u smislu performansi, smanje kazne, a da poboljšaju svoj odnos sa zaposlenima, da njeguju dobre odnose meĊu zaposlenima, da povećaju nagrade, i da se usavršavaju u svojim strateškim znanjima, razmišljanjima i akcijama.TakoĊer, da bi disertacija dala sveobuhvatne informacije o efektima liderstva na organizacione i poslovne performanse preduzeća u Bosni i Hercegovini, pored prethodno navedenog istraţivanja menadţera srednjeg nivoa, uraĊeno je i dodatno, uporedno istraţivanje na uzorku od 127 top menadţera u isto toliko preduzeća, po principu jedno preduzeće jedan top menadţer. Uvaţavajući ĉinjenicu da moderno poslovanje nameće liderima potrebu kreiranja i stalnog uvoĊenja promjena u postojeći naĉin poslovanja, što u svojoj suštini predstavlja transformaciono liderstvo, ovo istraţivanje je imalo za cilj da utvrdi obim i intenzitet efekata transformacionog liderstva vrhunskih menadţera na poslovne performanse B&H preduzeća. Kao poslovne performase posmatrane su finansijske performanse i performanse razvoja novog proizvoda. Rezultati ovog istraţivanja pokazuju da transformaciono liderstvo ima pozitivan uticaj na postizanje visokog nivoa finansijskih performansi i performansi razvoja novog proizvoda. TakoĊer, istraţivanje je pokazalo da lideri i top menadţeri najvišeg nivoa u preduzećima u Bosni i Hercegovini imaju veći fokus na zadatke nego na ljude. U tom smislu, preporuka za njih jeste da više paţnje posvećuju kreiranju i uvoĊenju promjenama u postojeći model poslovanja, na budućnost i dugoroĉne planove, ali i na svoje zaposlene kao glavne nosioce svih poslovnih procesa.The dissertation deals with the effects of leadership, LMX and transformational leadership on the various organisational and business performance of enterprises in Bosnia and Herzegovina. Of business performance, key financial and success of new product development performance are considered to be key, while as organisational performance we consider: job satisfaction, organisational commitment, organisational communication and mutual trust at work. In addition, the dissertation also explains other organisational outcomes that are in a cause-and-effect relationship with leadership: organisational behaviour, organisational culture, motivation and stress. The research part of the dissertation is based on data obtained from two simultaneously conducted research. The first survey included a survey of N = 334 mid-level managers from 103 enterprises in Bosnia and Herzegovina. The statistical methods used are: descriptive statistics, correlation analysis, regression analysis and hierarchical regression analysis for moderate effect testing. The basic conclusions of this research are: (1) Leaders in Bosnia and Herzegovina have high expectations in terms of performance, with little support and feelings for employees. The penalties are more frequent than the rewards, the LMX is around the average, the distance of power above the average, and the organisation's commitment has a low average grade. (2) Employees in Bosnia and Herzegovina do not like a great distance of power, preferring good interpersonal relationships, both with their superiors and their counterparts. In addition, employees highly value and reward strategic abilities of leaders. Insistence of leaders on high-performance, as well as the application of the punishment system, do not yield positive effects. (3) Job satisfaction, satisfaction with organisational communication and mutual trust in work are around the average. Employees are more satisfied with aspects of work related to social relations in the companythan the existing and potential benefits. Generally speaking, they are happy with organisational communication, especially with middle-level managers, and mutual trust is more intense when it comes to the intentions and actions of colleagues than the intentions and actions of enterprise management. (4) Ownership structure and national origin of enterprises are not significant moderators of observed relationships. The moderate effect has only been demonstrated in a small number of cases. (5) Leaders should reduce the distance of power, reduce high performance expectations, reduce punishment, improve their relationship with employees, nurture good relations among employees, increase rewards, and improve their strategic knowledge, thinking and action.Also, in order for the dissertation to provide comprehensive information on the effects of leadership on organisational and business performance of enterprises in Bosnia and Herzegovina, in addition to the aforementioned research of mid-level managers, an additional parallel study was carried out on a sample of 127 top managers in the same companies, on the principle of one company one top manager. Bearing in mind the fact that modern business imposes on leaders the need to create and permanently introduce changes to existing business practises, which in essence represents transformational leadership, this research was intended to determine the scope and intensity of the transformation leadership effects of top managers on business performance of enterprises in Bosnia and Herzegovina. We consider financial performance and performance of new product development as business performance. The results of this research show that transformational leadership has a positive influence on achieving a high level of financial performance and the performance of developing a new product. Also, research has shown that leaders and top managers of the highest level in enterprises in Bosnia and Herzegovina have a greater focus on tasks than on people. In this regard, the recommendation to them is to pay more attention to the design and implementation of changes in the existing business model, the future and long-term plans, but also to its employees as the main carriers of all business processes.
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Cuervo, Luciane da Costa. "Musicalidade na performance com a flauta doce." reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2009. http://hdl.handle.net/10183/15663.
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A presente pesquisa acompanha o processo de aprendizagem da flauta doce de um grupo de dezessete sujeitos, com idades entre nove e treze anos, que participa de um projeto de extensão oferecido por uma escola pública de Ensino Fundamental e Médio em Porto Alegre, buscando compreender como se dá o desenvolvimento da musicalidade. Apóia-se na concepção de musicalidade como uma característica humana, constituída pela capacidade de geração de sentido musical através de uma performance expressiva. A metodologia de pesquisa possui abordagem qualitativa, com a realização de um estudo de caso em grupo por meio de observações de aulas e apresentações coletivas de flauta doce. Foram realizadas entrevistas semi-estruturadas como procedimento complementar. A coleta de dados aconteceu entre setembro de 2007 e agosto de 2008, totalizando 16 encontros, registrados em diário de campo e em arquivos de áudio. A observação dos indicadores sonoridade, fraseado, fluência na execução instrumental e interação musical otimizou a análise e interpretação dos resultados. O desenvolvimento da musicalidade dos sujeitos caracterizou-se por ser um processo dinâmico de aquisição gradativa de conhecimentos e habilidades musicais que promovem, a cada avanço, uma totalidade nova do saber-fazer que favorece a expressividade na performance. Os resultados demonstraram que o repertório, a prática e estudo, o contexto sociocultural, o acesso à técnica, criação e leitura musical e a ocorrência de apresentações musicais são fatores que influenciam o desenvolvimento da musicalidade.The present research traces the recorder learning process in a group of seventeen people, between the ages of nine and thirteen, which participate in an extension program held by a public school in Porto Alegre city. This research aims to understand how musicality is developed, based on the concept that this is a human characteristic, constituted by the capacity of creating musical meaning through expressive performance. The methodology applied has a qualitative approach. A group case study was made through class observation and collective recorder presentations. Semi-structured interviews were conducted as a complementary procedure. Data collection occurred between September 2007 and August 2008 by a total of 16 meetings registered in a field diary and in audio files. The observation of indicators such as sonority, musical phrasing, instrumental fluency and musical interaction optimized the analysis and interpretation of the results. The development of musicality in these seventeen people was characterized by the dynamic process of gradual acquisition of musical knowledge and ability, which promotes, at every progress, a new know-how wholeness that favors performance expressivity. The results demonstrated that: repertoire; practice and study; sociocultural context; access to technique, composition, improvisation, and musical reading; and the occurrence of musical presentations are factors that influence musicality development.
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Bittar, Valeria. "Música e ato." [s.n.], 2012. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284459.
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Orientador: Suzi Frankl SperberTese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-20T08:02:13Z (GMT). No. of bitstreams: 1 Bittar_Valeria_D.pdf: 3915851 bytes, checksum: 3bdc67b5e7298b895d1d4e6d7c1d2681 (MD5) Previous issue date: 2012
Resumo: O presente trabalho é divido em três partes. A primeira é uma exposição crítica da formação do músico intérprete, forjada na metodologia do Conservatório pós-Revolução Francesa e estabelecida no Romantismo. Compara-se essa "mentalidade" à noção da "sociedade disciplinar", "sociedade dos corpos dóceis", desenvolvida por Michel Foucault (2007), como estrutura da formação musical, geradora de uma interpretação "transparente" (HAYNES, 2007), denominada nesta tese de "interpretação neutra". O eixo dessa formação concentra-se no texto musical como valor absoluto, na autoria do texto e na decodificação lógico-abstrata feita pelo intérprete neutro, através de um treinamento técnico automatizado. A segunda parte desta tese considerará que a Performance da Música Historicamente Informada HIP (Historically Informed Performance) e, ao mesmo tempo, o contato do músico intérprete com composições que contêm escrita de contornos "móveis" de autores contemporâneos, foram os principais fatores que desviaram o músico da interpretação musical "canonicista" consolidada no Romantismo e que ainda hoje, paradoxalmente, formata a performance musical. Ambos os fatores conduziram o performador musical a deslocar o eixo da interpretação textocêntrica, na qual o performador assumia o posto do "embaixador da vontade do autor da obra" (DUNSBY, 1995) e a musicologia assumia a função reguladora da performance. Sem desvalorizar o texto musical (seja escrito ou de transmissão oral), este deslocamento aciona a noção da performance como uma operação de ordem perceptiva, e não lógica, que ocorrerá no espaço de performance, no instante da performance, cujo eixo é o intérprete e a audiência. Na terceira parte deste trabalho propõe-se primeiramente intensificar a vivência do performador através do conceito de "movência" do texto, termo cunhado pelo medievalista Paul Zumthor (1993), perante a "intervocalidade" que estrutura os textos da Idade Média, denotando a mobilidade e os "contornos frouxos" do texto. Propõe-se a aplicação do conceito de "movência" para a leitura /interpretação de qualquer texto. Partindo da conscientização da mobilidade do texto é considerada a abertura de um diálogo, por parte do performador musical, com outras artes performáticas, o teatro e a dança contemporâneos. Sugere-se o encontro de denominadores comuns entre estas artes - em especial o encontro com os conceitos fundamentados no teatro de Jerzy Grotowski, na antropologia teatral de Eugenio Barba e na Técnica Klauss Vianna de "Escuta do Corpo". Neste diálogo é proposta como estruturação do performador para a performance musical perceptiva, a inclusão de fundamentos trazidos por este teatro e pela Técnica Klauss Vianna: acionamento da atenção que parte da desautomatização do corpo cotidiano e a consequente geração da dilatação e da presença do corpo do atuante no momento do Ato musical. Expõe-se a experiência da autora como flautista doce no trabalho com o Grupo ANIMA, como síntese das propostas trazidas nesta tese, que caminham para a vivificação do Ato musical através da presença viva do músico atuante e de seu corpo em comunhão com a audiência
Abstract: The present work is divided into three parts. The first is a critical exposition of the formation of the music performer, forged in the methodology of the Conservatory after the French Revolution and settled in Romanticism. Here it will be compare this "mentality" to the notion of "disciplinary society", "society of docile bodies", developed by Michel Foucault (2007), as the structure of musical training, giving rise to an "transparent" interpretation (HAYNES, 2007), called here "neutral interpretation". The axis of this training focuses on the musical text as an absolute value, the authorship of the text and the decoding logic abstraction made by the neutral interpreter, through an automated technical training. The second part will consider the Historically Informed Performance of music (HIP) and at the same time, the contact of performers with interpretation of compositions of contemporary authors containing instable contours, the main factors that deviated the musician from "canonical" interpretation settled in Romanticism and consolidated today. Both factors led the musical performer to shift the axis of 'textcentrical' interpretation, in which the performer took the post of "Ambassador of the will of the author" (DUNSBY, 1995) and musicology assumed the function of regulatory performance. Without detriment to the musical text (whether written or oral transmission), this displacement drives the notion of performance as an operation of perceptual order, not logical, which occur in the space of performance, at the moment of performance, whose axis is the interpreter and audience. In the third part of this study aims primarily to intensify the experience of the performer through the concept of 'mouvence' of the text, a term coined by medievalist Paul Zumthor (1993), facing the 'intervocalicality' which structures the texts of the Middle Ages, showing mobility and 'flexible edges' of the text. It is proposed to apply the concept of 'mouvence' for reading / interpretation of any text. Starting from the awareness of the mobility of the text, in the present work it will be considered the opening of a dialogue, by the musical performer, with other performing arts, contemporary theater and contemporary dance. It is suggested that the finding of common denominators between these arts - especially the meeting with the fundamental concepts in the theater of Jerzy Grotowski, the Theater Anthropology of Eugenio Barba and the KlaussVianna Technique of "Body Hearing." This dialogue will propose that the structure of the performer, for musical perceptive performance, should be based on the inclusion of the concepts developed in Grotowski and Barba's theater and in the principles of the KlaussVianna Technique as: drive the attention of the body through deautomatization of everyday body and the consequent generation of dilation of the body and the presence of the body in the musical Act. It will be exposed the author's experience as recorder player together with Grupo ANIMA, as a synthesis of the proposals brought in this theses, that conduce to a lively musical Act through the living presence of the musician and its body in communion with the audience
Doutorado
Artes Cenicas
Doutor em Artes
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Mayes, Andrew. "Aspects of performance practice in works for recorder composed for Carl Dolmetsch between 1939 and 1989." Thesis, Birmingham City University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.506067.
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Philbeck, Nancy K. "Remediating the Transient Music Student Using Hypermedia and Finale Performance Assessment™ : A Recorder Based Model." Digital Commons @ East Tennessee State University, 2005. https://dc.etsu.edu/etd/2260.
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The purpose of this study was to develop, implement and test a tool designed to help transient students gain the basic musical knowledge and skills needed to successfully complete a fourth-grade unit of recorder study. The project resulted in the development of a hypermedia-based application.
The seven-week study consisted of 49 fourth-grade students. Students were given pitch reading and rhythm pattern identification pre-tests and post-tests. Students participated in weekly tests and tutorial sessions via the hypermedia-based application. At the conclusion of the study, the students were given post-tests and a performance test.
The pre-test and post-test scores for the transient and established populations were analyzed. A t-test analysis revealed a significant improvement in the scores of the established and transient populations. It appears that the hyper-media application may be an effective tutorial for transient students.
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Mila, Kavalić. "Efekti menadžmenta znanja na zadovoljstvo poslom zaposlenih i finansijske performanse preduzeća." Phd thesis, Univerzitet u Novom Sadu, Tehnički fakultet Mihajlo Pupin u Zrenjaninu, 2020. https://www.cris.uns.ac.rs/record.jsf?recordId=114985&source=NDLTD&language=en.
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Osnovni cilj istraživanja ove doktorske disertacije je da se utvrde smerovi i intenziteti dve grupe efekata: menadžmenta znanja (KM) na zadovoljstvo poslom (JS) zaposlenih i finansijske performanse (FP) preduzeća, uz prikaz uticaja pojedinih kontrolnih varijabli (nacionalno poreklo preduzeća, vlasnička struktura preduzeća, veličina preduzeća, visina finansijskih performansi preduzeća) na dimenzije menadžmenta znanja, kao i utvrđivanje moderatornih odnosa (pol, godine starosti, vrsta radnog mesta i stepen stručne spreme ispitanika) na relacije KM na JS. Istraživanje je izvršeno anketiranjem, na uzorku N=520 ispitanika (menadžeri svih nivoa) iz proizvodnih preduzeća u Srbiji. Statistička obrada podataka vršena je pomoću namenskog softvera IBM SPSS Statistics 21. Pri tome, korišćene su sledeće statističke metode: deskriptivna statistika, t-test, korelaciona analiza, regresiona analiza, analiza varijanse (ANOVA) i hijerarhijska regresiona analiza za analizu moderatornih dejstava. U radu su posmatrane dve grupe uticaja, menadžment znanja na zadovoljstvo poslom zaposlenih i menadžment znanja na finansijske performanse preduzeća. Prilikom analize relacija obe grupe, uočene su značajne razlike. Uticaj menadžmenta znanja na finansijske performanse preduzeća je jasan i nedvosmislen: statistički značajan i pozitivan. Međutim, uticaj menadžmenta znanja na zadovoljstvo poslom zaposlenih je znatno kompleksniji: uglavnom je statistički značajan i negativan, ali ima i statistički značajnih i pozitivnih uticaja.Osnovno ograničenje istraživanja je činjenica da se rezultati istraživanja odnose na zemlje sa specifičnim tranzicionim uslovima privrede, tako i na prisutnost psihološkog stava ljudi koji je specifičan u ovakvim uslovima. S druge strane, mora se napomenuti da je značajan istraživački uzorak obuhvatio i strane kompanije koje posluju u Srbiji, što može implicirati univerzalnost rezultata. S obzirom da se tranzicioni uslovi menjaju, značajno bi bilo pratiti te promene i u odnosu na njih postaviti nova istraživanja i komparirati rezultate i u skladu sa tim davati preporuke za dalji rad i unapređenje poslovanja.The main goal of this doctoral dissertation is to determine the directions and intensities of two groups of effects: knowledge management (KM) on employee job satisfaction (JS) and enterprise financial performance (FP). In addition, the impact of individual control variables (national origin of the enterprise, ownership structure, the size of the enterprise, and the financial performance of the enterprise) on the dimensions of knowledge management (KM) is presented. Also the effects of the defined moderating relations (gender, age, type of job and level of education of respondents) on the relations of KM to JS are analyzed. The research was conducted via survey, on a sample of N = 520 respondents (managers of all levels) from manufacturing enterprises in Serbia. Statistical data analysis was conducted with the IBM SPSS Statistics 21 software. The following statistical methods were used: descriptive statistics, t-test, correlation analysis, regression analysis, analysis of variance (ANOVA) and hierarchical regression analysis for analysis of moderator actions. Two groups of influences were observed: knowledge management on employee job satisfaction and knowledge management on enterprise financial performance. During the analysis of these relations, significant differences were noticed. The impact of knowledge management on financial performance is clear and unambiguous: statistically significant and positive. However, the impact of knowledge management on employee job satisfaction is much more complex: it is mostly statistically significant and negative, but it also has statistically significant and positive impacts. The main limitation of the research is the fact that the research results refer to countries with specific transition conditions of the economy, and to the presence of the psychological attitude of people, which is specific in such conditions. On the other hand, it must be noted that a significant research sample included foreign companies operating in Serbia, which may imply the universality of the results. Given that the transition conditions are changing, it would be important to monitor these changes and in accordance with them set new studies and compare the results and accordingly make recommendations for further research and business improvement.
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Gaskill, David M. "Real-Time Auxiliary Display Devices Enhance the Performance of Thermal Array Chart Recorders." International Foundation for Telemetering, 1991. http://hdl.handle.net/10150/612938.
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International Telemetering Conference Proceedings / November 04-07, 1991 / Riviera Hotel and Convention Center, Las Vegas, NevadaChart recorders are needed both for producing a permanent record for post-mission analysis and for providing real-time information during a test. Immediate feedback is important when test conditions may require mid-course warnings or corrections. In the traditional galvanometer based chart recorder, the operator can look directly at the pens moving on the paper and quickly judge speed and amplitude. When using a thermal array recorder, there is a small delay between the time of printing and the time when the trace is visible. This is due to the construction of the thermal array itself. Individual printing elements are deposited on a ceramic substrate which eliminates all motion from the printing process and physically blocks the operator’s view of the printhead so that for a short time there are no visual clues as to the exact waveform position. At higher chart speed this gap only represents milliseconds of elapsed time, well below human reaction time, and therefore of no real importance. At trending speeds, however, the delay could be half a second or even more and could be a problem in some situations. The first solution offered by manufacturers of thermal array recorders was a row of LED’s that stretched across the recorder directly over the printheads and reflected printing activity in real-time and indicated the actual position of the individual waveform traces. This was found to be a satisfactory solution by most telemetrists who wanted to change to the new technology in order to take advantage of the thermal array recorder’s higher frequency response and flexible formats. While the LED array satisfies basic real-time response requirements, there are many other applications for auxiliary displays which include variable chart labeling and graphic display of waveforms.
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Wright-Harmon, Joy. "Performance Rights in Sound Recordings: the Impact of the Performance Rights Act on Radio, Records, and Performing Artists." Thesis, University of North Texas, 2012. https://digital.library.unt.edu/ark:/67531/metadc115185/.
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The original works of copyright holders included tangible creations, as music written on a page, thereby, extending copyright protection to songwriters and music publishers. Until 1995, absent from U.S. copyright law was protection for copyright owners of intangible sound recordings. the Performance Rights Act (PRA) seeks to amend the US copyright law in order to grant copyright holders of sound recordings the right to performance royalties from terrestrial broadcast radio. If passed, the legislation would be unprecedented in the United States. the PRA has implications for broadcast radio, record labels, and performing artists. This study includes historical and legal perspective of previous attempts at legislation of this nature and predicts outcomes of current legislation.
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Carvalho, Cristiane dos Santos. "Os elementos da performance musical (EPM) na preparação de recitais de grupos de flautas doce." Universidade Federal de Goiás, 2016. http://repositorio.bc.ufg.br/tede/handle/tede/6122.
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Fundação de Amparo à Pesquisa do Estado de Goiás - FAPEG
The Final Product of Masters Degree presented here consists of two required parts: Part A (Artistic Production) and Part B (Scientific Production). The artistic part is composed of concerts presented throughout the process, including the defense recital, directly related to the developed research. The scientific part consists of an article that addresses the preparation of Brazilian recorder‟s ensembles at universities from the perspective of Musical Performance Elements (MPE) concept used as a focus of the research that was developed by RAY (2005). The main objective of the research was to identify the recorder active groups in universities, know how they work and indicate ways to optimize the preparation of this kind of group. The adopted methodological procedure was literature review on the subject and field research to identify the recorder active ensembles in Brazilian universities, followed by the organization and discussion of results. At last, we used the material gathered and discussed as a basis for the development of suggestions for the preparation of recitals in recorder‟s ensemble.
O Produto Final de conclusão de Mestrado aqui apresentado é composto de duas partes obrigatórias: Parte A (Produção Artística) e Parte B (Produção Científica). A parte artística é composta pelos recitais apresentados ao longo do curso, incluindo o recital de defesa, diretamente relacionado com a pesquisa desenvolvida. A parte científica é constituída por um artigo que aborda o processo de preparação de grupos de flautas doces de universidades brasileiras sob a ótica dos Elementos da Performance Musical (EPM), conceito utilizado como foco da pesquisa que foi desenvolvido por RAY (2005). O objetivo principal da pesquisa foi identificar os grupos de flautas doces ativos em universidades, entender como eles funcionam e indicar formas de otimizar a preparação deste tipo de grupo. O procedimento metodológico adotado foi revisão de literatura sobre o tema e pesquisa de campo para identificação dos grupos de flautas doces ativos em universidades brasileiras, seguidos da organização e discussão dos resultados. Ao final, utiliza-se do material reunido e discutido como base para a elaboração de sugestões para a preparação de recitais em grupos de flautas doces.
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Do, Changhee. "Improvement in accuracy using records lacking sire information in the animal model." Diss., Virginia Tech, 1992. http://hdl.handle.net/10919/39430.
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Tse, Po-fung Jordon. "LIVE performance informal performance space within the city /." Click to view the E-thesis via HKUTO, 2000. http://sunzi.lib.hku.hk/hkuto/record/B31985464.
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Thesis (M.Arch.)--University of Hong Kong, 2000.Includes special report study entitled : Identification of streetscape with performance space & identification of performance space with streetscape. Includes bibliographical references. Also available in print.
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Canchola, Amy. ""Para qué recorder": Preserving the Legacy of María Grever through Selected Vocal Compositions for Study and Performance." Thesis, University of North Texas, 2019. https://digital.library.unt.edu/ark:/67531/metadc1505196/.
Full textAbstract:
María Grever (1885-1951) overcame racism and gender bias during a pivotal era in American music history to become the first commercially successful Mexican female composer and more specifically, a pioneer of popular music during the first half of the 20th century. Though named the "Madonna of song," her legacy is largely overshadowed by other compositional giants of the era, such as the Gershwin brothers, Cole Porter, and Irving Berlin. Grever's music is sophisticated, heartfelt, and worthy of attention. Her colorful, genuine music adds distinctiveness and variety to recital programs. Grever's songs offer a high level of musical integrity and socio-cultural value. Incorporating her compositions into a singer's vocal repertoire is an excellent way to broaden the scope of styles and languages while maintaining the highest standards of musical study. The following document considers the importance of performing and studying Grever's music by analyzing nine songs representing three compositional periods. I evaluated the songs considering pedagogical benefit, performance value, and significance to her overall oeuvre.
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Miloš, Tomić. "Unapređenje modela organizacije i upravljanja poslovnim procesima uindustrijskim uslužnim preduzećima." Phd thesis, Univerzitet u Novom Sadu, Fakultet tehničkih nauka u Novom Sadu, 2016. http://www.cris.uns.ac.rs/record.jsf?recordId=101540&source=NDLTD&language=en.
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U doktorskoj disertaciji su predstavljeni modeli za unapređenjeorganizacione strukture i upravljanja poslovnim procesima iupravljanje performansom poslovnih procesa. U prvom modelu surazvijeni postupci analize, modelovanja, ocenjivanja i vrednovanjapostupaka unapređenja struktura i poslovnih procesa, a u drugommodelu su postavljene faze planiranja, merenja i vizuelizacijeperformansi poslovnih procesa. Primenjeni su savremeni softveriza upravljanje procesima i njihovim performansama. Mogućnostpraktične primene razvijenih modela istražena je u dve studijeslučaja realnog idustrijskog uslužnog preduzeća.In his doctoral dissertation, presented models for improving organizationalstructures and business process management and performancemanagement business processes. In the first model developed methods ofanalysis, modeling, assessment and evaluation procedures to improve thestructure and business processes, and in the second model are set phasesof planning, performance measurement and visualization of businessprocesses. Were applied modern software management processes and theirperformance. A possible application of the developed model was investigatedin two case studies of real industrial service enterprise.
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Bell, Regan, Nomathamsanqa Mgutshini, Nitin Joshi, and Peter Panus. "Comparing EMR Fall Risk Calculation to Performance-based Assessments." Digital Commons @ East Tennessee State University, 2021. https://dc.etsu.edu/asrf/2021/presentations/61.
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Falls are the second leading cause of accidental or unintentional injury deaths worldwide. Many factors contribute to an increased risk of falling, such as age, disease state, and medication use. The purpose of the current investigation was to compare an electronic medical record (EMR) fall risk calculator, the theoretical Timed Up and Go (T-TUG), which utilizes gender, age, BMI, and prescription and OTC drug counts as variables, to other established performance- and paper-based assessments of fall risk. The National Social Life, Health, and Aging Project (NSHAP) Database was used to develop the T-TUG. Data was analyzed from participants in Wave 1 of the Irish Longitudinal Study on Ageing (TILDA) to validate the T-TUG. Performance-based assessments included mean grip force for both dominant and nondominant hands, Timed Up and Go (TUG), and a paper-based assessment titled the Steadiness Index. The latter is a series of 3 questions assessing steadiness when walking, standing, or getting up from a chair. Those participants of the TILDA cohort passing the inclusion criteria were divided into those who reported a fall in the previous year (N=1159) and those reporting no falls (N=4746). Two group comparisons were analyzed by Mann-Whitney U Test (p<0.05) and a Receiver Operator Characteristics (ROC) curve analysis was used to detect separation of fall and non-fall groups. For the Mann-Whitney U test the fall and no fall groups were statistically different for the T-TUG (p<0.001), TUG (p<0.001), dominant and nondominant grip forces (p<0.001), and the steadiness index (p< 0.001). In the fall group, the grip forces were weaker, T-TUG and TUG time longer, and the steadiness index scores lower. For the grip force assessments and steadiness index, lower scores are more likely to be associated with a higher fall risk. In the T-TUG and TUG, longer times are more likely to be associated with a higher fall risk. In the ROC curve analyses, the T-TUG (0.567, p<0.001) demonstrated similar outcomes compared to dominant (AUC=547, p<0.09) and non-dominant (AUC=0.550, p<0.01) grip forces, and the TUG (AUC=0.558, p<0.001). The steadiness index ROC analysis was slightly better than the T-TUG (AUC=0.579, p<0.001). Sensitivity (52-58%) and specificity (50-57%) ranges were equivalent for all performance-based assessments, whereas for the Steadiness Index, the sensitivity (40%) was lower than the specificity (75%). The EMR fall-risk calculator (T-TUG) is a valid triage tool to estimate fall risk in older community dwellers. The EMR calculator has the potential for real-time assessment of patients using current data compared to other performance- and paper-based assessments, which would allow the healthcare team to spend more time with higher fall risk patients.
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Heesop, Kim. "A study of the influence of choice of record fields on retrieval performance." Thesis, Northumbria University, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.391752.
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Wong, Melissa Hok Cee. "A matter of record : ontology, technology, and historically informed performance in rock music." Thesis, University of Cambridge, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709338.
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Lockett, David R. "Recorded performances and a published edition [kit] / David Robert Lockett." 2003. http://hdl.handle.net/2440/38471.
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Compact discs presented in separate bound volume.Includes reproduction of the author's edition of the piano works of Margaret Sutherland (Allans Publishing ; c2000)
Includes selective list of public performances by the author (leaves 8-14), and comprehensive list of performances of works by Australian composers (leaves [66]-76).
Bibliography: leaf [65]
173 leaves :
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
The principal focus of this submission is performance, represented by a set of four compact discs containing recordings of a wide range of solo and ensemble repertoire. There is, in addition, a secondary focus in the area of Musicology, represented most obviously in the published edition of the piano music of Margaret Sutherland, and in some of the accompanying commentary. The primary elements of the portfolio are the recordings and the edition.
Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2004?
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Lockett, David Robert. "Recorded performances and a published edition [kit] / David Robert Lockett." Thesis, 2003. http://hdl.handle.net/2440/38471.
Full textAbstract:
Compact discs presented in separate bound volume.Includes reproduction of the author's edition of the piano works of Margaret Sutherland (Allans Publishing ; c2000)
Includes selective list of public performances by the author (leaves 8-14), and comprehensive list of performances of works by Australian composers (leaves [66]-76).
Bibliography: leaf [65]
173 leaves :
Title page, contents and abstract only. The complete thesis in print form is available from the University Library.
The principal focus of this submission is performance, represented by a set of four compact discs containing recordings of a wide range of solo and ensemble repertoire. There is, in addition, a secondary focus in the area of Musicology, represented most obviously in the published edition of the piano music of Margaret Sutherland, and in some of the accompanying commentary. The primary elements of the portfolio are the recordings and the edition.
Thesis (D.Mus.)--University of Adelaide, Elder School of Music, 2004?
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Thomas, Holly Ellen. "Applying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis." Thesis, 2014. http://hdl.handle.net/2440/85973.
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This submission for the degree of MPhil in Musical Performance at the Elder Conservatorium of Music, University of Adelaide, is the outcome of a performance-based research project that aims to identify, explore and apply the Linear Concept of contemporary drumming. The investigative approach has been one of analysis followed by synthesis. The initial stage had a focus on aural analysis of existing sound recordings. The creative synthesis was achieved through new performances, in a contemporary jazz setting. The significance of the project is in the creation of performances that develop this interesting but hitherto underdeveloped rhythmic principle. The direct outcomes are presented through the medium of two, 60-minute audio-visual DVD recordings, supported by an explanatory 5,000-word exegesis.Thesis (M. Phil.) -- University of Adelaide, Elder Conservatorium of Music, 2014
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Rickard-Ford, Paul. "Portfolio of recorded performances and exegesis: the late piano works of Robert Schumann." Thesis, 2010. http://hdl.handle.net/2440/63083.
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This doctoral submission consists of 4 CD recordings of my performances of Schumann’s piano works (from Opus 72 to the last piece he composed) supported by an exegesis. The works performed and discussed are: Vier Fugen Op. 72 (1845), Vier Märsche Op. 76 (1849), Waldszenen Op. 82 (1848/9), Bunte Blätter Op. 99 (1836-49), Albumblätter Op. 124 (1832-45), Drei Fantasiestücke Op. 111 (1851), Drei Klavier-Sonaten für die Jugend Op. 118 (1853), Sieben Stücke in Fughettenform Op. 126 (1853), Gesänge der Frühe Op. 133 (1853), and the Geistervariationen WoO 24 (1854).
Recent scholarship suggests that Schumann’s late piano works have been unreasonably neglected. This neglect has been justified by reference to his mental condition, which has often been assumed to have deteriorated as he got older, allegedly affecting the quality of his composition. Empirical evidence from the 1980s onwards supports a burgeoning school of thought that casts misgivings on the once commonly held belief that Schumann’s late works are inferior in quality. These recordings provide a fresh interpretation of the material and are intended to contribute towards a 21st century Schumannian renaissance as we approach the 200th anniversary of his birth in 2010.
The exegesis discusses the process of researching, learning, performing and recording these works. Interpretative decisions are described and validated through an examination of the implications of the score, and specific pianistic issues arising through the maturation of Schumann’s late style are also discussed. The works have been examined on the basis that historical prejudice may have prevented a fair assessment of the quality of the composer’s music of this period.Thesis (Ph.D.) -- University of Adelaide, Elder Conservatorium of Music, 2010