Relevant bibliographies by topics / Realiso magico

Academic literature on the topic 'Realiso magico'

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Published: 26 July 2024
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Journal articles on the topic "Realiso magico"

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Botes, N., and N. Cochrane. "’n Ondersoek na die kunstenaarskap in Die swye van Mario Salviati binne die konteks van die magiese realisme." Literator 27, no. 3 (July 30, 2006): 27–50. http://dx.doi.org/10.4102/lit.v27i3.200.

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An investigation into the nature of the artist in The long silence of Mario Salviati within the context of magic realism This article investigates the nature of the artist in “The long silence of Mario Salviati” (2000) within the context of magic realism. This novel by Etienne van Heerden is particularly interesting as the theme of art is directly intertwined with magic realism. The specific relationship between artistry and magic realism in “The long silence of Mario Salviati” has not been the focus of any particular study yet. Several artists in the novel will be analysed within the context of magic realism and according to magic realist characteristics to give an integrated perspective on style and theme. This investigation largely conjoins with the viewpoints of Faris (1995), although perspectives from other theorists are also taken as a point of departure. Some important characteristics of magic realist texts which are discussed within the context of artistry in “The long silence of Mario Salviati” are inter alia the co-existence of two worlds, doubts from the reader concerning the interpretation of events as realist or magical, the questioning of conventional ideas about time, space and identity, the anti-bureaucratic viewpoint and the focus on collective rather than individual memory.
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Aldama, Frederick Luis. "Structural Configuration of Magic Realism in the Works of Gabriel García Márquez, Leslie Marmon Silko, Charles Johnson, and Julie Dash." Journal of Narrative and Life History 5, no. 2 (January 1, 1995): 147–60. http://dx.doi.org/10.1075/jnlh.5.2.03str.

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Abstract This article raises the question of how contemporary multicultural authors and film directors build upon the magic-realist convention, with its specific narra-tive-discourse configurations (the way the story is told) to allow their audience access to foreign, often bizarre worlds. The first section of the analysis deals with understanding the precise structural configurations that make a text work as magic realism and explores variations that complicate the schemata. The second section relies on the first section's discussion of magic-realist codes to look closely at Julie Dash's film Daughters of the Dust , a text type that utilizes its visual and auditory tracks to work as magic realism. (Magic Realism; Visual and Literary Theory; Multicultural Images)
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Delbaere, Jeanne. "Magic Realism in Jack Hodgins’s Short Stories." Recherches anglaises et nord-américaines 20, no. 1 (1987): 41–49. http://dx.doi.org/10.3406/ranam.1987.1164.

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Magic realism in Jack Hodgins’s Short Stories. After tracing the development of magic realism and attempting to bring out its main features the author shows that Canadian magic realism combines elements of the two main orientations found elsewhere - fabulation and the marvellous - with a strong visual element borrowed from the school of painting of the same name. She then proceeds to analyse the magic realist elements in Jack Hodgins and more particularly in three of his stories, «Separating », «Spit Delaney’s Island », and «The Plague Children ».
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Mahesh Chandra Tiwari. "Magic Realism in the Works of Isabel Allende and Gabriel García and Laura Esquivel." Creative Launcher 6, no. 5 (December 30, 2021): 30–37. http://dx.doi.org/10.53032/tcl.2021.6.5.04.

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To begin, this article provides a short overview of Magic Realism. The meaning of the term the origins and development of Magical Realist literature, as well as "Magic Realism," must be explored next. Three famous authors will be discussed: Garcia Marquez, Isabelle Allende, and Laura Esquivel, as well as female writers Isabelle Allende and Laura Esquivel. In addition, a number of outstanding works by well-known authors connected with the literary movement Magical Realism are critically analysed. A Very Old Man with Enormous Wings, Like Water for Chocolate and The House of the Spirits are among the notable literary works to be studied in terms of their Magical Realist aspects.
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Azizmohammad, Fatemeh, and Atieh Rafati. "A Comparative Study of Isabel Allende “Ines of My Soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from the View Point of Features of Magic Realism." English Language and Literature Studies 8, no. 1 (February 8, 2018): 57. http://dx.doi.org/10.5539/ells.v8n1p57.

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This tentative study suggests Isabel Allende “Ines of my soul” and Gabriel Garcia Marquez “Love in the Time of Cholera” from magic realism point of view. Magic Realism is a Latin American literary movement which attempts to depict the reality in human’s mind. This literary movement is originated in the Latin American’s fiction in the middle of twentieth century. Isabel Allende, who is famous because in the most of her novels the magic realism is used, depicts the life of Ines Suarez, without whom the settlement of Chile could not be achieved, in the historical novel “Ines of my soul”.The father of magic realist writers, Gabriel Garcia Marquez in “Love in the time of cholera”, depicts the inside and outside worlds of man in this world, with the using of magic realism, he wants to show these opposites clearly.In this study, firstly, a model of analysis will be assumed by the features of magic realism. Next, Allende’s and Marquez’s novels will be read and analyzed within the magic realism pattern, the magic realism’s features will be traced in the novel. Finally, possible implications of both the model and the findings of the research for literary criticism and teaching novels of this kind will be discussed.
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Sharma, Khum Prasad. "Magic Realism as Rewriting Postcolonial Identity: A Study of Rushdie’s Midnight’s Children." SCHOLARS: Journal of Arts & Humanities 3, no. 1 (March 1, 2021): 74–82. http://dx.doi.org/10.3126/sjah.v3i1.35376.

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Magic realism as a literary narrative mode has been used by different critics and writers in their fictional works. The majority of the magic realist narrative is set in a postcolonial context and written from the perspective of the politically oppressed group. Magic realism, by giving the marginalized and the oppressed a voice, allows them to tell their own story, to reinterpret the established version of history written from the dominant perspective and to create their own version of history. This innovative narrative mode in its opposition of the notion of absolute history emphasizes the possibility of simultaneous existence of many truths at the same time. In this paper, the researcher, in efforts to unfold conditions culturally marginalized, explores the relevance of alternative sense of reality to reinterpret the official version of colonial history in Salman Rushdie’s Midnight’s Children from the perspective of magic realism. As a methodological approach to respond to the fiction text, magic realism endows reinterpretation and reconsideration of the official colonial history in reaffirmation of identity of the culturally marginalized people with diverse voices.
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Linhares, Bruno J. "Theopoetic and Pastoral Counseling. Using Magic Realism and Reframing: A Latin American Perspective." REFLEXUS - Revista Semestral de Teologia e Ciências das Religiões 7, no. 9 (March 3, 2015): 9. http://dx.doi.org/10.20890/reflexus.v7i9.132.

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Baseado em um artigo de Rubem Alves, escrito em 1977, sobre os Cuidados Pastorais sob a perspectiva da Teologia da Libertação, e no uso do Realismo Mágico na literatura e religião, sugiro ser o Reenquadramento uma proposta genuinamente latino-americana para a poimênica, sobretudo o aconselhamento, seguindo uma prática já feita por Rubem Alves. Palavras-Chave: Rubem Alves, Teologia da Libertação, Realismo Mágico, literatura latino-americana, poimênica. Based on a 1977 article written by RubemAlves about Pastoral Care under the perspective of theology of liberation and on the use of Magic Realism in literature and religion, I suggest being reframing a truly Latin American proposal for Pastoral Care, particularly Pastoral Counseling, a practice already done by RubemAlves. Keywords: RubemAlves, Theology of Liberation, Magic Realism, Latin American Literature, Pastoral Care.
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Subedi, Yubaraj. "Magic Realism in Rabindra Sameer's Mrityuko Aayu." Journal of Janta Multiple Campus 3, no. 1 (May 24, 2024): 167–80. http://dx.doi.org/10.3126/jjmc.v3i1.66155.

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This article analyzes the novel Mrityuko Aayu in the light of Magic Realism. Applying magic realism is methodological approach for critical analysis of the novel in this article. It follows interpretive textual analysis. Free translation has been used while taking the citation from the novel. I have drawn the conclusion that the novel is a magic realist novel as it has introduced innovative style of narrating the story. The story begins from the death of the protagonist, but he is capable of seeing everything even after the death. It has blended mundane and supernatural, ordinary and extraordinary and real and fantastical elements in an unquestionable way. The novel's extracts are analyzed within five parameters that include fantastical elements, real world setting, incorporation of myth, meta-fiction and social/ political critique. Even after the death of the protagonist, the story moves ahead from the spirit's perspective. The spirit is capable of seeing, feeling and experiencing everything. The readers accept all such actions and happenings as normal without questioning the reliability of them and feel sorry for his painful and pathetic condition. Therefore, the writer is successful in using magic realism in the novel. It is hoped that this article will encourage researchers to study other works of fiction from the point of view of Magic Realism.
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Ajeng, Galuh Dwi, and Aksendro Maximilian. "Reading Magical Realism in Salman Rushdie’s Midnight’s Children for Supporting EFL Students’ Cross-Cultural Awareness." Ksatra: Jurnal Kajian Bahasa dan Sastra 5, no. 1 (June 14, 2023): 195–208. http://dx.doi.org/10.52217/ksatra.v5i1.1245.

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The present study explores the magical realism contents in the Midnight’s Children by Salman Rushdie. It also aims to investigate the way the magical realism contents to be adapted and integrated into the cross-cultural understanding material to support the EFL students’ cross-cultural awareness. The qualitative research method is employed for analysing the primary source by consulting it to the secondary sources. From the story, it is found that the struggle is available between two opposing structures in a mystical realist document, and one of them is working toward the development of a fantasy universe from the other. These are the worlds of fantasy and life, and they are all present and vying for the reader's interest. Thus, the study may deduce that Rushdie employs magical realist features such as time dilation and the introduction of myth, legends, and folklore. Rushdie has built something unique with Midnight’s Children, and Saleem is honestly attempting to tell the tale of his existence, and the life of the new country. Moreover, based on the contents found, the instructional activities can be designed by adapting the magic realism content found in the story to build the cross-cultural awareness of the Indonesian EFL students. Moreover, magic realism content can also be an alternative and variation on the language and cultural classes.
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Mahmudah, Mahmudah. "Magical Realism in Aḥmad Sa‘dāwiy’s Frankenstein fī Bagdād." Jurnal Humaniora 28, no. 2 (November 12, 2016): 142. http://dx.doi.org/10.22146/jh.v28i2.16397.

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This article discusses the use of magic realism as a literary device in the Iraqi novel Frankenstein fī Bagdād written by Aḥmad Sa‘dāwiy. The novel is set in the period of inter-ethnic conflict which arose after the American invasion of 2003. Hādī, the main character of the novel, ‘creates a monster’ namely Syismah from the corpses of the many bomb victims in Baghdad. The writer combines setting of the novel with belief of the Iraq people, horoscope practice, and magic, in mystical and illogical atmosphere. Given its magic realist qualities, the analysis draws on the approach of Wendy B. Faris. The article identifies five key elements from magic realism present in the novel, and discusses the relationship between these elements in order to better understand the social, ideological, and political context of the novel. The analysis shows that there are relationships between two worlds: death and life, human and ghost, physical and metaphysical, natural and supernatural.
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Dissertations / Theses on the topic "Realiso magico"

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Milocco, Gaia <1993&gt. "Bontempelli e Buzzati: forme del Realismo Magico. Due strade magico-realiste all'esame della Teoria della Letteratura." Master's Degree Thesis, Università Ca' Foscari Venezia, 2021. http://hdl.handle.net/10579/18699.

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L’elaborato si propone di analizzare il fenomeno letterario del Realismo Magico, evidenziando l’esistenza di due principali e complementari declinazioni, rappresentate dalle figure paradigmatiche di Massimo Bontempelli e Dino Buzzati. L’obiettivo è quello di dimostrare che – al di là delle affinità apparenti, comunemente sottolineate – il primo tra i due autori ha inteso il Realismo Magico come una nuova espressione retorica della letteratura italiana, basata su una versione razionale e normalizzata del magismo delle avanguardie, e destinata primariamente all’intrattenimento delle masse, e che il secondo, al contrario, ha lavorato alla costruzione di un Realismo Magico rivolto alla descrizione dell’esperienza spirituale dell’Ignoto, in continuità con la tradizione romantica europea del fantastico, e con la ricerca sulle possibilità psichiche esplorate dal Surrealismo. Il primo capitolo definisce il Realismo Magico italiano, attraverso tre paragrafi che, partendo dalla teoria dei “Cahiers” bontempelliani del 1927 e dallo studio dell’estetica novecentista, approfondiscono le differenze con la teoria del Realismo Magico di Franz Roh, con la Metafisica di «Valori Plastici», con l’estetica dei Manifesti Surrealisti di André Breton e, infine, con l’Italia Magica, genere riconosciuto e descritto da Gianfranco Contini. Nel secondo capitolo si analizzano le opere pre-novecentiste di Bontempelli, “La scacchiera davanti allo specchio” (1922), “Eva ultima” (1923) e “La donna dei miei sogni” (1925), che mostrano l’eredità metafisica e anticipano le formulazioni dei “Cahiers”; si analizza, poi, il primo romanzo fantastico di Buzzati, “Il Segreto di Bosco Vecchio” (1935), considerando, da un lato, gli elementi di continuità con le strutture e i linguaggi magico-realisti di Bontempelli (la scansione scientifica della temporalità e gli eventi che si succedono), e, dall’altro, le deviazioni ispirate al fiabesco romantico. "Il segreto del Bosco Vecchio" viene qui presentato come una riscrittura italiana (e magico-realista) dei 'topoi' letterari di E.T.A. Hoffmann, in un contrappunto teorico con il saggio di Nella Giannetto “Buzzati et la literature fantastique du XIX siecle. Quelques suggestions à partir de Hoffmann et Poe”. Prendendo spunto dalle riflessioni di Oretta Guidi e Amalia Federico, si approfondiscono i luoghi del Realismo Magico (con particolare attenzione al simbolismo del bosco nell’immaginario dei due scrittori). Il terzo capitolo approfondisce il Realismo Magico applicato alla scrittura teatrale: si analizzano le relazioni complesse con il Teatro Visionico del Secondo Futurismo (la teoria drammaturgica di Pino Masnata) e i tentativi di Bontempelli e Buzzati di riportare la velocità e la condensazione narrativa dei linguaggi della cultura di massa in ambito teatrale. Nel capitolo conclusivo, è esposta una lettura di “Minnie la candida” e de “Il mantello”, con riferimento alle categorie di “Aspetti teorici della letteratura fantastica” di Morawski.
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Berg, Sharon Louise. "Magic in the North : magical realism in contemporary Scandinavian fiction /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/10243.

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Maufort, Jessica. "Ecological Magic Realism and Magic Realist Ecopoetics: Storying Place in Postcolonial Canadian and Australasian Novels." Doctoral thesis, Universite Libre de Bruxelles, 2018. https://dipot.ulb.ac.be/dspace/bitstream/2013/276457/5/Contrat.pdf.

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This comparative reading of contemporary Australasian and Canadian fiction privileges a reciprocal interaction between ecocriticism and magic realism within the field of postcolonial studies. My research shows that few works examine magic realism as a distinct aesthetic mode, while many ecocritical and postcolonial studies favour colonialist and pessimistic perspectives. Seeking to balance thematic and aesthetic concerns, my concepts of ecological magic realism and magic realist ecopoetics re-evaluate this still often misunderstood mode: its techniques in postcolonial narratives not only transcribe the cultural plight of the postcolonial subject, but also translate the missing ecological link between the environment and human beings. Informed by ecopoetic reflections on figurative language, Delbaere-Garant’s notion of mythic realism, and material ecocriticism, my concepts take the narrative and physical agency – or poiesis – of the non-human world as their focal point. Recognizing the dialogical web of human and non-human energies raises the issues of eco-imperialism as well as those of environmental and social justice. My thesis discusses two main configurations of ecological magic realism common to Anglo-Celtic and Indigenous texts within my corpus: synergy and crisis. These shifting interspecies relations are explored through the contexts of eco-spiritualities, scientific approaches to Nature, Nature writing, gothic-like metamorphoses, eco-apocalypse, and the Anthropocene. Rejecting dualistic worldviews, magic realism in these collaborative or competitive humans/Nature interactions remains ambivalent: on the one hand, it re-enacts human beings’ failed embeddedness in their non-human surroundings; on the other, it also re-opens the possibility of a mutually-enriching symbiosis.
Doctorat en Langues, lettres et traductologie
info:eu-repo/semantics/nonPublished
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Stanford, Amanda Theresa. "Outsized reality : how 'magical realism' hijacked modern Latin American fiction." Thesis, University of Edinburgh, 2013. http://hdl.handle.net/1842/7847.

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Creative Portion abstract (75%): Literary Fiction Manuscript Souvenirs of the Revolution Against the backdrop of the Mexican Revolution of 1910, betrayal, sexual deviance, rigid morality and a fatal subservience to moral correctness drives the Montelejos clan: complex and self-serving, innocent and deluded, larger than life, an illustrious family line in its final decline. Mariabella Montelejos, who tries to sell her only daughter for the price of a new carriage during the bloodiest part of the Revolution. Her daughter, Portensia Montelejos, who leaves her mother’s body to moulder in the front room after soldiers come at the point of a gun. Gloria Vasquez, celebrated beauty, practising witch, and tormentor of her step-sister, Teresa: ill, gullible, naive, awoken to her destiny by the surreal birth of her daughter. Paulina, a child who once communed with the holy, made an empty vessel by the abuse of her father – and revered as a living saint as she lies dying in a Pueblano convent. The men of the family, weak and susceptible to the mandates of their dying class, are no match for the machinations of such women. Evil abuser Ebner Collins, paralyzed by a jealous man’s bullet in the middle of the Sinai desert. Hernando Vasquez, cowed into marriage by the longing for his dead wife, Evelyn Cuthbert. Guiermo Fuentes de Solis, cuckolded husband. Jaime Vasquez, who hears voices and lives at the bottom of a bottle, unable to save his cousin Paulina. The Revolution is the beginning of the end for Montelejos, and the miraculous will be its undoing. Analytical Portion abstract (25%): An Outsized Reality: How “Magical Realism” Hijacked Modern Latin American Literature With the publication of Gabriel García Márquez’s Cien Anos de Soledad in 1967, Latin American writing captured the world’s attention. Critics, readers, and imitators rushed to discuss and emulate this astounding novel. A whole genre of literature, “magical realism”, was popularized, and with it, critical discussion of its influences, history, genre limitations, and the sheer “imagination” it brought to the forefront of literary debate. In this thesis I will discuss the problems associated with “Western” critical analysis of Latin American writing, specifically as it seeks to define, without a proper context, the literature which draws life from the history and culture of Latin America and categorizes its literature without the cultural understanding required.
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Spence, Leah Mogford. "Magic words : a reconceptualization of magic realism /." Thesis, Connect to this title online; UW restricted, 1997. http://hdl.handle.net/1773/9423.

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Jansen, Anne Mai Yee. "Momentary Magic: Magical Realism as Literary Activism in the Post-Cold War US Ethnic Novel." The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1365952312.

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Pedrós-Gascón, Antonio Francisco. "Diálogos transatlánticos: un “Boom” De Ida Y Vuelta." The Ohio State University, 2007. http://rave.ohiolink.edu/etdc/view?acc_num=osu1187031136.

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Dickerson, Brendhan Bailie. "Magical realism and subjective reality : an investigation of poetic symbolism and the development of related sculptures." Master's thesis, University of Cape Town, 1995. http://hdl.handle.net/11427/13862.

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Bibliography: leaves 58-62.
To meet the requirements for the Master of Fine Art degree at the University of Cape Town my intention was to develop a series of sculptural assemblages which address a sense of subjective or poetic reality, using symbolically resonant found and fabricated objects. The body of work is to be understood as a sculptural parallel to (but not illustrative of) Magical Realist literature, in which arcane phenomena are incorporated into a narrative in order to achieve just such a sense of subjective reality.
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Gaudinskaitė, Sigita. "Magiško(jo)realizmo poetika Gabrielio Garcíos Márquezo, Sauliaus Tomo Kondroto, Artūro Imbraso romanuose: lyginamasis aspektas." Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120831_110042-07315.

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Magistro darbe tyrimas atskleidė, kad magiško(jo) realizmo poetikai romanuose svarbus interdiscipliniškumo aspektas. Biblijos, istorijos, mitologijos faktų pateikimas sumaišo dabartį ir praeitį, tikroviškus ir antgamtinius reiškinius, universalumą ir realybę. Magiško(jo) realizmo poetika atskleidžia netikėtą kultūros ir civilizacijos opoziciją, kur gamta, papročiai, tradicijos priskiriamos būtent kultūros fenomenui, o civilizacija priartinama mokslo ir taisyklių sampratai. Unikali naratyvo forma, laikų, vietų kaita, vardų vartojimas – priartintų stebuklo, neįtikėtinų įvykių galimybę. Visa tai – magiško(jo) realizmo poetikoje skirta skaitytojo įtraukimui į tekstą, jo aktyvinimui ir stebinimui.
The research revealed that the aspect of interdisciplinarity was important for the poetics of magic(al) realism in the novels. Presentation of biblical, historic, mythological facts blended the present and the past, realistic and supernatural phenomena, versatility and reality. The poetics of magic(al) realism revealed an unexpected opposition of culture and civilisation, where nature, manners, traditions were attributed namely to the cultural phenomenon, and the civilization was brought closer to the concept of science and rules. A unique form of narrative, vicissitude of times and locations, usage of names – should anticipate the possibility of a miracle, unbelievable events. In the poetics of magic(al) realism, all that is used for involvement of a reader into the text, his/her activation and causing surprise.
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Luciano, Kelli Mesquita. "Referências históricas e o realismo mágico : as confluências em "Il barone rampante", de Italo Calvino e "El Siglo de las Luces", de Alejo Carpentier /." Araraquara, 2017. http://hdl.handle.net/11449/151095.

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Orientador: Claudia Fernanda de Campos Mauro
Banca: Fernanda Aquino Sylvestre
Banca: Ivair Carlos Castelan
Banca: Maria Dolores Aybar Ramírez
Banca: Érika Bergamasco Guesse Borges
Resumo: Esta tese objetiva a comparação dos romances Il barone rampante (1957), de Italo Calvino e El Siglo de las Luces (1962), de Alejo Carpentier, pois ambos apresentam confluências no que diz respeito a existência de referencias históricas, uma vez que os enredos transcorrem no século XVIII, em meio a Revolução Francesa e aos ideais iluministas. Além disso, as duas narrativas apresentam indicações de figuras da história oficial assim como a indicação de Instituições históricas. É fundamental destacar que nos dois romances, há acontecimentos insólitos que se referem ao realismo mágico, em Il barone rampante, o protagonista Cosimo vive um estilo de vida incomum sobre as árvores, onde estuda, tem atitudes altruístas e acredita nos ideias revolucionários, enquanto em El Siglo de las Luces, o protagonista é Víctor Hugues que foi inspirado em uma figura da história oficial, um francês que foi comerciante e responsável por disseminar a ideologia revolucionária na região das Antilhas. Sua chegada a Havana, movimenta ativamente a vida dos primos Esteban, Carlos e Sofía, que passam a nutrir interesses pela Revolução, fazem diversos estudos e leituras de autores filosóficos e são moldados pelo pensamento racionalista. No romance carpentiano, Esteban é curado da asma graças a rituais curandeiros fator que pode ser associado ao realismo maravilhoso. Em outros momentos, buscamos evidenciar alguns aspectos fabulistas em Il barone rampante e do barroquismo latino americano em El Siglo de las Luc... (Resumo completo, clicar acesso eletrônico abaixo)
Abstract: This thesis aims at the comparison of the novels Il barone rampante (1957), by Italo Calvino and El Siglo de las Luces (1962), by Alejo Carpentier, since both have confluences regarding the existence of historical references, since the entanglements both of which take place in the eighteenth century, amidst the French Revolution and the Enlightenment ideals. In addition, the two narratives present indications of figures of the official history as well as the indication of Historical Institutions. It is important to note that in the two novels, there are unusual events that refer to magical realism, in Il barone rampante, the protagonist Cosimo lives an unusual lifestyle on the trees, where he studies, has altruistic attitudes and believes in revolutionary ideas, while in El Siglo de las Luces, the protagonist is Víctor Hugues who was inspired by an official history figure, a french who was a merchant and responsible for spreading the revolutionary ideology in the Antilles region. His arrival in Havana actively moves the lives of the cousins Esteban, Carlos and Sofía, who begin to nurture interests for the Revolution, do various studies and readings of philosophical authors and are shaped by rationalist thinking. In the Carpentian novel, Esteban is cured of asthma thanks to ritual healers, factor that can be associated with magical realism. At other times, we tried to evidence some fabulous aspects in Il barone rampante and the Latin American baroque in El Siglo de las Luces. ... (Complete abstract click electronic access below)
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Books on the topic "Realiso magico"

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Milano, Palazzo reale di, ed. Realismo magico: Uno stile magico. Milano: 24 ore cultura, 2021.

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Magic realism. Detroit: Gale Group, 2000.

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Magic(al) realism. New York: Routledge, 2004.

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Elena, Pontiggia, and Società per le belle arti ed esposizione permanente (Milan, Italy), eds. Pompeo Borra: Un realismo magico. [Milano]: G. Mondadori, 2009.

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Flores, Juan Carlos. Magic and realism: Central American contemporary art = Magia y realismo : arte contemporáneo centroamericano. [Tegucigalpa]: Galeria Trio's, 1992.

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Varieties of magic realism. New Jersey, USA: Academic Press ENE, 2007.

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Zlotchew, Clark M. Varieties of magic realism. [Fair Haven], NJ: Academic Press ENE, 2006.

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Convegno internazionale di studi "Realismo magico, fantastico e iperrealismo nell'arte e nella letteratura latinoamericane" (2004 Udine, Italy). Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Udine: Forum, 2005.

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Mario, Sartor, ed. Realismo magico: Fantastico e iperrealismo nell'arte e nella letteratura latinoamericane. Udine: Forum, 2005.

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Adams, Jenni. Magic Realism in Holocaust Literature. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230307353.

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Book chapters on the topic "Realiso magico"

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Gee, Felicity. "Magic realism." In Magic Realism, World Cinema, and the Avant-Garde, 126–48. Abingdon, Oxon; New York: Routledge, 2021. | Series: Remapping world cinema; 5: Routledge, 2021. http://dx.doi.org/10.4324/9781315312811-5.

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"Realismo magico / Magic Realism." In Harsh World and Other Poems, 164–67. Princeton University Press, 2015. http://dx.doi.org/10.1515/9781400869169-060.

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Rebeiz, Mireille. "The Magical Body and the Grotesque Body." In Gendering Civil War, 161–204. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474499262.003.0005.

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Chapter 4 focuses on the grotesque female body in Hyam Yared and Vénus Khoury-Ghata’s writings; it distinguishes between magical realism and grotesque realism or the carnivalesque. Hyam Yared’s L’Armoire des Ombres tells Lebanese women’s war stories through the magical realist image of a woman removing her shadow and putting someone else’s. This postmodern genre allows the writer to represent the war from the alternative space of magic, a space traditionally dedicated to the postcolonial marginalized voices who wish to speak against mainstream imperialistic powers. As for grotesque realism, it appears in Vénus Khoury-Ghata’s Vacarme Pour Une Lune Morte and its sequel Les Morts N’Ont Pas D’Ombre. These novels put forward the carnivalesque upside down world of Nabilie (which is Liban/Lebanon spelled backwards) where logical rules that govern space, time, life, and death are suspended. Vénus Khoury-Ghata, just like Rabelais, creates a vulgar universe to represent the madness happening in violent Lebanon.
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Roh, Franz. "Magic Realism." In Magical Realism, 15–31. Duke University Press, 1995. http://dx.doi.org/10.1215/9780822397212-002.

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ROH, FRANZ. "Magic Realism:." In Magical Realism, translated by Wendy B. Faris, 15–32. Duke University Press, 1995. http://dx.doi.org/10.2307/j.ctv11cw5w1.5.

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"Magic Realism." In Self, Nation, Text in Salman Rushdie’s, 48–60. McGill-Queen's University Press, 2004. http://dx.doi.org/10.1515/9780773571501-005.

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Angulo, María-Elena. "Realismo Maravilloso." In Magic Realism, 3–18. Routledge, 2018. http://dx.doi.org/10.4324/9781315864280-1.

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Angulo, María-Elena. "Two Canonical Novels of Realismo Maravilloso." In Magic Realism, 19–47. Routledge, 2018. http://dx.doi.org/10.4324/9781315864280-2.

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Angulo, María-Elena. "A Seminal Text of Realismo Maravilloso in the Early 1930s." In Magic Realism, 48–73. Routledge, 2018. http://dx.doi.org/10.4324/9781315864280-3.

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Angulo, María-Elena. "Two Ecuadorian Novels of Realismo Maravilloso of the 1970s." In Magic Realism, 74–105. Routledge, 2018. http://dx.doi.org/10.4324/9781315864280-4.

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Conference papers on the topic "Realiso magico"

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Schofield, Tom, Diego Trujillo Pisanty, Gabriella Arrigoni, Kim Reynolds, and Rachel Pattinson. "Magical Realism and Augmented Reality." In DIS '19: Designing Interactive Systems Conference 2019. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3322276.3322293.

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Korobko, Kristina Viacheslavovna. "THE SPECIFICITY OF MO YAN’S MAGICAL REALISM." In Themed collection of papers from Foreign international scientific conference «Joint innovation - joint development». Part 1. Ьу НNRI «National development» in cooperation with PS ofUA. June 2023. Crossref, 2023. http://dx.doi.org/10.37539/230629.2023.51.14.036.

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This article reveals the essence of the concept of “magical realism” in the context of the work of Mo Yan and his novel “Frog”. The relations between myth, cultural and literary traditions and modern reality are analyzed in the light of magical realism as a literary method.
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Schofield, Tom, John Bowers, and Diego Trujillo Pisanty. "Magical Realist Design." In DIS '20: Designing Interactive Systems Conference 2020. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3357236.3395530.

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Fiala, Mark, and Gerhard Roth. "Magic lens augmented reality." In SIGGRAPH07: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2007. http://dx.doi.org/10.1145/1280720.1280885.

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Lempitsky, Victor, Alexander Vakhitov, and Andrew Starostin. "CarpetVR: The Magic Carpet Meets the Magic Mirror." In 2018 IEEE Conference on Virtual Reality and 3D User Interfaces (VR). IEEE, 2018. http://dx.doi.org/10.1109/vr.2018.8446576.

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Fracaro, Franklin Luiz Do Nascimento, Fabiana Frata Furlan Peres, and Claudio Roberto Marquetto Mauricio. "Montando o Project North Star: Um Dispositivo de Visualização de Baixo Custo Baseado em Visão Óptica Direta." In XXI Symposium on Virtual and Augmented Reality. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/svr_estendido.2019.8459.

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Uma das maiores dificuldades para o estudo da realidade aumentada utilizando a abordagem visão direta é o alto custo dos dispositivos disponíveis comercialmente como o HoloLens da Microsoft ou o Magic Leap One da Magic Leap. Através da união do sensor Leap Motion, impressão 3D, hardware e software de código aberto, a startup desenvolvedora do Leap Motion disponibilizou para o público uma soluçãode um visualizador montado na cabeça que utiliza a visão óptica direta chamado Project North Star. Este artigo tem como objetivo demonstrar o processo de montagem de uma versão deste dispositivo de baixo custo e como ele pode tornar-se uma ferramenta poderosa para o estudo da realidade aumentada.
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Dewitz, Bastian, Sukran Karaosmanoglu, Robert W. Lindeman, and Frank Steinicke. "Magic, Superpowers, or Empowerment? A Conceptual Framework for Magic Interaction Techniques." In 2023 IEEE Conference on Virtual Reality and 3D User Interfaces Abstracts and Workshops (VRW). IEEE, 2023. http://dx.doi.org/10.1109/vrw58643.2023.00246.

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Fiorentino, Michele, Rafael Radkowski, Antonio Boccaccio, and Antonio Emmanuele Uva. "Magic Mirror Interface for Augmented Reality Maintenance." In AVI '16: International Working Conference on Advanced Visual Interfaces. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2909132.2909268.

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Fiala, Mark. "Magic Mirror System with Hand-held and Wearable Augmentations." In 2007 IEEE Virtual Reality Conference. IEEE, 2007. http://dx.doi.org/10.1109/vr.2007.352493.

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Flowers, Adrian, Arthur Wollocko, Caroline Kingsley, Elizabeth Thiry, and Michael Jenkins. "Degradation in dynamic visual perception with waveguide-based augmented reality displays." In AHFE 2023 Hawaii Edition. AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004453.

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We investigated the degradation in visual perception that can occur using augmented reality displays to interact with and interpret real-world reading and spatial response tasks.Background: Stereoscopic augmented reality displays can degrade a user’s visual perception. To distinguish the components of this degradation that result from hardware and software differences, an analysis of this visual degradation for contemporary augmented reality displays is necessary.Method: Participants performed real-world (i.e., not projected in augmented reality) eyechart tests of visual acuity and contrast sensitivity to characterize the degradation of static visual perception caused by each headset in the study (Microsoft HoloLens, Magic Leap One, and DAQRI Smart Glasses), and took a measure of useful field of view to characterize any potential degradation in spatial awareness.Results: From our analysis of user performance, we observed that unlike the headsets previously used for this type of characterization, the majority of contemporary augmented reality displays do not significantly degrade visual perception. However, we did observe slight decreases in visual performance introduced by the Magic Leap One.Conclusions: We defined a methodology to employ real-world measures of visual perception to rapidly characterize degradation of visual perception in augmented reality.Applications: This analysis can inform headset selection and visual stimulus design strategies based on operational requirements and inform future headset development efforts.
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Reports on the topic "Realiso magico"

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Hawkins, Benjamin. Exploring Realism and Magical Realism in Slum Novels of the Global South. Portland State University Library, January 2013. http://dx.doi.org/10.15760/honors.6.

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Donoso, José. Houses, Voices and Language in Latin America. Inter-American Development Bank, March 1993. http://dx.doi.org/10.18235/0007906.

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