Academic literature on the topic 'Realism on television'
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Journal articles on the topic "Realism on television"
Rickenbach, M. "Television programme's realism." BMJ 309, no. 6947 (July 9, 1994): 132. http://dx.doi.org/10.1136/bmj.309.6947.132.
Full textWard-Griffin, Danielle. "Realism Redux: Staging ‘Billy Budd’ in the Age of Television." Music and Letters 100, no. 3 (August 1, 2019): 447–80. http://dx.doi.org/10.1093/ml/gcz064.
Full textLonghurst, Brian. "Realism, Naturalism and Television Soap Opera." Theory, Culture & Society 4, no. 4 (November 1987): 633–49. http://dx.doi.org/10.1177/026327687004004004.
Full textDickason, Renée. "Capturing the ‘Real’ in British Television Fiction: Experiments in/of Realism— An Abiding and Evolving Notion." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 3 (May 1, 2011): 82. http://dx.doi.org/10.12681/syn.16922.
Full textyongjin won and 강신규. "'Gamification' and 'Gamic Realism' on Television." Journal of Popular Narrative ll, no. 30 (December 2013): 323–63. http://dx.doi.org/10.18856/jpn.2013..30.010.
Full textCorner, J. "Presumption as theory: 'realism' in television studies." Screen 33, no. 1 (March 1, 1992): 97–102. http://dx.doi.org/10.1093/screen/33.1.97.
Full textUgalde, Leire, Juan-Ignacio Martínez-de-Morentín, and Concepción Medrano-Samaniego. "Adolescents’ TV viewing patterns in the digital era: A cross-cultural study." Comunicar 25, no. 50 (January 1, 2017): 67–76. http://dx.doi.org/10.3916/c50-2017-06.
Full textCho, Hyunyi, Kari Wilson, and Jounghwa Choi. "Perceived Realism of Television Medical Dramas and Perceptions About Physicians." Journal of Media Psychology 23, no. 3 (January 2011): 141–48. http://dx.doi.org/10.1027/1864-1105/a000047.
Full textForrest, Tara. "A Realism of Protest: Christoph Schlingensief's Television Experiments." Germanic Review: Literature, Culture, Theory 87, no. 4 (November 2012): 325–44. http://dx.doi.org/10.1080/00168890.2012.734753.
Full textGoostree, Laura. "The Monkees and the Deconstruction of Television Realism." Journal of Popular Film and Television 16, no. 2 (April 1988): 50–58. http://dx.doi.org/10.1080/01956051.1988.9943383.
Full textDissertations / Theses on the topic "Realism on television"
Mercer, Paul S. "Television realism : a semiotic approach." Thesis, University College London (University of London), 2002. http://discovery.ucl.ac.uk/10006645/.
Full textHale-Wisener, Amanda. "Mediating realism the influence of transportation /." Online access for everyone, 2004. http://www.dissertations.wsu.edu/Thesis/Summer2004/A%5FWisener%5F072904.pdf.
Full textHewett, Richard. "Acting for Auntie : from studio realism to location realism in BBC television drama, 1953-2008." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12891/.
Full textPerry, Colin, and mikewood@deakin edu au. "The narrativization of actuality: Convergence of form and genre in film and television." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.092326.
Full textBuehler, Branden. ""As true as television gets" the wire and perceptions of realism /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/648974372/viewonline.
Full textPotratz, Rachel M. "When is Reality Real?: Youth Perceptions of MTV Reality Programs." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194968374.
Full textMark, Amanda. "Soap opera subculture : emotional realism and empathic identification." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56790.
Full textButcher, Erica. "An Audience Reception Analysis Field Study: Exploring Second and Later Generation Latino Viewers’ Perceived Realism Appraisals of Latino Fictional Television Characters in English Language Television Programs." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1249586967.
Full textOxoby, Marc C. "American literary fiction in a televisual age /." abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209131.
Full text"August, 2005." Includes bibliographical references (leaves 217-227). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
Cama, Mariana Pimenta. "O crime espetáculo na tela: entre a realidade e a ficção." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5267.
Full textThe current research intends to reflect in a critical manner about the ways of representation of criminality on audiovisual media, especially on television. The target of this analysis is to point out media processes that highlight and exemplify the way crime is turned into a spectacle, reconfiguring narrative formats of police drama and news currently active. When it comes down to representing images of violence and criminality, the audiovisual media culture has been showing two main slopes: the news that incorporates construction elements typical of soup operas, and the fictional program that intends realism, showing the routine of police in action in big urban areas. Under the eye of speculation promoted by news media, two cases will be analyzed, which took place in 2008: the case of Isabella Nardoni and the young girl Eloá Pimentel, exhaustingly reproduced and detailed on the internet. In the thin line of the crime-spectacle in the universe of fiction, we ll analyze the narrative of TV series CSI: Crime Scene Investigation, highlighting the episodes "Grave Danger" and "Monster in a box". From the methodic point of view, the research bases itself on the audiovisual analysis provided for television and in its versions for Internet and DVD, willing to investigate the connection between the subject in question and the visible object, interpreting the spectator as a morbid voyeur. From the theoretical point of view, the research lays on "real shock" concept by Beatriz Jaguaribe, on the hypothesis of intimacy spectacle by Paula Sibilia, presented on O Show do Eu: a intimidade como espetáculo", and on the "A Sociedade do Espetáculo" by Guy Debord. The arguments concerning the News are anchored by work of Eugênio Bucci and Maria Rita Kehl, "Videologias". The reflexion regarding the spectator with violent images is based on the work by Susan Sontag, "Diante da dor dos outros", and on the works of Arlindo Machado, "A Televisão levada a Sério" and "O Sujeito na Tela". In the end, it is concluded that the persistent shocking images that infest the many diverse ways of informational communication operate through contagious systems, which lead to dramatization elements of the journalism of the real for the fictional and spectacle of crime for the News universe, on television and internet
A presente pesquisa pretende refletir de forma crítica sobre os modos de representação da criminalidade nas mídias audiovisuais, em especial na mídia televisiva. O objetivo da análise é apontar processos midiáticos que evidenciem e exemplifiquem o modo como o crime é transformado em espetáculo, reconfigurando os formatos narrativos de dramas policiais e do telejornalismo vigentes. A cultura das mídias audiovisuais, no que diz respeito à representação das imagens de violência e criminalidade, vem demonstrando duas vertentes predominantes: o telejornalismo que incorpora elementos de construção típicos das telenovelas e a programação ficcional que se pretende realista, retratando o cotidiano da polícia em ação nos grandes centros urbanos. Sob a ótica da espetacularização promovida pela mídia jornalística, serão analisados dois crimes ocorridos no ano de 2008: o caso da menina Isabella Nardoni e o da jovem Eloá Pimentel, fartamente reproduzidos e detalhados na internet. No que tange ao crime-espetáculo no universo da ficção, analisaremos a narrativa seriada televisiva CSI:Crime Scene Investigation, com destaque para os episódios "Grave danger" e "Monster in a box . Do ponto de vista metodológico, a pesquisa baseia-se na análise dos audiovisuais concebidos para televisão e em suas versões para internet e DVD, a fim de investigar a relação entre o sujeito vidente e o objeto visível, entendendo o espectador como voyeur-mórbido. Do ponto de vista teórico, a pesquisa apoia-se no conceito de "choque do real" de Beatriz Jaguaribe, na hipótese de espetacularização da intimidade de Paula Sibilia, apresentada em O show do eu: a intimidade como espetáculo" e na obra "A sociedade do espetáculo" de Guy Debord. As discussões sobre telejornalismo são ancoradas na obra de Eugênio Bucci e Maria Rita Kehl, "Videologias". A reflexão sobre a relação do espectador com as imagens de violência baseia-se na obra de Susan Sontag, "Diante da dor dos outros", e nas obras de Arlindo Machado, "A televisão levada a sério" e "O sujeito na tela". Ao final, conclui-se que as insistentes imagens de choque e violência que assolam os mais diversos meios informacionais de comunicação operam por sistemas de contágio, que levam elementos da dramatização do real do telejornalismo para o universo ficcional e de espetacularização do crime para o universo do telejornal, na televisão e internet
Books on the topic "Realism on television"
Television drama: Realism, modernism, and British culture. Oxford: Oxford University Press, 2000.
Find full textBritta, Timm Knudsen, and Thomsen Bodil Marie 1956-, eds. Virkelighedshunger: Nyrealismen i visuel optik : antologi. København: Tiderne Skifter, 2002.
Find full text1956-, Nagib Lúcia, and Mello Cecília 1974-, eds. Realism and the audiovisual media. New York: Palgrave Macmillan, 2009.
Find full textUnderstanding realism. London: BFI, 2005.
Find full textD, Barker A., ed. Television, aesthetics and reality. Newcastle: Cambridge Scholars Press, 2006.
Find full textKeppler, Angela. Wirklicher als die Wirklichkeit?: Das neue Realitätsprinzip der Fernsehunterhaltung. Frankfurt am Main: Fischer Taschenbuch, 1994.
Find full textRealtà/finzione: L'impero del falso. Milano: Castoro, 2003.
Find full textOstromecka, Marzena. New realism in contemporary media: The reality television and Dogme 95. London: LCP, 2002.
Find full textRealism and the audiovisual media. Basingstike, Hampshire: Palgrave Macmillan, 2009.
Find full textAuthentizität, Mimesis, Fiktion: Fernsehunterhaltung und Integration von Realität am Beispiel des Kriminalsujets. München: Schaudig, Bauer, Ledig, 1992.
Find full textBook chapters on the topic "Realism on television"
Bignell, Jonathan. "Realism and Reality Formats." In A Companion to Reality Television, 95–115. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118599594.ch6.
Full textD'Arcy, Geraint. "Television, History, Realism." In Critical Approaches to TV and Film Set Design, 62–87. London; New York: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315205939-4.
Full textCooke, Lez. "History, Realism and Ideology, 1970–9." In British Television Drama, 98–137. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-896-2_5.
Full textCooke, Lez. "Popular Drama and Social Realism, 1955–61." In British Television Drama, 32–59. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-896-2_3.
Full textMyers, Diane. "Losing Grip on Reality: A Reflection on British Factual Television." In Realism and the Audiovisual Media, 235–47. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230246973_17.
Full textPawling, Chris, and Tessa Perkins. "Popular Drama and Realism: The Case of Television." In The Death of the Playwright?, 43–66. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21906-3_3.
Full textDadar, Taraneh. "Framing a Hybrid Tradition: Realism and Melodrama in About Elly." In Melodrama in Contemporary Film and Television, 223–38. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137319852_13.
Full textVitali, Valentina. "The Hindi Horror Film: Notes on the Realism of a Marginal Genre." In Genre in Asian Film and Television, 130–48. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230301900_9.
Full textRudin, Richard. "Reality Television." In Broadcasting in the 21st Century, 76–92. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34384-9_6.
Full textRainoldi, Mattia, Arne Van den Winckel, Joanne Yu, and Barbara Neuhofer. "Video Game Experiential Marketing in Tourism: Designing for Experiences." In Information and Communication Technologies in Tourism 2022, 3–15. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94751-4_1.
Full textConference papers on the topic "Realism on television"
Crow, Franklin C. "Vision Research Applied to Computer-Synthesized Imagery." In Applied Vision. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/av.1989.wc2.
Full textSaeghe, Pejman, Sarah Clinch, Bruce Weir, Maxine Glancy, Vinoba Vinayagamoorthy, Ollie Pattinson, Stephen Robert Pettifer, and Robert Stevens. "Augmenting Television With Augmented Reality." In TVX '19: ACM International Conference on Interactive Experiences for TV and Online Video. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3317697.3325129.
Full textPamparău, Cristian, and Radu-Daniel Vatavu. "The User Experience of Journeys in the Realm of Augmented Reality Television." In IMX '22: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3505284.3529969.
Full textSword, Terrenz. "The A.R.T. System™: Artificial Reality Television System™." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1994. http://dx.doi.org/10.5594/m00859.
Full textSaeghe, Pejman, Gavin Abercrombie, Bruce Weir, Sarah Clinch, Stephen Pettifer, and Robert Stevens. "Augmented Reality and Television: Dimensions and Themes." In IMX '20: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3391614.3393649.
Full textPopovici, Irina, and Radu-Daniel Vatavu. "Understanding Users' Preferences for Augmented Reality Television." In 2019 IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2019. http://dx.doi.org/10.1109/ismar.2019.00024.
Full textVatavu, Radu-Daniel, Pejman Saeghe, Teresa Chambel, Vinoba Vinayagamoorthy, and Marian F. Ursu. "Conceptualizing Augmented Reality Television for the Living Room." In IMX '20: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3391614.3393660.
Full textChen, Szu-Wei. "Reality, Television, and Children in the Digital Age." In the 2019 3rd International Conference. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3345120.3345163.
Full textHalverson, Erica. "Reality television, fan behavior, and online communities of practice." In the 8th iternational conference. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1599600.1599646.
Full textHaines, P. "Digital television on EUTELSAT: fact, fiction, or virtual reality?" In IEE Colloquium on Digitally Compressed TV by Satellite. IEE, 1995. http://dx.doi.org/10.1049/ic:19951164.
Full textReports on the topic "Realism on television"
Dmytrovskyi, Zenon. THE TEXTBOOK, THAT TEACHES AND BRINGS UP. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11414.
Full textMartínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.20.
Full textMartínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.28.
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