Relevant bibliographies by topics / Realism on television

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Realism on television'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 February 2023

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the lists of relevant articles, books, theses, conference reports, and other scholarly sources on the topic 'Realism on television.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Journal articles on the topic "Realism on television"

1

Rickenbach, M. "Television programme's realism." BMJ 309, no. 6947 (July 9, 1994): 132. http://dx.doi.org/10.1136/bmj.309.6947.132.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

Ward-Griffin, Danielle. "Realism Redux: Staging ‘Billy Budd’ in the Age of Television." Music and Letters 100, no. 3 (August 1, 2019): 447–80. http://dx.doi.org/10.1093/ml/gcz064.

Full text
Abstract:
Abstract Although the term ‘realism’ is frequently deployed in discussing opera productions, its meanings are far from self-evident. Examining four stage and screen productions of Benjamin Britten’s Billy Budd (1951–66), this article traces how this mode was reworked through television in the mid-twentieth century. Linking theatrical and televisual developments in the UK and the USA, I demonstrate how television’s concerns for intimacy and immediacy guided both the 1951 premiere and the condensed 1952 NBC television version. I then show how challenges to the status quo, particularly the ‘angry young men’ of British theatre and the backlash against naturalism on television, spurred the development of a revamped ‘realistic’ style in the 1964 stage and 1966 BBC productions of Billy Budd. Beyond Billy Budd, this article explores how the meanings of realism changed during the 1950s and 1960s, and how they continue to influence our study of opera performance history.
APA, Harvard, Vancouver, ISO, and other styles
3

Longhurst, Brian. "Realism, Naturalism and Television Soap Opera." Theory, Culture & Society 4, no. 4 (November 1987): 633–49. http://dx.doi.org/10.1177/026327687004004004.

Full text
Abstract:
This paper argues that the concept of soap-opera realism, as developed in some of the recent critical writing on soap opera, is central to the understanding of this form of television drama. However, in its present form, this concept is insufficiently nuanced. In developing the concept, the work of Raymond Williams is drawn upon to delineate three sub-types of soap-opera realism: soap-opera realism in the subjunctive mode, soap-opera realism in the indicative mode, and soap-opera naturalism. The latter is then discussed in detail with particular attention being paid to Coronation Street. In the course of this analysis, two key naturalistic elements in Coronation Street are considered: the nature of living spaces and the connection of character to environment.
APA, Harvard, Vancouver, ISO, and other styles
4

Dickason, Renée. "Capturing the ‘Real’ in British Television Fiction: Experiments in/of Realism— An Abiding and Evolving Notion." Synthesis: an Anglophone Journal of Comparative Literary Studies, no. 3 (May 1, 2011): 82. http://dx.doi.org/10.12681/syn.16922.

Full text
Abstract:
The realistic mode of depiction has been an abiding feature of British television fictions intended for British audiences ever since the rebirth of the medium after the Second World War. After briefly evoking the origins of realism in British audio-visual media and some of the reasons for its continued popularity with both viewers and broadcasters, this article examines how the constant challenge of “putting ‘reality’ together” (Schlesinger) has been met by innovation and experiment in differing social, political, and economic climates since the mid-1950s and how the perception of television realism itself has evolved. In the context of reality television and today’s post-modern hybrids which blur the distinctions between fact and fiction, entertainment and information, this article concludes with a reflection on whether British television’s (re)creation of reality is an end in itself or whether it is a means of achieving other objectives.
APA, Harvard, Vancouver, ISO, and other styles
5

yongjin won and 강신규. "'Gamification' and 'Gamic Realism' on Television." Journal of Popular Narrative ll, no. 30 (December 2013): 323–63. http://dx.doi.org/10.18856/jpn.2013..30.010.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Corner, J. "Presumption as theory: 'realism' in television studies." Screen 33, no. 1 (March 1, 1992): 97–102. http://dx.doi.org/10.1093/screen/33.1.97.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Ugalde, Leire, Juan-Ignacio Martínez-de-Morentín, and Concepción Medrano-Samaniego. "Adolescents’ TV viewing patterns in the digital era: A cross-cultural study." Comunicar 25, no. 50 (January 1, 2017): 67–76. http://dx.doi.org/10.3916/c50-2017-06.

Full text
Abstract:
The deep-rooted changes that have taken place in the media world over recent years have brought about changes in both television itself and in the relationships established with this medium. Consequently, it is important to understand how young people watch television today, in order to design strategies to help them develop the capacities they require to ensure responsible use. With this aim, the present study analyzes the television viewing habits of 553 adolescents (267 boys and 286 girls), aged between 14 and 19, from Ireland, Spain and Mexico. Through the implementation of two questionnaires (CH-TV 0.2 and VAL-TV 0.2), four viewing patterns were detected that can be generalized to all the contexts studied. Two of these patterns clearly distinguish between boys (critical-cultural) and girls (social-conversational), with boys viewing more cultural and information-oriented programs, and girls tending to watch shows with a view to talking about them later with their friends. Two of the variables which best distinguish between the other two patterns identified are the perception of a conflictive climate (conflictive-passive viewing) and the perception of responsible parental mediation (committed-positive viewing). Moreover, preferred television genre was found to be the factor with the greatest discriminatory power in relation to these patterns, while time spent watching television, perceived realism and cultural context were not found to be significant. Los profundos cambios acaecidos en la configuración del contexto mediático en los últimos tiempos, han generado cambios tanto en el medio televisivo como en las relaciones establecidas con él. Es por ello que, resulta necesario conocer cómo consumen la televisión los jóvenes actuales en aras de crear estrategias que ayuden a capacitarlos en la utilización de este medio. Con este fin, en esta investigación se han estudiado las pautas de consumo televisivo de 553 adolescentes (267 chicos y 286 chicas) de Irlanda, España y México, de edades comprendidas entre 14 y 19 años. Mediante la aplicación de dos cuestionarios (CH-TV 0.2 y VAL-TV 0.2), se han podido detectar cuatro pautas de consumo generalizables a todos los contextos estudiados. Dos de estas pautas, diferencian el consumo entre hombres (Crítico-Cultural) y mujeres (Social-Conversacional), siendo ellos los que realizan un consumo más cultural e informativo y ellas, más dirigido a entablar conversación con sus amistades. En lo que a las otras dos pautas se refiere, la percepción de un clima conflictivo (consumo Conflictivo-Pasivo) o la de una mediación responsable (consumo Comprometido-Positivo) son algunas de las variables que marcan las diferencias. Además, se han detectado aquellos factores que presentan mayor poder discriminativo en la configuración de estas pautas, siendo la preferencia mostrada hacia los géneros televisivos el factor más discriminante entre los estudiados. Sin embargo, la permanencia, el realismo percibido y el contexto cultural no han resultado ser determinantes.
APA, Harvard, Vancouver, ISO, and other styles
8

Cho, Hyunyi, Kari Wilson, and Jounghwa Choi. "Perceived Realism of Television Medical Dramas and Perceptions About Physicians." Journal of Media Psychology 23, no. 3 (January 2011): 141–48. http://dx.doi.org/10.1027/1864-1105/a000047.

Full text
Abstract:
This study investigated whether and how dimensions of perceived realism of television medical dramas are linked to perceptions of physicians. The three dimensions of perceived realism were considered: plausibility, typicality, and narrative consistency. Data from a survey of college students were examined with confirmatory factor analyses and hierarchical regression analyses. Across the three dramas (ER, Grey’s Anatomy, and House), narrative consistency predicted positive perceptions about physicians. Perceived plausibility and typicality of the medical dramas showed no significant association with perceptions about physicians. These results illustrate the importance of distinguishing different dimensions of perceived realism and the importance of narrative consistency in influencing social beliefs.
APA, Harvard, Vancouver, ISO, and other styles
9

Forrest, Tara. "A Realism of Protest: Christoph Schlingensief's Television Experiments." Germanic Review: Literature, Culture, Theory 87, no. 4 (November 2012): 325–44. http://dx.doi.org/10.1080/00168890.2012.734753.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Goostree, Laura. "The Monkees and the Deconstruction of Television Realism." Journal of Popular Film and Television 16, no. 2 (April 1988): 50–58. http://dx.doi.org/10.1080/01956051.1988.9943383.

Full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Dissertations / Theses on the topic "Realism on television"

1

Mercer, Paul S. "Television realism : a semiotic approach." Thesis, University College London (University of London), 2002. http://discovery.ucl.ac.uk/10006645/.

Full text
Abstract:
This thesis reconceptualises the concept of realism in relation to television using a semiotic approach. The Thesis proposes that "realism" may be used as a tool for the understanding of the place of television texts in the legitimation and representation of social relations. The theoretical approach is based on semiotic work that foregrounds the social constitution of meaning; particularly the work of Barthes on myth, Bakhtin, Kress and Volosinov. From film studies, Bordwell and Nichols are also used. The concepts drawn from their work are applied to a reformulation of realism in direct reference to the signifiers of television texts. Realism is considered in the light of these theories as not one specific form but as a property of all texts: of how a represented "world" is constructed and understood in social life. The study focuses on a small number of the totality of semiotic resources that contribute to the construction of realism in television: camera movement, camera stability and camera position, shot duration and continuity. It provides a detailed transcription and analysis of a number of television texts from different theme areas: the news, police drama and documentary and a game/quiz show. I propose in this thesis that the use of semiotic resources in different ways in different texts produces distinct realisms that in their represented "world" express certain values and interests in respect of wider social relations of power. Television texts are therefore the product of changing social environments and the resources used in their production represent this.
APA, Harvard, Vancouver, ISO, and other styles
2

Hale-Wisener, Amanda. "Mediating realism the influence of transportation /." Online access for everyone, 2004. http://www.dissertations.wsu.edu/Thesis/Summer2004/A%5FWisener%5F072904.pdf.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Hewett, Richard. "Acting for Auntie : from studio realism to location realism in BBC television drama, 1953-2008." Thesis, University of Nottingham, 2012. http://eprints.nottingham.ac.uk/12891/.

Full text
Abstract:
Acting for television has hitherto been a much-neglected field; by focusing solely on screen performance, usually via textual analysis, the small amount of work thus far conducted has largely ignored the various conditioning factors that combine to shape it. This thesis is designed to address that lack, drawing on a combination of archive research, original interviews and textual analysis to provide a multi-perspectival, historical overview of acting in British television drama, spanning the live era to the present day. The programmes selected as case studies herein derive from historically distinct production contexts: namely, the live drama of The Quatermass Experiment (BBC, 1953); the ‘as live’, pre-recorded videotape of Doctor Who (BBC, 1963-89); and the move to Outside Broadcast location work, utilising a ‘rehearse/record’ process, on the first series of Survivors (BBC, 1975-77). The fact that each programme has since been re-made in the 2000s allows for both a comparative study and a chronological development of television acting. The significance for acting of the shift from multi-camera studio to single camera location work is represented here by the models of studio realism and location realism. However, the physical site of performance is just one of several determinants that are examined throughout. Actor experience, technology, drama training and production process together comprise a complex set of variables that are in a constant state of flux. How these factors have intersected and combined to affect performance provides the key to this study of British television acting over the last six decades.
APA, Harvard, Vancouver, ISO, and other styles
4

Perry, Colin, and mikewood@deakin edu au. "The narrativization of actuality: Convergence of form and genre in film and television." Deakin University. School of Contemporary Arts, 2000. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20050902.092326.

Full text
Abstract:
The thesis concerns the treatment of actuality in film and television, particularly the narrativization of actuality images, and the context of their placement within audio/visual texts. Several instances of the convergence of media form and genre are analyzed, and the conventions of classificatory systems and boundaries that pertain to film and television representations are reconsidered in light of changes in the conventions of genre. The distinction between, and convergence of fictional and non-fictional conventions of narrative are therefore central to the thesis, as are the related issues of viewer response, the nature of subjectivity in the viewer, the connectivity of text and culture, and the relations of actuality to the text. The thesis traces the narrativization of actuality through textual, formal and genre boundaries, adopting a ‘line of flight or deterritorialization’ that enables the thesis to ‘change in nature and connect with other multiplicities.’This line of flight passes through the conventional separation of genre groupings and texts, and, similarly, has been applied in the thesis as a rationale for the diminution of theoretical boundaries. A multiperpectival approach is applied to the permeability of, or transcendent relations of the analysis to the boundaries between genres, between texts and culture, and between actuality and virtual representation. In the thesis there is also a theoretical deterritorialization that consents to a pluralism of theory, which is an approach demonstrated by Deleuze and Guattari in A Thousand Plateaus. The model of multi-perspectivalism adopted in the thesis engages in establishing connections and similarities between theories, rather than emphasizing contradictory and exclusive practices. The Foucauldian notion of the rules of formation in discourse, Nichols’ theories of documentary representation of reality, Bordwell’s schematic interpretation, and several other positions are critiqued, as the line of flight embarked upon in the thesis intersects with, and passes through both textual and theoretical boundaries. The thesis consists of two parts: firstly, a location of theoretical perspective, in which the issues of theory pertaining to actuality and narrative are explicated, and the methodological approach of the thesis is defined. The second part commences with an analysis of the most familiar instances of actuality in film and television, with particular attention to documentary forms. It then engages in the analysis of films that represent actuality but which, in the process of narrativization, display a convergence of genre conventions. The films selected for analysis include Steven Speilberg's Schindler's List, (1993) Oliver Stone's JFK, (1991) and Robert Zemeckis' Forrest Gump, (1994) and Contact, (1996). Hence the thesis is concerned with the application of a pluralist theoretical approach, with, however, an emphasis on the Deleuzo-Guattarian notions of rhizome and assemblage. Within this theoretical frame, the connections between actuality and the audio/visual text are explicated, and the formation of text as ‘a rhizome with the world’, is analyzed across a range of examples.
APA, Harvard, Vancouver, ISO, and other styles
5

Buehler, Branden. ""As true as television gets" the wire and perceptions of realism /." Connect to Electronic Thesis (CONTENTdm), 2010. http://worldcat.org/oclc/648974372/viewonline.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Potratz, Rachel M. "When is Reality Real?: Youth Perceptions of MTV Reality Programs." Ohio : Ohio University, 2007. http://www.ohiolink.edu/etd/view.cgi?ohiou1194968374.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Mark, Amanda. "Soap opera subculture : emotional realism and empathic identification." Thesis, McGill University, 1993. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=56790.

Full text
Abstract:
Popular feminine narratives, domestic, emotion-based texts through which communities of women have traditionally practiced feminine discourse, have been marginalised by dominant masculine cultures throughout their long history. This continues in the postmodern era, in which the culturally dominant postmodern aesthetic has declared the death of the social, narrative and affect, all intrinsic to the popular feminine narrative. Nevertheless, these narratives persevere in such forms as the daytime television soap opera. Using a reader-oriented model, American soap operas are discussed as a site for the generation of women's pleasure, and as a forum for the raising, sharing and addressing of problems which affect women's lives. Soap opera fan magazines further extend the already social soap opera experience, which celebrates emotion and empathy in a culture which often negates them.
APA, Harvard, Vancouver, ISO, and other styles
8

Butcher, Erica. "An Audience Reception Analysis Field Study: Exploring Second and Later Generation Latino Viewers’ Perceived Realism Appraisals of Latino Fictional Television Characters in English Language Television Programs." Ohio : Ohio University, 2009. http://www.ohiolink.edu/etd/view.cgi?ohiou1249586967.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Oxoby, Marc C. "American literary fiction in a televisual age /." abstract and full text PDF (free order & download UNR users only), 2005. http://0-wwwlib.umi.com.innopac.library.unr.edu/dissertations/fullcit/3209131.

Full text
Abstract:
Thesis (Ph. D.)--University of Nevada, Reno, 2005.
"August, 2005." Includes bibliographical references (leaves 217-227). Online version available on the World Wide Web. Library also has microfilm. Ann Arbor, Mich. : ProQuest Information and Learning Company, [2005]. 1 microfilm reel ; 35 mm.
APA, Harvard, Vancouver, ISO, and other styles
10

Cama, Mariana Pimenta. "O crime espetáculo na tela: entre a realidade e a ficção." Pontifícia Universidade Católica de São Paulo, 2009. https://tede2.pucsp.br/handle/handle/5267.

Full text
Abstract:
Made available in DSpace on 2016-04-26T18:18:19Z (GMT). No. of bitstreams: 1 Mariana Pimenta Cama.pdf: 1094285 bytes, checksum: feaea7b876b6d9926947835492557d27 (MD5) Previous issue date: 2009-10-23
The current research intends to reflect in a critical manner about the ways of representation of criminality on audiovisual media, especially on television. The target of this analysis is to point out media processes that highlight and exemplify the way crime is turned into a spectacle, reconfiguring narrative formats of police drama and news currently active. When it comes down to representing images of violence and criminality, the audiovisual media culture has been showing two main slopes: the news that incorporates construction elements typical of soup operas, and the fictional program that intends realism, showing the routine of police in action in big urban areas. Under the eye of speculation promoted by news media, two cases will be analyzed, which took place in 2008: the case of Isabella Nardoni and the young girl Eloá Pimentel, exhaustingly reproduced and detailed on the internet. In the thin line of the crime-spectacle in the universe of fiction, we ll analyze the narrative of TV series CSI: Crime Scene Investigation, highlighting the episodes "Grave Danger" and "Monster in a box". From the methodic point of view, the research bases itself on the audiovisual analysis provided for television and in its versions for Internet and DVD, willing to investigate the connection between the subject in question and the visible object, interpreting the spectator as a morbid voyeur. From the theoretical point of view, the research lays on "real shock" concept by Beatriz Jaguaribe, on the hypothesis of intimacy spectacle by Paula Sibilia, presented on O Show do Eu: a intimidade como espetáculo", and on the "A Sociedade do Espetáculo" by Guy Debord. The arguments concerning the News are anchored by work of Eugênio Bucci and Maria Rita Kehl, "Videologias". The reflexion regarding the spectator with violent images is based on the work by Susan Sontag, "Diante da dor dos outros", and on the works of Arlindo Machado, "A Televisão levada a Sério" and "O Sujeito na Tela". In the end, it is concluded that the persistent shocking images that infest the many diverse ways of informational communication operate through contagious systems, which lead to dramatization elements of the journalism of the real for the fictional and spectacle of crime for the News universe, on television and internet
A presente pesquisa pretende refletir de forma crítica sobre os modos de representação da criminalidade nas mídias audiovisuais, em especial na mídia televisiva. O objetivo da análise é apontar processos midiáticos que evidenciem e exemplifiquem o modo como o crime é transformado em espetáculo, reconfigurando os formatos narrativos de dramas policiais e do telejornalismo vigentes. A cultura das mídias audiovisuais, no que diz respeito à representação das imagens de violência e criminalidade, vem demonstrando duas vertentes predominantes: o telejornalismo que incorpora elementos de construção típicos das telenovelas e a programação ficcional que se pretende realista, retratando o cotidiano da polícia em ação nos grandes centros urbanos. Sob a ótica da espetacularização promovida pela mídia jornalística, serão analisados dois crimes ocorridos no ano de 2008: o caso da menina Isabella Nardoni e o da jovem Eloá Pimentel, fartamente reproduzidos e detalhados na internet. No que tange ao crime-espetáculo no universo da ficção, analisaremos a narrativa seriada televisiva CSI:Crime Scene Investigation, com destaque para os episódios "Grave danger" e "Monster in a box . Do ponto de vista metodológico, a pesquisa baseia-se na análise dos audiovisuais concebidos para televisão e em suas versões para internet e DVD, a fim de investigar a relação entre o sujeito vidente e o objeto visível, entendendo o espectador como voyeur-mórbido. Do ponto de vista teórico, a pesquisa apoia-se no conceito de "choque do real" de Beatriz Jaguaribe, na hipótese de espetacularização da intimidade de Paula Sibilia, apresentada em O show do eu: a intimidade como espetáculo" e na obra "A sociedade do espetáculo" de Guy Debord. As discussões sobre telejornalismo são ancoradas na obra de Eugênio Bucci e Maria Rita Kehl, "Videologias". A reflexão sobre a relação do espectador com as imagens de violência baseia-se na obra de Susan Sontag, "Diante da dor dos outros", e nas obras de Arlindo Machado, "A televisão levada a sério" e "O sujeito na tela". Ao final, conclui-se que as insistentes imagens de choque e violência que assolam os mais diversos meios informacionais de comunicação operam por sistemas de contágio, que levam elementos da dramatização do real do telejornalismo para o universo ficcional e de espetacularização do crime para o universo do telejornal, na televisão e internet
APA, Harvard, Vancouver, ISO, and other styles
More sources

Books on the topic "Realism on television"

1

Television drama: Realism, modernism, and British culture. Oxford: Oxford University Press, 2000.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
2

Britta, Timm Knudsen, and Thomsen Bodil Marie 1956-, eds. Virkelighedshunger: Nyrealismen i visuel optik : antologi. København: Tiderne Skifter, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
3

1956-, Nagib Lúcia, and Mello Cecília 1974-, eds. Realism and the audiovisual media. New York: Palgrave Macmillan, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
4

Understanding realism. London: BFI, 2005.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
5

D, Barker A., ed. Television, aesthetics and reality. Newcastle: Cambridge Scholars Press, 2006.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
6

Keppler, Angela. Wirklicher als die Wirklichkeit?: Das neue Realitätsprinzip der Fernsehunterhaltung. Frankfurt am Main: Fischer Taschenbuch, 1994.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
7

Realtà/finzione: L'impero del falso. Milano: Castoro, 2003.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
8

Ostromecka, Marzena. New realism in contemporary media: The reality television and Dogme 95. London: LCP, 2002.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
9

Realism and the audiovisual media. Basingstike, Hampshire: Palgrave Macmillan, 2009.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
10

Authentizität, Mimesis, Fiktion: Fernsehunterhaltung und Integration von Realität am Beispiel des Kriminalsujets. München: Schaudig, Bauer, Ledig, 1992.

Find full text
APA, Harvard, Vancouver, ISO, and other styles
More sources

Book chapters on the topic "Realism on television"

1

Bignell, Jonathan. "Realism and Reality Formats." In A Companion to Reality Television, 95–115. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118599594.ch6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
2

D'Arcy, Geraint. "Television, History, Realism." In Critical Approaches to TV and Film Set Design, 62–87. London; New York: Routledge, 2019.: Routledge, 2018. http://dx.doi.org/10.4324/9781315205939-4.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Cooke, Lez. "History, Realism and Ideology, 1970–9." In British Television Drama, 98–137. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-896-2_5.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Cooke, Lez. "Popular Drama and Social Realism, 1955–61." In British Television Drama, 32–59. London: British Film Institute, 2015. http://dx.doi.org/10.1007/978-1-84457-896-2_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Myers, Diane. "Losing Grip on Reality: A Reflection on British Factual Television." In Realism and the Audiovisual Media, 235–47. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230246973_17.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Pawling, Chris, and Tessa Perkins. "Popular Drama and Realism: The Case of Television." In The Death of the Playwright?, 43–66. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1007/978-1-349-21906-3_3.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Dadar, Taraneh. "Framing a Hybrid Tradition: Realism and Melodrama in About Elly." In Melodrama in Contemporary Film and Television, 223–38. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137319852_13.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Vitali, Valentina. "The Hindi Horror Film: Notes on the Realism of a Marginal Genre." In Genre in Asian Film and Television, 130–48. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230301900_9.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Rudin, Richard. "Reality Television." In Broadcasting in the 21st Century, 76–92. London: Macmillan Education UK, 2011. http://dx.doi.org/10.1007/978-0-230-34384-9_6.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Rainoldi, Mattia, Arne Van den Winckel, Joanne Yu, and Barbara Neuhofer. "Video Game Experiential Marketing in Tourism: Designing for Experiences." In Information and Communication Technologies in Tourism 2022, 3–15. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94751-4_1.

Full text
Abstract:
AbstractWhile film and television have a long tradition in tourism marketing, the potential of video games is overlooked. This study unlocks a novel era of marketing by investigating the interplay between experiential factors and in-game experiences, and how they may contribute to one’s intention to visit in-game destinations. By taking Assassin’s Creed Odyssey as the study context, game world dynamics, level of immersion, level of freedom, connection to characters, and sense of realism are identified as the five pillars that shape gaming experiences. Drawing upon experience design, this study lays the groundwork for emerging marketing opportunities using video games for tourism and contributes to the broader field of media-induced tourism literature.
APA, Harvard, Vancouver, ISO, and other styles

Conference papers on the topic "Realism on television"

1

Crow, Franklin C. "Vision Research Applied to Computer-Synthesized Imagery." In Applied Vision. Washington, D.C.: Optica Publishing Group, 1989. http://dx.doi.org/10.1364/av.1989.wc2.

Full text
Abstract:
Computer Graphics has always drawn on vision research although often rather indirectly. From the beginning, issues such as flicker fusion and resolution had to be considered in designing systems for computer graphics. However, there was a large body of experience and well-established standards from the cinema and television industries to provide guidelines. Later, when research focused more on the attainment of realism in images computed from numeric models, issues were raised which required a more basic understanding of vision. Currently, while the community, as a whole, is aware of the importance of underlying principles of vision, there is little reference to vision research in journals and conferences on computer graphics. On the other hand, many advances in computer graphics were based on results found in the vision literature. A few examples follow.
APA, Harvard, Vancouver, ISO, and other styles
2

Saeghe, Pejman, Sarah Clinch, Bruce Weir, Maxine Glancy, Vinoba Vinayagamoorthy, Ollie Pattinson, Stephen Robert Pettifer, and Robert Stevens. "Augmenting Television With Augmented Reality." In TVX '19: ACM International Conference on Interactive Experiences for TV and Online Video. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3317697.3325129.

Full text
APA, Harvard, Vancouver, ISO, and other styles
3

Pamparău, Cristian, and Radu-Daniel Vatavu. "The User Experience of Journeys in the Realm of Augmented Reality Television." In IMX '22: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3505284.3529969.

Full text
APA, Harvard, Vancouver, ISO, and other styles
4

Sword, Terrenz. "The A.R.T. System™: Artificial Reality Television System™." In SMPTE Advanced Television and Electronic Imaging Conference. IEEE, 1994. http://dx.doi.org/10.5594/m00859.

Full text
APA, Harvard, Vancouver, ISO, and other styles
5

Saeghe, Pejman, Gavin Abercrombie, Bruce Weir, Sarah Clinch, Stephen Pettifer, and Robert Stevens. "Augmented Reality and Television: Dimensions and Themes." In IMX '20: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3391614.3393649.

Full text
APA, Harvard, Vancouver, ISO, and other styles
6

Popovici, Irina, and Radu-Daniel Vatavu. "Understanding Users' Preferences for Augmented Reality Television." In 2019 IEEE International Symposium on Mixed and Augmented Reality (ISMAR). IEEE, 2019. http://dx.doi.org/10.1109/ismar.2019.00024.

Full text
APA, Harvard, Vancouver, ISO, and other styles
7

Vatavu, Radu-Daniel, Pejman Saeghe, Teresa Chambel, Vinoba Vinayagamoorthy, and Marian F. Ursu. "Conceptualizing Augmented Reality Television for the Living Room." In IMX '20: ACM International Conference on Interactive Media Experiences. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3391614.3393660.

Full text
APA, Harvard, Vancouver, ISO, and other styles
8

Chen, Szu-Wei. "Reality, Television, and Children in the Digital Age." In the 2019 3rd International Conference. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3345120.3345163.

Full text
APA, Harvard, Vancouver, ISO, and other styles
9

Halverson, Erica. "Reality television, fan behavior, and online communities of practice." In the 8th iternational conference. Morristown, NJ, USA: Association for Computational Linguistics, 2007. http://dx.doi.org/10.3115/1599600.1599646.

Full text
APA, Harvard, Vancouver, ISO, and other styles
10

Haines, P. "Digital television on EUTELSAT: fact, fiction, or virtual reality?" In IEE Colloquium on Digitally Compressed TV by Satellite. IEE, 1995. http://dx.doi.org/10.1049/ic:19951164.

Full text
APA, Harvard, Vancouver, ISO, and other styles

Reports on the topic "Realism on television"

1

Dmytrovskyi, Zenon. THE TEXTBOOK, THAT TEACHES AND BRINGS UP. Ivan Franko National University of Lviv, February 2022. http://dx.doi.org/10.30970/vjo.2022.51.11414.

Full text
Abstract:
The review is about textbook on television and radio communication for students, teachers of faculties and departments of journalism, as well as journalists-practitioners, prepared by the author’s team edited by Vasyl Lyzanchuk. Textbok absorbed some considerations and conclusions from previous theoretical developments, which found a new meaning here, deeper argumentation, supplemented by many interesting observations that correspond to the spirit of the time, the innovations that have appeared in recent years in the media space of Ukraine. The textbook has ten sections, each of which is designed to enrich the student with knowledge of television and radio communications, teach him or her all that a media professional should know and be able to apply it in practice. The titles of the sections indicate their practical orientation: «Basic methodical measures of functioning of information radio and television genres», «How we analyze, interpret, explain facts, events, phenomena», «Features of the creation of artistic programs on radio and television» and others. All sections of the textbook are meaningfully connected and constructed in such a way as to provide students with the opportunity to gradually, step by step to deepen their theoretical and practical knowledge of television and radio communications. This is undoubtedly the merit of the authors of the edition. The student will benefit from the numerous examples of television and radio materials prepared by the students themselves. Their creative work should convince that this work can serve as a stimulus for creative work for future journalists during their years of study. In addition to professional competence, as rightly emphasized in the textbook by Professor Vasyl Lyzanchuk, “It is very important to form in students, future journalists, socio-national competence, deep understanding of the essence of freedom of speech and responsibility for the content of the spoken word and image, to develop the belief that they are active participants in the Ukrainian state-building processes, and not intermediaries or repeaters of information”. It should be noted that the educational element is present throughout the textbook starting with the first chapter, historical (author Professor Ivan Krupskyi). While studying this textbook, students should realize that from the honor of journalists, their dignity, patriotism depends on the honor, authority, bright name of Ukraine, its future; that their assertion of Ukrainian national identity is the key to further prosperity of our state.
APA, Harvard, Vancouver, ISO, and other styles
2

Martínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.20.

Full text
Abstract:
Un análisis detallado de once geólogos con protagonismo en las pantallas grande y pequeña – diez ficticios y uno real - permitirá establecer cuanto de la imagen que se ofrece de los mismos como profesionales de la tierra está plagada de tópicos y elementos de fantaciencia y cuanto muestra verosimilitud y una cierta coherencia con la realidad.
APA, Harvard, Vancouver, ISO, and other styles
3

Martínez Parra, Marc. Los geólogos en el cine y la televisión. Personajes reales e inventados. Un análisis de su transposición a la pantalla. Ilustre Colegio Oficial de Geólogos, November 2019. http://dx.doi.org/10.21028/mmp.2019.11.28.

Full text
Abstract:
Un análisis detallado de once geólogos con protagonismo en las pantallas grande y pequeña – diez ficticios y uno real - permitirá establecer cuanto de la imagen que se ofrece de los mismos como profesionales de la tierra está plagada de tópicos y elementos de fantaciencia y cuanto muestra verosimilitud y una cierta coherencia con la realidad.
APA, Harvard, Vancouver, ISO, and other styles
You might also be interested in the extended bibliographies on the topic 'Realism on television' for particular source types:
Journal articles Dissertations / Theses Books
We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!

To the bibliography