Relevant bibliographies by topics / Realism History 20th century

Academic literature on the topic 'Realism History 20th century'

Author: Grafiati
Published: 10 December 2022
Last updated: 29 January 2023

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Journal articles on the topic "Realism History 20th century"

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Ekaterina, Grantseva. "Colombia of the 20th century: the history of the country in the history of cinema." Latin-American Historical Almanac 29 (March 26, 2021): 196–215. http://dx.doi.org/10.32608/2305-8773-2021-29-1-196-215.

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Colombian cinema, the peculiarities of its development and problems, cannot be separated from the tragic and painful pages of the history of Colombia in the 20th century. In the panorama of the national cinematography’s of Latin America, the cinema of Colombia has long been on the side lines, significantly yielding to Argentina and Mexico, and also constantly experiencing pressure on the film market from Hollywood. Unlike Colombian literature, which conquered the world with "magical realism", the cinema of this country gravitates towards social realism. He is characterized by a bold approach to the most difficult and painful topics, a constant interest in the realities of the country's life. In this regard, when analysing Colombian cinematography, the most productive is the expansion of the boundaries of research in the field of historical memory, an appeal to the problem of violence and overcoming the trauma of the past.
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Shahab, Ali, Faruk Faruk, and Arif Rokhman. "French Literature: From Realism to Magical Realism." Jurnal Poetika 8, no. 2 (December 26, 2020): 170. http://dx.doi.org/10.22146/poetika.v8i2.58651.

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The purpose of the article is to explore the evolution of French literature between the late 19th century and early 21st century. Although French literature has long been dominated by rationalistic ways of thinking, based on the thoughts of René Descartes and John Locke, authors have used different means to express their perceptions of society. The novel Madame Bovary (1856), including its depiction of conjugal relationships, can be considered to have pioneered realism in French literature. During the Second World War, existentialism and absurdism appeared as new ways of examining not only the relationship among humans, but also between humans and God. In the late 20th century, magical realism emerged as a new literary stream that explicitly recognized the irrationality of human thinking. This article finds that the rationality of realism was necessary for magical realism to be accepted; in this rationality, although works of magical realism were irrational, they had to be recognized as fine examples of French literature that embodied such revolutionary ideas as liberté (liberty), égalité (equality), and fraternité (fraternity). To study this phenomenon, we examine the history of french literature by applying archeological method in order to understand the world views of the authors and how they change over time.
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Lv, Yuan. "Analysis of the Inevitable Fate of Tess in Tess of the D’Urbervilles." BCP Social Sciences & Humanities 17 (May 5, 2022): 46–49. http://dx.doi.org/10.54691/bcpssh.v17i.618.

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Thomas Hardy is an outstanding critical realism writer in Britain in the late 19th century and the early 20th century, occupying an extremely important position in the history of British literature. His novels are often full of rich tragic color, containing an extremely rich progressive ideas of The Times.
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Gultyaeva, Galina S. "Realistic Painting of the 20th Century China in the Context of Cultural Visualization." Observatory of Culture 18, no. 1 (May 24, 2021): 32–43. http://dx.doi.org/10.25281/2072-3156-2021-18-1-32-43.

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This article examines the phenomenon of Chinese realism, as well as the prerequisites and factors that influenced the processes of reception in modern Chinese art. At the beginning of the 20th century, under the influence of Western academic realism and the artistic system of social realism, a new direction and artistic method was formed — realism, which became mainstream in the art of China of the mid-20th century. According to its aesthetic and ideological motifs, Chinese realism is an object of social realism reception, which was determined by cultural and historical factors, and the development of political, economic and cultural ties with the USSR. Studying the realistic painting, which reflects the atmosphere of the era, the worldview, and the dialogue of cultures, is relevant for both Chinese and Russian contemporary art studies. The article examines the role of realism in the development of Chinese art culture of the 20th century, including its socio-political components, as well as the dynamics of artistic and expressive means and the iconographic system in the context of the historical and cultural situation. In the 1980s and 1990s, as a result of the liberalization of economic and political life, the artistic consciousness formed new concepts of realistic painting — neorealism and cynical realism, associated with a critical rethinking of the historical heritage. The neorealism and cynical realism, which would significantly enrich realistic painting with new forms and content, adopted Western postmodern concepts of pop art, and debunked, in a grotesque and satirical form, the political stereotypes of the past. The analysis of realistic painting of the 1990s demonstrates how the transformation of past painting canons reflects the desire of society to free itself from the pressure of totalitarian ideology and to rethink the value orientations of the previous era.The novelty of this study lies in the fact that it applies a systematic and holistic approach to the analysis of realism in Chinese painting, reveals the diversity of its forms and directions, and gives ground for the specifics of its evolution in the context of the artistic culture of the 20th century China. There are almost no comprehensive studies of this issue in modern art history, so this work is an attempt to create a scientific approach to the study of this artistic phenomenon and the formation of ideas about how the artistic consciousness of an entire epoch was changing.
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Tihanov, Galin. "Revisiting Lukács’ theory of realism." Thesis Eleven 159, no. 1 (July 21, 2020): 57–63. http://dx.doi.org/10.1177/0725513620945557.

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This paper focuses on Georg Lukács, for it is in his work, and the attendant debates and disagreements, that an entire constellation of questions around Realism is first compellingly formulated. The purpose of the paper is to revisit Lukács’ theory of realism as a response to a host of mainstream currents shaping the landscape of Continental philosophy in the first three decades of the 20th century. Particular attention is paid to the problem of form and truth at the core of Lukács’ theory of realism.
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BEHR, HARTMUT, and AMELIA HEATH. "Misreading in IR theory and ideology critique: Morgenthau, Waltz and neo-realism." Review of International Studies 35, no. 2 (April 2009): 327–49. http://dx.doi.org/10.1017/s0260210509008547.

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AbstractThis article is interested in the hegemony which neo-realism accomplished during the second half of the 20th century in both the academic field and policy making of I/international R/relations. Our examination posits the argument that neo-realism can be seen as an ideology rather than a theory of international politics. While this view can connect to individual voices from the 1960s as well as to an emerging body of critical literature since the 1990s, we propose an ideology critique to explore this argument. To unfold this approach we will elaborate some neo-realist misreadings which we think manipulate intellectual history (among others, the writings of Hans J. Morgenthau) and represent an ideological impact intrinsic in the development of IR. An ideology critical approach – which is inherent in Morgenthau's thoughts on international theory themselves and thus helps to reveal profound discrepancies at the heart of an ostensible ‘realist’-neo-realist ‘unity’ – has, firstly, to problematise those discrepancies and, secondly, to focus on hegemonic strategies applied to ideologise and mainstream the academic field. The first part of such an agenda is what we present here; the second part is what we outline methodologically and suggest for further studies in, and of, IR.
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Pechenkin, Alexander. "The Ensemble Interpretation of Quantum Mechanics and Scientific Realism." Acta Baltica Historiae et Philosophiae Scientiarum 9, no. 1 (May 27, 2021): 5–17. http://dx.doi.org/10.11590/abhps.2021.1.01.

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The article takes under consideration three versions of the ensemble (statistical) interpretation of quantum mechanics and discusses the interconnection of these interpretations with the philosophy of science. To emphasize the specifics of the problem of interpretation of quantum mechanics in the USSR, the Marxist ideology is taken into account. The present paper continues the author’s previous analysis of ensemble interpretations which emerged in the USA and USSR in the first half of the 20th century. The author emphasizes that the ensemble approach turned out to be a dead end for the development of the interpretation of quantum mechanics in Russia. The article also argues that in Soviet Russia, the classical Copenhagen (standard) approach to quantum mechanics was used. The Copenhagen approach was developed by Lev Landau in 1919–1931 and became the basis of the Landau-Lifshitz famous course on quantum mechanics, one of the classics of twentieth-century physics literature (the first edition was published in 1947). Although Vladimir A. Fock’s approach to the interpretation of quantum mechanics differs from the standard presentation by Lev Landau and Evgeny Lifshitz, Fock put forward a very important principle that complementarity is a “firmly established law of nature”. The fundamental writings of Lev Landau, Vladimir Fock and Igor Tamm, the authors of the mid-twentieth century, did a lot to defend the standard point of view such as the popular interpretations by Landau and Lifshitz. This approach can be traced back to Landau’s early writings and to Fock’s criticism of the ensemble approach.
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Shchukina, M. A. "Socialist Realism VS Religion." Bulletin of Irkutsk State University. Series Political Science and Religion Studies 42 (2022): 128–34. http://dx.doi.org/10.26516/2073-3380.2022.42.128.

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The phenomenon of Soviet literature is a controversial chapter in the Russian history of the 20th century which was dominated by socialist ideology and where relations between the authors and the authorities were regulated by special rules. Thus, the literature of the Soviet period was characterized by its driving ambition to realize its place in time and space. Now experts agree that it integrated various sets of values. Soviet literature was used for educational, ideological, political and other purposes. This article explores the relation between ideology, religion and art using the example of socialist realism literature. The fact that the topic of religion fell by the wayside in the age of scientific atheism and socialist realism is of great interest for religion studies. The author aims to define the role of religion in the Soviet ideological and cultural process. This article examines various instruments of socialist realism, verifies dependence of literature on the society and value systems of the time, as well as analyzes relevant articles of distinguished scholars in culture and literature studies. The main result of this research is proving the existence of psychological component in socialist realism, alongside with the ideological and artistic ones.
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Mishchenko, Iryna. "Gennady Gorbaty's painting: crypto-realism as overcoming imitation of reality." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 176–80. http://dx.doi.org/10.32461/2226-0285.1.2021.238616.

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The purpose of this article: analysis of Gennady Gorbaty's painting, in the work of which the transition from a realistic reflection of the world to the art of postmodernism, characteristic of Ukrainian art of the late 20th century, was reflected in a peculiar way. The methodology is the application of art analysis, methods of comparison and generalization, biographical and historical approach. The scientific novelty lies in the discovery of the peculiarities of the transformation of the traditional for Soviet art reflection of reality into visual practices of the late 20th – early 21st centuries on the example of the work of a particular artist. Conclusions. Gennady Gorbaty studied at the Kyiv State Art Institute (1981–1987), so his formation was significantly influenced by the traditional school of painting with a mostly realistic reproduction of the world around it and a purely academic hierarchy of genres. The socio-political situation in Ukraine in the late 1980s and early 1990s not only contributed to the liberation from such a view of art, but also intensified attention to the development of both contemporary world art and modernist manifestations that existed in the culture of the first half of the 20th century. At the same time, many artists became interested in the history of Ukraine, especially in its tragic or dramatic pages, which led to the emergence of numerous compositions with a complex system of symbols and associations, elements borrowed from the paintings of past eras. In the work of Gennady Gorbaty can be consistently traced a variety of influences, which demonstrate his search for his own plastic language, the gradual departure from the conditionally realistic art of the Soviet era and the formation of a peculiar manner of performance. This was facilitated by an acquaintance with Western European art of the late 20th century, as the artist has been working in Germany since the early 1990s. It was one of the German art critics G. Beck who defined the stylistics of G. Gorbaty's works as crypto-realism, in which the emotional beginning, reflected in the color scheme and expression of picturesque textures, is combined with supposedly hidden motives of visible reality. In the works of this author, the blurring of genres, the synthesis in one picture of elements of different artistic epochs – from the Middle Ages to postmodernism – is also noticeable.
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Orzełek, Ariel. "The journalistic reaction to the first edition of The History of Stupidity in Poland. The historiographic pamphlets by Aleksander Bocheński." Przegląd Nauk Historycznych 17, no. 3 (December 13, 2018): 205–25. http://dx.doi.org/10.18778/1644-857x.17.03.08.

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The History of Stupidity in Poland. The historiographic pamphlets [Dzieje głupoty w Polsce. Pamflety dziejopisarskie] was the most important publication by Aleksander Bocheński. The book was also one of the most representative reflections on the post-war trend of political realism in Poland. The journalistic reaction to the first edition of the book in the forties of the 20th century proved that the theses included in it were highly unpopular. The author’s criticism of insurrection trends in Polish politics met with opposition from Marxists as well as non-party intellectuals, both at home and abroad. Although motives of Bocheński’s concepts were usually understood, they were rejected as they served communists, were contrary to Marxist doctrine or had no moral foundations. Those opinions constitute an important contribution to the views of Polish intelligentsia on political realism at the beginnings of the Polish People’s Republic.
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Dissertations / Theses on the topic "Realism History 20th century"

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Forrester, Katrina Max. "Liberalism and realism in American political thought, 1950-1990." Thesis, University of Cambridge, 2013. https://www.repository.cam.ac.uk/handle/1810/283922.

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Biswas, Moinak 1961. "Historical realism : modes of modernity in Indian cinema, 1940-60." Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7582.

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Dobozy, Tamas. "Towards a definition of dirty realism." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ56533.pdf.

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Gasiorek, Andrew B. P. (Andrew Boguslaw Peter). "A crisis of metanarratives : realism and innovation in the contemporary English novel." Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74280.

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Critics of the English novel, arguing that it is underpinned by liberalism, frequently claim that the crisis of realism disclosed in the work of many contemporary writers derives from a concomitant crisis of liberalism. Liberalism's dissolution is thus seen to prefigure the death of the novel. This dissertation contends that realism cannot be equated with liberalism and that the contemporary crisis of representation signals a broader crisis of metanarratives.
Focussing on selected novels of five post-war English novelists--B. S. Johnson, Doris Lessing, John Berger, Iris Murdoch, and Angus Wilson--I argue that their different responses to the crisis of representation show that it is not a crisis of liberalism alone. Johnson rejects realism for epistemological reasons; Lessing and Berger question it on political grounds; Murdoch and Wilson combine its strengths with a self-reflexive awareness of its weaknesses. I suggest that Murdoch's and Wilson's novels, which argue that fiction does not reflect reality but endows it with meaning and which are at once representational and metafictional, offer the most fruitful ways of acknowledging the crisis of representation while refusing to be paralyzed by it.
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Rave, Maria Eugenia B. "Magical Realism and Latin America." Fogler Library, University of Maine, 2003. http://www.library.umaine.edu/theses/pdf/RaveMEB2003.pdf.

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Smith, Olga. "Between reality and fiction : the art of French photography since the 1970s." Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610275.

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Hill, Colin. "The modern-realist movement in English-Canadian fiction, 1919-1950." Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.

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This dissertation offers the first comprehensive examination of realism in English-Canadian fiction of the early twentieth century. It argues for the existence of a "modern-realist" movement that is Canada's unique and unacknowledged contribution to the collection of international movements that makes up literary modernism. This argument involves a detailed analysis of the aesthetics, aims, preoccupations, and techniques of the modern realists, a reexamination of the oeuvres of the movement's most prominent writers, and a critical reevaluation of the "modernity" of Canada's three most significant realist sub-genres—prairie realism, urban realism, and social realism. This study also provides a literary-historical overview of the movement as a whole, which begins with the inauguration of the Canadian Bookman in 1919, and concludes with the emergence of a contemporary Canadian fiction in the 1950s. The conclusions arrived at in this work are based upon a reading of dozens of novels and works of short fiction, many of them unpublished and/or critically neglected and forgotten. The findings in this study are also based on original research into archival materials from seven institutions across Canada.
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Totten, Gary. "The eyewitness in American specular narrative : empiricism, representation, and the gaze." Virtual Press, 1998. http://liblink.bsu.edu/uhtbin/catkey/1117105.

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In this dissertation, I investigate American specular narrative which displays a significant level of visual empiricism and examine the implications of the eyewitness perspective such narrative assumes. Based on the epistemological assumption that "to see is to know," specular narrative imagines an empirical access (via visual processes of the gaze) to a knowable reality, and uses the figure of the eyewitness (by way of narration, focalization, and narrative technique) to render a supposedly transparent relation between narrative and reality. This study draws upon theories of narrative, realism, subjectivity, and the gaze to explore this narrative eyewitness, tracking how the impulse to construct an authentic American identity, which materializes during American colonization, influences early American discourse and recurs as a specular realism in later American narrative. I examine how the illusion of the eyewitness sustains Realist ideology in late nineteenth- and early twentieth-century narrative (William Dean Howells' A Hazard of New Fortunes, Henry James' The Spoils ofPoynton, and Edith Wharton's The House of Mirth); how new spatial and temporal paradigms created by automotive technology affect the eyewitness (and a particular vision of America) in the American road book, specifically Theodore Dreiser's A Hoosier Holiday, and how the specular fetishism of the nonfiction novel, particularly Truman Capote's In Cold Blood, problematizes narrative objectivity and sutures the reader into the narrative as eyewitness
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Hale, Michael T. "New Deal To New Majority: SDS’s Failure to Realign the Largest Political Coalition in the 20th Century." Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1447966535.

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Paraense, Maria Luzia Carvalho de Barros. "O canto do galo, o pouso da mosca: exclusão social em Manuel Lopes e Graciliano Ramos." Universidade de São Paulo, 2011. http://www.teses.usp.br/teses/disponiveis/8/8156/tde-22032012-183352/.

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Partindo das narrativas de ficção Galo cantou na baía (1936), de Manuel Lopes, e Um ladrão (1939), de Graciliano Ramos, buscamos investigar as estratégias discursivas dos autores de nosso corpus quando da tentativa de se mobilizar em favor das populações que viviam em condições de extrema carência, tendo na literatura um forte meio de promover os debates urgentes daquele momento histórico, caracterizado pela opressão de regimes ditatoriais. Desta maneira, a perspectiva narrativa é um dos pontos centrais do trabalho. Em confluência com a fatia social retratada nos contos, pareceu-nos fundamental o debate sobre a fome e seus efeitos para o organismo humano, que findou por dirigir nosso trabalho. Encontramos na obra de Josué de Castro uma rica pesquisa capaz de conduzir nossas análises, levando-nos da condição de faminto dos personagens a seu desdobramento: a condição de criminoso principiante. Buscamos analisar, também, as construções ideológicas que influenciavam as consciências naquele período da história, encontrando em Louis Althusser os subsídios para tal análise.
Based on the narratives of fiction Galo cantou na baía (Rooster crowed at the bay) (1936), of Manuel Lopez, and Um ladrão (A thief) (1939), of Graciliano Ramos, we attempted to investigate the discursive strategies of the authors of our corpus, trying a mobilization in the benefit of the people living in extreme deprivation situation, taking the literature as a strong tool to promote urgent debates on that historical moment, characterized by the oppression of dictatorial regimes. Being so, the narrative perspective is one of the central points of this/our work. In confluence with the social share portrayed in the stories, it seemed crucial the debate on hunger and its effects on the human body, which turned out to direct our work.We find in the work of Josué de Castro a rich research capable of conducting our analysis, leading us from the starving condition of the characters to their deployment: the condition of a debut criminal. We also sought to analyze the ideological patterns which influenced the consciousness of that period of the History, getting from Louis Althusser subsidies for such analysis.
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Books on the topic "Realism History 20th century"

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Li, Qingquan. From critical realism to socialist realism: A historical survey of realism in modern Chinese literature. New York: P. Lang, 1996.

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Pamela, Auchincloss, ed. Social strategies: Redefining social realism. New York, NY: Pamela Auchincloss/Arts Management, 2003.

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1948-, Midgley David R., ed. The German novel in the twentieth century: Beyond realism. Edinburgh: Edinburgh University Press, 1993.

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Alternative paradigms of literary realism. New York: Palgrave Macmillan, 2009.

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Beaumont, Matthew. A concise companion to realism. Malden, MA: Wiley-Blackwell, 2010.

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Ordinary enchantments: Magical realism and the remystification of narrative. Nashville: Vanderbilt University Press, 2004.

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Pragmatist realism: The cognitive paradigm in American realist texts. Madison: University of Wisconsin Press, 2002.

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Fiction in the age of photography: The legacy of British realism. Cambridge, Mass: Harvard University Press, 1999.

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Retreats from realism in recent English drama. Cambridge [England]: Cambridge University Press, 1991.

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W, Demastes William, ed. Realism and the American dramatic tradition. Tuscaloosa: University of Alabama Press, 1996.

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Book chapters on the topic "Realism History 20th century"

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Chen, John Z. Ming, and Yuhua Ji. "Theorizing English-Canadian Social Realism." In Marxism and 20th-Century English-Canadian Novels, 101–33. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46350-5_4.

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Bergmann, Karl-Christian. "Milestones in the 20th Century." In History of Allergy, 27–45. Basel: S. KARGER AG, 2014. http://dx.doi.org/10.1159/000358478.

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Abrams, Jesse. "Late 20th-Century Forest History." In Forest Policy and Governance in the United States, 51–71. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003043669-4.

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Chen, John Z. Ming, and Yuhua Ji. "Early Beginnings of “Violent Duality”: From Prairie Realism to Urban Social Realism in Durkin’s The Magpie." In Marxism and 20th-Century English-Canadian Novels, 69–98. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46350-5_3.

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Miller, Christian. "Moral realism and anti-realism." In The History of Evil From the Mid-Twentieth Century to Today, 323–43. 1 [edition]. | New York : Routledge-Taylor & Francis, 2016.: Routledge, 2018. http://dx.doi.org/10.4324/9781351139601-21.

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Varvoglis, Harry. "Physics of the 20th Century." In History and Evolution of Concepts in Physics, 105–19. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-04292-3_5.

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Chen, John Z. Ming, and Yuhua Ji. "Introduction: Reality, Realism and (Neo-)Marxist Definitions and Paradigms." In Marxism and 20th-Century English-Canadian Novels, 3–34. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-662-46350-5_1.

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Welch Guerra, Max. "Interpreting 20th Century European Planning History." In European Planning History in the 20th Century, 268–71. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003271666-28.

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Rao, J. S. "20th Century Graphical and Numerical Methods." In History of Mechanism and Machine Science, 99–114. Dordrecht: Springer Netherlands, 2011. http://dx.doi.org/10.1007/978-94-007-1165-5_11.

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Blaauw, Adriaan. "Earlier 20th Century Developments; World War I." In History of the IAU, 15–53. Dordrecht: Springer Netherlands, 1994. http://dx.doi.org/10.1007/978-94-011-0978-9_2.

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Conference papers on the topic "Realism History 20th century"

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Strizhkova, Natalia. "Museum as an Institutional Form of Personal & Social Experiments: Project of Russian Avantgardism Artists." In The Public/Private in Modern Civilization, the 22nd Russian Scientific-Practical Conference (with international participation) (Yekaterinburg, April 16-17, 2020). Liberal Arts University – University for Humanities, Yekaterinburg, 2020. http://dx.doi.org/10.35853/ufh-public/private-2020-10.

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Museums as cultural institutions certainly reflect the sociocultural transformations of the new era and are changing with the new reality. Except for that, a museum is, by definition, an institution of memory, a keeper of history, it is based on adoption: the collection, successiveness and actualisation of past experience. What is perceived as innovation by contemporary society may have historical roots and be an actualisation of innovations of a bygone era. Modern museum development recalls a global project undertaken by Russian avant-garde artists in the early 20th century, and implying the institutional modernisation of museums. This study addresses a project taken on by avant-garde artists for the modernisation of museums in the context of general cultural construction, in cooperation with the Soviet Government. The research methodology is based on a conjunction of a historical study and culturological analysis, primarily the concept of the institutional approach. The study consisted in looking through archival documents: The Fund of the People’s Commissariat for Education and its departments (declarations, provisions, resolutions, decrees, minutes of meetings, correspondence, protocols and statements of estimates, inventory books of the State Museum Fund etc.), personal funds of artists and cultural figures, their theoretical works, articles, correspondence. A holistic inter-disciplinary approach combining historical and culturological analysis with prospects for contemporary sociocultural development and the role of museums is seen as a promising novelty of the research. Russian avantgardism as an artistic and sociocultural phenomenon has remained of great interest for a century. Different studies shed light only on separate aspects of this vast topic in different scientific contexts. The examination of the museum project by avant-garde artists under this study allows us to conclude that they were the first to undertake the institutional modernisation of museums by considering them in the focus of new demands of time and society, innovative programmes as forms of personal initiatives and experiments expressed in the broad public space of artistic culture.
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Romanovska, Alina. "20TH CENTURY HISTORY OF LATVIA IN LITERARY NARRATIVES." In 3rd Arts & Humanities Conference, Barcelona. International Institute of Social and Economic Sciences, 2018. http://dx.doi.org/10.20472/ahc.2018.003.002.

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Szoro, Ilona. "READING CIRCLES IN HUNGARY IN THE 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.072.

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Zhou, Dian. "THE HISTORY OF THE RUSSIAN ETCHING OF THE 20th CENTURY." In VI Международная научно-практическая конференция "Искусствознание и педагогика. Диалектика взаимосвязи и взаимодействия". Общество с ограниченной ответственностью «Книжный дом», 2018. http://dx.doi.org/10.25807/pbh.978-5-94777-431-3.134.138.

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BARBOSA, Helena. "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities." In Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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KURAS, L. V., and B. D. TSYBENOV. "KYAKHTA IN 20th – THE BEGINNING OF 21 CENTURY: HISTORY, PRESENT, PROSPECTS." In Scientific conference, devoted to the 95th anniversary of the Republic of Buryatia. Publishing House of the Buryat Scientific Center of the Siberian Branch of the Russian Academy of Science, 2018. http://dx.doi.org/10.30792/978-5-7925-0521-6-2018-81-84.

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Bosak, Martin. "SLOVAK NATIONAL ACTIVITIES IN AMERICA AT THE BEGINNING OF 20TH CENTURY." In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s10.074.

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NECHITA, Constantin. "DECLINE HISTORY OF OAKS IN 20TH CENTURY FOR ROMANIAN EXTRA-CARPATHIAN REGIONS." In 19th SGEM International Multidisciplinary Scientific GeoConference EXPO Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgem2019/3.2/s14.087.

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Cooke, Gilmore G. "Fred Stark Pearson, the AIEE, and Transnational Engineering in the Early 20th Century." In 2009 IEEE Conference on the History of Technical Societies. IEEE, 2009. http://dx.doi.org/10.1109/hts.2009.5337842.

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Simonova, Natalya B. "Formation of professional ethical standards in journalism: internal corporate necessity and external influence (early 20th century)." In Communication and Cultural Studies: History and Modernity. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1258-1-90-95.

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Reports on the topic "Realism History 20th century"

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Kempgen, Sebastian. Was Postkarten erzählen können… Otto-Friedrich-Universität, 2021. http://dx.doi.org/10.20378/irb-49498.

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