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Journal articles on the topic 'Realisim'

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Author: Grafiati

Published: 10 December 2022

Last updated: 28 January 2023

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1

Li, Kangning. "Basic GAN Models and the Application In Medical Image Field." Journal of Physics: Conference Series 2386, no. 1 (December 1, 2022): 012040. http://dx.doi.org/10.1088/1742-6596/2386/1/012040.

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Abstract Generative adversarial networks (GANs) have shown its prominent performance to the world and be exploited in many areas. For example, generating human face image, translating image between different domain, generating supplementary data for tasks which lacks training and labeled data. Specially, GANs also shows its potential in medical image analysis. It can tackle the problems in medical image analysis such as medical image translation, segmentation, reconstruction, detection and image classification. Being capable of generating images at amazing level of realisim, GANs gives the opportunity to resolve the problem that labeled data for those rare diseases cannot meet the need for medical field. In this paper, we give an overview of GANs and its application in medical image analysis. Defects and advantages of those GANs methods are also thoroughly reviewed. We also discuss its potential improvement in future. We review those most frequently methods published until now. And essential details about papers we discussed in this paper and access to that paper is attached at the endpage.

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2

Sweet, William. "Introduction: Realism, Realisms, and Anti-realisms." Philosophy, Culture, and Traditions 11 (2015): 1–12. http://dx.doi.org/10.5840/pct2015112.

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Araujo Neto, Gerson Albuquerque de. "A questão do realismo na filosofia de Karl Popper/The question of realism in Karl Popper's philosophy." Pensando - Revista de Filosofia 5, no. 10 (December 28, 2014): 29. http://dx.doi.org/10.26694/pensando.v5i10.3041.

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O presente texto é um estudo do problema do realismo na filsofia da ciência de Karl Popper. O texto inicia com a definição de realismo e a sua importância na filosofia atual. Mostra, também, em que textos Popper trabalha a questão do realismo e onde, no seu texto autobiográfico, ele se assume como realista. Analisa, ainda, o realismo na teoria dos três mundos de Popper.Abstract: The present essay is an study about the problem of realism in Karl Popper's philosophy of science. The essay begins with the definition of realism and its importance in nowadays philosophy. It also shows in which texts Popper works the question of realism and where, in his autobiographical text, he assumes himself as a realist. The essay also analises the realism in Popper's Three Worlds Theory. Key words: Realism. Karl Popper. Philosophy of Science.

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Magada-Ward, Mary. "From Realism to “Realicism”." Newsletter of the Society for the Advancement of American Philosophy 35, no. 106 (2007): 35–36. http://dx.doi.org/10.5840/saap20073510613.

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Gert, Joshua. "A realistic colour realism." Australasian Journal of Philosophy 84, no. 4 (December 2006): 565–89. http://dx.doi.org/10.1080/00048400601079128.

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Robinson, Lynn D. "IS ETHICAL REALISM REALISTIC?" Review of Faith & International Affairs 5, no. 4 (December 2007): 73–74. http://dx.doi.org/10.1080/15570274.2007.9523317.

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Chang, Hasok. "Realism for realistic people." Spontaneous Generations: A Journal for the History and Philosophy of Science 9, no. 1 (February 15, 2018): 31. http://dx.doi.org/10.4245/sponge.v9i1.27002.

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Pérez Jiménez, Manuel. "Ficcionalidad y transformación de la figuración realista en el teatro actual." Tropelías: Revista de Teoría de la Literatura y Literatura Comparada, no. 27 (December 11, 2016): 234. http://dx.doi.org/10.26754/ojs_tropelias/tropelias.2017271308.

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Este trabajo describe el fenómeno de la transformación de los procedimientos de ficcionalización en el teatro actual y, de modo particular, de los que corresponden a la figuración realista. Para ello, se sistematizan los resultados de la fragmentación de la misma, consistentes en una pluralidad de modelos ficcionales presentes en las piezas que integran la fase más reciente de la evolución del dominio estético del Realismo. This work describes the transformation of the fictionalization processes in present-day drama, particularly of realistic figuration. With this end, the paper will systematize its fragmentation, consisting of fictional models found in the plays of the most recent phase of the aesthetic field of the Realism.

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Bagaskara, Dimas Raditya, M. Misbahul Amri, Nabhan Fuad Choiron, and Evi Eliyanah. "The Celebration: Analyzing realism in Dogme 95 Manifesto film." Bahasa dan Seni: Jurnal Bahasa, Sastra, Seni, dan Pengajarannya 50, no. 2 (August 25, 2022): 196. http://dx.doi.org/10.17977/um015v50i22022p196.

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The Celebration: Analyzing realism in Dogme 95 Manifesto filmBelieving that the film industry is getting worse by utilizing simple plots and only emphasizing on the editing and the cosmetics, European filmmakers and theorists make their own style of realistic film movements as a reaction to Hollywood’s mainstream filmmaking style. One of which is the famed Dogme 95 Manifesto film movement in Denmark propagated by Lars von Trier. Dogme 95 Manifesto is a set of rules that needs to be followed by filmmakers in order to make a Dogme film. It is believed that by following this rule will restrain the filmmakers’ creativity, focusing more on the realism inside the film, and “purifying” the film industry. In this paper, we analyze realism in Dogme 95 through one of its successful milestones: The Celebration by Thomas Vinterburg through its cinematography and Dogme 95 rules within the film. We argue that as opposed to bringing realistic images on the screen, The Celebration brings atmospheric realism by providing a consistent feel of ‘relatability’ and presence inside the story to the spectators.The Celebration: Analisis realisme pada film Dogme 95 ManifestoSetelah mengetahui semakin parahnya industri film sekarang yang hanya menggunakan plot mudah dan lebih fokus kepada proses pengeditan dan kosmetik belaka, pembuat dan ahli film di Eropa telah membuat gaya film realis ciptaan mereka sendiri sebagai sebuah bentuk protes terhadap film-film mainstream ala Hollywood. Salah satunya adalah gerakan film Dogme 95 Manifesto asal Denmark yang digagas oleh Lars von Trier. Dogme 95 Manifesto berisi sebuah peraturan yang harus ditaati oleh pembuat film untuk membuat sebuah film Dogme. Mengikuti aturan-aturan ini akan lebih mengekang kreativitas para pembuat film, membuat film lebih realistis, dan mensucikan industri film. Dalam penelitian ini, kami menganalisis realisme dalam proyek Dogme 95 dari salah satu film mereka yang paling terkenal yaitu The Celebration yang disutradarai oleh Thomas Vinterburg dengan menggunakan analisis intrinsik berdasarkan aturan sinematografi dan aturan Dogme 95 yang ada di dalamnya. Para peneliti menyimpulkan bahwa tanpa perlu mempresentasikan kualitas gambar terbaik, The Celebration telah membawakan suasana realisme dengan memberikan nuansa ‘berada dalam cerita’ kepada para penonton.

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10

Ahrensdorf, Peter J. "Thucydides' Realistic Critique of Realism." Polity 30, no. 2 (December 1997): 231–65. http://dx.doi.org/10.2307/3235218.

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11

Lynch, Michael P. "Minimal Realism or Realistic Minimalism?" Philosophical Quarterly 47, no. 189 (October 1997): 512–18. http://dx.doi.org/10.1111/1467-9213.00076.

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DUXBURY, NEIL. "Legal Realism for Legal Realists." Ratio Juris 9, no. 2 (June 1996): 198–203. http://dx.doi.org/10.1111/j.1467-9337.1996.tb00237.x.

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Stepanov, Andrei D. "The transitional era in literature and the term realism (1840–1850s)." Vestnik of Saint Petersburg University. Language and Literature 19, no. 3 (2022): 497–514. http://dx.doi.org/10.21638/spbu09.2022.306.

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The article describes main milestones of the emergence and approval of the literary term realism. The term was filled with new content in French literature and criticism in the 1840s, and in 1849 first appeared in Russia in the article by Pavel Annenkov. The appearance of the term contributed to the transfer to Russian soil of the entire associative halo of the Realistic school, as it was understood in France at that time. The study of lagging autoreflection allows one to put forward the thesis about the atheoretical nature of realism. The means of realistic self-knowledge were not treatises, but critical articles on modern literature, where the concept of realism served as a means of journalistic polemics. The writers ranked among the great realists today did not classify themselves as such. Realists were considered anti-romantic-minded authors of low origin (raznochintsy), depicting familiar details of low reality. Subsequently, the fundamental thesis of the social determination of characters and artistic typification as asign of realistic art, which was subsequently consolidated, remained peripheral to the autoreflection of realism at the first stage of its development. All this determines the complexity of the conceptualization of this literary trend. In Russia the situation is more complicated because of the still-persisting influence of Soviet literary criticism, which sought to extend the unhistorically understood realism to the entire history of literature and turn it into a telos of literary development. Overcoming this approach and returning to the historical comprehension of realism is one of the urgent tasks of the history of literature.

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Buckman, Christopher C. "The Realistic Angel: Realism as Hypothetical Verity." Aesthetic Investigations 1, no. 1 (July 16, 2015): 49–58. http://dx.doi.org/10.58519/aesthinv.v1i1.12005.

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My main objective in this paper is to formulate a view of pictorial realism I call ‘hypothetical verity’. It owes much to John Kulvicki but diverges from his view in an important respect: rather than thinking that realistic pictures are true to our conceptions of things, I hold that they are true to what things would be like if they existed. In addition, I agree with Dominic Lopes that different realisms reflect different aspects of reality, but restate the case without recourse to symbol systems. Together, the twin principles of hypothetical verity and aspectival absolutism constitute a theory of realism able to account for realistic fictional entities, the problem of revelatory realism and images that teach new information.

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Cook, Roy T. "Should Anti-Realists be Anti-Realists About Anti-Realism?" Erkenntnis 79, S2 (March 28, 2013): 233–58. http://dx.doi.org/10.1007/s10670-013-9475-y.

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16

Yuan, María Sol. "Dos versiones de realismo en torno a Wittgenstein." Tópicos. Revista de Filosofía de Santa Fe, no. 35 (April 3, 2019): 120–39. http://dx.doi.org/10.14409/topicos.v0i35.8112.

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El presente trabajo gira en torno a dos lecturas realistas del "segundo Wittgenstein", una de carácter no metafísico surgida en The Realistic Spirit (1991) de Cora Diamond y otra lectura "realista metafísica", presentada a partir de la interpretación de H. Mounce en "Wittgenstein and Classical Realism" (2005). A partir de la confrontación de ambas posiciones, el hilo de lectura crítica que conducirá nuestro trabajo será que no podemos sostener ninguna posición realista "metafísica" (para denominarlo de un modo muy general) en relación con las tesis del segundo Wittgenstein. El trasfondo práctico sobre el que se apoyan las descripciones de este autor muestra ese fundamento no metafísico sino contingente sobre el que basamos nuestros hechos, conceptos y objetividad. Esto nos acerca a una noción de realismo en el que conceptos y realidad ya cuentan con significado de antemano en tanto la praxisen la que se enraízan garantiza nuestro trato con lo que nos rodea. El fundamento no es la razón, la conciencia, la correspondencia o adecuación a una realidad "desnuda"; es la praxis, el lugar común y el equilibrio entre los seres humanos y mundo.

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ISAAC, JEFFREY C. "Realism and Reality: Some Realistic Reconsiderations." Journal for the Theory of Social Behaviour 20, no. 1 (March 1990): 1–31. http://dx.doi.org/10.1111/j.1468-5914.1990.tb00172.x.

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Chen, Rong. "A Critical Analysis of the U.S. “Pivot” toward the Asia-Pacific: How Realistic is Neo-realism?" Connections: The Quarterly Journal 12, no. 3 (2013): 39–62. http://dx.doi.org/10.11610/connections.12.3.03.

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19

Faruk, Faruk, Cahyaningrum Dewojati, Fadil Munawwar Manshur, and Asef Saeful Anwar. "REALISME MAGIS DI PESANTREN DARUSSALAM CIAMIS." Bakti Budaya 3, no. 1 (April 20, 2020): 20. http://dx.doi.org/10.22146/bb.55497.

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AbstractNowadays magical Realism is the most popular literary genre in the world. This genre has strong influences in literature as well as fine art and film. It is for this reason that people competence in working with this genre is very important for developing Indonesian creative industry. Therefore, Magister Program for Literary Studies Faculty of Cultural Sciences Gadjah Mada University necessities to have a workshop program for investing people writing capability in this kind of genre. Target subject for the program is Darussalam Literary Community whose activities located in Islamic Boarding House (Pesantren) Darussalam, Ciamis, West Java. By using theory of Magical Realism and participatory method in three days intensive course the program found that the member of community involved in the course had strong potential capacity in literary writing. Although the first step of the program focused in training for writing in realistic literary work, there was a surprising phenomenon indicated the participant capability in writing magical realist work as well. -----------AbstrakRealisme magis merupakan genre sastra yang saat ini paling populer di dunia. Paham ini tidak hanya berpengaruh di bidang seni sastra, tetapi juga seni rupa, film, dan sebagainya. Oleh karena itu, kemampuan untuk menulis karya sastra dengan genre ini sangat penting bagi industri kreatif. Dengan alasan inilah, Program Magister Ilmu Sastra, Fakultas Ilmu Budaya UGM menganggap perlu untuk mengadakan pelatihan penulisan sastra realisme magis ini bagi masyarakat. Yang dipilih sebagai kelompok sosial sasaran adalah Komunitas Sastra Darussalam yang berlokasi di Pesantren Darussalam Ciamis. Tahap pertama program ini adalah pelatihan dasar penulisan sastra dengan genre realisme yang juga menjadi dasar dari realisme magis. Program itu dilaksanakan secara intensif selama tiga hari dengan menggunakan teori realisme magis sebagai kerangka konseptualnya dan gabungan antara ceramah, diskusi, latihan, dan partisipasi sebagai metodenya. Hasil kegiatan tersebut membuktikan bahwa peserta pelatihan yang berjumlah 15 orang mempunyai kepekaan terhadap persoalan-persoalan empiris yang ada di lingkungan pesantren dan mempunyai kemampuan dalam penulisan latar, tokoh, serta alur cerita. Meskipun program pada tahap ini difokuskan pada penulisan karya sastra yang realistis, peserta sudah memperlihatkan potensi dalam penulisan realisme magis.

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20

Blistène, Pauline. "The Bureau and the Realism of Spy Fiction." Open Philosophy 5, no. 1 (January 1, 2022): 231–49. http://dx.doi.org/10.1515/opphil-2020-0178.

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Abstract This article addresses the issue of realism in relationship to contemporary serial fiction. Drawing on The Bureau (Canal+, 2015–2020), it argues that spy TV series are “realistic” not because they correspond to reality but because of their impact on reality. It begins by giving an overview of the many ways in which “realism,” in the ordinary sense of a resemblance with reality, served as the working framework for The Bureau’s team. It then identifies three distinct types of realisms in the series. The first is a “fictional realism,” namely the ability of The Bureau to conform to the aesthetic and narrative conventions of realistic fictions. The second type of realism, which I qualify as “ordinary,” refers to the possibilities offered by the show’s aesthetics and the enmeshment of The Bureau with viewers’ ordinary experience. The third type of “performative realism” refers to the series’ impact on shared representations and reality. By providing a common language about the secret activities of the state, The Bureau has gone from being a framed version of reality to being one of the defining frameworks through which state secrecy is experienced both individually and collectively, by insiders and the public at large.

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Marvan, Tomáš. "Lze rozřešit spor mezi realismem a konstruktivismem?" FILOSOFIE DNES 7, no. 2 (August 11, 2016): 96–103. http://dx.doi.org/10.26806/fd.v7i2.225.

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Text se formou polemiky zabývá otázkou, zda je možné rozřešit filozofický spor mezi realismem a konstruktivismem. Oproti mínění Jaroslava Peregrina hájí autor tezi, že tento spor rozřešit lze, a to ve prospěch realismu. Argumenty pro realismus jsou výrazně přesvědčivější, zatímco konstruktivistické argumenty nejsou ničím podložené a zároveň vedou k absurdním důsledkům. The text adresses, in a polemical fashion, the question whether the philosophical dispute between realism and constructivism can be resolved. Against the opinion of Jaroslav Peregrin, the author defends the thesis that this dispute can be resolved, in favor of realism. The arguments for realism are much more convincing, while constructivist arguments are baseless and at the same time lead to absurd consequences.

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Anderson, David L. "What Is Realistic about Putnam’s Internal Realism?" Philosophical Topics 20, no. 1 (1992): 49–83. http://dx.doi.org/10.5840/philtopics19922013.

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Smallman, Harvey S., and Mark St John. "Naive Realism: Misplaced Faith in Realistic Displays." Ergonomics in Design: The Quarterly of Human Factors Applications 13, no. 3 (July 2005): 6–13. http://dx.doi.org/10.1177/106480460501300303.

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Peregrin, Jaroslav. "Tak dobře, trapme ještě chvilku ducha." FILOSOFIE DNES 8, no. 1 (December 8, 2016): 121–27. http://dx.doi.org/10.26806/fd.v8i1.227.

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Ve své polemice s mou recenzí jeho knihy Tomáš Marvan argumentuje, že debatu mezi realismem a relativismem (či konstruktivismem) lze rozřešit, a to prostřednictvím důkazů ve prospěch realismu. V tomto příspěvku vysvětluji, že podle mne realismus nemůže být prokázán, protože to není teze, kterou by bylo možné dokazovat, ale spíše něco jako kantovská „regulativní idea“. In his polemic reply to my review of his book Tomáš Marvan argues that the debate between realism and relativism (or constructivism) can be resolved, especially by means of evidence in favor of realism. In this contribution I explain that according to me realism cannot be demonstrated, because it is not a thesis that could be supported by evidence, but rather something as a Kantian "regulative idea".

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Zoric, Aleksandra. "Convergent realism on truth, progress and referentiality." Theoria, Beograd 54, no. 4 (2011): 51–71. http://dx.doi.org/10.2298/theo1104051z.

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In this paper we shall explore the position of convergent realism trough the work of two of its most important proponents, Richard Boyd and Hillary Putnam. We shall examine their views on questions of truth, progress and referentiality in order to determine the success with which realistic position withstands the scrutiny of anti-realistic objections. It will be shown that claims of truthlikeness and progress are to a large degree dependent on a successful theory of reference and that the image of science painted by the realists does indeed offer preferable explanation of science only if the ?no miracles? argument can be given a firm foundation.

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Fritz, James, and Tristram McPherson. "MORAL STEADFASTNESS AND META-ETHICS." American Philosophical Quarterly 56, no. 1 (January 1, 2019): 43–55. http://dx.doi.org/10.2307/45128642.

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Abstract Call the following claim Asymmetry: rationality often requires (or permits) a more steadfast response to pure moral disagreement than it does to otherwise analogous non-moral disagreement. This paper briefly motivates Asymmetry and explores its implications for meta-ethics. Some philosophers have thought that anti-realists are better-placed than realists to explain Asymmetry because, if anti-realism is true, disagreement cannot provide evidence against the reliability of one’s thinking about objective moral facts. This paper argues that this simple diagnosis fails to support otherwise plausible anti-realisms. It closes by discussing an alternative explanation for Asymmetry, which appeals to the moral importance of steadfastness.

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GABRIEL F. GIRALT. "Realism and Realistic Representation in the Digital Age." Journal of Film and Video 62, no. 3 (2010): 3. http://dx.doi.org/10.5406/jfilmvideo.62.3.0003.

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Morgan, Jamie. "Realists Still Divided by Realism? Response to Wright." Journal of Critical Realism 15, no. 2 (March 14, 2016): 170–74. http://dx.doi.org/10.1080/14767430.2016.1148378.

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Watson. "Latour’s more realistic realism: a reply to Salinas." Global Discourse 6, no. 1 (January 2, 2016): 22–25. http://dx.doi.org/10.1080/23269995.2015.1009263.

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Hendry, Robin Findlay. "Realism and Progress: Why Scientists should be Realists." Royal Institute of Philosophy Supplement 38 (March 1995): 53–72. http://dx.doi.org/10.1017/s1358246100007281.

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For as long as realists and instrumentalists have disagreed, partisans of both sides have pointed in argument to the actions and sayings of scientists. Realists in particular have often drawn comfort from theliteralunderstanding given even to very theoretical propositions by many of those who are paid to deploy them. The scientists' realism, according to the realist, is not an idle commitment: a literal understanding of past and present theories and concepts underwrites their employment in the construction ofnewtheories. The theme of this book is philosophy and technology, and here's the connection:newtheories point out—and explain—newphenomena. So realism, claim the realists, is at the heart of science's achievement of what Bacon, that early philosopher of technology, identified as science's aim:newknowledge offeringnewpowers.

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Galligan, Brian. "Realistic ‘Realism’ and the High Court's Political Role." Federal Law Review 18, no. 1 (March 1989): 40–49. http://dx.doi.org/10.1177/0067205x8901800103.

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Morgan, Jamie. "Realists Divided by Realism? Wright on Triune Christianity." Journal of Critical Realism 14, no. 4 (August 2015): 397–415. http://dx.doi.org/10.1179/1476743015z.00000000077.

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Giralt, Gabriel F. "Realism and Realistic Representation in the Digital Age." Journal of Film and Video 62, no. 3 (2010): 3–16. http://dx.doi.org/10.1353/jfv.2010.0000.

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Agazzi, E. "The problems of scientific realism today." Philosophy of Science and Technology 27, no. 2 (2022): 20–30. http://dx.doi.org/10.21146/2413-9084-2022-27-2-20-30.

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The article describes scientific realism and the debate around this position. It shows that initially (in the scholastic tradition) the debate between realists and antirealists was purely ontological, since it was accepted that when we know, we know the real − knowledge cannot be anything other than knowledge of the real. The question about the reality of the object of our knowledge, about whether the world beyond our representations is equal to the world we represent to ourselves, distinguishes modern philosophy from classical philosophy and arises from the claim that we know our representations and not the real. A twofold problem is formed: first, to demonstrate the existence of the world beyond our representations, and second, to demonstrate that that the knowledge we have constitutes precisely the knowledge of the world in which we live and is, in fact, actual knowledge, not chimer. Thus the problem of realism takes on an almost exclusively epistemological meaning. Nevertheless, contemporary realistic positions often confuse ontological and epistemological theses, which leads to internal contradictions. The same is true of the proponents of anti-realist views. The question of the causes of the anti-realistic tendency in the philosophy of science is raised and it is shown that the initial attitude of the modern science was realistic. It was undermined, on the one hand, by anti-realistic interpretations of the cognitive process (starting from Kant), on the other hand, by difficulties of theoretical order arisen in physics, and the main thing was that science began to deal with the unobservable, undermining the cognitive basis of radical empiricism. However, the new cognitive situation does not necessarily lead to anti-realism, another way of development relies on an understanding of the complexity and problematic relationship between theory and experience. A number of reasons in favor of scientific realism are concluded.

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Gómez Sánchez, Diego. "Ver o no ver las sombras: la esquiva presencia de las sombras en la realidad y en sus imágenes / To See or Not See the Shadows. The Elusive Presence of Shadows in Reality and in your Pictures." Revista Internacional de Cultura Visual 3, no. 1 (April 4, 2016): 69–88. http://dx.doi.org/10.37467/gka-revvisual.v3.494.

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ABSTRACTThe history of the iconic representations shows that the concept of realism is neither rigid nor unchanging but, on the contrary, it is multiple and changeable, perhaps because the visual reality itself presents multiple faces to observers. Shadows are elements which, though always present in front of our eyes, are rarely taken into account when defining a picture as realistic. This article weighs the importance of the shadows as optical phenomena and aims to answer the question of why a non-shadows image can come to be believed as a faithful representation of reality.RESUMENLa historia de las representaciones icónicas demuestra que el concepto de realismo no es rígido ni invariable sino, por el contrario, múltiple y cambiante, quizá porque la propia realidad visual presenta múltiples caras a los observadores. Las sombras son elementos que, aunque siempre presentes ante nuestros ojos, rara vez son tomados en consideración a la hora de definir como realista una imagen. Este artículo indaga en la importancia de las sombras como fenómenos ópticos y trata de responder a la pregunta de por qué una imagen que no contenga sombras puede llegar a creerse una representación fiel de la realidad.

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Chakravartty, Anjan. "Last Chance Saloons for Natural Kind Realism." American Philosophical Quarterly 60, no. 1 (January 1, 2023): 63–81. http://dx.doi.org/10.5406/21521123.60.1.06.

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Abstract Traditionally, accounts of natural kinds have run the gamut from strongly conventionalist to strongly realist views. Recently, however, there has been a significant shift toward more conventionalist-sounding positions, even (perhaps especially) among philosophers interested in scientific classification. The impetus for this is a trend toward making anthropocentric features of categories, namely, capacities to facilitate human epistemic (and other) interests via inductive inference, central to an account of kinds. I argue that taking these features seriously is both defensible and compatible with conventionalism, but not compatible with a traditional realism about kinds specifically. Moreover, hopes of achieving compatibility by revising and extending kind realism—into what I call “hyperrealism”—face an insuperable dilemma. The news for realists is not all bad, however: though kind realism proves untenable, closely associated realisms underlying the objectivity of kind discourse may be viable nonetheless.

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Cabello Gil, José Antonio. "Del realismo filosófico a la pedagogía realista." METAFÍSICA Y PERSONA, no. 25 (January 26, 2021): 147–56. http://dx.doi.org/10.24310/metyper.2021.vi25.11675.

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Dado que detrás de toda pedagogía hay una epistemología y una metafísica, esta nota crítica presenta el argumento de que los rasgos característicos de las pedagogías activas se identifican con una filosofía idealista, que privilegia el pensamiento, la actividad inmanente, así como el desarrollo de habilidades (genéricas, cognitivas y socioemocionales), mientras que una pedagogía realista se basa en el realismo filosófico, que parte del conocimiento de la realidad, así como de la capacidad de la persona para conocerla. Esta nota crítica argumenta a favor de la pedagogía realista como aquella en la que la persona puede conocer la realidad, acceder a la verdad y trascender.

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Frerichs, Sabine. "Putting behavioural economics in its place: the new realism of law, economics and psychology and its alternatives." Northern Ireland Legal Quarterly 72, no. 4 (March 17, 2022): 651–81. http://dx.doi.org/10.53386/nilq.v72i4.920.

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The behavioural turn in economics has spilled over into the field of law and economics. Some scholars even consider behavioural economics a variety of new legal realism, invoking earlier efforts to promote law as a behavioural and social science. In fact, behavioural economics works towards more realistic assumptions about human behaviour by drawing on empirical research methods, namely economic experiments. However, not all realisms are alike. Much of the mainstream of behavioural economics is inspired by cognitive psychology, which entails a move from behaviour to cognition and, ultimately, to brains. For scholars with a socio-legal background, legal realism rather points in the opposite direction: to the social contexts and institutional frameworks that shape individual behaviour. By exploring alternative options for a new realism at the intersection of law, economics, and related disciplines, this article exposes the relative neglect of institutions in behavioural economics and the tendency to reduce them to a corrective for cognitive biases in applications to law. At the same time, it provides a broad overview of different varieties of realism next to behavioural-economic ones.

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Badhwar, Neera K. "Is Realism Really Bad for You? A Realistic Response." Journal of Philosophy 105, no. 2 (2008): 85–107. http://dx.doi.org/10.5840/jphil200810526.

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Owen IV, John M. "Back to Realistic Realism: Tripolarity and World War II." International Studies Review 1, no. 1 (June 1999): 129–31. http://dx.doi.org/10.1111/1521-9488.00150.

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Loubenets, Elena R. "“Local Realism”, Bell’s Theorem and Quantum “Locally Realistic” Inequalities." Foundations of Physics 35, no. 12 (December 2005): 2051–72. http://dx.doi.org/10.1007/s10701-005-8662-3.

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BURG, EVELYN. "WHAT'S IN A NAME? TWENTIETH-CENTURY REALISM IN KENNETH BURKE'S AESTHETICS." Modern Intellectual History 13, no. 3 (April 10, 2015): 713–45. http://dx.doi.org/10.1017/s1479244315000098.

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Admired throughout the twentieth century by literary and sociological theorists but long neglected by philosophers, readers have overlooked Kenneth Burke's theoretical dependence on American philosophic realism, thus missing consistent patterns of his insight. By tracing Burke's own realism back to his year at Columbia University and his time atThe Dialmagazine, we see how Burke's earliest aesthetic theories conformed to aspects of the new realist movement. During the Depression, in his bookPermanence and Change, he followed earlier new realists in arguing for a reconstructed modern teleology of “purpose” and incorporated realism within his pleas for a suppler Communist Party rhetoric than that sanctioned by the party leadership. Burke's apparently inconsistent positions can be understood as a continuous philosophical argument for realism within changing intellectual contexts, explaining his long-lived cross-disciplinary appeal and influence. Burke maintained central realistic tenets: (1) the independent existence and intelligibility of an external world and (2) the substantive meaning of universals, particularly a common human nature. Examining these connections informs our readings of Burke while illuminating one reverberation of the philosophical “new realists” in American intellectual culture. Burke expressed realist principles in his presentation of symbolic action and dramatism inThe Philosophy of Literary FormandA Grammar of Motives, both published in the 1940s. His sophisticated aesthetic–linguistic realism appeared in his arguments against logical empiricists and New Critics, which displayed an arc of transformation in the philosophical and critical culture before World War II from a still-contested mixture to an emphatically nominalistic, antirealist one. It was from this philosophical position that Burke offered his lively, penetrating analyses of and challenges to many of the major movements in twentieth-century philosophy: realism, pragmatism, positivism, and post-structuralism.

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Silva Esquinas, Antonio. "Claves epistemológicas y metodológicas del ultra-realismo. Una mirada a los principios y propuestas de las diferentes escuelas ultra realistas." Vox Juris 40, no. 1 (June 1, 2021): 142–54. http://dx.doi.org/10.24265/voxjuris.2022.v40n1.12.

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Silva Esquinas, Antonio. "Claves epistemológicas y metodológicas del ultra-realismo. Una mirada a los principios y propuestas de las diferentes escuelas ultra realistas." Vox Juris 40, no. 1 (June 1, 2021): 142–54. http://dx.doi.org/10.24265/voxjuris.2022.v40n1.12.

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Sánchez Salvà, Marta. "El realismo en «El negro», de Salarrué." LETRAS, no. 55 (January 20, 2014): 11–29. http://dx.doi.org/10.15359/rl.1-55.1.

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Se rebaten dos tipos de críticas sobre Cuentos de barro (1933), de Salarrué: se cuestionan interpretaciones que identifican a los personajes con los indígenas y los negros reales de El Salvador en las décadas de 1920 y 1930; por otra parte, se disputan las críticas académicas que, a pesar de reconocer el ingrediente inventivo en las representaciones de los personajes, califican la ficción de un acto engañoso. Con el análisis de «El negro», con atención en el discurso metafórico, el realismo de Salarrué es más complejo que el realismo concebido como una copia fiel del mundo real. The study refutes two types of criticism about Cuentos de barro (1933), by Salarrué. It questions interpretations identifying the characters with real indigenous and black people in El Salvador in the 1920s and 1930s. Moreover, it argues against academic criticism which, in spite of acknowledging the non-realistic traits of the characters, describes the fiction as misleading. Through the analysis of “El negro”, with attention to the metaphoric discourse, Salarrué’s realism is viewed as more complex than realism conceived of as a faithful copy of the real world.

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Gavrikov, Vitaliy Alexandrovich. "“Miraculous realism” in Zaitsev’s, Shmelev’s, Bunin’s prose (in context of magical realism, fantastic realism, mystical realism, spiritual realism, etc.)." RUDN Journal of Studies in Literature and Journalism 24, no. 1 (December 15, 2019): 35–42. http://dx.doi.org/10.22363/2312-9220-2019-24-1-35-42.

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There are many terms that denote the invasion of the inexplicable into a realistic narrative, such as: magical realism, fantastic realism, mystical realism, spiritual realism, transcendental realism, metaphysical realism, Christian realism, etc. The author suggests the term “miraculous realism” to describe the realistic works in which there are miraculous (means associated with the category of something unbelievable) event inserts are present. Such miracles lead to obvious violations of the laws of nature and do not fit into the “scientific picture of the world”. “Miraculous realism” in Bunin’s prose, in Zaitsev’s and Shmelev’s autobiographical works, considered in comparison to Chekhov’s materialistic method.

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Núñez Vaquero, Álvaro. "Ciencia jurídica realista: modelos y justificación." Doxa. Cuadernos de Filosofía del Derecho, no. 35 (November 15, 2012): 717. http://dx.doi.org/10.14198/doxa2012.35.31.

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El presente trabajo persigue un triple objetivo: enmarcar las propuestas metodológicas realistas dentro de la teoría normativa de la ciencia jurídica, mostrar la variedad de modelos realistas de ciencia jurídica, y presentar algunas razones prácticas que justifican asumir alguno de dichos modelos. Para ello analizaré una forma de definir «ciencia jurídica» y ofreceré una redefinición de «ciencia jurídica» en sentido amplio. En segundo lugar, distinguiré entre doctrinas de la ciencia jurídica en sentido estricto y doctrinas de la dogmática jurídica. Una vez identificado el lugar que ocupa la ciencia jurídica realista en este marco conceptual, describiré cuatro modelos de ciencia jurídica realista: aquél de Ross, el de los situation-types del realismo estadounidense, el tarelliano y el New Legal Realism. Por último, ofreceré cuatro razones prácticas para realizar predicciones sobre cómo decidirán los jueces las futuras controversias.

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Bavaresco, Agemir. "Idealismo Realista ou Realismo Idealista: Hegel & Marx." Veritas (Porto Alegre) 63, no. 1 (April 23, 2018): 355. http://dx.doi.org/10.15448/1984-6746.2018.1.29831.

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O tema do idealismo e realismo é abordado por Hegel e Marx de um modo específico. De um lado, Hegel entende que toda a verdadeira filosofia é um idealismo. De outro, Marx defende que o verdadeiro pensamento inicia com o realismo. Nós entendemos que as abordagens não são excludentes, pois, trata-se de pontos de partida diferentes. Os diagnósticos têm na contradição o motor da história; e na dialética o método de descrever e analisar o real. A partir das categorias da finitude e infinitude de Hegel e da categoria do fetichismo de Marx estabelecemos aproximações e diferenças entre os dois autores.

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Dos Santos, Gerson Castro, and Karina de Almeida Calado. "Postura e Método Realista em Gaibéus e Trabalhadores." Jangada: crítica | literatura | artes, no. 2 (April 2, 2018): 25–43. http://dx.doi.org/10.35921/jangada.v0i2.26.

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Pretende-se, no presente trabalho, investigar a postura e o método realista em Gaibéus, de Alves Redol e na fotografia de Sebastião Salgado. A adesão aoprojeto estético neorrealista, entre as décadas 30 e 50 do século XX, aliou a representação das camadas populares, observada já em narrativas do final do séculoXIX, como Os miseráveis, de Vitor Hugo (1862), e Germinal, de Émile Zola (1885), à busca pela conscientização dessas classes. Nesse sentido, A estética neorrealista se configura como um novo movimento de captação e encenação da realidade, concebendo o homem como um agente de mudança na sociedade em que ele vive.Palavras-chave: Literatura e Fotografia, Realismo, Alves Redol, Sebastião Salgado. ____________________________ We intended, in this work, to investigate the attitude and realistic method in Alves Redol’s Gaibéus and in Sebastião Salgado’s photography. Joining the neorealist aesthetic project, between 30 and 50 decades of the twentieth century, combined the representation of the lower classes, as observed in narratives of the late nineteenth century as Les Misérables, by Victor Hugo (1862) and Germinal, Emile Zola (1885), the quest for awareness of these classes. In this sense, the neorealist aesthetic is configured as a new motion capture and staging of reality, conceiving man as an agent of change in the society in which he lives.Keywords: Literature and Photography, Realism, Alves Redol, Sebastião Salgado.

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Korchinsky, Anatoly V. "THE TIME OF THE REAL: PARADIGMS OF REALISM IN THE HISTORY OF “MODERNITY”." RSUH/RGGU Bulletin. "Literary Theory. Linguistics. Cultural Studies" Series, no. 1 (2022): 162–77. http://dx.doi.org/10.28995/2686-7249-2022-1-162-177.

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At various times throughout the nineteenth and twentieth centuries, realism became the most important imperative of “modernity”. The real, like a ghost, keeps coming back in different conceptual guises and under different names. Reality/actuality became not only the subject of reflection but also a principle, a criterion, a value, a key argument. Hence the polemical variation of the concept: “most realistic” versus “realistic”, “real” art versus “realism”, “real” versus “reality”, etc. Today in philosophy, political thought, ethics, and aesthetics we again observe a tense reflection on the real. But this reflection often lacks historicism. And working with the real through the optics of intellectual history is highly problematic, exposing the risks of this approach itself. The task of the paper is to raise a number of questions, not obvious in the author’s view, from an integral historical perspective. What are we facing – a concept (semantic field) or an ideological complex? When we talk about the realisms of the nineteenth, twentieth and twenty-first centuries, are we talking about the development of the same paradigm? What is the identity/homology of the search for reality in different fields of thought and artistic practice? Is there a principle that allows us to construct a typology of historical forms of thinking about reality? What role does research distance play in the reflection of these forms, since often one realism acts as a theory in relation to another? Is it possible to construct a periodization of realist formations of “modernity” by declaring modernity an “age of the real”? What role in the fate of realism is played by the ruptures of historical tradition and the reinterpretation of previous legacies?

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