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Published: 10 December 2022
Last updated: 29 January 2023

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1

Zander, Paul Martin. Rapt-ur-grams, and other script-ur-grams. Little Rock, AR (6800 Greenwood Rd, Little Rock 72207): P.M. Zander, 1989.

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2

The human blueprint: The race to unlock the secrets ofour genetic script. London: Cassell, 1991.

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3

The human blueprint: The race to unlock the secrets of our genetic script. New York: St. Martin's Press, 1991.

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4

The human blueprint: The race to unlock the secrets of our genetic script. New York: Bantam Books, 1992.

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5

Robert, Shapiro. The human blueprint: The race to unlock the secrets of our genetic script. New York: St. Martin's Press, 1991.

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6

Tuchmann, Kai, ed. Postdramatic Dramaturgies. Bielefeld, Germany: transcript Verlag, 2022. http://dx.doi.org/10.14361/9783839459973.

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This book compiles lectures by the world's leading practitioners of postdramatic theatre from East Asia and the German-speaking world, which were given at Asia's only dramaturgy degree program at The Central Academy of Drama in Beijing 2018/19. It includes first-time English-language scripts of the discussed plays. The material is complemented by contextualizing essays by the program founder Li Yinan and its co-developer Kai Tuchmann. Hans-Thies Lehmann contributes the foreword to this volume. This rare compilation enables the reader to gain a unique insider's impression of postdramatic theatre's artistic thinking and working methods and informs about its manifold manifestations. With contributions from Hans-Werner Kroesinger, Lee Kyung-Sung, Li Yinan, Boris Nikitin, Kai Tuchmann, Wang Mengfan, Wen Hui, Zhao Chuan and Zhuang Jiayun.
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7

Bondestam, Maja, ed. Exceptional Bodies in Early Modern Culture. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463721745.

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Drawing on a rich array of textual and visual primary sources, including medicine, satires, play scripts, dictionaries, natural philosophy, and texts on collecting wonders, this book provides a fresh perspective on monstrosity in early modern European culture. The essays explore how exceptional bodies challenged social, religious, sexual and natural structures and hierarchies in the sixteenth, seventeenth and early eighteenth centuries and contributed to its knowledge, moral and emotional repertoire. Prodigious births, maternal imagination, hermaphrodites, collections of extraordinary things, powerful women, disabilities, controversial exercise, shapeshifting phenomena and hybrids are examined in a period before all varieties and differences became normalized to a homogenous standard. The historicizing of exceptional bodies is central in the volume since it expands our understanding of early modern culture and deepens our knowledge of its specific ways of conceptualizing singularities, rare examples, paradoxes, rules and conventions in nature and society.
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8

Boriosi, Nino. Il "rongo-rongo": Rivelazione di un mito "Rapa-Nui" : traduzione degli ideogrammi-simbolici, figurativi-geroglifici dell'Isola di Pasqua : glottologia comparata polinesiana-indo-gangetica-melasiana-bengalica-egizia-dinastica-proto-sanscrita. [Italy]: ET, 1997.

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9

Text manuscripts and documents from 2200 BC to 1600 AD : catalogue 16: Containing manuscripts, documents and inscribed artifacts in Sumerian cuneiform, hieroglyphic and hieratic Old Egyptian, Sahidic and Bohairic Coptic, Bactrian script and language, Hebrew, Aramaic and Judeo-Arabic language in Hebrew script, Greek, Latin, and Old French, Spanish, Italian, German, Dutch, and English. London: Sam Fogg, 1995.

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10

Free Library of Philadelphia. Rare Book Dept. Saints, scribes, and scholars: An exhibition of illuminated manuscripts and early printed books from the collections of the Rare Book Department of the Free Library of Philadelphia. Philadelphia: Free Library of Philadelphia, 1988.

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11

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Oxford: Oxford University Press, 2000.

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12

Conan, Doyle Arthur. The memoirs of Sherlock Holmes. Oxford: Oxford University Press, 2009.

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13

Conan, Doyle Arthur. The memoirs of Sherlock Holmes. Oxford [England]: Oxford University Press, 1994.

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14

Conan, Doyle Arthur. Die Memoiren des Sherlock Holmes. Frankfurt, M: Insel-Verl., 2007.

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15

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Oxford [England]: Oxford University Press, 1993.

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16

Conan, Doyle A. Memoirs of Sherlock Holmes: A facsimile of the stories as they were first published in the Strand magazine, London. Woodbury, NY: Platinum Press, 1996.

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17

Conan, Doyle Arthur. Adventure of Six Napoleons and Other Cases. London: Penguin English Library, 2014.

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18

Conan, Doyle A. The Memoirs of Sherlock Holmes. London, England: Leopard, 1996.

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19

Conan, Doyle Arthur. The Memoirs of Sherlock Holmes. Pleasantville, N.Y.: Reader's Digest Association, 1988.

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20

Conan, Doyle Arthur. The memoirs of Sherlock Holmes. Naples, Fla: Trident Press International, 2001.

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21

Conan, Doyle A. The memoirs of Sherlock Holmes. New York, N.Y: Penguin Books, 2011.

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22

Conan, Doyle A. The Memoirs of Sherlock Holmes. Firenze: Giunti, 2001.

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23

Conan, Doyle A. The Memoirs of Sherlock Holmes. London: Arcturus, 2018.

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24

Harrick, Elizabeth A. Stranger, nonstranger, acquaintance, and general rape scripts. 1997.

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25

Rapp, Philip. THE TELEVISION SCRIPTS OF PHILIP RAPP. BearManor Media, 2007.

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26

Godreau, Isar P. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0001.

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This introductory chapter discusses the concept of “scripts of blackness” in Puerto Rico—that is, dominant narratives and stories that set standards, expectations, and even spatial templates for what is publicly recognized, celebrated, and sponsored as black and Puerto Rican. Racial scripts can be seen as a variant of processes described as racial essentialism, stereotyping, and stigmatization. However, racial scripts as defined in this book are closely tied to celebratory notions of nationalism developed under the rubric of mestizaje, or race mixture. Unlike most forms of stereotyping, which often assign negative qualities to groups, the “scripts of blackness” analyzed in this study essentialize black people and black communities according to attributes presented in the dominant discourses as primarily positive and often celebrated as exceptional qualities of the mixed-race nation.
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27

Holman, Bob. Panic DJ: Performance text, poems, raps, songs (Contemporary scripts). VRI Theater Library, 1987.

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28

Williams, Sonja D. Rare Broadcasts. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039874.003.0006.

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This chapter focuses on Richard Durham's budding career as a scriptwriter for radio, including his role as the primary writer of Democracy USA episodes. Durham's scripts dramatized the triumphs and struggles of Negro leaders. He soon started sharing scriptwriting duties with freelance writer Perry Wolf. The synergy between these writers and the hard work of the show's multiracial cast and production staff eventually paid off. During this time, Durham had a rarefied place in radio, since only a tiny cadre of African Americans, including Robert Lucas, Roi Ottley, and occasionally Langston Hughes, wrote for the medium. While Durham searched for ways to increase his income, he met Irna Phillips, dubbed the “Queen of the Soaps.” He also created, together with his theatrical friends, a soap opera called Here Comes Tomorrow, first aired by Chicago station WJJD on September 8, 1947. This was followed by Destination Freedom.
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29

Godreau, Isar P. Place, Race, and the Housing Debate. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0002.

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This chapter provides a detailed ethnographic account of the housing controversy in San Antón. It places particular emphasis on the racial and spatial coordinates that informed debate over its implementation, pointing to the problematic and contested deployment of scripts of nostalgia, homogeneity, matrifocality, harmony, and unchanging traditions that marked San Antón as an exceptional place of racialized difference. The controversy over housing showed the inadequacy of an approach that romanticized the community without considering the social relationships of power that shaped it and, more importantly, without discussing its transformations with residents. Moreover, the housing project failed to recognize San Antón residents' everyday practices and desires as modern, casting them instead as bearers of unchanging traditions.
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30

Heng, Geraldine. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. University of Pennsylvania Press, 2022.

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31

Heng, Geraldine. Scripts of Blackness: Early Modern Performance Culture and the Making of Race. University of Pennsylvania Press, 2022.

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32

Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2014.

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33

Godreau, Isar P. Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2014.

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34

Godreau, Isar P. Scripts of Blackness: Race, Cultural Nationalism, and U. S. Colonialism in Puerto Rico. University of Illinois Press, 2015.

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35

Molina, Natalia. How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts. University of California Press, 2014.

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36

Molina, Natalia. How Race Is Made in America: Immigration, Citizenship, and the Historical Power of Racial Scripts. University of California Press, 2014.

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37

Godreau, Isar P. Flowing through My Veins. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0007.

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This chapter discusses how the scripts of blackness developed in tandem with discourses of race mixture that supported populist forms of governance and cultural policies in the 1940s and 1950s. The biological definition of Puerto Ricans as a mixture of three races—the Taíno, the Spanish, and the African—had been circulating since the nineteenth century in both criollo and U.S. writings about Puerto Rico, but before the 1950s, this was not institutionally constructed as an object of national pride. It was after the 1950s that the ideology of race mixture was taken up as a populist State discourse and implemented through the Institute of Puerto Rican Culture. Indeed, race mixture became a central part of the state's cultural program of development and modernization for Puerto Rico.
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38

How Race Is Made In America Immigration Citizenship And The Historical Power Of Racial Scripts. University of California Press, 2013.

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39

How Race Is Made In America Immigration Citizenship And The Historical Power Of Racial Scripts. University of California Press, 2013.

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40

Weisenfeld, Judith. Race, Religion, and Documentary Film. Edited by Paul Harvey and Kathryn Gin Lum. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190221171.013.2.

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This chapter uses Ingagi and The Silent Enemy, both independent films released in 1930, to examine the intersections of race and religion in the context of American documentary film conventions. The filmmakers claimed documentary status for their films, despite the fact that both were largely scripted and contained staged representations. Many audience members and critics nevertheless took their representations of the religious practices of Africans and Native Americans to be truthful and invested in the films’ authenticity because their visual codes, narratives, and advertising confirmed accepted stereotypes about race, religion, and capacity for civilization. Examining these two films in the context of the broader history of documentary representations of race and religion—from travelogues, adventure, ethnographic, and expeditionary films through more recent productions—this chapter explores how the genre has helped to shape and communicate ideas about race and religion.
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41

Crowley, Lara M. Manuscript Matters. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198821861.001.0001.

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Manuscript Matters illuminates responses to some of John Donne’s most elusive texts by his contemporary audiences. Since examples of seventeenth-century literary criticism prove somewhat rare and frequently ambiguous, this book emphasizes a critical framework rarely used for exhibiting early readers’ exegeses of literary texts: the complete manuscripts containing them. Many literary manuscripts that include poems by Donne and his contemporaries were compiled during their lifetimes, often by members of their circles. For this reason, and because various early modern poems and prose works satirize topical events and prominent figures in highly coded language, attempting to understand early literary interpretations proves challenging but highly valuable. Compilers, scribes, owners, and other readers—men and women who shared in Donne’s political, religious, and social contexts—offer clues to their literary responses within a range of features related to the construction and subsequent use of the manuscripts. This study’s findings call us to investigate more extensively and systematically how certain early manuscripts were constructed through analysis of such features as scripts, titles, sequence of contents, ascriptions, and variant diction. While such studies can throw light on many early modern texts, exploring artifacts containing Donne’s works proves particularly useful because more of his poetry circulated in manuscript than did that of any other early modern poet. Manuscript Matters engages Donne’s satiric, lyric, and religious poetry, as well as his prose paradoxes and problems—refocusing modern interpretation through an early modern lens.
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42

de Bruyn, Theodore. Scribal Features of Customary Amulets. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199687886.003.0005.

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This chapter compares incantations that are similar in purpose and formulation: incantations against snakes and scorpions; incantations against fever and illness; amatory incantations; and curses or prayers for justice. The ways in which incantations in these different groups are ‘christianized’ varies. Commonplace incantations against snakes and scorpions are resistant to change, but may be framed with Christian elements. Incantations against fever and illness may juxtapose customary and Christian elements or may be formulated in a wholly Christian idiom. On the basis of the formulation and writing of specific artefacts, it is suggested that some scribes were closer to the institutional centre of the Egyptian church, and other scribes were further away from the centre. While amatory incantations with Christian elements are rare (probably because scribes shaped by Christian norms would also have been predisposed against such incantations), curses and prayers for justice are not.
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43

Santoro, Daniella. The Dancing Ground. Edited by Blake Howe, Stephanie Jensen-Moulton, Neil Lerner, and Joseph Straus. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199331444.013.17.

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The performative traditions of New Orleans second line parades offer profound insight into localized expressions of health and disability. As public, festive, and symbolic spaces of music, dance and movement, second lines privilege the body as a site of knowledge production and individual improvisation within a collective tradition. This essay focuses on the relationship between dance and disability as observed during second line parades in New Orleans from 2010 to 2013. The narratives of those participants who are marked as disabled by age or circumstance reveal how the public space of dance and embodied movement at a second line parade enables a rewriting of ableist scripts about the body and its potential. This research focuses on the corporeal landscape and how musical traditions inscribe embodied knowledge, and embolden social commentary on the wider workings of race and disability in contemporary New Orleans.
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44

Godreau, Isar P. Slavery and the Politics of Erasure. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038907.003.0003.

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This chapter looks at benevolent renderings of the institution of slavery, and silences that have contributed to its interpretation as inconsequential for the construction of national identity in Puerto Rico. Such interpretations support national “scripts” that construe blackness as an exceptional, geographically contained, and fading element of the Puerto Rican nation. Indeed, a politics of erasure in historiography was common in the 1940s, 1950s, and 1960s, when scholars interpreted slavery as a benevolent and unimportant institution in Puerto Rico that facilitated racial integration, race mixture, and blanqueamiento at both the biological and cultural levels. This interpretation of slavery was and continues to be deployed to differentiate Puerto Rico from the United States. In contrast to Puerto Rico's so-called soft brand of slavery, upholders of this politics interpret U.S. slavery as a harsher system that created impermeable racial barriers and institutionalized racial segregation.
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45

Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity. University of Alabama Press, 2019.

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46

Middleton, Richard T., and Sheridan Wigginton. Unmastering the Script: Education, Critical Race Theory, and the Struggle to Reconcile the Haitian Other in Dominican Identity. University of Alabama Press, 2019.

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47

Round, Julia. Gothic for Girls. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496824455.001.0001.

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This book is the first full-length critical study of any British girls’ comic and sheds light on an often-ignored era and genre of the comics industry. It explores the production and reception of the notorious girls’ mystery comic Misty (IPC, 1978-80), considering its influences, themes, visuals, plots, and use of Gothic symbols. Containing exclusive interview material with the comic’s creators and editorial team, rare scripts and photographs, and surveying the entire archive of Misty stories, it preserves and analyzesMisty for fans and scholars. By exploring and defining the particular type of mystery and fear that this comic offered, the strange case of Misty also becomes a tool to develop existing Gothic scholarship and identify a new and under-theorised subgenre. Gothic for Girls challenges and instructs its readers in a number of ways: offering warnings and moral lessons, exposing societal expectations and limitations, and embracing the liminality and Otherness of childhood.
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48

Townsend, Sylvia. Bumpy Road. University Press of Mississippi, 2019. http://dx.doi.org/10.14325/mississippi/9781496804143.001.0001.

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In meticulous detail, the book describes the filming, release, and influence of the 1971 film Two-Lane Blacktop. In 1970 the urbane producer Michael Laughlin asked the hippy filmmaker Monte Hellman to direct a script called Two-Lane Blacktop. The cult author Rudy Wurlitzer rewrote the script, the story of two scruffy hot rodders who pick up a girl hitchhiker and race their classic ’55 Chevy against a rich guy’s “factory –made hot rod,” a ’70 GTO Judge. In three of the four lead roles Hellman cast nonactors – the rock stars James Taylor and Dennis Wilson, and the director’s girlfriend, Laurie Bird. Hellman made an existentialist car-racing movie; nobody wins or even finishes the race, the protagonists are doomed to drive around endlessly. The film was slow-paced, the rock stars didn’t sing (and barely spoke), the movie had little music, and Hellman ignored other traditional crowd-pleasing conventions. When he resisted studio pressure to make the movie more conventional and commercial, it flopped at the box office. Universal failed to release the film on video, making it scarce and sought-after, and three of the four lead actors – Wilson Bird and Warren Oates, had untimely deaths, conferring mystique on the film. Many years after its release, the film gained wide acclaim, was released by the prestigious Criterion Collection and was preserved in the National Film Registry. In the book, the directors Wes Anderson, Richard Linklater and others tell how the movie influenced their work. Although Two-Lane Blacktop was a harbinger of the demise of New Hollywood films, brought about by the financial costs to Hollywood studios that allowed auteur directors to make non-commercial movies, had Hellman caved in to pressure to make the movie commercial, it would not have become a classic.
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49

Clark, Sharri R., and Jonathan Mark Kenoyer. South Asia—Indus Civilization. Edited by Timothy Insoll. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199675616.013.024.

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Figurines of the Indus Civilization (c.2600–1900 BC) provide unique insights into technological, social, and ideological aspects of this early urban society. The Indus script has not yet been deciphered, so figurines provide one of the most direct means to understand social diversity through ornament and dress styles, gender depictions, and various ritual traditions. This chapter focuses on figurines from the site of Harappa, Pakistan, with comparative examples from other sites excavated in both India and Pakistan. Anthropomorphic and zoomorphic terracotta figurines, and special forms with moveable components or representing composite or fantastic creatures, are found at most sites of the Indus Civilization, with rare examples of figurines made of bronze, stone, faience, or shell. The raw materials and technologies used to make figurines are discussed, along with the archaeological contexts in which they have been discovered. These figurines provide an important line of evidence regarding Indus society and religion.
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50

Chatterjee, Sandra, and Cynthia Ling Lee. “Our Love Was Not Enough”. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199377329.003.0003.

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This essay recounts and analyzes the Post Natyam Collective’s process of creating the contemporary abhinaya work, “rapture/rupture.” Working in a feedback loop between theory and practice, it researched ways to denaturalize Indian classical kathak’s script of idealized femininity to facilitate fluid, diverse possibilities for performing gender and cultural belonging in South Asian aesthetic contexts. “Rapture/rupture” produces a dancing subject whose ethnic mismatch, hybrid movement vocabulary, gender nonconformity, and same-sex love across cultural difference exceed the boundaries of a kathak discourse that calls for purist notions of culture, race, nation, religion, and femininity. In theoretically analyzing how gender, cultural belonging, and desire are conceptualized through abhinaya, postmodern dance, US identity politics, and poststructuralist critiques of identity, it argues that embracing lack—being “not enough”—is a mode of exceeding dominant boundaries that enables a multilayered, intersectional dance-making practice that queers gender, queers cultural belonging, and embodies queer female desire.
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