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Books on the topic 'Radical pairs'
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1
Lewis, Alan. Spin Dynamics in Radical Pairs. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-00686-0.
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2
Dreams & everyday life: André Breton, surrealism, the IWW, Rebel Worker Students for a Democratic society and the seven cities of Cibola in Chicago, Paris & London : a 1960s notebook. Chicago: Charles H. Kerr Pub. Co., 2008.
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3
Canfield, Jeffrey Michael. Approaching magnetic field effects in biology using the radical pair mechanism. Ann Arbor, MI: UMI Dissertation Services, 1998.
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4
Wu, Jie Qiang. Spin relaxation mechanisms controlling magnetic-field dependent radical pair recombination kinetics in nanoscopic reactors. Konstanz: Hartung-Gorre Verlag, 1993.
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5
Calvelli, Lorenzo, Giovannella Cresci Marrone, and Alfredo Buonopane. Altera pars laboris. Venice: Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-374-8.
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La ricerca nel campo dell'epigrafia si arricchisce continuamente con la scoperta di documenti inediti e vive oggi un radicale rinnovamento grazie alle tecnologie digitali. Una componente fondamentale del «mestiere di epigrafista» è però costituita anche dalla ricostruzione filologica e dall'indagine delle figure che si cimentarono nella collazione dei testimoni delle iscrizioni antiche. Il volume comprende sedici saggi di studiosi italiani e francesi, dedicati all'esame della tradizione manoscritta e a stampa dell'epigrafia, che Theodor Mommsen definì la «parte più difficile» della disciplina. Dai tesori ancora nascosti in numerose biblioteche d'Europa emerge un quadro di grande ricchezza documentaria, che presagisce un enorme potenziale di sviluppo per la ricerca futura.
6
European Society for Biomedical Research on Alcoholism. Congress. Alcohol toxicity and free radical mechanisms: Proceedings of the First Congress of the European Society for Biomedical Research on Alcoholism (ESBRA) : 18-19 September 1987, Paris, France. Edited by Nordmann R, Ribière C, and Rouach H. Oxford [England]: Pergamon Press, 1988.
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7
Gans, Evelien, and Remco Ensel, eds. The Holocaust, Israel and 'the Jew'. NL Amsterdam: Amsterdam University Press, 2016. http://dx.doi.org/10.5117/9789089648488.
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This book is the first comprehensive study of postwar antisemitism in the Netherlands. It focuses on the way stereotypes are passed on from one decade to the next, as reflected in public debates, the mass media, protests and commemorations, and everyday interactions. The Holocaust, Israel and 'the Jew' explores the ways in which old stories and phrases relating to 'the stereotypical Jew' are recycled and modified for new uses, linking the antisemitism of the early postwar years to its enduring manifestations in today's world. The Dutch case is interesting because of the apparent contrast between the Netherlands' famous tradition of tolerance and the large numbers of Jews who were deported and murdered in the Second World War. The book sheds light on the dark side of this so-called 'Dutch paradox,' in manifestations of aversion and guilt after 1945. In this context, the abusive taunt 'They forgot to gas you' can be seen as the first radical expression of postwar antisemitism as well as an indication of how the Holocaust came to be turned against the Jews. The identification of 'the Jew' with the gas chamber spread from the streets to football stadiums, and from verbal abuse to pamphlet and protest. The slogan 'Hamas, Hamas all the Jews to the gas' indicates that Israel became a second marker of postwar antisemitism. The chapters cover themes including soccer-related antisemitism, Jewish responses, philosemitism, antisemitism in Dutch-Moroccan and Dutch- Turkish communities, contentious acts of remembrance, the neo-Nazi tradition, and the legacy of Theo van Gogh. The book concludes with a lengthy epilogue on 'the Jew' in the politics of the radical right, the attacks in Paris in 2015, and the refugee crisis. The stereotype of 'the Jew' appears to be transferable to other minorities. Now also available as paperback!
8
Gans, Evelien, and Remco Ensel, eds. The Holocaust, Israel and 'the Jew'. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462986084.
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This book is the first comprehensive study of postwar antisemitism in the Netherlands. It focuses on the way stereotypes are passed on from one decade to the next, as reflected in public debates, the mass media, protests and commemorations, and everyday interactions. The Holocaust, Israel and 'the Jew' explores the ways in which old stories and phrases relating to 'the stereotypical Jew' are recycled and modified for new uses, linking the antisemitism of the early postwar years to its enduring manifestations in today's world. The Dutch case is interesting because of the apparent contrast between the Netherlands' famous tradition of tolerance and the large numbers of Jews who were deported and murdered in the Second World War. The book sheds light on the dark side of this so-called 'Dutch paradox,' in manifestations of aversion and guilt after 1945. In this context, the abusive taunt 'They forgot to gas you' can be seen as the first radical expression of postwar antisemitism as well as an indication of how the Holocaust came to be turned against the Jews. The identification of 'the Jew' with the gas chamber spread from the streets to football stadiums, and from verbal abuse to pamphlet and protest. The slogan 'Hamas, Hamas all the Jews to the gas' indicates that Israel became a second marker of postwar antisemitism. The chapters cover themes including soccer-related antisemitism, Jewish responses, philosemitism, antisemitism in Dutch-Moroccan and Dutch- Turkish communities, contentious acts of remembrance, the neo-Nazi tradition, and the legacy of Theo van Gogh. The book concludes with a lengthy epilogue on 'the Jew' in the politics of the radical right, the attacks in Paris in 2015, and the refugee crisis. The stereotype of 'the Jew' appears to be transferable to other minorities.
9
Muir, Thomas. The transportation, exile, and escape of Thomas Muir: A Scottish radical's account of Governor Hunter's New South Wales published at Paris in 1798. Melbourne: Boroondara Press, 1990.
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10
Lewis, Alan. Spin Dynamics in Radical Pairs. Springer, 2019.
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11
Lewis, Alan. Spin Dynamics in Radical Pairs. Springer, 2018.
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12
Ghodoussi, Vahid. Factors influencing the competitive rates of free-radical addition of ethyl 2-bromocarboxylates to selected alkene pairs. 1986.
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13
Greene, Alison Collis. Radical Christianity and Cooperative Economics in the Postwar South. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039997.003.0008.
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This chapter tells a pair of stories—a grassroots beginning and a white backlash sparked by charges of outside agitation—that suggest an all-too-familiar civil rights narrative. Yet, in 1940s North Carolina, two communities—the black farmers and professionals in Tyrrell County and the multiracial network of leftist Protestants who applauded and supported their work—open up a new kind of civil rights story. Theirs is a story of interaction, interdependence, and partnerships built on a shared belief in the inseparability of economic and racial justice. Historians have long emphasized the turn from a Depression-era emphasis on economic and racial justice as two parts of a greater whole to a Cold War-era focus on civil rights and racial integration.
14
Canfield, Jeffrey Michael. Approaching magnetic field effects in biology using the radical pair mechanism. 1997.
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15
Ross, Kristin. The Emergence of Social Space: Rimbaud and the Paris Commune (Radical Thinkers). Verso, 2008.
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16
Anstis, Stuart. High-Level Organization of Motion. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780199794607.003.0064.
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Some ambiguous patterns of flashed dots are equally likely to be seen as jumping horizontally or vertically. Priming dots can disambiguate this motion, showing that observers prefer to see straight-line rather than L-shaped motion. Pairs of dots that circle around each other can become perceptually linked into larger, global shapes including many such pairs. Moving backgrounds can distort moving dots so that their circular paths appear elliptical or even linear. Observers radically misperceive the sliding motions of rods (chopsticks) or rings that glide over each other. Finally, a moving background can strongly shift or distort a flashed-up static cross. This chapter discusses these concepts.
17
Lichtenstein, Nelson. Did 1968 Change History? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252037856.003.0014.
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This chapter considers a defining moment of the year 1968, when a generation of radicals entertained what even at the time seemed to be utopian hopes and postures in the streets of Paris, Berlin, New York, and Mexico City. It was a New Left, which saw itself as distinct from both the Communists or Socialists, as well as being a left that stood against the mere social democratic reformism of many of the parties that had been in or near power in North America and Europe. It is argued that when it came to the economy, New Leftists of that era thought capitalism was entirely too stable, a claustrophobic economic system that functioned with machine-like precision. If they wanted to overthrow that system, it was not because capitalism faced an imminent crisis, or even because it did not produce for the majority of the population, but because the existing economic order was such a sturdy, inhumane iron cage. And this was their greatest ideological failure, because it would be the right and not the left that would prove most successful in taking advantage of the radical shifts in the nature of world capitalism that were about to come.
18
Singer, Daniel. Prelude to Revolution: France in May 1968 (Radical 60s, 9). South End Press, 2002.
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19
Simons, Margaret A., and Marybeth Timmermann. The Rebellious Woman—An Interview by Alice Schwartzer. Translated by Marybeth Timmermann. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039003.003.0025.
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ALICE SCHWARTZER:To this day, the analysis of the situation of women that you put forth in The Second Sex remains the most radical. No other author has gone as far, and it can be said that you have inspired the new women’s movements. But it is only now, twenty-three years later, that you have engaged yourself personally in the concrete and collective struggle of women. So last November you participated in the international women’s march in Paris. Why?...
20
Smith, Leonard V. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199677177.003.0008.
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This book has sought to deepen the dialogue between history and international relations theory in examining a pivotal moment in the history of international relations. The Paris Peace Conference constituted a historically specific effort to reimagine “the world.” More specifically, it sought to replace anarchy under realism with “sovereignty.” The conference could not live comfortably with the radical liberalism of Wilsonianism, but the international contract made at the time of the armistice with Germany meant that the conference could not live without it. The territorial state and its discontents lay at the heart of sovereignty at the conference. Two logics of the state fought each other to a standstill in Paris—that of the self-help of realism, forever seeking unattainable “security,” and that of the state that exists only in relation to other states, toward some common end.
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Zimmer, Kenyon. “All Flags Look Alike to Us”. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039386.003.0004.
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This chapter argues that anarchism was strongest among San Francisco's Italians, but the city's diversity, mixed neighborhoods, and the Italian community's small size relative to the total population meant that multiethnic alliances were both easy to forge and necessary to sustain radical activity. The result was the emergence of a pan-ethnic “Latin” movement encompassing Italian, French, and Spanish-speaking anarchists and syndicalists. By the First World War, San Francisco's anarchist groups had amalgamated into a loose coalition that extended across virtually the entire ethnoracial spectrum, and the city had become a major nexus of global radicalism that rivaled Paris in its myriad of international revolutionaries and progressives of all sorts.
22
Palmer, R. R. The Revolutionizing of the Revolution. Princeton University Press, 2017. http://dx.doi.org/10.23943/princeton/9780691161280.003.0017.
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In 1792, the French Revolution became a thing in itself, an uncontrollable force that might eventually spend itself but which no one could direct or guide. The governments set up in Paris in the following years all faced the problem of holding together against forces more revolutionary than themselves. This chapter distinguishes two such forces for analytical purposes. There was a popular upheaval, an upsurge from below, sans-culottisme, which occurred only in France. Second, there was the “international” revolutionary agitation, which was not international in any strict sense, but only concurrent within the boundaries of various states as then organized. From the French point of view these were the “foreign” revolutionaries or sympathizers. The most radical of the “foreign” revolutionaries were seldom more than advanced political democrats. Repeatedly, however, from 1792 to 1799, these two forces tended to converge into one force in opposition to the French government of the moment.
23
Weber, William. The Problem of Eclectic Listening in French and German Concerts, 1860–1910. Edited by Christian Thorau and Hansjakob Ziemer. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190466961.013.4.
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Between 1820 and 1870, European musical culture changed. Previously, a certain type of program had dominated the musical sphere: contemporary works spanning various genres including opera. In the 1870s new actors emerged. A learned world of classical music came into being, focusing on orchestral and chamber pieces, with less of a connection to opera. New kinds of songs, increasingly termed “popular,” began to make their mark in roughly similar European venues. In these contexts, listening practices reflected radically different social values and expectations. But did mixed programming remain in some concert performances? Did listeners demonstrate eclectic musical tastes? Taking examples from Paris, Frankfurt, Leipzig, and Berlin, this chapter shows how links were made between contrasting repertoires by the importation or adaptation of works. A process that seems at first to have been an exception turns out to have been a conventional system of exchange.
24
Plock, Vike Martina. Conformity and Idiosyncrasy: Jean Rhys. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474427418.003.0003.
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By looking at Jean Rhys’s ‘Left Bank’ fiction (Quartet, After Leaving Mr Mackenzie, Good Morning, Midnight, ‘Illusion’, ‘Mannequin’), this chapter investigates how new operational procedures such as Fordism and Taylorism, which were introduced into the French couture industry at the beginning of the twentieth century, affected constructions of modern femininity. Increasingly standardized images of feminine types were produced by Paris couturiers while the new look of the Flapper seemingly advertised women’s expanding social, political and professional mobility. Rhys, this chapter argues, noted fashion’s ability to provide resources for creative image construction but she simultaneously expressed criticism of its tendency to standardize female costumes and behaviour. Ultimately, Rhys demonstrates in her fiction that the radically modern couture of the early twentieth century was by no means the maker of social change and women’s political modernity. To offset the increased standardization of female images that she witnessed around her, Rhys created heroines and texts that relied on an overt display on difference.
25
Cross, Máire Fedelma. In the Footsteps of Flora Tristan. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789622454.001.0001.
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Through the use of the tropes of intersectionality and transnationalism, this first-ever study of Jules Puech (1879–1957), is a double biography as it makes an intergenerational journey through his life’s work on Flora Tristan (1803–1844), feminist and socialist. Materials from the mid-nineteenth century press found from digitised searches extends knowledge of the advance of Flora Tristan’s political reputation. Its transmission beyond her notoriety as a radical during her lifetime was conveyed by both political activists and scholars. A key feature of the success of Puech is that he considered knowledge of her legacy as a significant ingredient of the nascent labour history of France of which he was part. My work claims that his biography was a major contribution to scholarship. It began when, as a postgraduate student in Paris in the 1900s, he completed his first doctoral thesis on Proudhonian influence on the first internationalist labour movements in France. My book explains the circumstances of how he embarked on the first in-depth biography of Flora Tristan and published it sixteen years later in 1925. By then Puech was unmatched in his knowledge of networks of activists who sustained the memory of early socialists, among them Flora Tristan. An independent scholar with a full-time job he was equally committed elsewhere. He and his suffragist feminist wife Marie-Louise, née Milhau, (1876–1966), also from a Protestant family of the Tarn, worked tirelessly for the pacifist movement, La Paix par le Droit. How his Flora Tristan study was thwarted by the wars of 1914–1918 and 1939–1945 is equally significant. In 1939, he handed both the original Flora Tristan journal and the typed manuscript of his edited Flora Tristan journal Tour de France to the newly established International Institute of Social History in Paris on the understanding that it would publish his work but was powerless to prevent their war-time disappearance. Their eventual recovery in Amsterdam came after his death, too late for him to see the fruition of his cherished project but available for trade-unionist Michel Collinet to publish his annotated edition in 1973, 130 years after Flora Tristan had begun to record her political campaign for a workers’ universal union. The double biography reveals both the multifaceted nature of feminism, socialism and pacifism in activism and the shaping of labour history as an academic subject in France of the first half of the twentieth century.
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Fernández L'Hoeste, Héctor D. Lalo Alcaraz. University Press of Mississippi, 2017. http://dx.doi.org/10.14325/mississippi/9781496811370.001.0001.
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The book proposes a critical study of the work by Latino cartoonist Lalo Alcaraz, a key voice in the controversial topic of immigration. It contends that his production is significant for its documentation of the travails of the community and its assessment of the frictions resulting from a radical shift in national demographics: the rise of Latinos as the largest minority ethnicity and the eventual transition of the general population into a mode of plurality rather than majority. In his cartoons and comic strips, readers can recognize how Latinos have been used by opportunist politicians and media personalities seeking personal benefit. It is also possible to visualize how, in many cases, the political system has operated against Latinos in an almost systematic fashion, failing to acknowledge their lengthy historical record and contributions as Americans. The book chronicles the cartoonist’s evolution from a cultural actor willing to criticize injustice for the sake of retribution to one who effectively identifies and denounces the mechanisms behind rampant societal inequity—most crucially, the dynamics and implications of a hidden mainstream norm, supportive of a cultural ideology benefiting an exclusive segment of the population. In the evolution of his production, the search for a more acute representation and dissection of prejudice and exclusion becomes plain. In a sense, Alcaraz’s work is a testament not only to the growing pains of Latinos, but most importantly to those of the entire nation, as it comes to terms with the redefinition of US identity in the twenty-first century.
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Gunderson, Erik. The Art of Complicity in Martial and Statius. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192898111.001.0001.
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This book examines the relationship between politics and aesthetics in two poets from the reign of Domitian. It offers a comprehensive overview of the Epigrams of Martial and the Siluae of Statius. The praise of power that one finds is not something forced upon these poems. It is also not a mere appendage to these works. Instead, power and poetry as a pair are a fundamental dyad that can and should be traced throughout the two collections. The dyad is present even when the emperor himself is not the topic of discussion. In Martial the portrait of power is constantly shifting. Poetic play takes up the topic of political power and “plays around with it.” The initial relatively sportive attitude darkens over time. Late in the game the poems depict ecstasies of humiliation. After Domitian dies the project tries to get back to the old games, but it cannot. Statius’ Siluae merge the lies one tells to power with the lies of poetry more generally. Poetic mastery and political mastery cannot be dissociated. The glib, glitzy poetry of contemporary life articulates a radical modernism that is self-authorizing and so complicit with a power whose structure it mirrors. The criticism of such poetry is itself a problem. What does it mean to praise praise poetry? To celebrate celebrations? The book opens and closes with a meditation upon the dangers of complicit criticism and the seductions of a discourse of pure art in a world where the art is anything but pure.
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Faflik, David. Urban Formalism. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823288045.001.0001.
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Urban Formalism radically reimagines what it meant to “read” a brave new urban world during the transformative middle decades of the nineteenth century. At a time when contemporaries in the twin capitals of modernity in the West, New York and Paris, were learning to make sense of unfamiliar surroundings, city peoples increasingly looked to the experiential patterns, or forms, from their everyday lives in an attempt to translate urban experience into something they could more easily comprehend. Urban Formalism interrogates both the risks and rewards of an interpretive practice that depended on the mutual relation between urbanism and formalism, at a moment when the subjective experience of the city had reached unprecedented levels of complexity. What did it mean to read a city sidewalk as if it were a literary form, like a poem? On what basis might the material form of a burning block of buildings be received as a pleasurable spectacle? How closely aligned were the ideology and choreography of the political form of a revolutionary street protest? And what were the implications of conceiving of the city’s exciting dynamism in the static visual form of a photographic composition? These are the questions that Urban Formalism asks and begins to answer, with the aim of proposing a revisionist semantics of the city. This book not only provides an original cultural history of forms. It posits a new form of urban history, comprised of the representative rituals of interpretation that have helped give meaningful shape to metropolitan life.
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Mele, Alfred R. Manipulated Agents. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190927967.001.0001.
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Thought experiments featuring manipulated agents and designed agents have played a significant role in the literature on moral responsibility. What can we learn from thought experiments of this kind about the nature of moral responsibility? That is this book’s primary question. An important lesson lies at the core of its answer: Moral responsibility for actions has a historical dimension of a certain kind. A pair of agents whose current nonhistorical properties are very similar and who perform deeds of the same kind may nevertheless be such that one is morally responsible for the deed whereas the other is not, and what makes the difference is a difference in how they came to be as they are at that time—that is, a historical difference. Imagine that each of these agents attempts to assassinate someone. Depending on the details of the cases, it may be that one of these agents is morally responsible for the attempt whereas the other is not, because one of them was manipulated in a certain way into being in the psychological state that issues in the behavior whereas the other agent came to be in that state under his own steam. A variety of thought experiments are considered. They include stories about agents whose value systems are radically altered by manipulators, vignettes featuring agents who are built from scratch, and scenarios in which agents magically come into being with full psychological profiles.