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Books on the topic 'Queer Marxism'

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Author: Grafiati
Published: 11 March 2023

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1

1938-, Zavarzadeh Masʼud, Ebert Teresa L. 1951-, and Morton Donald E, eds. Marxism, queer theory, gender. Syracuse, N.Y: Red Factory, 2001.

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2

The reification of desire: Toward a queer Marxism. Minneapolis: University of Minnesota Press, 2009.

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3

Claude McKay, code name Sasha: Queer Black marxism and the Harlem Renaissance. Gainesville: University Press of Florida, 2007.

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4

Queer Marxism in two Chinas. 2015.

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5

Liu, Petrus. Queer Marxism in Two Chinas. Duke University Press, 2015.

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6

Zavarzadeh, Masud. The "Invention" of the Queer: Marxism, Lesbian and Gay Theory, Capitalism. Maisonneuve Pr, 1996.

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7

Lewis, Holly. Politics of Everybody: Feminism, Queer Theory, and Marxism at the Intersection. Zed Books, Limited, 2016.

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8

Politics of Everybody: Feminism, Queer Theory, and Marxism at the Intersection. Zed Books, Limited, 2016.

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9

Lewis, Holly. The Politics of Everybody: Feminism, Queer Theory, and Marxism at the Intersection. Zed Books, 2016.

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10

Claude Mckay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. University Press of Florida, 2009.

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11

Holcomb, Gary Edward. Claude McKay, Code Name Sasha: Queer Black Marxism and the Harlem Renaissance. University Press of Florida, 2007.

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12

Lewis, Holly. Politics of Everybody : Feminism, Queer Theory, and Marxism at the Intersection: A Revised Edition. Zed Books, Limited, 2022.

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13

Liu, Petrus. Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus. Duke University Press, 2023.

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14

Lewis, Holly. Politics of Everybody : Feminism, Queer Theory, and Marxism at the Intersection: A Revised Edition. Zed Books, Limited, 2022.

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15

Liu, Petrus. Specter of Materialism: Queer Theory and Marxism in the Age of the Beijing Consensus. Duke University Press, 2023.

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16

Lewis, Holly. Politics of Everybody : Feminism, Queer Theory, and Marxism at the Intersection: A Revised Edition. Zed Books, Limited, 2022.

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17

Lewis, Holly. Politics of Everybody : Feminism, Queer Theory, and Marxism at the Intersection: A Revised Edition. Zed Books, Limited, 2022.

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18

Buchanan, Ian. A Dictionary of Critical Theory. Oxford University Press, 2018. http://dx.doi.org/10.1093/acref/9780198794790.001.0001.

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Over 750 entriesThe most authoritative and up-to-date dictionary of critical theory available, covering the Frankfurt school, cultural materialism, cultural studies, gender studies, film studies, literary theory, hermeneutics, historical materialism, Internet studies, and sociopolitical critical theory. It explains complex theoretical discourses, such as Marxism, psychoanalysis, structuralism, deconstruction, and postmodernism clearly and provides biographies of figures who have influenced the discipline, such as Deleuze and Foucault.This new edition has been updated to extend coverage of diaspora, race, and postcolonial theory, and of queer and sexuality studies, ensuring that it remains invaluable for students of literary and cultural studies and anyone studying a humanities subject requiring a knowledge of theory.
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19

Nealon, Christopher, Max Fox, and Christopher Chitty. Sexual Hegemony: Statecraft, Sodomy, and Capital in the Rise of the World System. Duke University Press, 2020.

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20

Bhambra, Gurminder, and Bogdan Popa. De-Centering Queer Theory: Communist Sexuality in the Flow During and after the Cold War. Manchester University Press, 2022.

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21

Bhambra, Gurminder, and Bogdan Popa. De-Centering Queer Theory: Communist Sexuality in the Flow During and after the Cold War. Manchester University Press, 2022.

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22

Kapoor, Ilan, and Zahi Zalloua. Universal Politics. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197607619.001.0001.

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This book claims that there is a negativity at the core of all social articulations that provides the basis for a universal politics. Drawing principally on the work of Slavoj Žižek, the book suggests that the social is punctured by an impossibility—an incompletion—that, rather than serving as a barrier to politics, lays a foundation for shared struggle. The book thus argues for a negative universality, rooted not in a positive element (e.g., identity-based politics) but a discordant one, so that under our current global capitalist system, solidarity is to be forged on the basis of social antagonism (i.e., shared experiences of exploitation and marginalization). Such a conception of shared struggle avoids the trap of both a neocolonial universalism (e.g., the rights of white men parading as universal rights) and the narrow particularism of identity-based politics. Most importantly, it foregrounds the struggles of the systematically dispossessed and excluded (the permanently unemployed, migrants, refugees, sweatshop laborers, etc.), who stand as symptom of our global capitalist order. The book compares “negative universality” with four competing contemporary versions of universalism—conservative, liberal, postcolonial, and Marxist. It also brings “negative universality” into dialogue with present-day critics of universalism—postmodernists, post-Marxists, queer theorists, decolonial pluriversalists, and new materialists. Finally, it examines what a universal politics might look like today in the context of such key global sites of struggle as climate change, the refugee crisis, the Palestinian question, Black Lives Matter, #MeToo, political Islam, workers’ struggles, the Bolivian state under Morales, the European Union, and Covid-19.
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23

Des Jardins, Julie. Women’s and Gender History. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199225996.003.0008.

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This chapter looks at women’s history and its successor, gender history, which emerged as strong new approaches beginning in the 1970s—precisely when the wider feminist movement began to have its most profound impact on at least Euro-American societies. Gender history and women’s history are not the same. The former, larger category overlaps with the latter, and also with areas such as masculinity history, critical race theory, and queer studies. However, it has only been since the 1980s that historians have considered ‘gender’ an historical subject or ‘a useful category of historical analysis’. Nevertheless, various radical, Marxist, and progressive historians had planted the seeds of gender history as early as the 1920s and 1930s, even as they privileged neither women nor gender as subjects. Their questioning of power structures and engagement of politics and relativist concepts were integral to the development of the field later in the twentieth century.
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24

Stuelke, Patricia. The Ruse of Repair. Duke University Press, 2021. http://dx.doi.org/10.1215/9781478021575.

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Since the 1990s, literary and queer studies scholars have eschewed Marxist and Foucauldian critique and hailed the reparative mode of criticism as a more humane and humble way of approaching literature and culture. The reparative turn has traveled far beyond the academy, influencing how people imagine justice, solidarity, and social change. In The Ruse of Repair, Patricia Stuelke locates the reparative turn's hidden history in the failed struggle against US empire and neoliberal capitalism in the 1970s and 1980s. She shows how feminist, antiracist, and anti-imperialist liberation movements' visions of connection across difference, practices of self care, and other reparative modes of artistic and cultural production have unintentionally reinforced forms of neoliberal governance. At the same time, the US government and military, universities, and other institutions have appropriated and depoliticized these same techniques to sidestep addressing structural racism and imperialism in more substantive ways. In tracing the reparative turn's complicated and fraught genealogy, Stuelke questions reparative criticism's efficacy in ways that will prompt critics to reevaluate their own reading practices.
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25

Amin, Ash, and Michele Lancione, eds. Grammars of the Urban Ground. Duke University Press, 2022. http://dx.doi.org/10.1215/9781478022954.

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The contributors to Grammars of the Urban Ground develop a new conceptual framework and vocabulary for capturing the complex, ever-shifting, and interactive processes that shape contemporary cities. Building on Marxist, feminist, queer, and critical race theory as well as the ontological turn in urban studies, they propose a mode of analysis that resists the staple of siloed categories such as urban “economy,” “society,” and “politics.” In addition to addressing key concepts of urban studies such as dispossession and scale, the contributors examine the infrastructures of plutocratic life in London, reconfigure notions of gentrification as a process of racial banishment, and seek out alternative archives for knowledge about urban density. They also present case studies of city life in the margins and peripheries of São Paulo, Kinshasa, Nairobi, and Jakarta. In so doing, they offer a foundation for better understanding the connective and aggregative forces of city-making and the entanglements and relations that constitute cities and their everyday politics. Contributors. Ash Amin, Teresa Caldeira, Filip De Boeck, Suzanne Hall, Caroline Knowles, Michele Lancione, Colin McFarlane, Natalie Oswin, Edgar Pieterse, Ananya Roy, AbdouMaliq Simone, Tatiana Thieme, Nigel Thrift, Mariana Valverde
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26

Haines, Christian P. A Desire Called America. Fordham University Press, 2019. http://dx.doi.org/10.5422/fordham/9780823286942.001.0001.

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A Desire Called America examines the relationship between American exceptionalism and U.S. literature. It focuses on how literary works by Walt Whitman, Emily Dickinson, William S. Burroughs, and Thomas Pynchon draw on the utopian energies of American exceptionalism only to overturn exceptionalism’s investments in capitalism and the nation-state. The book analyzes what it terms the excluded middle between American exceptionalism and its critique, or the conceptual and libidinal space in which critique and complicity mutually determine one another. The book also offers a theory of the relationship between biopolitics and utopia, arguing that in the context of American literature, bodies become figures for alternative forms of social life. It pays particular attention to how these figures contribute to a literary commons, or the imagination of non-capitalist forms of cooperation and non-sovereign forms of democratic self-governance. In doing so, it articulates a model of literary history linking nineteenth-century literature to contemporary literature by way of the rise and decline of American hegemony. The book draws on and contributes to the fields of American Studies, American literary history, Marxist criticism, queer theory, political theory, continental philosophy, and utopian studies.
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27

Gordon, Robert. Billy Elliot and Its Lineage. Edited by Robert Gordon and Olaf Jubin. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199988747.013.16.

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In the years since 1954, the British musical has in various ways represented the changes that have occurred in social and political attitudes. The camp style of Salad Days and The Boy Friend encodes its critique of the Conservative government’s repressive policies of heteronormative conformity in the early 1950s by exploiting popular traditions of pantomime and music hall performance to valorize an emergent gay sensibility, while the theatre of Joan Littlewood at Stratford East utilized these same popular forms in the construction of a socialist theatre capable of articulating a working-class culture. These two recurrent conceptions of alternative political performance—the subversive queer/camp strategy and the Marxian aesthetic of alternative politics and culture—interact and are combined to startling effect in Billy Elliot, whose dialectical arguments around the relationship between class and gender/sexual orientation, popular and ‘high’ art provide a prime example of British theatre at its most socially aware.
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28

Garrard, Greg. Introduction. Edited by Greg Garrard. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199742929.013.035.

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Ecocriticism began as an environmentalist literary movement that challenged Marxists and New Historicists over the meaning and significance of British Romanticism. An important component of the environmental humanities, ecocriticism has been characterized using the metaphor of waves. “First-wave” ecocriticism is inclined to celebrate nature rather than query “nature” as a concept and to derive inspiration as directly as possible from wilderness preservation and environmentalist movements. “Second-wave” ecocriticism is linked to social ecological movements and maintains a more skeptical relationship with the natural sciences. The contributions to the book, which encompass both “waves”, are organized in a widening spiral, from critical historicizations of “nature” in predominantly Euro-American literature in the first section to a series of surveys of work in ecocriticism’s “emerging markets” – Japan, China, India and Germany – in the last. The “Theory” section includes essays adopting perspectives from Latourian science studies, queer theory, deconstruction, animal studies, ecofeminism and postcolonialism. The “Genre” section demonstrates the diverse applications of ecocriticism with topics ranging from British literary fiction, Old Time music, environmental humour, climate change nonfiction.
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29

Floyd, Kevin, Jen Hedler Phillis, and Sarika Chandra, eds. Totality Inside Out. Fordham University Press, 2022. http://dx.doi.org/10.5422/fordham/9780823298198.001.0001.

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Totality Inside Out breaks new ground by thinking beyond the now-traditional division between Marxian, socioeconomically oriented critique and identity-oriented critique. However divergent their analyses may be in other ways, many anticapitalist critics would agree that movements and programs designed to promote the inclusion of people previously excluded on the basis of race, gender, sexual identity, sexual preference, and/or ability can easily operate in the service of diversity-friendly capital; meanwhile, gender and race studies critics hold that anticapitalist critique, by elevating the socioeconomic above other logics of domination, fails to acknowledge the specific forms of subjugation experienced by people of color, women, queer subjects, and subjects designated “disabled.” The thinkers and activists who appear in Totality Inside Out altogether avoid this divisive logic. Instead, they re-examine the various connections between identity-based critique and the critique of capital. The collection’s contention is that economics and identity are reciprocal: contemporary capitalism not only abides but in fact profits from racist, misogynistic, heteronormative, and ableist systems. It argues that only by thinking economics and identity together can we begin to grasp social totality.
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30

Kidd, Kenneth B. Theory for Beginners. Fordham University Press, 2020. http://dx.doi.org/10.5422/fordham/9780823289592.001.0001.

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Theory for Beginners explores how philosophy and theory draw on children’s literature and have even come to resemble it in their strategies for cultivating the child and/or the beginner. After centuries of ignoring the child, some philosophy now considers the child an exemplary practitioner as well as subject. This attitude drives the Philosophy for Children or P4C movement, which got its start in the United States in the early 1970s and has since spread to other countries and continents. P4C has affirmed children’s literature as important philosophical work. Theory, meanwhile, has invested in some children’s classics and has also developed a literature for beginners that resembles children’s literature. After examining the P4C movement, the book turns its attention to theory for beginners and especially in the form of illustrated or graphic guides. These guides emerged from the anticolonial and Marxist work of Mexican activist and author-illustrator Eduardo del Rio, aka Rius. Rius’ Cuba Para Principiantes, or Cuba for Beginners (1970), kicked off the Beginners graphic series, emphasizing the self-teaching of political-critical awareness. The genre gradually went mainstream, losing the political edge. If philosophy is for children, and theory is for beginners, then children’s literature might also be described as a literature for minors. The third and final chapter pursues that idea, proposing more specifically that children’s and young adult literature can sometimes function as queer theory for kids.
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31

Lesbian Rule: Cultural Criticism and the Value of Desire (Next Wave: New Directions in Womens Studies). Duke University Press, 2003.

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32

Cloud, Dana L., ed. The Oxford Encyclopedia of Communication and Critical Cultural Studies. Oxford University Press, 2019. http://dx.doi.org/10.1093/acref/9780190459611.001.0001.

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106 scholarly articles This is a compendium of touchstone articles by prominent communication, rhetorical, and cultural studies scholars about topics of interest to scholars and critics of popular and political culture. Articles provide authoritative surveys of concepts such as rhetorical construction of bodies, Marxist, feminist, and poststructuralist traditions, materialisms, social movements, race and anti-racist critique, whiteness, surveillance and security, visual communication, globalization, social media and digital communication/cyberculture, performance studies, the “post-human” turn, critical organizational communication, public memory, gaming, cultural industries, colonialism and postcolonialism, The Birmingham and Frankfurt Schools, commodity culture, critical health culture studies, nation and identity, public spheres, psychoanalytic theory and methods, affect theory, anti-Semitism, queer studies, critical argumentation studies, diaspora, development, intersectionality, Islamophobia, subaltern studies, spatial studies, rhetoric and cultural studies, neoliberalism, critical pedagogy, urban studies, deconstruction, audience studies, labor, war, age studies, motherhood studies, popular culture, communication in the Global South, and more. The work also surveys critical thinkers for cultural studies including Stuart Hall, Antonio Gramsci, Jesus Martin Barbero, Angela Davis, Ernesto Laclau, Raymond Williams, Giles Deleuze, Jurgen Habermas, Frantz Fanon, Chandra Mohanty, Gayatri Spivak, Michel Foucault, Louis Althusser, Juan Carlos Rodriguez, Gloria Anzaldua, Paolo Freire, Donna Haraway, Georgio Agamben, Slavoj Zizek, W.E.B. DuBois, Sara Ahmed, Paul Gilroy, Enrique Dussel, Michael Warner, Lauren Berlant, Judith Butler, Jean Baudrillard, Walter Mignolo, Edward Said, Alain Badiou, Homi Bhabha, among others. Each entry is distinguished by lists of key references and suggestions for further reading. The collection is sure to be a vital resource for faculty, graduate students, and undergraduates seeking authoritative overviews of key concepts and people in communication and critical cultural studies.
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