Books on the topic 'Quartz Victoria'

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1

Marco, Dolcetta, Scott Susan, and Colombo Laura Chiara, eds. Cézanne, Mont Sainte-Victoire. Richmond Hill, Ont: NDE Pub., 2000.

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2

Brian, Clarke. Brian Clarke: Malerei und Farbfenster 1977-1988 : Hessisches Landesmuseum Darmstadt, 9.11.1988-29.1.1989. Darmstadt, Germany: Hessian State Museum, Darmstadt, 1988.

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3

Brian, Clarke. Between Extremities. New York: Pace Gallery, 2013.

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4

Victoria, As I Found It, During Five Years of Adventure, in Melbourne, On the Roads, and the Gold Fields: With an Account of Quartz Mining, and the Great Rush to Mount Ararat and Pleasant Creek. Franklin Classics, 2018.

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5

Henry, Brown. Victoria, As I Found It, During Five Years of Adventure, in Melbourne, On the Roads, and the Gold Fields: With an Account of Quartz Mining, and the Great Rush to Mount Ararat and Pleasant Creek. Franklin Classics, 2018.

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6

Henry, Brown. Victoria, As I Found It, During Five Years of Adventure, in Melbourne, on the Roads, and the Gold Fields: With an Account of Quartz Mining, and the Great Rush to Mount Ararat and Pleasant Creek. Creative Media Partners, LLC, 2018.

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7

Anonyma. Famous Victories of Henry the Fifth: The Earliest Known Quarto 1598. Creative Media Partners, LLC, 2018.

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8

Anonyma. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598. Franklin Classics Trade Press, 2018.

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9

Daniel, Peter Augustin, and Charles Praetorius. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598, a Facsimile in Foto-Lithography. Franklin Classics Trade Press, 2018.

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10

Daniel, Peter Augustin, and Charles Praetorius. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598, a Facsimile in Foto-Lithography. Franklin Classics Trade Press, 2018.

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11

The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598, a Facsimile in Foto-Lithography. Franklin Classics, 2018.

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12

Daniel, Peter Augustin, and Charles Praetorius. The Famous Victories of Henry the Fifth: The Earliest Known Quarto, 1598, a Facsimile in Foto-Lithography. Franklin Classics, 2018.

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13

Hess, Jillian M. How Romantics and Victorians Organized Information. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192895318.001.0001.

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Abstract Every literary household in nineteenth-century Britain had a commonplace book, scrapbook, or album. Coleridge called his collection “Fly-Catchers”, while George Eliot referred to one of her commonplace books as a “Quarry,” and Michael Faraday kept quotations in his “Philosophical Miscellany.” Nevertheless, the nineteenth-century commonplace book, along with associated traditions like the scrapbook and album, remain under-studied. This book tells the story of how technological and social changes altered methods for gathering, storing, and organizing information in nineteenth-century Britain. As the commonplace book moved out of the school and into the home, it took on elements of the album. At the same time, the explosion of print allowed readers to cheaply cut-and-paste extractions rather than copying out quotations by hand. Built on the evidence of over 300 manuscripts, this study unearths the composition practices of well-known writers such as Samuel Taylor Coleridge, Sir Walter Scott, George Eliot, and Alfred Lord Tennyson, and their less well-known contemporaries. Divided into two parts, the first half of the book contends that methods for organizing knowledge developed in line with the period’s dominant epistemic frameworks, while the second half argues that commonplace books helped Romantics and Victorians organize people. Chapters focus on prominent organizational methods in nineteenth-century commonplacing, often attached to an associated epistemic virtue: diaristic forms and the imagination (Chapter Two); “real time” entries signaling objectivity (Chapter Three); antiquarian remnants, serving as empirical evidence for historical arguments (Chapter Four); communally produced commonplace books that attest to socially constructed knowledge (Chapter Five); and blank spaces in commonplace books of mourning (Chapter Six).
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14

Cueo, Torpal. Quante Squadre Sono Migliori Di Pesaro?: Regalo Divertente per Tifosi Pesaresi. il Libro È Vuoto, Perché È la Scavolini Pesaro la Squadra Migliore. Ultras Victoria Libertas Pesaro Basket Pallacanestro. Independently Published, 2018.

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15

Mitchell, Jennifer. Ordinary Masochisms. University Press of Florida, 2020. http://dx.doi.org/10.5744/florida/9780813066677.001.0001.

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Ordinary Masochisms argues for literary alternatives to pervasive dictatorial norms about masochism that first surface in Victorian literature, reach their pioneering pinnacle in the modernist moment, and are expressly mourned in post-modern texts. In particular, the literary works discussed all challenge the more popular term “sadomasochism” as a conglomerate form of perversion that was named and studied in the late nineteenth century. Underscoring close textual analyses with modern theories of masochism as empowering, this book argues that Charlotte Brontë Villette (1853), George Moore’s A Drama in Muslin (1886), D.H. Lawrence’s The Rainbow (1915), and Jean Rhys’s Quartet (1928) all experiment with masochistic relationships that extend far beyond reductive early readings of inherently feminine or sexually aberrant masochism. Ordinary Masochisms begins with a historical and theoretical examination of masochism’s treatment during the nineteenth, twentieth, and twenty-first centuries before moving to an examination of the Biblical tale of Samson and Delilah in conjunction with Leopold von Sacher-Masoch’s Venus in Furs (1870), from which masochism garners its name. An intermediary chapter treats Octave Mirbeau’s The Torture Garden (1903) as a case study transitioning between sexological and psychoanalytical discourses of the nineteenth and twentieth centuries, while the conclusion about Ian McEwan’s The Comfort of Strangers (1981) addresses masochism’s seeming inability to recuperate itself from categories of deviance, despite the success of contemporary popular culture representations. The book closes with a brief consideration of masochistic reading, a subtle undercurrent of the project as a whole.
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16

Sadurski, Wojciech. Poland's Constitutional Breakdown. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198840503.001.0001.

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After its double victory in the 2015 presidential and parliamentary elections in Poland, the populist Law and Justice (Prawo i Sprawiedliwość (PiS)) party began to dismantle all major checks and balances characteristic of the separation of powers in a democratic state. Poland’s Constitutional Tribunal, its regular courts including the Supreme Court, its National Council of the Judiciary, as well as its electoral commissions, civil service, and public media have all been subordinated to the executive and are single-handedly controlled by the party’s leader. In the process, political rights such as the freedom of assembly have been radically restricted, and the party has captured the entire state apparatus. The speed and depth of anti-democratic changes took many observers by surprise, as Poland had been widely regarded as an example of a successful ‘transitional democracy’ in the quarter century preceding 2015. This book attempts to answer three major questions triggered by Poland’s anti-constitutional breakdown: What exactly has happened? Why has it happened? What are the prospects of returning to liberal democracy? Answers to these questions are formulated against the backdrop of current worldwide trends towards populism, authoritarianism, and what is sometimes called ‘illiberal democracy’. However, as this book argues, the Polish variant of ‘illiberal democracy’ is an oxymoron. By undermining the separation of powers, the ruling party concentrates all power in one hand, thus rendering any democratic accountability illusory. There is, however, no inevitability in anti-democratic trends: this book considers a number of possible remedies and sources of hope, including intervention by the European Union.
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17

Canada and Great Britain, eds. Anno tertio & quarto Victoriæ reginæ, Magnæ Britanniæ et Hiberniæ: At the Parliament begun and holden at Westminster, on the fifteenth day of November, Anno Domini 1837 ... and from thence continued by prorogations to the 16th day of January, 1840, being the Third Session of the Thirteenth Parliament of the United Kingdom of Great Britain and Ireland. Quebec: J.C. Fisher & W. Kemble, 1985.

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18

Britain, Great, and Canada, eds. Anno tertio & quarto Victoriæ reginæ, Magnæ Britanniæ et Hiberniæ: At the Parliament begun and holden at Westminster, on the fifteenth day of November, Anno Domini 1837 ... and from thence continued by prorogations to the 16th day of January, 1840, being the Third Session of the Thirteenth Parliament of the United Kingdom of Great Britain and Ireland. Quebec: J.C. Fisher & W. Kemble, 2000.

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19

Cézanne, Paul. Cézanne. NDE Publishing, 2000.

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