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Journal articles on the topic 'Puerto Rican music'

Author: Grafiati

Published: 4 June 2021

Last updated: 5 February 2022

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1

Espada-Brignoni, Teófilo, and Frances Ruiz-Alfaro. "Culture, Subjectivity, and Music in Puerto Rico." International Perspectives in Psychology 10, no. 1 (January 2021): 3–12. http://dx.doi.org/10.1027/2157-3891/a000001.

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Abstract. Understanding human phenomena requires an in-depth analysis of the interconnectedness that arises from a particular culture and its history. Subjectivity as well as a collective subjectivity emerges from human productions such as language and art in a specific time and place. In this article, we explore the role of African-based popular music genres such as bomba and plena as ways of negotiating narratives about Puerto Rican society. Popular music encompasses diverse meanings. Puerto Rican folk music’s subjectivity provides narratives that distance Puerto Ricans from an individualistic cosmovision, allowing us to understand the social and political dimensions of this complex Caribbean culture. The events of the summer of 2019, which culminated in the ousting of governor Ricardo Rosselló from his position, illustrate how music can foster social change.

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2

Padilla, Felix M. "Salsa: Puerto Rican and Latino music." Journal of Popular Culture 24, no. 1 (June 1990): 87–104. http://dx.doi.org/10.1111/j.0022-3840.1990.00087.x.

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3

Schramm, Adelaida Reyes, and Ted Solis. "Puerto Rican Music in Hawai'i. Kachi-kachi." Yearbook for Traditional Music 24 (1992): 177. http://dx.doi.org/10.2307/768499.

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4

Sommers, Laurie Kay, and Ted Solis. "Kachi-Kachi, Puerto Rican Music in Hawai'i." Latin American Music Review / Revista de Música Latinoamericana 13, no. 1 (1992): 130. http://dx.doi.org/10.2307/780066.

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5

Howard, Karen. "Puerto Rican Plena: The Power of a Song." General Music Today 32, no. 2 (November 16, 2018): 36–39. http://dx.doi.org/10.1177/1048371318809971.

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In order to bring music of Puerto Rico to the general music classroom, it is important to understand the sociocultural and sociohistorical context of the music. The traditional genre of plena shares cultural threads with West Africa, Spain, and indigenous (Taíno) culture. Commonly known as El Periodico Cantado (the singing newspaper), plena songs give updates on what people are feeling and current events effecting the community. The plena song Que Bonita Bandera (What a Beautiful Flag) is explored for its potential uses in elementary and secondary general music classes.

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6

de Arce, Daniel Mendoza. "Domingo Delgado Gomez (1806-56): Puerto Rican Master Composer." Latin American Music Review / Revista de Música Latinoamericana 16, no. 2 (1995): 154. http://dx.doi.org/10.2307/780371.

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7

Dudley, Shannon, and Frances Aparicio. "Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures." Yearbook for Traditional Music 31 (1999): 156. http://dx.doi.org/10.2307/767997.

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8

Duany, Jorge, Jeremy Marre, Hannah Charlton, Pedro A. Rivera, Susan Zeig, and A. G. Quintero Rivera. ""Salsa," "Plena," and "Danza": Recent Materials on Puerto Rican Popular Music." Latin American Music Review / Revista de Música Latinoamericana 11, no. 2 (1990): 286. http://dx.doi.org/10.2307/780128.

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9

Waxer, Lise, and Frances R. Aparicio. "Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures." Latin American Music Review / Revista de Música Latinoamericana 20, no. 1 (1999): 148. http://dx.doi.org/10.2307/780169.

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10

Spitta, Silvia. "Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures." MLN 114, no. 2 (1999): 434–36. http://dx.doi.org/10.1353/mln.1999.0016.

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11

Alvarado, Leticia. "The great woman singer: Gender and voice in Puerto Rican music." Latino Studies 16, no. 1 (January 25, 2018): 141–43. http://dx.doi.org/10.1057/s41276-017-0109-4.

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12

Carrasquillo, Rosa Elena. "The great woman singer: gender and voice in Puerto Rican music." Canadian Journal of Latin American and Caribbean Studies / Revue canadienne des études latino-américaines et caraïbes 43, no. 3 (August 21, 2018): 451–53. http://dx.doi.org/10.1080/08263663.2018.1507973.

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13

Berrios-Miranda, Marisol, and Frances R. Aparicio. "Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures." Ethnomusicology 44, no. 2 (2000): 336. http://dx.doi.org/10.2307/852540.

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14

Lee, Summer Kim. "The great woman singer: gender and voice in Puerto Rican music." Women & Performance: a journal of feminist theory 27, no. 3 (September 2, 2017): 355–58. http://dx.doi.org/10.1080/0740770x.2017.1364943.

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15

López-León, Ricardo, Oswaldo Lorenzo-Quiles, and Anna Rita Addessi. "Music education in Puerto Rican elementary schools: A study from the perspective of music teachers." International Journal of Music Education 33, no. 2 (March 14, 2014): 146–62. http://dx.doi.org/10.1177/0255761413515811.

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16

Dávila, Verónica. "REVIEW | The Great Woman Singer: Gender and Voice in Puerto Rican Music." IASPM@Journal 8, no. 1 (August 2018): 140–42. http://dx.doi.org/10.5429/2079-3871(2018)v8i1.12en.

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17

Lawrence La Fountain-Stokes. "Trans/Bolero/Drag/Migration: Music, Cultural Translation, and Diasporic Puerto Rican Theatricalities." WSQ: Women's Studies Quarterly 36, no. 3-4 (2008): 190–209. http://dx.doi.org/10.1353/wsq.0.0118.

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18

Glasser, Ruth. "Paradoxical Ethnicity: Puerto Rican Musicians in Post World War I New York City." Latin American Music Review / Revista de Música Latinoamericana 11, no. 1 (1990): 63. http://dx.doi.org/10.2307/780358.

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19

Hernandez, Deborah Pacini, and Juan Flores. "From Bomba to Hip Hop: Puerto Rican Culture and Latino Identity." Ethnomusicology 46, no. 2 (2002): 334. http://dx.doi.org/10.2307/852787.

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20

Gilsing, Sterre. "Review of The great woman singer: Gender and voice in Puerto Rican music." European Review of Latin American and Caribbean Studies | Revista Europea de Estudios Latinoamericanos y del Caribe, no. 107 (June 3, 2019): 6. http://dx.doi.org/10.32992/erlacs.10494.

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21

Hernández-Banuchi, Alberto. "Gonzalo Núñez, Rubén Darío y el manuscrito Los arcanos de la música." (an)ecdótica 5, no. 1 (January 29, 2021): 31–59. http://dx.doi.org/10.19130/iifl.anec.2021.5.1.19783.

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We examine the history and circumstance in the life of Puerto Rican composer Gonzalo Núñez (1850-1915) during the period from 1900 to 1903. During his second sojourn in Paris he maintained a close personal relationship with Rubén Darío and Amado Nervo, joined by other poets, writers and artists. An extensive on-site research work, conducted in various European, North American and Caribbean libraries and archives, permitted us to gather documentation about the nomadic life of the musician in Cuba, Mexico, Puerto Rico, Europe and North America. We show that Núñez’s unpublished manuscript Los arcanos de la música, housed in the Archive of Music and Sound of Puerto Rico, is the main source of two important articles by Rubén Darío.

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22

Colón-León, Vimari. "Bomba: The Sound of Puerto Rico’s African Heritage." General Music Today 34, no. 3 (February 1, 2021): 13–19. http://dx.doi.org/10.1177/1048371321990665.

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Bomba is an emblematic Puerto Rican musical genre that emerged 400 years ago from the colonial plantations where West African slaves and their descendants worked. It remains one of the most popular forms of folk music on the island and serves as significant evidence of its rich African heritage. This article explores the main components of bomba by making them more accessible to those that have not experienced it from an insider’s perspective. The material presented in this article provides a learning sequence that could take the form of several lessons, or even a curricular unit. Transcriptions of rhythms typically learned aurally are also included.

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23

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2008): 105–58. http://dx.doi.org/10.1163/13822373-90002492.

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Maximilian C. Forte; Ruins of Absence, Presence of Caribs: (Post)Colonial Representations of Aboriginality in Trinidad and Tobago (Neil L. Whitehead)Nick Nesbitt; Voicing Memory: History and Subjectivity in French Caribbean Literature (H. Adlai Murdoch)Camilla Stevens; Family and Identity in Contemporary Cuban and Puerto Rican Drama (Lydia Platón)Jonathan Goldberg; Tempest in the Caribbean (Jerry Brotton)Michael Chanan; Cuban Cinema (Tamara L. Falicov)Gemma Tang Nain, Barbara Bailey (eds.); Gender Equality in the Caribbean: Reality or Illusion (A. Lynn Bolles)Ernesto Sagás, Sintia E. Molina (eds.); Dominican Migration: Transnational Perspectives (Rosemary Polanco)Christine M. Du Bois; Images of West Indian Immigrants in Mass Media: The Struggle for a Positive Ethnic Reputation (Dwaine Plaza)Luis Raúl Cámara Fuertes; The Phenomenon of Puerto Rican Voting (Annabelle Conroy)Philip Gould; Barbaric Traffic: Commerce and Antislavery in the Eighteenth-Century Atlantic World (William A. Pettigrew)Laurent Dubois; Avengers of the New World: The Story of the Haitian Revolution (Yvonne Fabella)Sibylle Fischer; Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution (Ashli White)Philip D. Morgan, Sean Hawkins (eds.); Black Experience and the British Empire (James Walvin)Richard Smith; Jamaican Volunteers in the First World War: Race, Masculinity and the Development of National Consciousness (Linden Lewis)Muriel McAvoy; Sugar Baron: Manuel Rionda and the Fortunes of Pre-Castro Cuba (Richard Sicotte)Ned Sublette; Cuba and Its Music: From the First Drums to the Mambo (Pedro Pérez Sarduy)Frances Negrón-Muntaner; Boricua Pop: Puerto Ricans and the Latinization of American Culture (Halbert Barton)Gordon Rohlehr; A Scuffling of Islands: Essays on Calypso (Stephen Stuempfle)Shannon Dudley; Carnival Music in Trinidad: Experiencing Music, Expressing Culture (Donald R. Hill)Jean-Marc Terrine; La ronde des derniers maîtres de bèlè (Julian Gerstin)Alexander Alland, Jr.; Race in Mind: Race, IQ, and Other Racisms (Autumn Barrett)Livio Sansone; Blackness Without Ethnicity: Constructing Race in Brazil (Autumn Barrett)H.U.E. Thoden van Velzen, W. van Wetering; In the Shadow of the Oracle: Religion as Politics in a Suriname Maroon Society (George L. Huttar, Mary L. Huttar)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 1 & 2

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24

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 80, no. 1-2 (January 1, 2006): 105–58. http://dx.doi.org/10.1163/22134360-90002492.

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Maximilian C. Forte; Ruins of Absence, Presence of Caribs: (Post)Colonial Representations of Aboriginality in Trinidad and Tobago (Neil L. Whitehead)Nick Nesbitt; Voicing Memory: History and Subjectivity in French Caribbean Literature (H. Adlai Murdoch)Camilla Stevens; Family and Identity in Contemporary Cuban and Puerto Rican Drama (Lydia Platón)Jonathan Goldberg; Tempest in the Caribbean (Jerry Brotton)Michael Chanan; Cuban Cinema (Tamara L. Falicov)Gemma Tang Nain, Barbara Bailey (eds.); Gender Equality in the Caribbean: Reality or Illusion (A. Lynn Bolles)Ernesto Sagás, Sintia E. Molina (eds.); Dominican Migration: Transnational Perspectives (Rosemary Polanco)Christine M. Du Bois; Images of West Indian Immigrants in Mass Media: The Struggle for a Positive Ethnic Reputation (Dwaine Plaza)Luis Raúl Cámara Fuertes; The Phenomenon of Puerto Rican Voting (Annabelle Conroy)Philip Gould; Barbaric Traffic: Commerce and Antislavery in the Eighteenth-Century Atlantic World (William A. Pettigrew)Laurent Dubois; Avengers of the New World: The Story of the Haitian Revolution (Yvonne Fabella)Sibylle Fischer; Modernity Disavowed: Haiti and the Cultures of Slavery in the Age of Revolution (Ashli White)Philip D. Morgan, Sean Hawkins (eds.); Black Experience and the British Empire (James Walvin)Richard Smith; Jamaican Volunteers in the First World War: Race, Masculinity and the Development of National Consciousness (Linden Lewis)Muriel McAvoy; Sugar Baron: Manuel Rionda and the Fortunes of Pre-Castro Cuba (Richard Sicotte)Ned Sublette; Cuba and Its Music: From the First Drums to the Mambo (Pedro Pérez Sarduy)Frances Negrón-Muntaner; Boricua Pop: Puerto Ricans and the Latinization of American Culture (Halbert Barton)Gordon Rohlehr; A Scuffling of Islands: Essays on Calypso (Stephen Stuempfle)Shannon Dudley; Carnival Music in Trinidad: Experiencing Music, Expressing Culture (Donald R. Hill)Jean-Marc Terrine; La ronde des derniers maîtres de bèlè (Julian Gerstin)Alexander Alland, Jr.; Race in Mind: Race, IQ, and Other Racisms (Autumn Barrett)Livio Sansone; Blackness Without Ethnicity: Constructing Race in Brazil (Autumn Barrett)H.U.E. Thoden van Velzen, W. van Wetering; In the Shadow of the Oracle: Religion as Politics in a Suriname Maroon Society (George L. Huttar, Mary L. Huttar)In: New West Indian Guide / Nieuwe West-Indische Gids (NWIG), 80 (2006), no. 1 & 2

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25

Pinckney, Warren R. "Puerto Rican Jazz and the Incorporation of Folk Music: An Analysis of New Musical Directions." Latin American Music Review / Revista de Música Latinoamericana 10, no. 2 (1989): 236. http://dx.doi.org/10.2307/779952.

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26

Alvarado, Lorena. "Review: The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta." Journal of Popular Music Studies 31, no. 4 (2019): 180–82. http://dx.doi.org/10.1525/jpms.2019.31.4.180.

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27

Diaz, Edgardo Diaz. "Puerto Rican Affirmation and Denial of Musical Nationalism: The Cases of Campos Parsi and Aponte Ledee." Latin American Music Review / Revista de Música Latinoamericana 17, no. 1 (1996): 1. http://dx.doi.org/10.2307/780335.

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28

Rivera. "New York Afro-Puerto Rican and Afro-Dominican Roots Music: Liberation Mythologies and Overlapping Diasporas." Black Music Research Journal 32, no. 2 (2012): 3. http://dx.doi.org/10.5406/blacmusiresej.32.2.0003.

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29

Badger, Reid, and Ruth Glasser. "My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940." American Historical Review 101, no. 4 (October 1996): 1296. http://dx.doi.org/10.2307/2169819.

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30

Moore, Robin, and Ruth Glasser. "My Music is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940." Hispanic American Historical Review 76, no. 4 (November 1996): 761. http://dx.doi.org/10.2307/2517958.

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31

Manuel, Peter. "Puerto Rican Music and Cultural Identity: Creative Appropriation of Cuban Sources from Danza to Salsa." Ethnomusicology 38, no. 2 (1994): 249. http://dx.doi.org/10.2307/851740.

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32

Padin, Jose Antonio, and Ruth Glasser. "My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940." Contemporary Sociology 25, no. 1 (January 1996): 115. http://dx.doi.org/10.2307/2077007.

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33

Averill, Gage, and Ruth Glasser. "My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940." Notes 53, no. 1 (September 1996): 88. http://dx.doi.org/10.2307/900316.

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34

Rosenberg, Ruth E. "The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta." Notes 76, no. 1 (2019): 132–35. http://dx.doi.org/10.1353/not.2019.0062.

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35

Hajek, Jessica C. "The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta." Women and Music: A Journal of Gender and Culture 23, no. 1 (2019): 212–17. http://dx.doi.org/10.1353/wam.2019.0013.

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36

Borge, Jason. "The Great Woman Singer: Gender and Voice in Puerto Rican Music by Licia Fiol-Matta." Revista de Estudios Hispánicos 53, no. 3 (2019): 1047–49. http://dx.doi.org/10.1353/rvs.2019.0074.

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37

Moore, Robin. "My Music Is My Flag: Puerto Rican Musicians and Their New York Communities, 1917-1940." Hispanic American Historical Review 76, no. 4 (November 1, 1996): 761–63. http://dx.doi.org/10.1215/00182168-76.4.761.

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38

Thompson, Donald, and Catherine Dower. "Puerto Rican Music following the Spanish-American War: 1898, the Aftermath of the Spanish-American War and Its Influence on the Musical Culture of Puerto Rico." Latin American Music Review / Revista de Música Latinoamericana 6, no. 1 (1985): 112. http://dx.doi.org/10.2307/779971.

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39

Solís, Ted. ""You Shake Your Hips Too Much": Diasporic Values and Hawai'i Puerto Rican Dance Culture." Ethnomusicology 49, no. 1 (January 1, 2005): 75. http://dx.doi.org/10.2307/20174354.

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40

Shaw, Julia T. "“The Music I Was Meant to Sing”." Journal of Research in Music Education 64, no. 1 (February 9, 2016): 45–70. http://dx.doi.org/10.1177/0022429415627989.

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This article is based on a multiple embedded case study, the purpose of which was to explore adolescent choral students’ perceptions of culturally responsive pedagogy (CRP) in three demographically contrasting choirs of an urban nonprofit children’s choir organization. The case presented here focused on an after-school choir situated in a Puerto Rican enclave, where a multiethnic teacher designed instruction that was responsive to a community with a significant migrant and immigrant Hispanic population. Adolescents perceived their teacher’s culturally responsive practice as honoring their own cultural backgrounds while also expanding their cultural and intellectual horizons. Although the students generally perceived their choral experiences to be culturally responsive, they also identified potential barriers to practicing CRP. Perceived barriers related to the complexity of students’ cultural identities and challenges inherent in practicing CRP equitably given constraints on instructional time. By encouraging style shifting between performance practices associated with diverse musical genres and meaningfully bridging students’ musical experiences at home and school, the culturally responsive learning environment explored in this study fostered connections between students’ musical and cultural identities.

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41

Robinson, Cheri. "Residente’s ‘War’ and the reframing of terror." Studies in Spanish & Latin American Cinemas 17, no. 3 (September 1, 2020): 331–49. http://dx.doi.org/10.1386/slac_00025_1.

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The music video ‘Guerra’/‘War’ (Pérez Joglar or Residente 2017), directed and sung by the Puerto Rican musician Residente (René Pérez Joglar), features war-scarred landscapes, fleeing refugees, overcrowded camps and eerily idyllic suburban life. The discordant realities challenge viewers’ potential apathy towards ongoing conflicts and refugee crises while the rap lyrics in Spanish, when sung by the listener, conflate the singer with suffering groups, thus placing suffering and terror centre-stage through visuals and lyrics. This article proposes that Residente begins his music video with a narrative of terror, currently associated in popular discourses with refugees from areas in conflict, then overwhelms this narrative with one of suffering, which is subsequently followed by images of wealth, effectively reframing the terror factor through comparisons and stark contrasts. In addition to the perpetrators of terror, the viewer is confronted with refugees as the victims of terror, the hypocritical illusion of the security of suburban life and the realization that, in war, everyone loses.

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42

Orellano Colon, Elsa M., Luna S. Lugo, Ivelisse Rivera Rodríguez, Natalia Valentín Carro, and Nelson Almodovar Arbelo. "3107 Understanding barriers to and facilitators of a healthy lifestyle of Hispanic adults with end stage renal disease in hemodialysis: Intensive Development and Experiences in Advancement of Research and Increased Opportunities (IDEARIO)." Journal of Clinical and Translational Science 3, s1 (March 2019): 157. http://dx.doi.org/10.1017/cts.2019.360.

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OBJECTIVES/SPECIFIC AIMS: Physical inactivity and mineral imbalances greatly contribute to morbidity and mortality in patients with end-stage renal disease (ESRD). Barriers for engaging in physical activity and adhering to the hemodialysis diet have been reported predominantly with white participants from countries other than Puerto Rico. Therefore, this study’s aims were to explore the barriers and facilitators that Hispanic adults with end-stage renal disease encountered for engaging in physical activity and adhering to the hemodialysis diet. METHODS/STUDY POPULATION: Three focus groups were conducted among 19 adults living with ESRD who received services from a renal center in Puerto Rico. Sessions were recorded, transcribed, and coded first using inductive methods. RESULTS/ANTICIPATED RESULTS: The presence of fatigue, lack of acceptance of the renal condition, and lack of knowledge of appropriate exercises for patients in hemodialysis were the most frequently reported barriers to engage in physical activities. Cost of the renal diet, limited availability of the renal diet products, the restrictive nature and the lack of Puerto Rican taste of the renal diet, and inadequate educational materials were the most frequent barriers to adhere to the hemodialysis diet reported by the sample. The most commonly reported facilitators to engaging in physical activities were having a positive attitude, opportunities for group exercises, and listening to Hispanic music while exercising. Health benefits, family support, having financial resources, availability of community resources, and having willpower were the most commonly reported facilitators to adhere to the hemodialysis diet. DISCUSSION/SIGNIFICANCE OF IMPACT: We identified a number of culturally relevant individual, interpersonal, institutional, and community-related barriers and facilitators to physical activity and adherence to the hemodialysis diet in patients with ESRD living in Puerto Rico. Evidence-based solutions to overcome these barriers and strategies for enhancing these facilitators should be addressed in future studies aimed at increasing the level of physical activity and increasing adherence to the hemodialysis diet in patients with ESRD living in Puerto Rico.

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43

Knights, Vanessa. "Listening to Salsa: Gender, Latin Popular Music and Puerto Rican Cultures. By Frances R. Aparicio. Wesleyan University Press, 1998. 311 pp." Popular Music 20, no. 1 (January 2001): 121–36. http://dx.doi.org/10.1017/s026114300124135x.

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44

KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 75, no. 1-2 (January 1, 2001): 123–88. http://dx.doi.org/10.1163/13822373-90002561.

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-Virginia R. Dominguez, Louis A. Pérez, Jr., On becoming Cuban: Identity, nationality, and culture. Chapel Hill: University of North Carolina Press, 1999. xiv + 579 pp.-Solimar Otero, Kali Argyriadis, La religión à la Havane: Actualités des représentations et des pratiques culturelles havanaises. Paris: Éditions des Archives Contemporaines,1999. 373 pp.-Jane Desmond, Jane Blocker, Where is Ana Mendieta?: Identity, performativity, and exile. Durham NC: Duke University Press, 1999. xvi + 166 pp.-Richard Handler, Amílcar A. Barreto, Language, elites, and the state: Nationalism in Puerto Rico and Quebec. Westport CT: Praeger, 1998. x + 165 pp.-Juan Flores, Lillian Guerra, Popular expression and national identity in Puerto Rico: The struggle for self, community, and nation. Gainesville: University Press of Florida, 1998. xi + 332 pp.-Eileen J. Findlay, Rafael L. Ramírez, What it means to be a man: Reflections on Puerto Rican masculinity. New Brunswick NJ: Rutgers University Press, 1999. xv + 139 pp.-Arlene Torres, Eileen J. Suárez Findlay, Imposing decency: The politics of sexuality and race in Puerto Rico, 1870-1920. Durham NC: Duke University Press, 1999. xii + 316 pp.-Rita Giacalone, Humberto García Muñiz ,Fronteras en conflicto: Guerra contra las drogas, militarización y democracia en el Caribe, Puerto Rico y Vieques. San Juan: Red Caribeña de Geopolítica, Seguridad Regional y Relaciones Internacionales, afiliada al Proyecto AT-LANTEA, 1999. 211 pp., Jorge Rodríguez Beruff (eds)-Bonham C. Richardson, q , Polly Pattullo, Fire from the mountain: The tragedy of Monserrat and the betrayal of its people. London: Constable, 2000. xvii + 217 pp.-Aisha Khan, Gillon Aitken, Between father and son: Family letters. V.S. Naipaul. New York: Alfred A. Knopf, 2000. xi + 297 pp.-J. Michael Dash, Marie-Hélène Laforest, Diasporic encounters: Remapping the Caribbean. Naples Liguori, 2000. 271 pp.-Jeanne Garane, Renée Larrier, Francophone women writers of Africa and the Caribbean. Gainesville: University Press of Florida, 2000. ix + 156 pp.-Julian Gerstin, Brenda F. Berrian, Awakening spaces: French Caribbean popular songs, music, and culture. Chicago: University of Chicago Press, 2000. xvi + 287 pp.-Halbert Barton, Steven Loza, Tito Puente and the making of Latin music. Urbana: University of Illinois Press, 1999. xvi + 258 pp.-Mark Moberg, Anne Sutherland, The making of Belize: Globalization in the margins. Westport CT: Bergin & Garvey, 1998. x + 203 pp.-Daniel A. Segal, Kevin K. Birth, 'Any time is Trinidad time' : Social meanings and temporal consciousness. Gainesville: University Press of Florida, 1999. xiv + 190 pp.-Samuel Martínez, Michele Wucker, Why the cocks fight: Dominicans, Haitians, and the struggle for Hispaniola. New York: Hill and Wang, 1999. xxi + 281 pp.-Paul E. Brodwin, Terry Rey, Our lady of class struggle: The cult of the virgin Mary in Haiti. Trenton NJ: Africa World Press, 1999. x + 362 pp.-Robert Fatton, Jr., Elizabeth D. Gibbons, Sanctions in Haiti: Human rights and democracy under assault. Westport CT: Praeger, with the Center for Strategic and International Studies, Washington DC, 1999. xviii + 138 pp.-Robert Fatton, Jr., David M. Malone, Decision-making in the UN security council: The case of Haiti, 1990-1997. Oxford: Clarendon, 1998. xxi + 322 pp.-James Sanders, César J. Ayala, American sugar kingdom: The plantation economy of the Spanish Caribbean, 1898-1934. Chapel Hill: University of North Carolina Press, 1999. xii + 321 pp.-James Sanders, Alan Dye, Cuban sugar in the age of mass production: Technology and the economics of the sugar central, 1899-1929. Stanford CA: Stanford University Press, 1998. xiii + 343 pp.-Linden Lewis, Richard Hart, Towards decolonisation: Political, labour and economic developments in Jamaica 1938-1945. Kingston: Canoe Press, 1999. xxii + 329 pp.-John Smolenski, John W. Pulis, Moving on: Black loyalists in the Afro-Atlantic world. New York: Garland, 1999. xxiv + 224 pp.-Rosemarijn Hoefte, Clem Seecharan, Bechu: 'Bound coolie' Radical in British Guiana 1894-1901. Kingston: University of the West Indies Press, 1999. x + 315 pp.-Bonno Thoden van Velzen, C.N. Dubelaar ,Het Afakaschrift van de Tapanahoni Rivier in Suriname. Utrecht: Thela Thesis, 1999. 183 pp., André R.M. Pakosie (eds)-Bonno Thoden van Velzen, André R.M. Pakosie, Gazon Matodja: Surinaams stamhoofd aan het einde van een tijdperk. Utrecht: Stichting Sabanapeti, 1999. 172 pp.-Geneviève Escure, Peter L. Patrick, Urban Jamaican Creole: Variation in the Mesolect. Amsterdam: John Benjamins, 1999. xx + 331 pp.

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Chasteen, John Charles. "Ruth Glasser, My Music is My Flag: Puerto Rican Musicians and their New York Communities, 1917–1940 (Berkeley and London: University of California Press, 1995), pp. xxiv + 253." Journal of Latin American Studies 28, no. 1 (February 1996): 265–66. http://dx.doi.org/10.1017/s0022216x00012967.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (January 1, 2008): 271–341. http://dx.doi.org/10.1163/13822373-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 1492-1830 (Aaron Spencer Fogleman)Elizabeth Mancke & Carole Shammmmas (eds.); The Creation of the British Atlantic World (Peter A. Coclanis)Adam Hochschild; Bury the Chains: Prophets and Rebels in the Fight to Free an Empire’s Slaves (Cassssandra Pybus)Walter Johnson (ed.); The Chattel Principle: Internal Slave Trades in the Americas (Gregory E. O’Malley)P.C. Emmer; The Dutch Slave Trade, 1500-1850 (Victor Enthoven)Philip Beidler & Gary Taylor (eds.); Writing Race Across the Atlantic World, Medieval to Modern (Eric Kimball)Felix Driver & Luciana Martins (eds.); Tropical Visions in an Age of Empire (Peter Redfield)Elizabeth A. Bohls & Ian Duncan (eds.); Travel Writing, 1700-1830: An Anthology (Carl Thompson)Alison Donnell; Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History (Sue N. Greene)Luís Madureira; Cannibal Modernities: Postcoloniality and the Avant-garde in Caribbean and Brazilian Literature (Lúcia Sá)Zilkia Janer; Puerto Rican Nation-Building Literature: Impossible Romance (Jossianna Arroyo)Sherrie L. Baver & Barbara Deutsch Lynch (eds.); Beyond Sun and Sand: Caribbean Environmentalisms (Rivke Jaffe)Joyce Moore Turner, with the assistance of W. Burghardt Turner; Caribbean Crusaders and the Harlem Renaissance (Gert Oostindie)Lisa D. McGill; Constructing Black Selves: Caribbean American Narratives and the Second Generation (Mary Chamberlain)Mark Q. Sawyer; Racial Politics in Post-Revolutionary Cuba (Alejandra Bronfman)Franklin W. Knight & Teresita Martínez-Vergne (eds.); Contemporary Caribbean Cultures and Societies in a Global Context (R. Charles Price)Luis A. Figueroa; Sugar, Slavery, and Freedom in Nineteenth-Century Puerto Rico (Astrid Cubano Iguina)Rosa E. Carrasquillo; Our Landless Patria: Marginal Citizenship and Race in Caguas, Puerto Rico, 1880-1910 (Ileana M. Rodriguez-Silva) Michael Largey; Vodou Nation: Haitian Art Music and Cultural Nationalism (Julian Gerstin)Donna P. Hope; Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica (Daniel Neely)Gloria Wekker; The Politics of Passion: Women’s Sexual Culture in the Afro-Surinamese Diaspora (W. van Wetering)Claire Lefebvre; Issues in the Study of Pidgin and Creole Languages (Salikoko S. Mufwene)

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 81, no. 3-4 (January 1, 2007): 271–341. http://dx.doi.org/10.1163/22134360-90002485.

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Sally Price & Richard Price; Romare Bearden: The Caribbean Dimension (J. Michael Dash)J. Lorand Matory; Black Atlantic Religion: Tradition, Transnationalism, and Matriarchy in the Afro-Brazilian Candomblé (Stephan Palmié)Dianne M. Stewart; Three Eyes for the Journey: African Dimensions of the Jamaican Religious Experience (Betty Wood)Toyin Falola & Matt D. Childs (eds.); The Yoruba Diaspora in the Atlantic World (Kim D. Butler)Silvio Torres-Saillant; An Intellectual History of the Caribbean (Anthony P. Maingot)J.H. Elliott; Empires of the Atlantic World: Britain and Spain in America 1492-1830 (Aaron Spencer Fogleman)Elizabeth Mancke & Carole Shammmmas (eds.); The Creation of the British Atlantic World (Peter A. Coclanis)Adam Hochschild; Bury the Chains: Prophets and Rebels in the Fight to Free an Empire’s Slaves (Cassssandra Pybus)Walter Johnson (ed.); The Chattel Principle: Internal Slave Trades in the Americas (Gregory E. O’Malley)P.C. Emmer; The Dutch Slave Trade, 1500-1850 (Victor Enthoven)Philip Beidler & Gary Taylor (eds.); Writing Race Across the Atlantic World, Medieval to Modern (Eric Kimball)Felix Driver & Luciana Martins (eds.); Tropical Visions in an Age of Empire (Peter Redfield)Elizabeth A. Bohls & Ian Duncan (eds.); Travel Writing, 1700-1830: An Anthology (Carl Thompson)Alison Donnell; Twentieth-Century Caribbean Literature: Critical Moments in Anglophone Literary History (Sue N. Greene)Luís Madureira; Cannibal Modernities: Postcoloniality and the Avant-garde in Caribbean and Brazilian Literature (Lúcia Sá)Zilkia Janer; Puerto Rican Nation-Building Literature: Impossible Romance (Jossianna Arroyo)Sherrie L. Baver & Barbara Deutsch Lynch (eds.); Beyond Sun and Sand: Caribbean Environmentalisms (Rivke Jaffe)Joyce Moore Turner, with the assistance of W. Burghardt Turner; Caribbean Crusaders and the Harlem Renaissance (Gert Oostindie)Lisa D. McGill; Constructing Black Selves: Caribbean American Narratives and the Second Generation (Mary Chamberlain)Mark Q. Sawyer; Racial Politics in Post-Revolutionary Cuba (Alejandra Bronfman)Franklin W. Knight & Teresita Martínez-Vergne (eds.); Contemporary Caribbean Cultures and Societies in a Global Context (R. Charles Price)Luis A. Figueroa; Sugar, Slavery, and Freedom in Nineteenth-Century Puerto Rico (Astrid Cubano Iguina)Rosa E. Carrasquillo; Our Landless Patria: Marginal Citizenship and Race in Caguas, Puerto Rico, 1880-1910 (Ileana M. Rodriguez-Silva) Michael Largey; Vodou Nation: Haitian Art Music and Cultural Nationalism (Julian Gerstin)Donna P. Hope; Inna di Dancehall: Popular Culture and the Politics of Identity in Jamaica (Daniel Neely)Gloria Wekker; The Politics of Passion: Women’s Sexual Culture in the Afro-Surinamese Diaspora (W. van Wetering)Claire Lefebvre; Issues in the Study of Pidgin and Creole Languages (Salikoko S. Mufwene)

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Paris, Michael. "Ruth Glasser, My Music is My Flag: Puerto Rican Musicians and Their New York Communities, 1917–1940 (Berkeley, University of California Press, 1995, $30). Pp. 253. ISBN 0 520 08122 6." Journal of American Studies 30, no. 2 (August 1996): 313–14. http://dx.doi.org/10.1017/s0021875800027341.

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Ewell, Judith. "Listening to Salsa: Gender, Latin Popular Music, and Puerto Rican Cultures. By Frances R. Aparicio. (Hanover, NH: Wesleyan University Press, 1998. Pp. 311. Illustrations. Notes. Bibliography. Index. $50.00 cloth. $19.95 paper.)." Americas 55, no. 3 (January 1999): 506–7. http://dx.doi.org/10.2307/1007660.

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KITLV, Redactie. "Book Reviews." New West Indian Guide / Nieuwe West-Indische Gids 72, no. 1-2 (January 1, 1998): 125–99. http://dx.doi.org/10.1163/13822373-90002604.

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-Valerie I.J. Flint, Margarita Zamora, Reading Columbus. Berkeley: University of California Press, 1993. xvi + 247 pp.-Riva Berleant-Schiller, Historie Naturelle des Indes: The Drake manuscript in the Pierpont Morgan Library. New York: Norton, 1996. xxii + 272 pp.-Neil L. Whitehead, Charles Nicholl, The creature in the map: A journey to Eldorado. London: Jonathan Cape, 1995. 398 pp.-William F. Keegan, Ramón Dacal Moure ,Art and archaeology of pre-Columbian Cuba. Pittsburgh: University of Pittsburgh Press, 1996. xxiv + 134 pp., Manuel Rivero de la Calle (eds)-Michael Mullin, Stephan Palmié, Slave cultures and the cultures of slavery. Knoxville: University of Tennessee Press, 1995. xlvii + 283 pp.-Bill Maurer, Karen Fog Olwig, Small islands, large questions: Society, culture and resistance in the post-emancipation Caribbean. London: Frank Cass, 1995. viii + 200 pp.-David M. Stark, Laird W. Bergad ,The Cuban slave market, 1790-1880. Cambridge: Cambridge University Press, 1995. xxi + 245 pp., Fe Iglesias García, María Del Carmen Barcia (eds)-Susan Fernández, Tom Chaffin, Fatal glory: Narciso López and the first clandestine U.S. war against Cuba. Charlottesville: University Press of Virginia, 1996. xxii + 282 pp.-Damian J. Fernández, María Cristina García, Havana USA: Cuban exiles and Cuban Americans in South Florida, 1959-1994. Berkeley: University of California Press, 1996. xiii + 290 pp.-Myrna García-Calderón, Carmen Luisa Justiniano, Con valor y a cómo dé lugar: Memorias de una jíbara puertorriqueña. Río Piedras: Editorial de la Universidad de Puerto Rico, 1994. 538 pp.-Jorge Pérez-Rolon, Ruth Glasser, My music is my flag: Puerto Rican musicians and their New York communities , 1917-1940. Los Angeles: University of California Press, 1995. xxiv + 253 pp.-Lauren Derby, Emelio Betances, State and society in the Dominican Republic. Boulder CO: Westview Press, 1995. xix + 162 pp.-Michiel Baud, Bernardo Vega, Trujillo y Haiti, Volumen II (1937-1938). Santo Domingo: Fundación Cultural Dominicana, 1995. 427 pp.-Danielle Bégot, Elborg Forster ,Sugar and slavery, family and race: The letters and diary of Pierre Dessalles, Planter in Martinique, 1808-1856. Elborg & Robert Forster (eds. and trans.). Baltimore: John Hopkins University Press, 1996. 322 pp., Robert Forster (eds)-Catherine Benoit, Richard D.E. Burton, La famille coloniale: La Martinique et la mère patrie, 1789-1992. Paris: L'Harmattan, 1994. 308 pp.-Roderick A. McDonald, Kathleen Mary Butler, The economics of emancipation: Jamaica & Barbados, 1823-1843. Chapel Hill: University of North Carolina Press, 1995. xviii + 198 pp.-K.O. Laurence, David Chanderbali, A portrait of Paternalism: Governor Henry Light of British Guiana, 1838-48. Turkeyen, Guyana: Dr. David Chanderbali, Department of History, University of Guyana, 1994. xiii + 277 pp.-Mindie Lazarus-Black, Brian L. Moore, Cultural power, resistance and pluralism: Colonial Guyana 1838-1900. Montreal & Kingston: McGill-Queen's University Press; Mona, Kingston: The Press-University of the West Indies, 1995. xv + 376 pp.-Madhavi Kale, K.O. Laurence, A question of labour: Indentured immigration into Trinidad and British Guiana, 1875-1917. Kingston: Ian Randle; London: James Currey, 1994. ix + 648 pp.-Franklin W. Knight, O. Nigel Bolland, On the March: Labour rebellions in the British Caribbean, 1934-39. Kingston: Ian Randle; London: James Currey, 1995. viii + 216 pp.-Linden Lewis, Kevin A. Yelvington, Producing power: Ethnicity, gender, and class in a Caribbean workplace. Philadelphia: Temple University Press, 1995. xv + 286 pp.-Consuelo López Springfield, Alta-Gracia Ortíz, Puerto Rican women and work: Bridges in transnational labor. Philadelphia: Temple University Press, 1996. xi + 249 pp.-Peta Henderson, Irma McClaurin, Women of Belize: Gender and change in Central America. New Brunswick NJ: Rutgers University Press, 1996. x + 218 pp.-Bonham C. Richardson, David M. Bush ,Living with the Puerto Rico Shore. José Gonzalez Liboy & William J. Neal. Durham: Duke University Press, 1995. xx + 193 pp., Richard M.T. Webb, Lisbeth Hyman (eds)-Bonham C. Richardson, David Barker ,Environment and development in the Caribbean: Geographical perspectives. Mona, Kingston: The Press-University of the West Indies, 1995. xv + 304 pp., Duncan F.M. McGregor (eds)-Alma H. Young, Anthony T. Bryan ,Distant cousins: The Caribbean-Latin American relationship. Miami: North-South-Center Press, 1996. iii + 132 pp., Andrés Serbin (eds)-Alma H. Young, Ian Boxill, Ideology and Caribbean integration. Mona, Kingston: The Press-University of the West Indies, 1993. xiii + 128 pp.-Stephen D. Glazier, Howard Gregory, Caribbean theology: Preparing for the challenges ahead. Mona, Kingston: Canoe Press, University of the West Indies, 1995. xx + 118 pp.-Lise Winer, Richard Allsopp, Dictionary of Caribbean English usage. With a French and Spanish supplement edited by Jeanette Allsopp. Oxford: Oxford University Press, 1996. lxxviii + 697 pp.-Geneviève Escure, Jacques Arends ,Pidgins and Creoles: An introduction. Amsterdam/Philadelphia: John Benjamins, 1995. xiv + 412 pp., Pieter Muysken, Norval Smith (eds)-Jacques Arends, Angela Bartens, Die iberoromanisch-basierten Kreolsprachen: Ansätze der linguistischen Beschreibung. Frankfurt am Main: Peter Lang, 1995. vii + 345 pp.-J. Michael Dash, Richard D.E. Burton, Le roman marron: Études sur la littérature martiniquaise contemporaine. Paris: L'Harmattan. 1997. 282 pp.

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