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Journal articles on the topic 'Pudore'

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Author: Grafiati
Published: 9 March 2023
Last updated: 10 March 2023

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1

Naitana, Filippo, and Ann Lauinger. "Cosmogony of Shame, and: Cosmogonia del pudore." Massachusetts Review 58, no. 3 (2017): 442–43. http://dx.doi.org/10.1353/mar.2017.0067.

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2

Spina, Luigi. "L'incomparabile pudore dei giovani Spartani (Senofonte, "Costituzione degli Spartani," III 5)." Quaderni Urbinati di Cultura Classica 19, no. 1 (1985): 167. http://dx.doi.org/10.2307/20538862.

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3

Orazi, Massimiliano. "Sociologia del pudore. Una questione prevalentemente normativa intorno al problema del soggetto moderno." SOCIOLOGIA DEL DIRITTO, no. 2 (June 2019): 63–89. http://dx.doi.org/10.3280/sd2019-002003.

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4

Miglianti, Giovanni. "Tracks of Shame: “Pudore” in the Writings of Female Holocaust Survivors in Italy." Tropos 3, no. 1 (2015): 39–49. http://dx.doi.org/10.14324/111.2057-2212.057.

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5

Caffarena, Fabio. "Testimonianze di soldati in trincea tra fiumi di parole e silenzi." Mnemosyne, no. 2 (October 11, 2018): 15. http://dx.doi.org/10.14428/mnemosyne.v0i2.11953.

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I soldati che hanno combattuto la Grande Guerra hanno lasciato un immenso patrimonio di testimonianze in grado di raccontare la guerra dall’interno e ‘dal basso’. Si tratta spesso di scritture disseminate di contenuti ‘non detti’ per l’incapacità di esprimersi, per timori di censura, per non preoccupare i parenti o per pudore. Nel suo diario di guerra, compilato nel 1915 prima di morire in combattimento, il giovane tenente Flavio Gioia descrive invece le sue avventure sessuali al fronte, le azioni belliche, non risparmia critiche ai superiori e parla dei suoi soldati con uno stile narrativo, ‘pittorico’, in grado di far vedere al lettore ciò che sta leggendo. Chi è Flavio Gioia e cosa ‘non dice’ il suo diario?
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6

Fusar Poli, Elisabetta. "Oltraggi d’autore." LawArt 1, no. 1 (January 30, 2020): 140–80. http://dx.doi.org/10.17473/lawart-2020-1-6.

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Lo studio propone un’indagine in prospettiva storica intorno al dialogo multiforme fra arte e diritto, prendendo in considerazione l’arte come oggetto di diritto e, al contempo, come dispositivo di interrelazione, ovvero come diaframma materiale e concettuale fra cultura giuridica e cultura tout court. Entro questa prospettiva, è affrontata la questione della ‘vera arte’ nell’interpretazione del giurista, attraverso la giurisprudenza in tema di oltraggio al pudore, fra codice penale liberale e codice del 1930. La transizione fra i due testi normativi, che vedono la luce in contesti storici e culturali profondamente differenti, porta a un apparente affrancamento normativo dell’arte dalla morale, finché la libertà dell’arte troverà forma costituzionale. Il dissidio fra arte e morale, tuttavia, si mantiene vivo per il giurista, facendosi intrinseco alla possibilità di qualificare un’opera dell’ingegno quale opera d’arte.
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7

ABBRI, FERDINANDO. "BRUNO P. F. WANROOIJ, Storia del pudore. La questione sessuale in Italia 1860-1940, Venezia, Marsilio Editori, 1990, 234 pp." Nuncius 7, no. 1 (1992): 286–89. http://dx.doi.org/10.1163/182539192x00389.

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8

MINIATI, MARA. "BRUNO P. F. WANROOIJ, Storia del pudore. La questione sessuale in Italia 1860-1940. Venezia, Marsilio Editori, 1990, 234 pp." Nuncius 6, no. 1 (1991): 308–9. http://dx.doi.org/10.1163/182539191x00731.

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9

Sangiorgi, Giorgio. "Mi paghi? Quanto mi paghi?" COSTRUZIONI PSICOANALITICHE, no. 21 (April 2011): 69–79. http://dx.doi.org/10.3280/cost2011-021004.

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Per una sorta di pudore, del rapporto denaro/lavoro si parla poco e quel poco solo in termini retributivi, dimenticando i significati psicologici che assume per tutti: lavoratori o no. Il nostro esame parte innanzitutto da una riflessione sui soggetti privi di occupazione: sono un numero impressionante e per loro non ha neppure senso parlare del significato del denaro. Per i lavoratori, al di lŕ del valore della retribuzione, il denaro acquista numerosi significati psicologici, contribuendo a definire l'identitŕ, il contratto psicologico con l'organizzazione, la misura del successo, la risposta al sentimento di giustizia, ... Peraltro, in una fase in cui il mercato del lavoro accentua le sue tendenze duali, suddividendo i lavoratori tra aristocratici e servi, occorre che i decisori riprendano a studiare il lavoro, anche nelle sue componenti conflittuali, per farne un oggetto plausibile di investimento psicologico.
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10

Barragan Ferrer, Diana, and Jesus Manuel Barragan Ferrer. "Konservantų vartojimo kosmetinėje pudroje būtinumas." Sveikatos mokslai 25, no. 5 (November 30, 2015): 30–33. http://dx.doi.org/10.5200/sm-hs.2015.085.

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Kosmetikos produktuose vis dažniau atsisakoma konservantų naudojimo dėl jų kenksmingo poveikio sveikatai. Šio tyrimo tikslas nustatyti konservantų naudojimo būtinumą kosmetinėje pudroje, kurioje nėra vandens. Tyrimo metu buvo analizuojamos kosmetinės pudros su konservantu ir be jo bei nustatoma, ar jos abi atitinka HN-64 reikalavimus. Kosmetinių pudrų kokybei nustatyti buvo įvertintas drėgmės kiekis, mikroorganizmų skaičius bei konservanto įtaka mikroorganizmų skaičiui. Iš gautų rezultatų buvo nustatyta, kad tinkamai parinkus kosmetinės pudros ingredientus, nepalankius mikroorganizmų augimui, galima atsisakyti konservantų naudojimo šiame produkte.
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11

Ferreira, César, and Santiago Roncagliolo. "Pudor." Chasqui 35, no. 1 (2006): 166. http://dx.doi.org/10.2307/29742084.

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12

Libionka, Dariusz, and Jan Grabowski. "Anatomia donosu ks. Stanisława Trzeciaka na ks. Tadeusza Pudra." Zagłada Żydów. Studia i Materiały, no. 13 (December 3, 2017): 641–75. http://dx.doi.org/10.32927/zzsim.370.

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O Tadeuszu Pudrze, katolickim księdzu pochodzenia żydowskiego i jego tragicznych losach, pisano już kilkakrotnie. Powodem, dla którego powracamy dotej postaci, jest odnalezienie w aktach Niemieckiego Sądu Specjalnego w Warszawie przechowywanych w Archiwum Państwowym w Warszawie liczącej52 karty teczki z aktami sprawy aresztowanego 24 kwietnia 1941 r. ks. Pudra. Dokumentacja ta pozwala na zweryfikowanie funkcjonujących w obiegu informacji i przekazów, a także, co nie mniej ważne, przynosi wiele nowych, nieznanych wcześniej faktów. Historycy nie wiedzieli dotąd, że Puder został osądzony i skazany przez Sąd Specjalny za typowe dla warszawskich Żydów „przestępstwo”: uchylanie się od noszenia opaski. W aktach znajdują się historia uwięzienia Pudra, przebieg dochodzenia i „rozprawy” sądowej, sentencja wyroku, dokumenty dotyczące pobytu w więzieniu przy ul. Rakowieckiej i szpitalu św. Zofii, wreszcie zapisy na temat jego ucieczki w listopadzie 1942 r. Pierwsze dwa dokumenty dotyczą przyczyn aresztowania Pudra. Potwierdziło się to, cowiedziano, lecz o czym starano się pisać jak najmniej: przyczyną aresztowania Pudra był donos złożony przez ks. Stanisława Trzeciaka – postać, wokół którejnagromadziło się wiele legend i niejasności. Aby postępowanie Trzeciaka stało się bardziej zrozumiałe, zdecydowaliśmy się przybliżyć jego sylwetkę i poglądy, a także przedstawić szerszy kontekst jego działalności i sprostować nieścisłości pojawiające się w literaturze przedmiotu. Konieczne było również przypomnienie źródeł osobistej nienawiści Trzeciaka do Pudra.
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13

Foster, David William, and Antonio Serrano. "Sexo, pudor y lágrimas." Chasqui 29, no. 2 (2000): 192. http://dx.doi.org/10.2307/29741632.

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14

REEVE, MICHAEL D. "JUVENAL 2.39: PUDOR MISREAD?" Classical Quarterly 61, no. 1 (May 2011): 319–20. http://dx.doi.org/10.1017/s0009838810000601.

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15

McLennan, Deanna Pecaski. "Puddle Play!" Mathematics Teacher: Learning and Teaching PK-12 114, no. 9 (September 2021): 732. http://dx.doi.org/10.5951/mtlt.2020.0319.

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16

Clarke, Jenni. "Puddle splash." Practical Pre-School 2016, Sup190 (November 2016): 7–8. http://dx.doi.org/10.12968/prps.2016.sup190.7.

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17

Brausch, Jay, and Charles Knight. "Puddle Wonders." Weatherwise 47, no. 6 (January 1995): 18–25. http://dx.doi.org/10.1080/00431672.1995.9925342.

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18

Wong, Sam. "Puddle mysteries." New Scientist 228, no. 3046 (November 2015): 24–25. http://dx.doi.org/10.1016/s0262-4079(15)31555-4.

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19

Mächler Tobar, Ernesto. "Entre el pudor y el desenfreno." América, no. 45 (October 1, 2014): 195–204. http://dx.doi.org/10.4000/america.896.

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20

Adamusová, Jana, and Karsten Rinas. "Die Textgliederung in Christian Pudors Grammatik (1672)." Brünner Beiträge zur Germanistik und Nordistik, no. 2 (2017): 25–38. http://dx.doi.org/10.5817/bbgn2017-2-2.

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21

Chu, Xuefeng, Jun Yang, Yaping Chi, and Jianli Zhang. "Dynamic puddle delineation and modeling of puddle-to-puddle filling-spilling-merging-splitting overland flow processes." Water Resources Research 49, no. 6 (June 2013): 3825–29. http://dx.doi.org/10.1002/wrcr.20286.

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22

Burton, Megan, and Patricia Mims. "Calculating Puddle Size." Teaching Children Mathematics 18, no. 8 (April 2012): 474–80. http://dx.doi.org/10.5951/teacchilmath.18.8.0474.

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23

Matthews, Gareth B. "The Puddle Pail." Thinking: The Journal of Philosophy for Children 15, no. 4 (2001): 3. http://dx.doi.org/10.5840/thinking20011541.

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24

Weiss, Peter. "Piddly Puddle Peril." Science News 166, no. 20 (November 13, 2004): 308. http://dx.doi.org/10.2307/4015763.

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25

Allocco, Maria. "Puddle of light." Physics Teacher 37, no. 8 (November 1999): 468. http://dx.doi.org/10.1119/1.880365.

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26

Bradley, David. "Puddle muddle defuddled." Materials Today 18, no. 8 (October 2015): 416. http://dx.doi.org/10.1016/j.mattod.2015.08.004.

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27

Gascoyne, Sue. "Muddy puddle treasure." Early Years Educator 13, no. 3 (July 2011): 24–26. http://dx.doi.org/10.12968/eyed.2011.13.3.24.

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28

PUIGTOBELLA, BERNAT. "PERE CALDERS: DEL PUDOR I EL CANDOR." Catalan Review 10, no. 1 (January 1, 1996): 309–18. http://dx.doi.org/10.3828/catr.10.1.21.

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29

دیاب, ناصر حارس أحمد. "توظیف مصطلح العار (Pudor) فى الشعر الإلیجى." أوراق کلاسیکیة 18, no. 18 (December 1, 2021): 517–59. http://dx.doi.org/10.21608/acl.2021.213006.

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30

Albuquerque Junior, Durval Muniz de. "Narrar vidas, sem pudor e sem pecado." albuquerque: revista de história 12, no. 24 (December 26, 2020): 12–23. http://dx.doi.org/10.46401/ardh.2020.v12.12157.

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A partir de diálogos estabelecidos com obra Roland Barthes por Roland Barthes (2017), o presente artigo aborda a potência carnal que corporifica a escrita biográfica. Trata-se, então, de refletir sobre a aproximação entre carne e letra, apontando os espaçamentos entre elas, sobretudo no momento de escrever a biografia histórica de uma trajetória que habitou fora do texto. Assim, o debate aqui apresentado se interessa em trazer à tona, para a escrita biográfica, a dimensão espaço temporal e carnal da existência.
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31

Saraiva, Arnaldo. "[Recensão a] Maria Bochicchio, O paradigma do pudor." Estudos Italianos em Portugal, no. 4 (2009): 268–71. http://dx.doi.org/10.14195/0870-8584_4_17.

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32

Stevenson, Deborah. "Puddle by Richard Jackson." Bulletin of the Center for Children's Books 72, no. 5 (2019): 210. http://dx.doi.org/10.1353/bcc.2019.0028.

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33

Kautz, Lilly, and Donald D. Kautz. "A puddle of happiness." Nursing Critical Care 7, no. 5 (September 2012): 48. http://dx.doi.org/10.1097/01.ccn.0000418823.52098.44.

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34

Kellay, Hamid. "Thick puddle made thin." Nature Physics 7, no. 4 (April 2011): 279–80. http://dx.doi.org/10.1038/nphys1948.

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35

Steubing, Lore, and Yongchang Song. "Schwermetalle im Nahrungsnetz in der Region Pudong (China)." Phytocoenologia 23, no. 1-4 (December 15, 1993): 269–76. http://dx.doi.org/10.1127/phyto/23/1993/269.

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36

Adkin, Neil. "‘Alii discunt–pro pudor!–a feminis’: Jerome, Epist. 53.7.1." Classical Quarterly 44, no. 2 (December 1994): 559–61. http://dx.doi.org/10.1017/s0009838800044098.

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In the letter which initiated his correspondence with Paulinus of Nola Jerome deplores the propensity of the inexpert to pontificate on scripture. Three kinds of incompetence are denounced. The second takes the following form: ‘alii discunt – pro pudor!–a feminis, quod viros doceant’ (Epist. 53.7.1). As in the other two denunciations, Jerome has chosen to express himself in general terms; scholars have nonetheless assumed that here a specific individual is meant. Nautin argued that with these words Jerome was attacking Rufinus, who is here represented as being intellectually dependent on his patroness Melania. More recently Testard has maintained that Jerome's criticism is in fact directed against Ambrose. However Nautin's view that Rufinus is the target has now been re-affirmed by Rebenich. The purpose of the present note is to draw attention to a piece of evidence which has hitherto been overlooked; it would seem to indicate that the object of Jerome's attack cannot be Rufinus.
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37

Leidner, Allison, and Richard V. Pouyat. "Jumping into the policy puddle." Frontiers in Ecology and the Environment 7, no. 10 (December 2009): 555–56. http://dx.doi.org/10.1890/1540-9295-7.10.555.

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38

de Kloet, Jeroen, and Lena Scheen. "Pudong: The shanzhai global city." European Journal of Cultural Studies 16, no. 6 (August 8, 2013): 692–709. http://dx.doi.org/10.1177/1367549413497697.

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39

Chan, Che-po, and Wai-kit Poon. "Evolution of the Pudong Government." China Information 20, no. 2 (July 2006): 237–74. http://dx.doi.org/10.1177/0920203x06066501.

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40

Booth, David. "A FRONT IN A PUDDLE." Weather 40, no. 12 (December 1985): 398–99. http://dx.doi.org/10.1002/j.1477-8696.1985.tb03744.x.

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41

Brzeziński, Piotr. "Biografia bez pudru." Wolność i Solidarność 11-12 (2020): 267–73. http://dx.doi.org/10.4467/25434942ws.20.018.15022.

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42

Campos, Daniela Queiroz, and Maria Bernardete Ramos Flores. "Vênus Desnuda: a nudez entre o pudor e o horror." Revista Brasileira de Estudos da Presença 8, no. 2 (June 2018): 248–76. http://dx.doi.org/10.1590/2237-266074145.

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Resumo: O texto faz análise da construção corpórea renascentista abordada, sobretudo, nas obras de dois historiadores da arte: Aby Warburg e Georges Didi-Huberman. Apresentam-se, como imagens mote, as pinturas de Sandro Botticelli. O estudo parte do impenetrável corpo branco de O Nascimento de Vênus e problematiza o horror da imagem, aparentemente, apenas marcada pelo pudor. Warburg e Didi-Huberman discutem o pathos dionisíaco na imagem a partir dos textos míticos de Homero e Poliziano. Por fim, disserta-se acerca da imagem de História de Nastagio degli Onesti com o intento de considerar o corpo aberto encoberto por todo corpo fechado no Renascimento italiano das artes.
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43

García, Esther. "Wendy SHALIT, Retorno al pudor, Madrid: Rialp, 2012, 399 pp." Scripta Theologica 44, no. 2 (March 12, 2015): 547. http://dx.doi.org/10.15581/006.44.1339.

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44

Jurado Valencia, Fabio. "Pudor y poder de la escritura en el contexto universitario." Enunciación 19, no. 1 (January 30, 2015): 147. http://dx.doi.org/10.14483/udistrital.jour.enunc.2014.1.a12.

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45

Saavedra Romo, Pedro Diego. "El pudor público. Crítica a su vigencia y dañosidad social." Vox juris 36, no. 2 (July 31, 2018): 139–46. http://dx.doi.org/10.24265/voxjuris.2018.v36n2.10.

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46

Gerstler, Amy. "Four Meditations on an Ice Puddle." Antioch Review 52, no. 3 (1994): 478. http://dx.doi.org/10.2307/4613001.

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47

Weissberg, Daniel. "La zone nouvelle de Pudong (Shangai)." Mappemonde 59, no. 3 (2000): 31–35. http://dx.doi.org/10.3406/mappe.2000.1588.

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48

Weiss, Peter. "Puddle That Spins Together Stays Together." Science News 155, no. 3 (January 16, 1999): 39. http://dx.doi.org/10.2307/4011260.

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49

Avhad, Amit, Hua Tan, Taif Al-Jubaree, Logan Torres, and Mark Weislogel. "A numerical investigation of puddle jumping." Physics of Fluids 32, no. 1 (January 1, 2020): 012109. http://dx.doi.org/10.1063/1.5139235.

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50

Hovasse, Hélène. "Pudong. Le nouveau poumon de Shanghai." Perspectives chinoises 16, no. 1 (1993): 26–36. http://dx.doi.org/10.3406/perch.1993.1672.

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