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Academic literature on the topic 'Publishing industry'

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Journal articles on the topic "Publishing industry"

1

Lofquist, William S. "U.S. Publishing Industry." Publishing Research Quarterly 8, no. 2 (June 1992): 86–90. http://dx.doi.org/10.1007/bf02677991.

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Lofquist, William S. "U.S. publishing industry." Publishing Research Quarterly 7, no. 3 (September 1991): 103–8. http://dx.doi.org/10.1007/bf02678165.

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Lofquist, William S. "U.S. publishing industry." Publishing Research Quarterly 7, no. 4 (December 1991): 71–75. http://dx.doi.org/10.1007/bf02678334.

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Lofquist, William S. "U.S. publishing industry." Publishing Research Quarterly 8, no. 3 (September 1992): 92–96. http://dx.doi.org/10.1007/bf02678618.

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Lofquist, William S. "U.S. publishing industry." Publishing Research Quarterly 12, no. 3 (September 1996): 45–49. http://dx.doi.org/10.1007/bf02680371.

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Lofquist, Williams S. "U.S. publishing industry." Publishing Research Quarterly 10, no. 4 (December 1994): 74–78. http://dx.doi.org/10.1007/bf02680383.

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Lofquist, William S. "U.S. Publishing industry." Publishing Research Quarterly 12, no. 1 (March 1996): 81–85. http://dx.doi.org/10.1007/bf02680394.

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Lofquist, William S. "U.S. Publishing Industry." Publishing Research Quarterly 9, no. 2 (June 1993): 72–77. http://dx.doi.org/10.1007/bf02680403.

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Lofquist, William S. "U.S. Publishing industry." Publishing Research Quarterly 9, no. 4 (December 1993): 74–78. http://dx.doi.org/10.1007/bf02680411.

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Lofquist, William S. "U.S. publishing industry." Publishing Research Quarterly 13, no. 3 (September 1997): 118–23. http://dx.doi.org/10.1007/s12109-997-0004-1.

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Dissertations / Theses on the topic "Publishing industry"

1

Ngo, Toan. "Kindle: Changing the Publishing Industry." ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/honors_theses/42.

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Amazon.com, Inc. (AMZN), headquartered in Seattle, Washington, is the world’s largest online retailer (Jopson, 1). The company’s website launched in the United States in 1994 by Jeffrey Bezos as an online bookstore, later diversified to offer a broad line of products in multiple warehouses across the US. With successful expansion, Amazon.com is now available worldwide in Canada, the United Kingdom, Germany, France, Italy, Spain, Japan, Brazil and China (SECdatabase, 50). The company directly sells or acts as a third – party to deliver the products to customers. As of the first quarter in 2011, Amazon has approximately 137 million active customers worldwide (Szkutak, 1). In 2007, CEO Jeff Bezos lead Amazon in a new direction by introducing the eReaderKindle, offering a new platform for digital books and other e-print media. The Kindle allows users to read, shop for, download and browse eBooks, newspaper, magazines, blogs and websites using Wi-Fi. The 3G Kindle uses Sprint’s 3G cellular services to allow immediate customer purchase and download from the Amazon Kindle store, with no connectivity charges. The base model e-ink Kindle features a 6” screen, while the Kindle DX has a 10” screen and the newly introduced Kindle Fire has 7” multi-touch colored screen. The Kindle is designed for people who favor a small, compact electronic device to carry in their pockets or bags. The purpose of this paper is to detail the development, technology, opportunities as well as challenges associated with Amazon Kindle in relate to the publishing industry. The paper also discusses whether the 6” eReader device will change reading habits and its impact on hardcopy publishing businesses worldwide.
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Sousa, Sara Vanessa Ferreira de. "Marketing in the publishing industry." Master's thesis, Instituto Superior de Economia e Gestão, 2016. http://hdl.handle.net/10400.5/12858.

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Mestrado em Marketing
Nos dias de hoje, estamos a ver uma série de diferenças nas nossas vidas devido à evolução da tecnologia. Uma delas é que os leitores estão a utilizar cada vez mais dispositivos electrónicos para ler os seus livros favoritos e a comprarem eBooks. Mas continuamos a ver os livros em papel a serem vendidos online ou em livrarias. Por outras palavras, vivemos numa era digital. O propósito desta investigação é saber como é que o marketing digital influencia a indústria das editoras de livros, cujas estão a ter muitos problemas hoje em dia, especialmente a ter uma quebra nas vendas e nos lucros no tempo presente. Este estudo focará mais especificamente nas campanhas de marketing e nos hábitos e preferências dos leitores. É também analisado as percepções dos leitores em relação à forma como adquirem livros e o porquê da frequência de compra dos mesmos, seja esta baixa ou alta. A experiência de compra de livros numa livraria e comprar online é também analisada do ponto de vista dos leitores, ou noutras palavras, clientes. De forma a responder às questões de investigação, a metodologia escolhida para este estudo é utilizado o método quantitativo, visto que é utilizada uma abordagem dedutiva e uma estratégia de utilização de questionários. Isto permite recolher um elevado número de dados com uma margem de erro baixa.Em conclusão, este estudo é útil para as editoras para percebem melhor as preferências, saber as experiências e necessidades dos leitores.
Nowadays, we are seeing a lot of differences in our lives due to the evolution of technology. One of them is that readers are using more and more digital devices to read their favourite books and are buying eBooks. But we continue seeing the traditional books being sold online or in bookshops. In other words, we live in a digital era. The aim of this dissertation is to know how digital marketing influences the publishing industry which is encountering so many problems, especially having a drop in the sales and profits at the present time. More specifically focusing on the marketing campaigns and the readers' habits and reading preferences. This study also analyses the perceptions of the readers regarding the way they buy books and about the rate at which people buy them, independently of whether this is low or high. The experience of buying a book in a bookshop and buying online is also analysed from the point of view of the readers, or in another words, customers. In an attempt to develop this dissertation, the methodology chosen for this study is a quantitative method, due to a deductive approach and using a survey strategy. This allows collecting a large amount of data with a low margin of error. Since the time for the dissertation is short, the study is cross-sectional. In conclusion, this study is useful for the publishers to get to know the preferences, experience and needs of the readers.
N/A
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3

Daut, Mohmud Dahlina. "E-transformation in the publishing industry." Thesis, Cranfield University, 2006. http://dspace.lib.cranfield.ac.uk/handle/1826/2383.

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This thesis presents the findings and conclusions of research that was undertaken with the purpose of understanding the issues and challenges of e-transformation in the publishing industry, particularly the editorial phase, and in a government controlled environment of Malaysia. The research followed an exploratory inquiry and a case study approach, was conducted in a publishing house in Kuala Lumpur. This study was based upon data collected through in depth interview with 18 editors, documentary research (manuals, house styles, General Orders of the Government of Malaysia, forms, correspondence, other in house documents, speeches and local news), physical artefacts (132 edited manuscripts involving 33 editors), archival records (project files spanning 2 years of published works) and literature research. 10 major issues were identified and grouped into 4 categories, 4 major issues from previous failed systems identified, 9 major impacts categorised into 3 different categories were identified and 7 recommendations from the editors were identified for future systems. Focusing on these issues and impacts, several measures were recommended that would improve e-transformation in the company. Guidelines were developed to streamline the transformation and a new workflow proposed towards efficiency in a new medium. Disruption is also identified in the process of transformation. The research concludes by describing the phenomena of transformation in the editorial phase, that there are issues, impacts, disruption and unsettling points before, during and after transformation that would need to be thoroughly investigated, understood and addressed, to successfully transform the editorial phase. The research contributes to both theory and practice. It also proposed a conceptual model to understand the transformation particularly in a public sector; it developed a guideline for effective transformation and developed a workflow for the editorial phase.
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Fricke, Julian. "Diversification Strategies in the German Publishing Industry." St. Gallen, 2007. http://www.biblio.unisg.ch/org/biblio/edoc.nsf/wwwDisplayIdentifier/01665660002/$FILE/01665660002.pdf.

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Sheahan-Bright, Robyn, and n/a. "To Market to Market: The Development of the Australian Children's Publishing Industry." Griffith University. School of Arts, 2005. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20060127.123757.

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The aim of this study is to examine the tension between 'commerce and culture' in the dynamic development of the Australian children's publishing industry, within the wider context of international children's publishing history. It aims to refute a commonly stated 'truism' - that the conflict between the cultural value of a book and the need to market it threatens the integrity of the authors, publishers and the books themselves. Instead, it demonstrates that the tension between cultural and commercial definitions of the book publisher's role lies at the heart of the dynamism which has fuelled the development of a publishing climate, and created really innovative publishing. Publishing has too often been examined as if the sole motive of the publisher should be to produce books of quality, and though this is certainly the primary objective of the publishers which are the focus in this study, it is imperative to recognize that the dissemination of 'quality' literature and cultural product has always been dependent upon the recognition of commercial strategies which are often naively dismissed as being opportunistic and even extraneous to the publisher's purpose. As this thesis endeavours to show, the pioneering efforts of John Newbery, the Religious Tract Society, E.W. Cole, Ward, Lock & Co., and Australia's first publisher Angus & Robertson and of later publishers such as Penguin, Scholastic, Lothian, Omnibus, Allen & Unwin and others, were founded just as much upon the shrewd recognition of a viable market as they were upon the aim to enrich young readers' lives. In fact it is the symbiotic partnership between these two objectives which has fuelled their successes and their failures. It is where publishers either steer a path paved only with good intentions or one paved entirely with gold that their enterprises generally falter. The study owes a significant debt to the achievements of those who have documented Australian children's publishing 'output' so assiduously - Maurice Saxby's groundbreaking histories (1969, 1971, 1993) and Marcie Muir and Kerry White's comprehensive bibliographical tools (1982, 1992). Contrary to those endeavours, though, this study'goes back-stage' to the area where the publishing 'action' happens. Consequently it does not provide a comprehensive overview of every publication or author; it does not cover every genre and style. Rather it is concerned to document the activities of publishers which have produced books for children in Australia, in brief, and to isolate key examples of publishing enterprises within this coverage which represent 'case studies' of the different types of companies which have played a successful part in publishing development. This work is intended to be of interest not simply to either children's literature or Australian literature theorists, but to book historians, and to media, cultural studies and entertainment industry theorists. It was based on a belief that cultural histories of this nature are valuable in tracking the growth of a society and also in demonstrating that creative endeavours are never simply that. They are the result of a complex interweaving of a variety of factors, and that therefore artists approach creativity 'at their peril' without first understanding something of the world into which they are entrusting their creations. Consequently there were several objectives in the study which were to: 1. contextualize Australian children's publishing within a history of children's publishing internationally, with particular reference to early commercial beginnings in Britain and to British Empire developments, but also with appropriate reference to growth in the USA; 2. contextualize Australian children's publishing within the broader range and expansion of the book publishing industry in Australia, particularly the latter's economic growth and cultural influence since WWII, but also including an overview of foundational developments from the nineteenth century; 3. contextualize Australian children's publishing within social, educational and cultural developments, such as the development of education programs, the expansion of public and school libraries, the changes in government policy related to children and books, shifting social attitudes towards the child, and the impact of entertainment and media industries; 4. examine the roles played by various individuals, especially publishers, managers, editors, marketers, booksellers, librarians, teachers and professional commentators in the development of the Australian children's publishing industry. Their roles will be analysed in the context of various industry-particular questions such as a) the oft-remarked upon tensions that exist in publishing, between for example, 'craft-like' and bureaucratic structures; b) the interplay between 'structure and agency' in the industry; c) the shift from a 'library market' to a 'mass market' under such influences as globalization and media; d) whether publishing is necessarily more 'Australian' if it is done by independent, rather than multinational companies; and e) the influence that the 'internal' structure of publishing has had on its development, e.g. the isolation of children's publishing from the mainstream, the predominance of women as agents in its development, and so on; 5. finally, discuss the implications of globalization since the 1970s, and posit future directions in the production, marketing and consumption of children's properties. This study examines the industry from a critical perspective relying not on the evaluation of quality as opposed to mass market literature, but viewing all forms of trade literature for children as part of a dynamic whole. It therefore traces the origins of publishing in English-language countries briefly first before examining the Australian situation, and shows that from the very beginning, publications for children have been the products of both altruistic and profit-driven objectives. It concentrates on the post-WWII period, on certain key enterprises and trends which have been particularly successful, suggesting that those publishing houses and those individuals within them who 'balance' commerce and culture with the most skill, are those who succeed in making 'good' books readily accessible to those for whom they have been created. This thesis celebrates the fact that children's publishers have always demonstrated an admirable combination of opportunism and idealism, the two characteristics which are essential to a successful publishing company. Australia has been fortunate in rearing several enterprising individuals whose early publishing attempts laid the ground for the currently successful houses. Without E.W. Cole, William Steele at Ward, Lock and Co., Frank Eyre at Oxford University Press, Andrew Fabinyi at Cheshire, Barbara Ker Wilson at Angus & Robertson, Anne Bower Ingram at William Collins, the later successes of key individuals at Penguin Books Australia, Scholastic Australia, Allen & Unwin, Lothian Books and Omnibus Books and countless others may not have been planted in such fertile ground. This study predicts that the future of Australian children's publishing lies in the recognition of the essential role played by commercial instincts in shaping cultural endeavours.
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6

Sheahan-Bright, Robyn. "To Market to Market: The Development of the Australian Children's Publishing Industry." Thesis, Griffith University, 2005. http://hdl.handle.net/10072/365314.

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The aim of this study is to examine the tension between 'commerce and culture' in the dynamic development of the Australian children's publishing industry, within the wider context of international children's publishing history. It aims to refute a commonly stated 'truism' - that the conflict between the cultural value of a book and the need to market it threatens the integrity of the authors, publishers and the books themselves. Instead, it demonstrates that the tension between cultural and commercial definitions of the book publisher's role lies at the heart of the dynamism which has fuelled the development of a publishing climate, and created really innovative publishing. Publishing has too often been examined as if the sole motive of the publisher should be to produce books of quality, and though this is certainly the primary objective of the publishers which are the focus in this study, it is imperative to recognize that the dissemination of 'quality' literature and cultural product has always been dependent upon the recognition of commercial strategies which are often naively dismissed as being opportunistic and even extraneous to the publisher's purpose. As this thesis endeavours to show, the pioneering efforts of John Newbery, the Religious Tract Society, E.W. Cole, Ward, Lock & Co., and Australia's first publisher Angus & Robertson and of later publishers such as Penguin, Scholastic, Lothian, Omnibus, Allen & Unwin and others, were founded just as much upon the shrewd recognition of a viable market as they were upon the aim to enrich young readers' lives. In fact it is the symbiotic partnership between these two objectives which has fuelled their successes and their failures. It is where publishers either steer a path paved only with good intentions or one paved entirely with gold that their enterprises generally falter. The study owes a significant debt to the achievements of those who have documented Australian children's publishing 'output' so assiduously - Maurice Saxby's groundbreaking histories (1969, 1971, 1993) and Marcie Muir and Kerry White's comprehensive bibliographical tools (1982, 1992). Contrary to those endeavours, though, this study'goes back-stage' to the area where the publishing 'action' happens. Consequently it does not provide a comprehensive overview of every publication or author; it does not cover every genre and style. Rather it is concerned to document the activities of publishers which have produced books for children in Australia, in brief, and to isolate key examples of publishing enterprises within this coverage which represent 'case studies' of the different types of companies which have played a successful part in publishing development. This work is intended to be of interest not simply to either children's literature or Australian literature theorists, but to book historians, and to media, cultural studies and entertainment industry theorists. It was based on a belief that cultural histories of this nature are valuable in tracking the growth of a society and also in demonstrating that creative endeavours are never simply that. They are the result of a complex interweaving of a variety of factors, and that therefore artists approach creativity 'at their peril' without first understanding something of the world into which they are entrusting their creations. Consequently there were several objectives in the study which were to: 1. contextualize Australian children's publishing within a history of children's publishing internationally, with particular reference to early commercial beginnings in Britain and to British Empire developments, but also with appropriate reference to growth in the USA; 2. contextualize Australian children's publishing within the broader range and expansion of the book publishing industry in Australia, particularly the latter's economic growth and cultural influence since WWII, but also including an overview of foundational developments from the nineteenth century; 3. contextualize Australian children's publishing within social, educational and cultural developments, such as the development of education programs, the expansion of public and school libraries, the changes in government policy related to children and books, shifting social attitudes towards the child, and the impact of entertainment and media industries; 4. examine the roles played by various individuals, especially publishers, managers, editors, marketers, booksellers, librarians, teachers and professional commentators in the development of the Australian children's publishing industry. Their roles will be analysed in the context of various industry-particular questions such as a) the oft-remarked upon tensions that exist in publishing, between for example, 'craft-like' and bureaucratic structures; b) the interplay between 'structure and agency' in the industry; c) the shift from a 'library market' to a 'mass market' under such influences as globalization and media; d) whether publishing is necessarily more 'Australian' if it is done by independent, rather than multinational companies; and e) the influence that the 'internal' structure of publishing has had on its development, e.g. the isolation of children's publishing from the mainstream, the predominance of women as agents in its development, and so on; 5. finally, discuss the implications of globalization since the 1970s, and posit future directions in the production, marketing and consumption of children's properties. This study examines the industry from a critical perspective relying not on the evaluation of quality as opposed to mass market literature, but viewing all forms of trade literature for children as part of a dynamic whole. It therefore traces the origins of publishing in English-language countries briefly first before examining the Australian situation, and shows that from the very beginning, publications for children have been the products of both altruistic and profit-driven objectives. It concentrates on the post-WWII period, on certain key enterprises and trends which have been particularly successful, suggesting that those publishing houses and those individuals within them who 'balance' commerce and culture with the most skill, are those who succeed in making 'good' books readily accessible to those for whom they have been created. This thesis celebrates the fact that children's publishers have always demonstrated an admirable combination of opportunism and idealism, the two characteristics which are essential to a successful publishing company. Australia has been fortunate in rearing several enterprising individuals whose early publishing attempts laid the ground for the currently successful houses. Without E.W. Cole, William Steele at Ward, Lock and Co., Frank Eyre at Oxford University Press, Andrew Fabinyi at Cheshire, Barbara Ker Wilson at Angus & Robertson, Anne Bower Ingram at William Collins, the later successes of key individuals at Penguin Books Australia, Scholastic Australia, Allen & Unwin, Lothian Books and Omnibus Books and countless others may not have been planted in such fertile ground. This study predicts that the future of Australian children's publishing lies in the recognition of the essential role played by commercial instincts in shaping cultural endeavours.
Thesis (PhD Doctorate)
Doctor of Philosophy (PhD)
School of Arts
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7

Age, Philip D. Rhodes Dent. "An instructional design model for training prepress craft workers in the printing and publishing industry." Normal, Ill. Illinois State University, 1999. http://wwwlib.umi.com/cr/ilstu/fullcit?p9942641.

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Thesis (Ed. D.)--Illinois State University, 1999.
Title from title page screen, viewed July 21, 2006. Dissertation Committee: Dent M. Rhodes (chair), G. Thomas Baer, James L. Bradford, Fay F. Bowren. Includes bibliographical references (leaves 144-156) and abstract. Also available in print.
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Allen, Robbie (Robbie C. ). "The dynamics of Internet publishing on the computer book industry." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/35116.

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Thesis (S.M.)--Massachusetts Institute of Technology, System Design and Management Program; and, (S.M.)--Massachusetts Institute of Technology, Dept. of Civil and Environmental Engineering, 2006.
Includes bibliographical references (p. 61-64).
The Internet has been a disruptive force for many industries, but perhaps none more so than in the publishing business. While many segments of the publishing industry have made attempts to use the Internet to augment or replace existing revenue sources, none has done as little with the Internet as book publishers. This thesis will examine the computer book niche of the publishing business, review various Internet publishing models that have been employed to date, and outline opportunities and challenges that computer book publishers should consider to stay viable in the Internet age. An analysis of various Internet publishing business models will be covered along with a discussion of how Internet publishing can facilitate better methods and processes for developing content.
by Robbie Allen.
S.M.
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9

Lawson, Alison. "The effects of ICT on the UK book publishing industry." Thesis, University of Manchester, 2006. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.629578.

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Background The study considers the impact of technology as a force for change in the UK book publishing industry since the 1980s, examining the effects on systems, processes and products, roles, tasks and skills, and organisational structures. The industry is wide and diverse, dominated by a few major players, and may be split into those that are corporate and those that are independent. Purpose The purpose of the study is to demonstrate the considerable changes ICT has enabled and initiated on one of the UK's most significant and least researched industries. The results of the research will be on interest and practical use to managers in the industry. Sample A review of the literature concerning technological change in the workplace, and of the publishing industry in particular, is supported by the results of interviews conducted with six case-study publishers - three independent and three corporate, covering several sectors of the industry. The interviewees' roles covered editorial, production, marketing and sales functions. Design and method Following the literature review and an initial scoping discussion with a publishing employee with more than 10 years' experience, a questionnaire was drafted and piloted with three other publishing employees. A refined version of the questionnaire was then used in semi-structured interviews with employees at the case-study organisations. The interview data was sorted using MAXqda software and then used to illuminate discussion of the issues under study. Results The most significant changes were found to be to the processes of production and marketing, and to the tools used to complete tasks. Changes associated with use of the internet, print-on-demand technology and e-books were demonstrated to be significant issues for the industry in general and for individual publishers. The industry showed itself to be flexible and adaptable, such that its conservative and reactive nature was not considered to be problematic. The findings were analysed using several theories of management of technological change. Neither labour process nor socio-technical design were found to be appropriate analytical tools. While strategic choice was found to have an application, the industry's approach to management was a better fit with flexible specialisation. Conclusion The introduction and use of ICT in the UK book publishing industry has initiated significant change, and publishers prepare for this through maintaining a flexible, adaptable approach. Several issues for consideration by the industry are raised and, while publishers may tackle these individually, there is little attempt made to apply industry-wide solutions. The style of management is evolutionary and organic, owing much to flexible specialisation.
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Nyerembe, Malima Paul. "The publishing industry, the ideological framework and foreign aid in Tanzania." Thesis, London Metropolitan University, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.341730.

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Books on the topic "Publishing industry"

1

Evans, Lynn. Publishing industry. Manchester: Central Services Unit for University and Polytechnic Careers and Appointments Services, 1985.

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Rozmeen, Tambe, and Key Note Publications, eds. The publishing industry. Hampton: Key Note, 2004.

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The book publishing industry. 2nd ed. Mahwah, N.J: Lawrence Erlbaum Associates, 2005.

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Schwerin, Julie. Optical publishing industry assessment. Columbus, OH, USA (PO Box 21268, Columbus 43221): The Association, 1991.

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Daly, Charles P. The magazine publishing industry. Boston: Allyn and Bacon, 1997.

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Greco, Albert N. The book publishing industry. 2nd ed. Mahwah, N.J: Lawrence Erlbaum Associates, 2005.

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Gołębiewski, Łukasz. Polish book publishing industry. Warszawa: Biblioteka Analiz, 2004.

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Greco, Albert N. The book publishing industry. Boston: Allyn & Bacon, 1997.

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Picard, Robert G. The newspaper publishing industry. Boston: Allyn and Bacon, 1997.

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Michael, Geare, and Jordan & Sons Limited., eds. Britain's book publishing industry. Bristol: Jordan & Sons, 1990.

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Book chapters on the topic "Publishing industry"

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De Prato, Giuditta. "The Book Publishing Industry." In Digital Media Worlds, 87–101. London: Palgrave Macmillan UK, 2014. http://dx.doi.org/10.1057/9781137344250_6.

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Freeman, Matthew. "Publishing Media Industry Research." In Industrial Approaches to Media, 175–94. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-55176-4_9.

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Finkelstein, David, and Andrew Nash. "Publishing and Puffing." In The British Publishing Industry in the Nineteenth Century, 231–39. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003099635-36.

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Heinemann, William. "The Hardships of Publishing." In The British Publishing Industry in the Nineteenth Century, 319–43. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003099611-31.

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Finkelstein, David, and Andrew Nash. "The Mysteries of Publishing." In The British Publishing Industry in the Nineteenth Century, 281–86. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003099611-28.

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Zhang, Li, Junlin Qu, Jing Jie, and Nannan Liang. "Existing Data in Traditional Publishing Industry." In China’s Publishing Industry in the Era of Big Data, 1–25. Singapore: Springer Singapore, 2022. http://dx.doi.org/10.1007/978-981-19-0428-8_1.

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Ramrattan, Lall, and Michael Szenberg. "Printing and Publishing." In Revolutions in Book Publishing: The Effects of Digital Innovation on the Industry, 108–19. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1007/978-1-137-57621-7_6.

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Finkelstein, David, and Andrew Nash. "The New Departure in Publishing." In The British Publishing Industry in the Nineteenth Century, 24–26. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003099635-6.

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Biddick, Kenneth. "Power and Corruption in the Publishing Industry." In Financial Statement Fraud Casebook, 159–68. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2015. http://dx.doi.org/10.1002/9781119200994.ch17.

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Joseph, Marrisa. "Institutional Routines and the Victorian Publishing Industry." In Victorian Literary Businesses, 19–43. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-28592-0_2.

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Conference papers on the topic "Publishing industry"

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STĂNCIULESCU, Gabriela Doina. "THE ROMANIAN BOOK PUBLISHING INDUSTRY: AN IT-CONNECTED INDUSTRY." In International Conference of Management and Industrial Engineering. Editura Niculescu, 2023. http://dx.doi.org/10.56177/11icmie2023.35.

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The book publishing industry represents one of the most complex fields of activity, combining artistic and editorial creation with the specific technologies of book production and all the processes necessary for its sale. The field's evolution is closely related to the level of technological development of society, becoming very dynamic since the second half of the last century. In the last 50 years, the great qualitative leaps of the industry occurred with the development of digital technology that became the main technical support of the field. This article highlights certain aspects of the evolution of the book publishing industry in Romania in the last 30 years since the first private publishing houses appeared. The study focuses on the domain evolution in close connection with that of digital technology in recent decades. A series of negative influences suffered by publishing houses during this period are also presented, such as restructuring and reorganizations caused by economic crises, the Covid-19 pandemic, etc. The methodology is based on the analysis of recent studies and articles, as well as secondary research based on the analysis of large publishing houses' websites, as well as analyses and annual reports carried out by Romanian institutions. The study has a more qualitative character, determined by the difficulties encountered in conducting a rigorous industry analysis. The article is part of a larger research into the business of the book publishing industry, research that attempts to provide an overview of the field and the issues facing publishers. The study's conclusions are addressed to analysts and researchers, especially leaders and managers in the book publishing industry, who must be aware of the domain importance of national culture. They need to focus on getting political decision-makers to update the legislation according to the specific, current, prospective requirements to support and develop the sector.
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Yen-Chun Jim Wu. "Reverse Logistics of China's Publishing Industry- AHP Analysis." In 2006 IEEE International Conference on Service Operations and Logistics, and Informatics. IEEE, 2006. http://dx.doi.org/10.1109/soli.2006.236714.

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Wu, Yen-Chun Jim, and Wei-Ping Cheng. "Reverse Logistics of China's Publishing Industry- AHP Analysis." In 2006 IEEE International Conference on Service Operations and Logistics, and Informatics. IEEE, 2006. http://dx.doi.org/10.1109/soli.2006.328937.

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Rymsha, Sergey, Vladimir Erofeev, and Nikolai Shevelev. "Agile project management for media and publishing industry." In 2009 5th Central and Eastern European Software Engineering Conference in Russia (CEE-SECR 2009). IEEE, 2009. http://dx.doi.org/10.1109/cee-secr.2009.5501121.

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Diar, Alifiannisa Lawami, Ruchi Intan Tantra, and Farisya Setiadi. "Competitive Advantage Improvement of Publishing Industry in Indonesia." In ICCCM'20: 2020 The 8th International Conference on Computer and Communications Management. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3411174.3411178.

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Liu, Ben. "An intelligent model for news and publishing industry." In International Conference on Artificial Intelligence and Intelligent Information Processing (AIIIP 2022), edited by Pavel Loskot. SPIE, 2022. http://dx.doi.org/10.1117/12.2660346.

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Leo, Sutanto. "Writing and publishing books." In Asia Tourism Forum 2016 - the 12th Biennial Conference of Hospitality and Tourism Industry in Asia. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/atf-16.2016.49.

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Plaksina, I. G., A. A. Kirsanova, D. V. Topolsky, N. D. Topolskiy, N. I. Yumagulov, and E. A. Zvereva. "Automation of Project Publishing Process in Corporate Information System." In 2018 Global Smart Industry Conference (GloSIC). IEEE, 2018. http://dx.doi.org/10.1109/glosic.2018.8570069.

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Hossain, Md Muktar, and Md Rabiul Islam. "Privacy Preserving in Sequential Data Publishing." In 2021 International Conference on Automation, Control and Mechatronics for Industry 4.0 (ACMI). IEEE, 2021. http://dx.doi.org/10.1109/acmi53878.2021.9528007.

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Liang Wang and Xiaozhang Huang. "A reseach on workflow technology application in publishing industry." In 2011 International Conference on Computer Science and Service System (CSSS). IEEE, 2011. http://dx.doi.org/10.1109/csss.2011.5974882.

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Reports on the topic "Publishing industry"

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Beall, Jeffrey. Corrupt and questionable practices in the scholarly publishing industry. International Society of Managing & Technical Editors, 2014. http://dx.doi.org/10.25261/ir00000034.

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Dickson, Chelsee, and Christina Holm. Open Access Publishing Biases OER. Digital Commons@Kennesaw State University, August 2022. http://dx.doi.org/10.32727/27.2022.2.

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Academic publishing processes are shaped by the ways in which scholars within the field review and evaluate the work of their peers. In an ideal world, these methods would simply promote the publication of the best forms of research without prejudice or subjectivity. In reality, issues such as Knobloch-Westerwick, Glynn, and Huge’s Matilda effect, Merton’s Matthew effect, Blank’s institution bias, and Robert’s and Verhoef’s gender bias shape the ways that scholarly inquiry are evaluated. Knowing that the peer review process can introduce issues of bias, what then of other aspects of the publishing cycle? For example, what of the subvention funding provided by some institutions to support their faculty in pursuing dissemination of research in Open Access (OA) journals? This Open Educational Resource (OER) will present an overview of the OA landscape and provide learners with tools to develop their own inquiries into the inequities present within the OA publishing industry. All assignments include suggested grading rubrics and build upon one another in a cumulative manner.
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Ryan, Mark, Phoebe Macrossan, Michael Adams, and Cameron Cliff. No point in stopping white paper: A publisher-centred blockchain model for the book publishing industry. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.135712.

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Dawson, Stephanie. D11.6 REPO4EU Open Science Strategy. REPO4EU, April 2023. http://dx.doi.org/10.58647/repo4eu.202300d11.6.

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To ensure the widest possible dissemination of the results to the research community, pharmaceutical industry, patients and to the broader public, the REPO4EU project, in line with goals of the European Commission, is committed to an Open Science approach. Because Open Science can be interpreted widely this document lays out the strategy of the project with regard to Open Access publishing, alternative metrics, Intellectual Property and FAIR data. The Open Science Strategy forms the theoretical framework for the REPO4EU Open Science publishing portal that will develop into an open hub of research results and communication for the entire drug repurposing community.
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