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1
Poliakova, Liz. "Looking in from the outside: The case of the excluded self-publisher." Stream: Interdisciplinary Journal of Communication 13, no. 1 (November 5, 2021): 96–110. http://dx.doi.org/10.21810/strm.v13i1.275.
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A significant portion of books on Amazon are self-published using Kindle Direct Publishing. Self-publishers are given an opportunity to share their work with the world with a few clicks of their mouse. However, traditional publishing infrastructures are not as welcoming to the self-publisher. This paper undertakes to perform a policy analysis of government funding frameworks available to workers of the Canadian publishing industry. Through performing a discourse analysis, the study finds that the self-publisher is ineligible to apply for funds and grants from the government both on the provincial and the federal levels. The self-publishing business model is not recognized as a legitimate one and is often equated with vanity publishing, which comes with a stigma. Furthermore, traditional publishing industry workers act as gatekeepers who also exclude the self-publisher from the conversation around the changing landscape of the Canadian publishing industry. Even though the self-publisher should be recognized as a legitimate worker of the cultural industries, they are not acknowledged as such both by government officials who distribute grants and traditional publishers. This study adds to the limited scope of research conducted on self-publishing in order to break the boundaries that self-publishers encounter. The study concludes with recommendations to assess the process of the distribution of government funds and grants in order to incorporate the changing practices of the cultural industries and incorporate new business models such as self-publishing.
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Chander, Harish, and KP Singh. "Frontline Publishers of Punjabi Language Books." DESIDOC Journal of Library & Information Technology 40, no. 04 (July 29, 2020): 230–37. http://dx.doi.org/10.14429/djlit.40.04.15811.
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Publishing industry plays a vital role to spread knowledge. In modern days many local publishers are making knowledge available to the society through their native languages. Punjabi is one of the most popular languages of North Indian states. Many publishers from Punjab, Chandigarh, and Delhi are publishing books in Punjabi. The present study is attempted to provide the overview and analyse the growth and contribution of publishing books in Punjabi by various types of publishers for the decade 2004-2013. The study presents different categories of publishers with the number of books, major publishers of Punjabi books, the contribution of literary, government and academic institutions as publishers and geographical distribution of Punjabi books from Northern parts of India. The study reveals that most of the books have been published in Punjabi by commercial publishers. Punjab is the leading region to publish maximum books in Punjabi as compared to other states and ‘Lokgeet Prakashan’ is the top publisher among them all. This is the first study assessing book publishers of Punjabi books and a useful source of information for practitioners and academics interested in Punjabi language publications.
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Beall, Jeffrey. "Behind the Spam: A “Spectral Analysis” of Predatory Publishers." Proceedings of the International Astronomical Union 11, A29A (August 2015): 166–71. http://dx.doi.org/10.1017/s1743921316002684.
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AbstractMost researchers today are bombarded with spam email solicitations from questionable scholarly publishers. These emails solicit article manuscripts, editorial board service, and even ad hoc peer reviews. These “predatory” publishers exploit the scholarly publishing process, patterning themselves after legitimate scholarly publishers yet performing little or no peer review and quickly accepting submitted manuscripts and collecting fees from submitting authors. These counterfeit publishers and journals have published much junk science? especially in the field of cosmology? threatening the integrity of the academic record. This paper examines the current state of predatory publishing and advises researchers how to navigate scholarly publishing to best avoid predatory publishers and other scholarly publishing-related perils.
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Jay, Mary. "Co-publishing with Africa North–South–North." Logos 31, no. 2 (September 4, 2020): 19–27. http://dx.doi.org/10.1163/18784712-03102003.
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The decolonization of African studies extends beyond content to ethical partnerships between the North and the African continent. One key component of realizing partnership is through publishing. African studies research published by Northern publishers is not often even minimally available in Africa; and this is despite scholars on the continent often being partners or facilitators in research undertaken by Northern scholars. Northern publishers have perceived no commercial gain, given small African markets, lack of purchasing power, and lack of distribution systems. Conversely, African publishers have efficient distribution into the North through African Books Collective, owned and governed by them. But in suitable rare cases the African publisher can broker co-publications with Northern publishers who want the originating rights. In the light of these issues, African Books Collective launched an initiative to seek to break the deadlock. In partnership with the International African Institute, and with the active support of the African Studies Associations of the UK and the US, work is proceeding with publishers in the North and the South to broker co-publishing or co-editions to address this historic marginalization of Africa.
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Keyhani, Andrea. "Electronic publishing: US publishers’ initiatives." Learned Publishing 8, no. 1 (January 1995): 25–32. http://dx.doi.org/10.1002/leap/80005.
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Kim, Sang-Jun, and Kay Sook Park. "Changes in article share and growth by publisher and access type in Journal Citation Reports 2016, 2018, and 2020." Science Editing 9, no. 1 (February 20, 2022): 30–36. http://dx.doi.org/10.6087/kcse.260.
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Purpose: This study explored changes in the journal publishing market by publisher and access type using the major journals that publish about 95% of Journal Citation Reports (JCR) articles.Methods: From JCR 2016, 2018, and 2020, a unique journal list by publisher was created in Excel and used to analyze the compound annual growth rate by pivot tables. In total, 10,953 major JCR journals were analyzed, focusing on publisher type, open access (OA) status, and mega journals (publishing over 1,000 articles per year).Results: Among the 19 publishers that published over 10,000 articles per year, in JCR 2020, six large publishers published 59.6% of the articles and 13 publishers 22.5%. The other publishers published 17.9%. Large and OA publishers increased their article share through leading mega journals, but the remaining publishers showed the opposite tendency. In JCR 2020, mega journals had a 26.5% article share and an excellent distribution in terms of the Journal Impact Factor quartile. Despite the high growth (22.6%) and share (26.0%) of OA articles, the natural growth of non-OA articles (7.3%) and total articles (10.7%) caused a rise in journal subscription fees. Articles, citations, the impact factor, and the immediacy index all increased gradually, and the compound annual growth rate of the average immediacy index was almost double than that of the average impact factor in JCR 2020.Conclusion: The influence of OA publishers has grown under the dominance of large publishers, and mega journals may substantially change the journal market. Journal stakeholders should pay attention to these changes.
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Brienza, Casey. "What Do Publishers Know?" tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (November 14, 2013): 515–20. http://dx.doi.org/10.31269/triplec.v11i2.520.
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In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the academic publishing industry, I focus upon the one important thing that publishers understand very well—and far better than most academics—how publishing is funded. I then discuss why collaboration, not competition, between publishers and academics is the only real way forward and conclude with a warning to fellow academics that casually dismissing their potential contribution is both counterproductive and, in the worst case scenario, may threaten the future flourishing of our profession.
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Brienza, Casey. "What Do Publishers Know?" tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 11, no. 2 (November 14, 2013): 515–20. http://dx.doi.org/10.31269/vol11iss2pp515-520.
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In this short contribution to the open access debate, I will draw upon my expertise as a sociologist who has studied the publishing industry to argue that publishers do in fact have knowledge that is absolutely critical to an informed understanding of open access and how it may be successfully implemented. After providing an overview of who publishers are and what motivates them, along with some of often little-understood complexities of the academic publishing industry, I focus upon the one important thing that publishers understand very well—and far better than most academics—how publishing is funded. I then discuss why collaboration, not competition, between publishers and academics is the only real way forward and conclude with a warning to fellow academics that casually dismissing their potential contribution is both counterproductive and, in the worst case scenario, may threaten the future flourishing of our profession.
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Tatarinova, Larуsa. "Self-published." Вісник Книжкової палати, no. 2 (February 26, 2020): 5–11. http://dx.doi.org/10.36273/2076-9555.2020.2(283).5-11.
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Continuing to consider the trends of the world book publishing, it is impossible not to dwell on the self-publishing, which has been gaining momentum in the world since the beginning of the century. Back in 2008, samizdat was equal to the number of titles published with books published by traditional publishers. In 2018, 1 million book titles were self-published in the US. China has crossed the million mark long ago. Statistics from China and Japan coming to the International Publishers Association also include self-published books, so the number of titles published in China is a staggering 65 007 519 and Japan's 2 017 808, including those published by traditional publishers in China — 203 000, and in Japan — 76 581 [1]. In our study, we sought to identify causes and identify trends in the emergence, growth, and spread of self-publishing in European countries and the United States. How self-publishing allows authors of publications to bypass publishers and bookstores and sell books directly to a potential reader. The impact of self-publishing on the publishing industry as a whole has been established: reducing the cost of printing, storing and distributing books. It has been proven that the impetus for self-publishing publications has been the development of technology, the improvement of e-book and tablet readers that have improved readability; provided free access to view and purchase the book. The article explores the advantages and disadvantages of self-publishing a book; the role of publishing platforms that allow the author to publish the book independently; the author's image risks are analyzed when publishing a book with self-view; attention is paid to the concept of graphic arts; the difference between graphomaniac and true self-expression is determined. Literary genres preferred by authors who decide to publish a book by themselves are considered. Self-published books are generally not eligible for prizes for literary or artistic achievement. The article gives examples of the first literary awards for self-published authors.
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VALANTO, VERA, MIIA KOSONEN, and HANNA-KAISA ELLONEN. "ARE PUBLISHERS READY FOR TOMORROW? PUBLISHERS' CAPABILITIES AND ONLINE INNOVATIONS." International Journal of Innovation Management 16, no. 01 (February 2012): 1250001. http://dx.doi.org/10.1142/s1363919611003362.
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In order to cope with technological change, publishing companies need to effectively combine their capabilities and use them to support the development of new and existing products. In this paper, we explore the relationship between the market and technology capabilities of publishing companies and their online innovations. Our comparative case study focuses on four cases representing newspaper and magazine publishers. The case companies seem stronger in market than in technology capabilities. We also note an apparent tendency to build on the strongest capability area and to focus on leveraging those capabilities rather than taking a risk and experimenting in an area in which they are relatively weaker. Further, it seems that publishers have been able to leverage their market capabilities through online experimentation, but have not been able to develop their technological capabilities in the same manner. From the scientific perspective, this study makes two main contributions. Firstly, the empirical in-depth investigation of the capability portfolios of the case firms complements the emerging work on innovation-related capabilities. Secondly, the study adds to the literature on media management in enhancing understanding of the online-related capabilities that are required in publishing companies, and the related development patterns. Our study suggests that experimenting online and producing innovations requiring new types of internal market-related processes and practices is an efficient strategy to develop one's current market capabilities online.
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Hartiningtyas, Widjati. "Self-Publishing, Vanity Publishing and Indie Publishing: A Shortcut to Fame or A Dangerous Game?" Lensa: Kajian Kebahasaan, Kesusastraan, dan Budaya 13, no. 1 (June 29, 2023): 135. http://dx.doi.org/10.26714/lensa.13.1.2023.135-150.
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In November 2022, a Twitter account reported fraud committed by an owner of a well-known vanity publisher. The post that was retweeted thousand times revealed that many authors experience the same thing. Based on that case, this study analyzed reasons that drive authors to self-publish or use vanity and indie publishing service. To answer the research question, the researcher conducted semi-structured interviews with five authors acting as informants. The researcher presents the interview's results in three categories: the romanticism of publishing printed books, idealism in writing, and the prestige of indie publishing. The researcher analyzes the data using Michael Foucault's thoughts in his essay What is an author? This study found that though the informants used alternative publishing because conventional publishers did not accept their works, they had different reasons to continue using alternative publishing. The informants agreed that alternative publishing offers flexibility that enables them to maintain their idealism. However, the informants had different opinions on the classic conflict between idealism and income. The informants do not consider indie publishing more prestigious than conventional publishers or vice versa. However, they have their considerations when choosing a type of publisher. The interviews also showed that a supporting community, a valuable network, and pieces of information are necessary before using alternative publishing.
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Oktavia, Riska. "POLITIK PENERBITAN DAN PERBEDAAN KONTEN WEBSITE RESMI PENERBIT MAYOR DAN DI RANAH CYBER." Vol 12 No 1 (2022): Literasi: Jurnal Ilmiah Pendidikan Bahasa, Sastra Indonesia dan Daerah 12, no. 1 (January 31, 2022): 83–90. http://dx.doi.org/10.23969/literasi.v12i1.4763.
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The phenomenon of cyber literature, especially in Indonesia, is currently booming, causing many popular literary works to be born in the cyber realm. Since the rise of the phenomenon of cyber literature in Indonesia, the politics of major and indie publishers is a phenomenon that is quite interesting and widely discussed, especially by writers who want their writings to be published. Using qualitative methods, this article aims, firstly, to find out what the politics of major and indie publishing is like in the cyber realm, and secondly, to find out the difference in content like what is displayed on the official website of several major publishers and indie publishers. The form of the political phenomenon of major and indie publishers in the cyber realm in Indonesia is the competition between major and indie publishers in finding new writers, especially cyber literature writers, so that there are many popular literary works with high interest. The difference between the content of the official websites of major publishers and indie publishers is that the websites of major publishers contain their published books and the promos of the books they sell because the major publishers already have a name, while indie publishers highlight the advantages of the publisher, such as how many works they have produced. publish, then what services they provide, advantages, publishing promotions, opinions of writers who have used their services.
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McCready, Kate, and Emma Molls. "Developing a Business Plan for a Library Publishing Program." Publications 6, no. 4 (October 23, 2018): 42. http://dx.doi.org/10.3390/publications6040042.
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Over the last twenty years, library publishing has emerged in higher education as a new class of publisher. Conceived as a response to commercial publishing practices that have strained library budgets and prevented scholars from openly licensing and sharing their works, library publishing is both a local service program and a broader movement to disrupt the current scholarly publishing arena. It is growing both in numbers of publishers and numbers of works produced. The commercial publishing framework which determines the viability of monetizing a product is not necessarily applicable for library publishers who exist as a common good to address the needs of their academic communities. Like any business venture, however, library publishers must develop a clear service model and business plan in order to create shared expectations for funding streams, quality markers, as well as technical and staff capacity. As the field is maturing from experimental projects to full programs, library publishers are formalizing their offerings and limitations. The anatomy of a library publishing business plan is presented and includes the principles of the program, scope of services, and staffing requirements. Other aspects include production policies, financial structures, and measures of success.
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Valenzuela, Andrea, and Jakob Blomer. "CernVM-FS ephemeral publishers on Kubernetes." Journal of Physics: Conference Series 2438, no. 1 (February 1, 2023): 012014. http://dx.doi.org/10.1088/1742-6596/2438/1/012014.
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Abstract The CernVM File System (CernVM-FS) is a global read-only POSIX file system that provides scalable and reliable software distribution to numerous scientific collaborations. It gives access to more than a billion binary files of experiment application software stacks and operating system containers to end user devices, grids, clouds, and supercomputers. CernVM-FS is asymmetric by construction. Writing into the repository is a centralized operation called publishing, while reading is allowed for many clients from many locations. The classic publishing process needs a dedicated “release manager machine” that provides the editable repository copy. This classic approach was improved thanks to the introduction of the CernVM-FS Gateway that provides concurrent access to the repository backend storage through a REST API. In this contribution, we present further improvements to the CernVM-FS publishing process. Our main contribution is the construction of ephemeral containers that are created on demand and used to provide a temporary, editable repository copy for a single publish operation. The container construction makes careful use of Linux namespaces and a user-space implementation of overlayfs. We further show that both the gateway and the containers used for publishing can be instantiated as pods in a kubernetes cluster. Thus, we demonstrate a kubernetes-native CernVM-FS publishing workflow.
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Siler, Kyle, and Koen Frenken. "The pricing of open access journals: Diverse niches and sources of value in academic publishing." Quantitative Science Studies 1, no. 1 (February 2020): 28–59. http://dx.doi.org/10.1162/qss_a_00016.
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Open access (OA) publishing has created new academic and economic niches in contemporary science. OA journals offer numerous publication outlets with varying editorial philosophies and business models. This article analyzes the Directory of Open Access Journals (DOAJ) ( n = 12,127) to identify characteristics of OA academic journals related to the adoption of article processing charge (APC)-based business models, as well as the price points of journals that charge APCs. Journal impact factor (JIF), language, publisher mission, DOAJ Seal, economic and geographic regions of publishers, peer review duration, and journal discipline are all significantly related to the adoption and pricing of journal APCs. Even after accounting for other journal characteristics (prestige, discipline, publisher country), journals published by for-profit publishers charge the highest APCs. Journals with status endowments (JIF, DOAJ Seal) and articles written in English, published in wealthier regions, and in medical or science-based disciplines are also relatively costlier. The OA publishing market reveals insights into forces that create economic and academic value in contemporary science. Political and institutional inequalities manifest in the varying niches occupied by different OA journals and publishers.
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Kotlyarevskyi, Yaroslav, Oleksandr Melnikov, and Andrii Shtangret. "ACCOUNTING OF COSTS AT PUBLISHERS AND PRINTING COMPANIES." Actual Problems of Economics 1, no. 258 (2022): 44–54. http://dx.doi.org/10.32752/1993-6788-2022-1-258-44-54.
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The national economy in Ukraine over the past thirty years has been characterized by quite significant transformational changes provoked by privatization processes, increased foreign economic activity and the negative impact of political and social tensions with the existing fact of a protracted military conflict. The difference of the publishing and printing industry, which in today's conditions combines the activities of publishing structures and printing enterprises, lies in the change of consumer priorities regarding the use of publishing products as a means of learning about the surrounding world under the influence of the strengthening of the positions of electronic mass media. The purpose of the study was to analyze the main indicators of the activity of publishing structures and printing enterprises, which, in combination with the position of experts, should form a general idea of the current stage of development of the publishing and printing industry. In order to consider the current level and outline the problems of the development of the publishing and printing industry, the following methods were applied: induction and deduction, comparison and systematization — in the study of the essential characteristics of the functioning of business structures that are part of the publishing and printing industry; synthesis and analysis — to determine and characterize the main indicators of the activity of publishing structures and printing enterprises; morphological analysis — to characterize adaptation procedures implemented within the publishing and printing industry; graphic — for visual presentation of theoretical and methodical material; abstract-logical — for theoretical generalizations and research conclusions. The analysis of the main indicators of the business structures of the publishing and printing industry in 2010- 2021 with the generalization of the positions of experts made it possible to identify the facts of the gradual adaptation of publishing structures and printing enterprises to the current needs of society. The optimization of the technological and personnel parameters of the functioning of publishing structures and printing enterprises with a reorientation to the production of printed products that are relevant for consumers was noted. It is substantiated that the current level of development of the publishing and printing industry in Ukraine does not indicate the fact of stabilization and transition to a state of at least dynamic equilibrium. In the face of publishing structures and printing enterprises, in the conditions of limited influence of the state on the market, the problem of finding options for adaptation, based first of all on the interests of consumers in the use of printed products, becomes more acute in the future.
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Florczak, Kristine L. "Prevent Betrayal by Predatory Publishers: Trust But Verify." Nursing Science Quarterly 31, no. 1 (December 13, 2017): 11–14. http://dx.doi.org/10.1177/0894318417741100.
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In this column, the concept of betrayal is considered as it relates to publishing. The definition of betrayal is discussed, followed by information regarding the cost of publishing and why this led to the formation of open access publishing as a remedy. The Gold and Green Open Access models are examined along with why they may have inadvertently set the stage for predatory publishing practices. Finally, information will be provided on how to spot and avoid betrayal on the part of predatory publishers.
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Morris, Sally. "Open Publishing: How publishers are reacting." Information Services & Use 23, no. 2-3 (April 1, 2003): 99–101. http://dx.doi.org/10.3233/isu-2003-232-309.
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Yoshida, Kimihiko. "Publishers and publishing education in Japan." Logos 6, no. 1 (1995): 48–52. http://dx.doi.org/10.2959/logo.1995.6.1.48.
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Picot, Nicole. "L’edition d’art en France." Art Libraries Journal 17, no. 3 (1992): 45–46. http://dx.doi.org/10.1017/s0307472200007975.
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Public interest in art is encouraging the publishing of art books and exhibition catalogues, although many of these publications focus on the same subjects. Some 1,200 art books are published in France each year, selling on average some 6,500 copies. Two large publishers dominate French art publishing, but many others are also involved in producing quality art books including titles which help to fill the gaps left by the big general publishers. Because production costs are all but prohibitive, and because the size of the home market is limited, some of these publishers have published books with texts in more than one language, or as co-editions with publishers in other countries.
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Bgoya, Walter, and Mary Jay. "Publishing in Africa from Independence to the Present Day." LOGOS 26, no. 3 (November 14, 2015): 9–22. http://dx.doi.org/10.1163/1878-4712-11112079.
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Indigenous publishing is integral to national identity and development: cultural, social, and economic. Such publishing reflects a people’s history and experience, belief systems, and their concomitant expressions through language, writing, and art. In turn, a people’s interaction with other cultures is informed by their published work. Publishing preserves, enhances, and develops a society’s culture and its interaction with others. In Africa, indigenous publishers continue to seek autonomy to pursue these aims: free from the constraints of the colonial past, the strictures of economic structural adjustment policies, the continuing dominance of multinational publishers (particularly in textbooks), regressive language policies, and lack of recognition by African governments of the economic and cultural importance of publishing. African publishers seek to work collectively, to harness the digital age, and to take their place in the international marketplace on equal terms, Africa’s own voice.
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Wishaupt, Maggy. "Art book publishing in the Netherlands." Art Libraries Journal 17, no. 3 (1992): 49–50. http://dx.doi.org/10.1017/s0307472200007999.
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Probably only about 5% of books published in the Netherlands are art books. There is a very limited demand for art books in the Dutch language; in order to sell in greater numbers, books have to be produced in English or in several languages, and/or as co-editions, while the domestic market is flooded by foreign imports including cheap remainders. In these circumstances the publication of art books depends on grants or on the income which some publishers earn from bookselling, printing, or other activities. Nonetheless a few, small, specialist publishers are producing art books of high quality, while some general publishers also publish the occasional art book. Museum publishing activities are considerable but are largely confined to exhibition catalogues.
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Picot, Nicole. "L’edition D’art francaise." Art Libraries Journal 16, no. 4 (1991): 16–19. http://dx.doi.org/10.1017/s0307472200007380.
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The publication of art books in France is increasing in response to the growth of public interest in art; approximately 1,200 titles are now being published each year. Most French art books are published by commercial publishers; while French publishing in general is concentrated in the hands of a relatively few publishing houses, art publishing is undertaken by a wider range of bodies including, in many cases, smaller establishments dedicated to quality and having particular interests and strengths. Publications from these smaller concerns tend to be printed in editions of around 6,500; sales are generally too few to encourage the issue of paperback editions, although co-editions, produced in conjunction with publishers in other countries and thus reaching a wider public, are becoming more frequent. Although the range and the nature of art books from the commercial publishers is limited by the constraints of profitability, many art publications, including exhibition catalogues and works of scholarships, are also produced by cultural institutions such as museums. Art publishing of all kinds benefits from sponsorship, including prizes. Purchasers of art books include collectors of beautiful books; art books purchased by the general public are mostly bought during the Christmas season, although currently efforts are being made to promote sales at other times of year. Although French art publishers cannot compete with English-language art publishing in quantity or diversity, the quality of their volumes are of the highest order.
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Panferova, Olga Yu, and Elena L. Mzhelskaya. "Graphic Novels in the Repertoire of Modern Russian Publishers." Tekst. Kniga. Knigoizdanie, no. 24 (2020): 156–72. http://dx.doi.org/10.17223/23062061/24/8.
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The article summarizes the practice of Russian publishers in the formation of the repertoire of graphic novels. In the modern world, visual perception of information is becoming an increasingly common way of obtaining and processing information. Graphic novels are forming an important part of contemporary culture in general and literature in particular, occupying a larger niche in the contemporary literary market. Publishers are trying to meet the needs of readers and include more and more series with graphic novels in their repertoire. The most successful projects in the publishing houses Bubble, Jellyfish Jam, Zodiac, 42!, Komil’fo, AST, specializing in graphic novels, are analyzed. The expansion of this book segment is continuous and quite fast. Summarizing the repertoire policy of Russian publishers, it can be asserted that graphic novels come to play an increasingly important role in modern society and in the modern book market, and they will be equal in importance to classical book editions in the future. Every year the number of graphic novels by Russian authors in the book market is growing. The repertoire of Russian publishers engaged in the production of graphic novels is quite diverse. Specialized publishers pay more attention to the projects produced, due to which there are fewer errors in the production of graphic novels in these publishers. The number of publications produced per year in specialized publishing houses is small, compared with large universal publishers. Projects of specialized publishers are more carefully selected, are often original or little-known in Russia. Each project of graphic novels by foreign authors is unique for a certain publishing house, and is not released in other publishing houses. The spread of circulations in specialized publishing houses is quite wide and often depends on the features of the project, the author’s fame, the features of the publication, as well as the niche of the publishing house. Large universal publishers mainly focus on graphic novels of widespread popularity, as a rule, within the Marvel, DC universes. All publishers considered in the study have a clear principle of development of their repertoire; in specialized publishers, the selection of projects is much more thoughtful, and each project is given more attention.
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Banks, Michael. "Major physics publishers join forces in ‘purpose-led’ initiative." Physics World 37, no. 3 (March 1, 2024): 13ii. http://dx.doi.org/10.1088/2058-7058/37/03/17.
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Ionescu, Sanda. "Overcrowded Market or a Chance to Be Different? Micro Independent Presses in the UK." Culture. Society. Economy. Politics 3, no. 2 (December 1, 2023): 10–25. http://dx.doi.org/10.2478/csep-2023-0007.
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Abstract This article looks at small independent publishers in the UK and explores whether there is room for them in the overcrowded UK publishing scene. The literature review considers contradictory press reports about the health of the UK publishing industry during and after the COVID-19 pandemic. A questionnaire allowing in-depth responses was sent to six micro-publishers and four independent bookshops. The responses were analyzed and supplemented with publicly available interviews with the publishers and personal conversations with the booksellers. A case study of the recently founded publisher of translated crime fiction Corylus Books confirms many of the issues reported by the surveyed micro-publishers. This research offers an inside look at the UK micro-publishers’ challenges and creative approaches, providing practical and applicable insights not only for the UK market but also for small publishers in other countries, especially agents or publishers looking to sell rights to those markets.
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Gerčar, Jaka. "The Obliteration of Publisher Identity." Logos 34, no. 2 (October 13, 2023): 7–15. http://dx.doi.org/10.1163/18784712-03104062.
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Abstract The title of this paper is taken from a chapter in Roberto Calasso’s The Art of the Publisher, in which the Italian publisher and writer notes a historical shift in contemporary publishing away from publishing as ‘form’, supposedly a publishing innovation of the first decade of the 20th century. Since Calasso never elaborated on his notion of publishing as form, this paper attempts to sketch the most important facets of this notion, embed it in the context of publishing theory, and suggest that it bears considerable similarities to auteur theory in cinema. After identifying three layers of publishing form, the author analyses how recent developments in contemporary publishing might relate to Calasso’s concern about the blurring of distinctions between publishers.
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Lizunova, I. V., and A. S. Metel'kov. "New pages of the history of national librarianship." Bibliosphere, no. 1 (March 30, 2018): 79–88. http://dx.doi.org/10.20913/1815-3186-2018-1-79-88.
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The paper includes speeches of the participants of discussion platform «Independent book publishing: realities, prospects for the future»: theorists and practitioners of books-publishers - writers, poets, editors, kulturträgers, bibliologists. This article describes different points of view on the problems and prospects of developing the independent book publishing in various Russian regions and in the world. It emphasis on the history of the independent book publishing in Russia and Germany, new opportunities emergence for independent authors’ expressions: online publications, electronic publications, etc. Particular attention is paid to discussing the definitions, what is meant by «independent publishing», «self-publication», «self-edition», «self-printing», «self-editor», «kulturträge», «zine culture». The central topic of discussion was the problem of determining the quality of literature, self-promoting publications and distribution of professionals’ published books: bookselling network, social media, activity profitability, etc. Participants attempted to identify the place of Siberian independent publishers in the all-Russian and international publishing space, prospects for further development of independent book publishing in Siberia.
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Navickienė, Aušra. "Professional publishing and Lithuanian books in the first two-thirds of the 19th century in Lithuania: The case of the Zawadzki firm." Roczniki Biblioteczne 65 (December 27, 2021): 79–95. http://dx.doi.org/10.19195/0080-3626.65.5.
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Successfully profiting from textbook publishing as the typographer at Vilnius University, Józef Zawadzki (1781‒1838) established one of the most important and most successful book publishing, production, and distribution companies of the 19th and the first half of the 20th century in the territories of former Polish-Lithuanian Commonwealt. The Zawadzki firm represented the new category of professional publishers. Over the first seventy years of the firm’s existence at the firm’s expense were published 122 Lithuanian books, as well as printed about 50 Lithuanian publications at their authors finances. The attitude of the members of Zawadzki family regarding the publishing of Lithuanian books essentially changed. While the Józef Zawadzki was indifferent towards them, in the middle of the 19th century Adam Zawadzki (1814‒1875) outcompeted other professional book publishers and distributors, and monopolized the publishing of Lithuanian books in the Samogitian Diocese, becoming not only the most important publisher of Lithuanian books, but also their printer and distributor. The successful realization of Adam Zawadzki’s business plans was partly due to his longstanding contacts with the most active figures of Lithuanian written culture, with whom he maintained a new form of cooperation based on authorial royalties, partly due effectively distribution of published matter, using first stationary bookstore in the periphery, located in the west of Lithuania (which served as a retail and wholesale trade enterprise), various ways of non-stationary book trade, services of a commercial library and advertising. Owing to Adam’s efforts, the Zawadzki firm made a significant contribution uniting main forces of authors and publishers of Lithuanian books in 19th century Lithuania, renewing the repertoire of Lithuanian books, as well as giving Lithuanian book publishing, production and distribution features characteristic for a modern business. A model of dealing with censorship through illegal publishing, developed with the publication Apej brostwą błaiwistes arba nusiturieima, was used throughout all the forty years of the press ban and helped raising several generations of literate Lithuanians and bringing Lithuania and Lithuania Minor closer together.
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Savitskaya, T. E. "Research libraries as digital publishers: The foreign experience." Scientific and Technical Libraries, no. 4 (June 28, 2021): 149–66. http://dx.doi.org/10.33186/1027-3689-2021-4-149-166.
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The author discusses the current experience of building the service of digital science publishing obtained by the libraries in the Western countries. She emphasizes that this process is incorporated into further informatization of libraries and their increasing role in managing science data. The digital publications integrate a number of interrelated programs comprising the whole cycle of scientific data management accomplished within the wider context of innovations. Digital publishing is a new type of library activities; it requires integrating competences of modern librarians (i.e. content selection, data supervising, metadata management, building digital collections, their preservation and archiving) and publishers (monitoring new trends in science and technology, selecting materials for publication, abstracting, scientific editing, developing marketing strategies).For the first time in the domestic library studies, the dynamics of this service in foreign countries is examined based on Library Publishing Directory for 2013– 2018. The author compares digital publishing services in four university libraries in different world regions and offers the findings of preliminary analysis of online publication services in foreign research libraries.
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Whisler, Sandra M. "Electronic publishing and the indispensability of publishers." Logos 7, no. 1 (1996): 120–26. http://dx.doi.org/10.2959/logo.1996.7.1.120.
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Rønning, Helge, and Tore Slaatta. "Marketers, publishers, editors: Trends in international publishing." Media, Culture & Society 33, no. 7 (October 2011): 1109–20. http://dx.doi.org/10.1177/0163443711416068.
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Bide, Mark. "Publishers and publishing in the information age." Publishing Research Quarterly 15, no. 3 (September 1999): 6–11. http://dx.doi.org/10.1007/s12109-999-0007-1.
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Gold, Jon D. "An electronic publishing model for academic publishers." Journal of the American Society for Information Science 45, no. 10 (December 1994): 760–64. http://dx.doi.org/10.1002/(sici)1097-4571(199412)45:10<760::aid-asi7>3.0.co;2-h.
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Shrestha, Jiban, Subash Subedi, Krishna P. Timsina, and Mahendra P. Tripathi. "Risk of publication in worthless journals." Journal of Agriculture and Natural Resources 1, no. 1 (December 9, 2018): 1–5. http://dx.doi.org/10.3126/janr.v1i1.22217.
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Implementing research and publishing results is a crucial for a professional development, scientific communication and collaboration of any academicians, scholars, and researchers in science around the world. The timely dissemination of knowledge and scientific information in the global scientific community helps the development of science and worldwide recognition. The researchers working on scientific community cannot appreciate the value of evidence generated without publishing their work in right and quality journals. Therefore, authors should be careful about predatory or fake journals/publishers for communicating their scientific works. The objective of this study is to raise awareness on predatory or fake publishers/journals and of their dishonest publishing practices. In general, the predatory journal publishes without peer review and true editorial board, often publish mediocre or even worthless papers on charging high publication cost, citing fake and non-existing impact factors and mostly focused on private business motives. On the other hand, publishing in a high impact quality journals undoubtedly enhances the future career prospects, communication ability of authors and deliver concise research messages in the scientific field. Researcher of various disciplines and academic experience should aware with the lists of predatory journals/publishers which are available on Beall’s list in internet before publishing any research articles. Therefore, publishing in predatory/fake journals not only spoil or degrade academic reputations but also waste the time, resources and research message too.
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Suhendra, Muhammad Fadly, Martinus Helmiawan, and Noviastuti Putri Indrasari. "The Challenges of the Publishers in the Industrial Era 4.0: A Review." MEDIASI 1, no. 1 (October 26, 2021): 1–18. http://dx.doi.org/10.46961/mediasi.v1i1.397.
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The era of industry 4.0 is a digital revolution characterized by the fusion or collaboration between cyber and automation technology. Not only in production processes, but also in almost all parts of economic value chains thus new business model based on digital technology to achieve high efficiency and better quality is created. As a part of creative industry, publishing faces the development and demand to change brought by industry 4.0, from business model, product and services innovation, to marketing and target users. This paper explains the development, challenge, opportunity, and effort related profession disruption faced by publishing professionals in industry 4.0 era. The review in this paper was done by conducting literature and empirical studies. The result shows that publishing professionals must strive to transform mindset and work process in publishing world. Those transformation can be achieved by competency improvement through increasing knowledge in publishing management, building coopetition between fellow publishing professionals, and consistent orientation for users’ needs. It is important for publishing professionals to view this phenomenon as a challenge that brings many possibilities for the development towards publishing 4.0
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Fernández-Moya, María. "Creating Knowledge Networks: Spanish Multinational Publishers in Mexico." Business History Review 86, no. 1 (2012): 69–98. http://dx.doi.org/10.1017/s0007680512000049.
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Unlike the majority of Spanish multinationals, which have developed only recently, firms in the publishing industry became international in the early twentieth century and have managed to hold on to much of their business, despite the instability of their own institutional systems and those of their principal host economies. Today, the Spanish publishing industry ranks fourth in the world, and its foreign markets continue to grow in North America, Europe, Latin America, and, most critically, in Mexico. The internationalization of Spanish publishing firms was fueled initially by a search for new markets and by linguistic and cultural advantages. With the passage of time, the process came to be built on accumulated knowledge and on the personal and social networks created by Spanish publishers, both inside and outside Spain.
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Stangos, Nikos. "Art book publishing: minority interest, popular entertainment, or kudos?" Art Libraries Journal 17, no. 3 (1992): 31–33. http://dx.doi.org/10.1017/s0307472200007938.
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Due to a number of factors, including lower educational standards and the pressures on publishers and booksellers to maximise profits by exploiting the mass market, the climate for publishing serious art books has become less favourable in recent years especially so far as commercial publishers are concerned. Art books are being published in greater numbers than ever before; many are of a popular and/or general nature; many too are produced specifically for the remainder market; yet these include some worthwhile books which are reaching a wide audience. The revolution in printing technology since the 1960s has facilitated large-scale mass production, but at the same time offers benefits to publishing of all kinds. While university presses are able to perform a crucial role in publishing scholarly works, there remains a need for commercial publishers to continue to publish quality art books which are accessible to the public.
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Tatarinova, Larуsa. "Publishing in the UK." Вісник Книжкової палати, no. 3 (March 17, 2021): 7–14. http://dx.doi.org/10.36273/2076-9555.2021.3(296).7-14.
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The UK publishing industry is one of the most powerful in the world. Our intelligence has shown that the global status of the industry is determined by the leadership of the English language in the world stage, heritage, historical ties and the force of copyright law.
The article proves that the United Kingdom is a leader in many areas of publishing, such as the publication in English of works from other cultures: African, Caribbean and Indian literature. British publishers are also competitive in areas such as textbooks, various reference books, English Language Guides (ELTs) and textbooks for international schools.
An analysis of the Global Publishers' Rating in 2017 showed how British publishing companies are constantly succeeding on the world stage. For example, according to the Global Publishers' Rating in 2017, five British companies earned a quarter of the combined revenue of the world's 50 most powerful firms. (For comparison: eight US publishers together earned 27% and together — more than half.) The printing industry in the UK is large, developed and thriving. The United Kingdom is the fifth largest producer of printed matter in the world, employing around 116 000 people and accounting for £ 5,8 billion in GDP.
The performance of the UK book publishing industry is the printing of new titles and new publications. According to this indicator of publishing productivity, the British book industry is a world leader. In 2014, the American book publishing industry estimated that 335 000 new titles and publications were published, followed by China with 448 000, the United Kingdom with 220 000, well ahead of Japan, Germany, and Russia, as well as France, Italy, and Spain. If we use a different method of counting and find out the number of new names printed per million population, it turns out that the UK produces the most new names in the world — more than 2900 per million population against 1000 to 1500 for other large developed markets.
An analysis of the book industry in the United Kingdom shows that it is constantly evolving. Modern digital technologies allow publishing companies to reorganize and improve technological processes. New features include: integration with supply chain partners, online distribution, dynamic pricing, on-demand printing, e-book publishing.
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Kwiek, Marek. "Non-Publishers in European Universities." International Higher Education, no. 82 (September 1, 2015): 10–11. http://dx.doi.org/10.6017/ihe.2015.82.8866.
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Most academics do not publish much, if anything. Yet, there is great emphasis on publishing in order to be promoted and respects in academe. This article provides analysis of the publication patterns of European academics, and shows that productivity is in fact quite low.
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Barbaro, Annarita. ""Predatory" publishers: to recognize them is to avoid them." Journal of EAHIL 18, no. 1 (March 31, 2022): 7–10. http://dx.doi.org/10.32384/jeahil18506.
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Predatory publishers, characterised by unscholarly publishing practices, affect all authors and librarians around the globe. These publishers try to exploit the Open Access movement for their own economic interests, soliciting a fee to publish without meeting scholarly publishing standards. Even though this phenomenon has been widespread for several years, there are still many authors who are not sufficiently familiar with this problem. In this article, we discuss the recent initiatives related to the most important tools to help them to recognize and avoid predatory publishers.
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Barbaro, Annarita. ""Predatory" publishers: to recognize them is to avoid them." Journal of EAHIL 18, no. 1 (March 31, 2022): 7–10. http://dx.doi.org/10.32384/jeahil18506.
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Predatory publishers, characterised by unscholarly publishing practices, affect all authors and librarians around the globe. These publishers try to exploit the Open Access movement for their own economic interests, soliciting a fee to publish without meeting scholarly publishing standards. Even though this phenomenon has been widespread for several years, there are still many authors who are not sufficiently familiar with this problem. In this article, we discuss the recent initiatives related to the most important tools to help them to recognize and avoid predatory publishers.
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Mokros, Emily. "Reading the Guides, Directories, Manuals, and Anthologies of Liulichang." East Asian Publishing and Society 7, no. 2 (October 25, 2017): 127–66. http://dx.doi.org/10.1163/22106286-12341309.
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AbstractDuring the Qing dynasty, Liulichang became a prominent bookselling and publishing district in the imperial capital. Yet, most historical and scholarly writing on Liulichang has addressed only the antiquarian and rare book trade, and has neglected the prominence of commercial publishing of informational texts in Beijing. Commercial bookseller-printers formed a significant presence in Liulichang, and their research, publishing, and marketing practices were attuned to the changing dynamics of life in the capital. For clerks, merchants, and aspirant officials, Liulichang publishers offered books such as guidebooks, official directories, examination results, forensic handbooks, and administrative anthologies. Based on an examination of hundreds of books published in Liulichang and focusing on official directories ( jinshen lu) and guidebooks, this paper demonstrates how publishers managed connections with the state, cultivated sources, recycled texts, and crafted printing practices. It argues that publishing practices in Liulichang became more standardized during the dynasty, both in reaction to the state’s loosening of controls on publishing and to the growth in the market for informational texts.
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Illuminati, Valeria. "Une maison d’édition pour la jeunesse indépendante et militante. Engagement, traduction et questions de genre chez Lo Stampatello." LCM - La Collana / The Series 9788879169974 (December 2022): 131–48. http://dx.doi.org/10.7359/997-2022-vill.
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This paper analyses the editorial policies of an Italian independent publishing house, Lo Stampatello. Drawing on the theoretical and methodological tools of Translation Studies and Gender Studies as well as on discourse analysis, the study examines the ethos projected by the publisher. The analysis relies on a corpus of interviews (written and oral) and it also considers the catalogue of the publishing house. The analysis shows that Lo Stampatello defines itself, by its very nature and from the very outset, as a militant publishing house. In the words of the publishers and in the chosen editorial policy, a strong political and ethical commitment can be observed, one that is openly claimed by the publishers. Gender issues take therefore centre stage, not least due to the position of the publishing house in the Italian literary field and to the social and cultural context of this country.
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Shafer, Aaron B. A. "Are we paying-to-play? A quantitative assessment of Canadian open access research in ecology and evolution." FACETS 6, no. 1 (January 1, 2021): 537–44. http://dx.doi.org/10.1139/facets-2020-0040.
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Open access (OA) allows for peer-reviewed research to be freely accessed and there has been a collective shift from both researchers and publishers towards more OA publishing. OA typically occurs either through article-processing charges (the gold road) or via self-archiving (the green road); the former can be expensive, while the latter has seen minimal uptake. The gold road of OA has led to predatory publishers and, to some, questionable publications. Here, I used publicly available grant information in Canada and combined this with individual publishing statistics to test a variety of factors and their influence on OA publishing. I showed that an individual’s award amount, H-index, and gender did not influence the proportion of OA articles they published, but an individual’s H-index scaled with the number of OA publications. Institute size influenced OA publishing patterns, with researchers at large universities (i.e., >20 000 full-time students) publishing proportionately more OA articles than medium and small institutes. I discuss the potential for this pattern to build on pre-existing systemic biases when it comes to funding and publishing.
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Barashov, Mikhail A. "Little Known Pages of Publishers Sabashnikov Life." Bibliotekovedenie [Russian Journal of Library Science], no. 4 (August 3, 2009): 70–73. http://dx.doi.org/10.25281/0869-608x-2009-0-4-70-73.
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The idea of engaging in publishing activities came to the brothers Sabashnikov in spring 1889 at the meeting with their teacher of natural science P. Mayevsky. In summer Peter Maevsky arrived in the estate Kostino of Vladimirskaya province to prepare his work “Zlaki sredney Rossii” for the publication. From that time and till 1917 Kostino became a place of work and rest for many who cooperated with the publishing house of the brothers Sabashnikov. This article is devoted to little known pages of living and social activities of Mikhail and Sergei Sabashnikov in the estate Kostino of Vladimirskaya province (1889-1917).
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Jabłońska-Stefanowicz, Ewa. "Autor w roli wydawcy. Konieczność czy wybór?" Roczniki Biblioteczne 62 (June 10, 2019): 105–15. http://dx.doi.org/10.19195/0080-3626.62.7.
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THE AUTHOR AS A PUBLISHER. A NECESSITY OR A CHOICE? The article is devoted to the possibilities authors have today to publish their works. They give up the traditional path, inevitably associated with judgement and selection carried out by a commercial publishers and opt for an alternative route: a vanity press vanity publishing or a self-publishing platform. Not so long ago it became possible to self-publish e-books alongside or instead of paper books. The growing significance of this phenomenon is unequivocally evidenced by the tendencies observed in recent years on the Polish book market: a rise in the number of registered publishing entities and number of published works including first editions as well as a decrease in the total output and average number of copies published. Self-publishing increasingly becomes a conscious choice: authors want to be sure that their works will be published, they want to have a bigger say in shaping its substantive and editorial form and — using their own ideas, time and money in publicity activities — to achieve fame and fi nancial success.
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Ramdarshan Bold, Melanie. "The return of the social author." Convergence: The International Journal of Research into New Media Technologies 24, no. 2 (June 16, 2016): 117–36. http://dx.doi.org/10.1177/1354856516654459.
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The rise in self-publishing, digital folk culture and social media participation, have revolutionized reading and writing practices. Readers can directly contact their favourite authors, and publishers, through social media and become authors, and publishers, themselves. One of the outcomes of digital reading and writing is that writing is now becoming more democratic: traditional publishers are no longer the sole gatekeepers of culture. The popularity of social writing platform Wattpad is a recent example of how a new generation of influential and innovative writers is entering the publishing arena. This also demonstrates that there is a demand for authorship without the intervention from publishers. Despite this, traditional notions of authorship, ownership and control are prevalent in contemporary publishing hindering the true potential of creativity. The disharmony between the rise of the amateur author and the control of the traditional publisher is confronted in the digital public sphere. Consequently, issues such as authority and influence are mediated during the activities and interactions that take place on social media and other online platforms. Established authority figures, such as famous authors or well-known publishers, that exert authority and influence in the traditional sphere, can shift this authority and influence to the digital world; however, this sphere is also occupied by emerging networks of influencers, such as emerging authors or micro-celebrities, who gain popularity as a result of specific trends, in specific domains, at specific times. This article will examine how new and established authors are using social platforms, and social media, to publish their writing, build communities and extend their dialogue with readers and other writers. A netnographic study of Wattpad will identify which authors are the influencers and innovators in social publishing. Consequently, this article will underscore the increasing importance of social networks and social relationships in 21st century publishing.
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Zoidze, Ella Amiranovna. "Promotion of a book in the publishing Internet discourse." Филология: научные исследования, no. 1 (January 2022): 1–16. http://dx.doi.org/10.7256/2454-0749.2022.1.37279.
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The relevance of this research is substantiated by sustained interest in the study of discourse applicable to various social institutions. Publishing discourse appeared in the limelight of the linguists not that long ago. The activity of publishers as a discursive practice intersects with the activity of commercial organizations and libraries. The communication of publishers with other actors in the process of book distribution is also carried via Internet. The goal of this research lies in examination of the means of book promotion in the online publishing discourse. The study leans on the material of the three websites of the English-language publishers. Analysis is conducted on the verbal text and audio-visual communication channels between the publishers and the audience. The analysis of practical material demonstrates that the publisher’s abstract implements the informational and evaluation functions. The additional sources of information on the publisher imply the citations from peer reviews, information about the author, various polycode texts (images and videos), as well as hypertext links to other commercial resources. The leading role in implementation of the informational-advertising functional is assigned to lexicon. Namely the nouns and adjectives affect the appellative-emotional functions. Perlocutive effect of the publisher’s abstract is enhanced by inclusion of citation text, both from the promoted work and reputable sources (newspapers and journals). Citations from peer reviews are usually presented fragmentary, and contain only complimentary statements, which form the attractive image of the book. The conducted research contributes to the development of marketing linguistics, the study of publisher’s paratext, publishing activity as discursive practice, and has prospects for further research in the area of marketing strategies aimed at promotion of books of various formats and genres on the offline and online platforms.
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Ntalianis, Klimis, Badea Lepadatescu, Dmitry A. Tarasov, Imre J. Rudas, Vincenzo Niola, Valeri Mladenov, Nikos Mastorakis, John Kechagias, and Vladimir Vasek. "Why the WSEAS is Not a Predatory Publisher. Is WSEAS a Predatory Publisher? No! Of Course, No!" International Journal of Systems Applications, Engineering & Development 16 (September 20, 2022): 84–90. http://dx.doi.org/10.46300/91015.2022.16.15.
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We will try to prove in this study that WSEAS does not have any relation with fake and predatory publishers. In this article we use the criteria of Megan O'Donnell in the web site https://instr.iastate.libguides.com/predatory/id for Predatory Publishers, [1] .Mihiretu Kebede, Anna E. Schmaus-Klughammer and Brook Tesfaye Tekle in their recent article [2] examined what the so-called predatory journals are and how they do operate. Kyle Siler in his blog [3] writes the following: “The nature and extent of predatory publishing is highly contested. Whilst debates have often focused defining journals and publishers as either predatory or not predatory. Kyle Siler [3] argues that predatory publishing encompasses a spectrum of activities and that by understanding this ambiguity, we can better understand and make value judgements over where legitimacy lies in scholarly communication”. In this article, we would like to examine if the WSEAS is a Predatory Publisher or not. The answer is that WSEAS does not have any relation with the so-called Predatory Publishers. The WSEAS is not and has never been “Predatory Publisher”.