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1

Owen, Lynette. Selling rights. 6th ed. Abingdon, Oxon: Routledge, 2010.

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2

Holloway, Henry L. Author-generated phototypesetting author-publisher-printer links. Oxford: Elsevier International Bulletins, 1985.

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3

Owen, Lynette. Selling rights. 4th ed. New York: Routledge, 2001.

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4

Selling rights. 3rd ed. London: Routledge, 1997.

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5

Society, of Composers Authors and Music Publishers of Canada. SOCAN facts: A guide for composers, authors and music publishers. [Don Mills, Ont.]: SOCAN, 1990.

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6

Selling rights. 6th ed. Abingdon [UK]: Routledge, 2010.

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7

Selling rights. 4th ed. London: Routledge, 2001.

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8

Shawn, Welch, ed. APE, author, publisher, entrepreneur: [how to publish a book]. [United States]: Nononina Press, 2013.

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9

Chettey, Deshini Deen. The author - publisher relationship: An examination of expectations and perceptions. Oxford: Oxford Brookes University, 2001.

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10

Schuyler, Steven John. Kurt Wolff and Hermann Broch: Publisher and author in exile. Ann Arbor, Mich: University Microfilms, 1985.

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11

Selling subsidiary rights: An insiderʼs guide. Tucson, Az: Fisher Books, 2000.

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12

Carter, Robert R. Song rights: Legal aspects of songwriting. Austin, Tex. (P.O. Box 19300, No. 172, Austin 78760-9300): R.R. Carter, 1995.

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13

The house of Blackwood: Author-publisher relations in the Victorian era. University Park, PA: Pennsylvania State University Press, 2002.

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14

Aḥmad, Hilālī ʻAbd Allāh. Tajrīm fikrat al-taʻassuf: Ka-wasīlah li-ḥimāyat al-majnī ʻalayhi fī majāl istiʻmāl al-ḥaqq : dirāssah muqāranah bi-al-fikr al-jināʼī al-Islāmi. al-Qāhirah: Dār al-Nahḍah al-ʻArabīyah, 1990.

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15

Tajrīm fikrat al-taʻassuf: Ka-wasīlah li-ḥimāyat al-majnī ʻalayhi fī majāl istiʻmāl al-ḥaqq : dirāssah muqāranah bi-al-fikr al-jināʾī al-Islāmi. al-Qāhirah: Dār al-Nahḍah al-ʻArabīyah, 1990.

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16

Pugliese, Cristiana. Author, publisher and Gīkūyū nationalist: The life and writings of Gakaara wa Wanjaū. Bayreuth, Germany: Eckhard Breitinger, Bayreuth University, in cooperation with Institut français de recherche en Afrique, 1995.

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17

Lease, Joseph. Human rights: Poems. Cambridge, Mass: Zoland Books, 1998.

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18

Jezioro, Julian. Zawarcie umowy i formowanie stosunku wydawniczego w świetle ustawy o prawie autorskim z 1952 roku. Wrocław: Wydawn. Uniwersytetu Wrocławskiego, 1994.

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19

Hassan, Kamal Halili, and Kamal Halili Hassan. Penulis dan undang-undang. Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pendidikan Malaysia, 1990.

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20

United States. Congress. House. Committee on Small Business. Music licensing and small business: Hearing before the Committee on Small Business, House of Representatives, One Hundred Fourth Congress, second session, Washington, DC, May 8, 1996. Washington: U.S. G.P.O., 1997.

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21

Schwenzer, Oliver. Die Rechte des Musikproduzenten: Eine Untersuchung zu den Urheber- und Leistungsschutzrechten und dem Urhebervertragsrecht in der Produktion und Vermarktung von Popmusik. Baden-Baden: Nomos, 1998.

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22

Jim, Whiting. W.E.B. Du Bois: Civil rights activist, author, historian. Broomall, Pa: Mason Crest Publishers, 2010.

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23

Whiting, Jim. W.E.B. Du Bois: Civil rights activist, author, historian. Broomall, Pa: Mason Crest Publishers, 2010.

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24

Henneberg, Susan. James Baldwin: Groundbreaking author and civil rights activist. New York: Rosen Publishing, 2015.

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25

W.E.B. Du Bois: Civil rights activist, author, historian. Broomall, Pa: Mason Crest Publishers, 2010.

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26

One child sold: Human trafficking & rights. Cliffs of Moher, Co. Clare, Ireland: Salmon Poetry, 2010.

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27

A simple guide to marketing your book: What an author and publisher can do to sell more books. Bellingham, WA: Wise Owl Books, 1998.

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28

Ortman, Mark. A simple guide to marketing your book: What an author and publisher can do to sell more books. Bellingham, WA: Wise Owl Books, 1998.

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29

Negotiating copyright: Authorship and the discourse of literary property rights in nineteenth-century America. New York, NY: Routledge, 2006.

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30

Simon, Chasen Jerry, Norwick Kenneth P, and American Civil Liberties Union, eds. The rights of authors, artists, and other creative people: The basic ACLU guide to author and artist rights. 2nd ed. Carbondale: Southern Illinois University Press, 1992.

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31

Randolph, Sallie, Karen Dustman, Stacy Davis, and Anthony Elia. Author Law A to Z: A Desktop Guide to Writers' Rights and Responsibilities (A to Z Legal Series) (Capital Ideas). Capital Books, 2005.

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32

Barrett, J. Robbins. Author/Publisher Anthology 1988. J Robbins Barrett, 1988.

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33

Owen. Selling Rights Ed5. Taylor & Francis Group, 2006.

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34

Schnabel, Julian, Norman Rosenthal, Rene Richard, and Danilo Eccher. Julian Schnabel: Publisher Has No U.S. Rights. Art Books Intl Ltd, 1997.

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35

From Author to Publisher to Profit. Graphico Publishing, 2005.

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36

Brown, Warren. Novel Killers: Author, Agent, Publisher, Assassin. Independently Published, 2017.

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37

Owen, Lynette. Selling Rights. Routledge, 2006.

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38

Owen, Lynette. Selling Rights. Routledge, 2006.

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39

American Society of Composers, Authors and Publishers., ed. ASCAP: The American Society of Composers, Authors and Publishers. New York: American Society of Composers, Authors and Publishers, 2003.

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40

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2015.

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41

Authors' Guild (U.S.), ed. Model trade book contract and guide including electronic rights clauses. [United States?]: Authors Guild, 2000.

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42

Lynch, Kathleen. Bunyan’s Partners in Print. Edited by Michael Davies and W. R. Owens. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780199581306.013.8.

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Editor Charles Doe’s attempt to collect the works of John Bunyan is a landmark moment in a continuous history of print publication. This chapter explores the impact of book trade practices as they affected the circulation of Bunyan’s work and formed the basis of his reputation as an author. It focuses on two of Bunyan’s key publishers, Francis Smith and Nathaniel Ponder, as well as the engraver-publisher Robert White. In tracing the networks of association and community formation by which Bunyan’s texts circulated, and evaluating the risks imposed by the market and government regulation, the chapter brings material practices more fully into our accounts of literary history. In such a wider view, Bunyan’s discourse of religious confession is put in touch with discourses of truthful testimony, as in the courtroom trials of Smith and Ponder over seditious libel and property rights.
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43

Smith, James Alexander. Mirvan, &c. by an Author Without a Publisher. Franklin Classics Trade Press, 2018.

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44

The Writer's Rights (Books for Writers). Artist Book Company, 1995.

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45

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2019.

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46

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2010.

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47

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2019.

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48

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2019.

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49

Owen, Lynette. Selling Rights. Taylor & Francis Group, 2001.

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50

Selling Rights. Taylor & Francis Group, 2014.

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