Relevant bibliographies by topics / Public television

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
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Academic literature on the topic 'Public television'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Public television"

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Ortiz-Sobrino, Miguel Ángel, José Antonio Ruiz-San-Román, and Elba Díaz-Cerveró. "TV Broadcasters and Research on TV and Children." Comunicar 20, no. 40 (March 1, 2013): 137–44. http://dx.doi.org/10.3916/c40-2013-03-04.

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This paper describes the main contributions of the TV broadcasters in Spain to the study of the relationships be­tween television and childhood. It is justified by the need of compile and organise these contributions. Quality contents broadcasted for children, children consumption of television and the role of TV channels to transfer a positive image of the childhood have been the mainstays of this text. The information that we report is the result of the study carried out from Observatorio Comunicación y Sociedad. Methodologically, consulting scientific bibliography about television and childhood has made possible to put our study into context. After that, the use of questionnaire to people responsible of contents broadcasted for children by the main Spanish TV channels, and the analysis of the different experiences and work papers prepared by televisions, have allowed to create a setting with the broadcasters’ main contributions to a new paradigm which improves the relationship between minors and television. The conclusion from the analysis and the consultation to experts point that, except in the case of the public state television and some regional televisions, the research and the redesign of the childhood/television relationship is not one of the channels priorities. In fact, only TVE has an important scientific production in this field.Este artículo describe las principales aportaciones de las televisiones españolas al estudio y reformulación de la relación entre televisión e infancia. La necesidad de recabar y organizar a lo largo del tiempo esas contribuciones justifica este trabajo. Los contenidos infantiles de calidad, el consumo infantil de televisión, y el papel de las cadenas televisivas para trasladar a la ciudadanía una imagen positiva de la infancia, han sido los ejes vertebradores sobre los que se ha fundamentado este texto. Los datos aportados son el resultado de un estudio llevado a cabo desde el Ob­servatorio Comunicación y Sociedad. Metodológicamente, la consulta de bibliografía científica sobre la televisión y la infancia ha permitido contextualizar este estudio. Posteriormente, la utilización de una microencuesta a los responsables de contenidos infantiles de las principales cadenas televisivas españolas, y el análisis de las diferentes experiencias y documentos de trabajo elaborados por las televisiones, han permitido construir un escenario con las principales aportaciones de las emisoras a un nuevo paradigma que mejore la relación de los menores con la televisión. Las conclusiones más destacadas extraídas del análisis y de las consultas con los expertos apuntan a que, salvo en el caso de la televisión pública estatal y de algunas televisiones autonómicas, la investigación y reformulación del binomio infancia/televisión no es un objetivo prioritario para las cadenas. De hecho, solo TVE tiene producción científica relevante en la materia.
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Ortiz-Sobrino, Miguel-Ángel. "Television, globalization and social change." Comunicar 13, no. 25 (October 1, 2005): 79–85. http://dx.doi.org/10.3916/c25-2005-011.

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XXI Century television is undergoing a process of transformation. New actors, new products and new ways of consuming television are on the lookout. Interactivity will make the traditional concept of television disappear. Television viewers can design their own grids independently of the operator’s schedule. The convergence of television and computer, Internet, telephone and video games bring us a new concept of television. Television faces two big transformations: digital transformation and that of the concept of «general public». The computer, the computer screen, has the calling of turning into a reception screen in which both computer and television functions fuse. Latest generation mobile telephony is integrating itself is this multimedia complex, in connection with television. Future television cannot dissociate from the Internet. La televisión del siglo XXI está en proceso de transformación. Nuevos actores, nuevos productos y nuevas formas de consumir televisión se atisban en el horizonte. La interactividad con la televisión hará desaparecer el concepto de televisión tradicional. El telespectador puede confeccionar sus propias parrillas, independientemente de la programación del operador. La convergencia de la televisión con el ordenador, Internet, el teléfono y los videojuegos nos llevan a un nuevo concepto de la televisión. La televisión se enfrenta a dos grandes transformaciones: la transformación digital y del concepto «público general». La nueva televisión propiciará una nueva forma de ver la televisión, en la que el espectador se olvidará del mundo para dialogar con la máquina e incluso, tomar decisiones que afecten a la programación. El anunciado apagón digital, previsto en España para 2010, va a revolucionar el panorama televisivo español. La oferta se ampliará y se sumará a la oferta del cable, satélite y teléfono. Se ampliarán las ofertas de televisión de pago. Estaremos ante un panorama absolutamente cambiante.
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García-de-Castro, Mario. "Renewal movements in the Spanish television series." Comunicar 15, no. 30 (March 1, 2008): 147–53. http://dx.doi.org/10.3916/c30-2008-02-008.

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The present paper analyzes the results of a qualitative investigation developed by the Spanish public television on the values and characteristics of the national television fiction genre, as well as other aspects of its latest evolution. The conclusions of this qualitative analysis and the audience ratings confirm the hegemony of the genre within the generalist television programming. In the same sense, the paper analyzes its latest tendencies and what is called the last renewal of domestic television fiction. El presente trabajo analiza los resultados de una investigación cualitativa desarrollada por la televisión pública de España en torno a los valores y características del género de la ficción televisiva nacional, así como otros aspectos de la evolución última del género. Las conclusiones del análisis cualitativo y los datos de audiencia confirman la hegemonía del género dentro de la programación televisiva generalista de nuestro país. De igual forma se analizan sus tendencias más recientes y lo que llega a calificarse como última renovación de la ficción televisiva doméstica que podría denominarse la del hiperrealismo, por sus características extremas.
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Aierbe-Barandiaran, Ana, and Concepción Medrano-Samaniego. "Adolescents’ television viewing habits and its relation with values." Comunicar 16, no. 31 (October 1, 2008): 109–14. http://dx.doi.org/10.3916/c31-2008-01-013.

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The aim of this study was to analyze whether television viewing habits themselves contribute to defining the gender significance in a sample of 577 adolescents (270 boys and 307 girls) from the Basque Autonomous Region. Using responses to the CTV (Television Habits Questionnaire), the authors found several groups of people according to various indicators. Results indicate that television reproduces social gender stereotypes and may contribute to their perpetuation. Furthermore, the group most exposed to contents is the adolescent girls, in which an explicit lack of distinction between private and public life, and between more conventional and personal values can be found.En este trabajo se ha tratado de relacionar la dieta televisiva de los adolescentes, recogida a través de diferentes índices con sus valores personales y los valores percibidos en los programas de televisión que más les gustan. Con una muestra de 823 adolescentes del País Vasco, se han empleado instrumentos como un cuestionario de hábitos televisivos, para conocer su dieta y una escala de dominios de valores, para conocer sus valores personales y los valores percibidos en los programas de televisión que más les gustan. Los resultados indican que existen correlaciones entre algunos índices (permanencia, covisionado y preferencias por asistir a determinados programas) y algunos valores personales como poder, benevolencia y tradición. Estos datos, en la misma línea que otras investigaciones internacionales, no nos permiten concluir sobre una relación clara entre la dieta de los adolescentes y sus valores.
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Menezes, Gizeli Costa Bertollo, Francisco Gilson Rebouças Porto Junior, Yuri Vinicius Silva, José Lopes da Cruz Filho, and Kécia Garcia Ferreira. "A TV PÚBLICA NO BRASIL E PORTUGAL: Aspectos conceituais e históricos." Aturá - Revista Pan-Amazônica de Comunicação 3, no. 1 (January 16, 2019): 302–18. http://dx.doi.org/10.20873/uft.2526-8031.2019v3n1p302.

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A proposta deste artigo é compreender melhor o sistema público de televisão em Portugal e no Brasil, especificamente as emissoras RTP1 e TV Brasil. Embora os dois países sejam marcados por fortes ligações históricas, culturais e linguísticas, se distanciam no que diz respeito a radiodifusão pública. Enquanto em Portugal a televisão já nasce sob o domínio estatal, que posteriormente vai se moldando aos princípios do serviço público, no Brasil chega pelas mãos da iniciativa privada, que por quase duas décadas dominou de forma exclusiva o cenário televisivo, imprimindo seu modelo no país. PALAVRAS CHAVE: Televisão; Brasil; Portugal; TV pública; História. ABSTRACT The purpose of this article is to better understand the public television system in Portugal and Brazil, specifically the RTP1 and TV Brazil broadcasters. Although the two countries are marked by strong historical, cultural and linguistic connections, they are distant in relation to public broadcasting. While in Portugal, television is born under state domination, which later is shaping the principles of public service, in Brazil comes through the hands of private initiative, which for almost two decades dominated the television scene exclusively, printing its model in the country. KEYWORDS: Television; Brazil; Portugal; Public TV; Story. RESUMEN El propósito de este trabajo es comprender mejor el sistema público de televisión en Portugal y Brasil, específicamente en las emisoras de televisión RTP 1 y Brasil. Aunque los dos países están marcados por fuertes vínculos históricos, culturales y lingüísticos, se distancian en lo que se refiere a la radiodifusión pública. Mientras que en Portugal la televisión nace bajo dominio del Estado, que posteriormente dar forma a los principios de servicio público en Brasil llega a manos de la empresa privada, que desde hace casi dos décadas dominaron exclusivamente el panorama de la televisión mediante la impresión de su modelo en el país . PALABRAS CLAVES: Televisión; Brasil; Portugal; TV pública; Historia.
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Rincón, Omar. "New Television Narratives: Entertainment, Telling, Citizenship, Experimental." Comunicar 18, no. 36 (March 1, 2011): 43–50. http://dx.doi.org/10.3916/c36-2011-02-04.

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Broadcasting and industrial television is a trip back to the past, to a space devoid of meaning, and to the boredom resulting from its moral conservatism, lack of creativity, thought and entertainment. But television’s monopoly over public screening is over; now, anyone can be a producer, an audiovisual narrator with his or her own screen. New television and other screens are daring to change the way stories are told: a more subjective, testimonial and imagebased journalism; a hyperrealist soap opera that dares to bring melodrama to comedy, documentary and local cultures; a bottom-up media with people in charge of breaking with the thematic and political homogeneity of the media, market and development machines. This essay will argue in favor of television as a space for expression by unstable identities, narrative experiments and unknown possibilities for audiovisual creation…only if «it takes the form» of women, indigenous peoples, African races, the environment, other sexualities…and plays on YouTube and new screens that are community-based and cellular. The most important thing is for television to move away from an obsession with content towards aesthetic and narrative explorations of other identities and into narratives that are more «collaboractive», with the possibility that they become the stories we want them to be.La televisión generalista e industrial es un viaje al pasado, al vacío de sentido y al aburrimiento por su conservadurismo moral, su pereza creativa, su ausencia de pensamiento y su pobre modo de entender el entretenimiento. Pero el monopolio televisivo de la pantalla pública se acabó, pues ahora todo ciudadano puede ser un productor, narrador audiovisual y tener pantalla. Así aparecen nuevas televisiones y otras pantallas que se atreven a contar distinto: un periodismo más subjetivo, testimonial y pensado desde las imágenes; una telenovela hiperrealista que se atreve a intervenir el melodrama desde la comedia, el documental y las culturas locales; unos medios de abajo y con la gente que se hacen para romper con la homogeneidad temática y política de las máquinas mediática, del mercado y del desarrollo. En este ensayo se argumenta a favor de la televisión como lugar de expresión de identidades inestables, experimentos narrativos y posibilidades inéditas para la creación audiovisual… solo si «toma la forma» de mujer, de lo indígena, afro, medio ambiental, otras sexualidades… y juega en nuevas pantallas como Youtube, lo comunitario y el celular. Lo más urgente es que la televisión pase de la obsesión por los contenidos a las exploraciones estéticas y narrativas desde las identidades otras y en narrativas más «colaboractivas» porque existe la posibilidad de ser los relatos que queremos ser.
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Galetić, Fran. "Changing the Market Position of Public Television – Case of Croatia, Slovenia and Hungary." Köz-gazdaság 16, no. 1 (March 8, 2021): 159–69. http://dx.doi.org/10.14267/retp2021.01.13.

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The market position of public television channels has been changing over the last three decades. From monopolists, public televisions have become just one of the players on the television market. This paper analyses the position of public television in Croatia, Slovenia and Hungary. These neighbouring countries are similar but have different market power of public TV. Croatia has a strong public television, Hungary has very week public television, and Slovenia is in the middle. The aim of this paper is to show how the audience of public TV channels has been changing and based on this data, the author will estimate regression models for future forecasting of audience share for public TV channels in all three countries. This will enable the analysis of the market position of the whole group of public TV channels in each country.
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Chang Keun Lee. "Partisan public television." Global Media and Communication 4, no. 2 (August 2008): 219–22. http://dx.doi.org/10.1177/1742766508091656.

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Nehl, Andy. "Community Public Television." Media Information Australia 46, no. 1 (November 1987): 26–27. http://dx.doi.org/10.1177/1329878x8704600108.

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Coulter, Eric. "Public Access Television." Journal of Public Health Management and Practice 4, no. 3 (May 1998): 77. http://dx.doi.org/10.1097/00124784-199805000-00010.

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Dissertations / Theses on the topic "Public television"

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Juzefovičs, Janis. "Defining the nation, defining public television : discourses of publics on public service television in post-communist Latvia." Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/8yqw5/defining-the-nation-defining-public-television-discourses-of-publics-on-public-service-television-in-post-communist-latvia.

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Institutional and political economy approaches have long dominated the study of post-Communist public broadcasting, as well as the entire body of post-Communist media transformations research, and the enquiry into publics of public broadcasting has traditionally been neglected. Though media scholars like to talk about a deep crisis in the relationship between public broadcasters and their publics in former Communist bloc countries across Central and Eastern Europe, little has been done to understand the relationship between public broadcasters and their publics in these societies drawing on qualitative audience research tradition. Building on Hirschman’s influential theory of ‘exit, voice and loyalty’, which made it possible to see viewing choices audiences make as an act of agency, in combination with theoretical tools developed within the framework of social constructionist approaches to national imagination and broadcasting, my study focuses on the investigation of responses publics of the Latvian public television LTV have developed vis-à-vis its role as contributing to the nation-building project in this ex-Soviet Baltic country. With the help of focus groups methodology and family ethnography, the thesis aims to explore the relationship between the way members of the ethno-linguistic majority of Latvian-speakers and the sizeable ethno-linguistic minority of Russian-speakers conceptualize the public broadcaster LTV, as well as understand the concept of public broadcasting more generally, and the way they define the national ‘we’. The study concludes that what I call publics of LTV employ Hirschman’s described exit mechanism as a voice-type response. Through their rejection of public television which, for a number of complex reasons they consider to be a state broadcaster serving the interests of those in power they voice their protest against the country’s political establishment and in the case of its Russian-speaking publics also against the government’s ethno-nationalistic conception of the national ‘we’. I also find that though having exited from the public broadcaster LTV, its publics have not abandoned the idea of public broadcasting as such. At least at a normative level the public broadcasting ideals are recognized, accepted and valued, though they are not necessarily associated with the country’s de jure institutional embodiment of public broadcasting LTV. Rejection of the public television has also not made its non-loyal publics ‘less citizens’. The commercial rivals of LTV, be they national or, in the case of Russian-speaking audiences, localized transnational Russian television, have allowed their viewers to exercise citizenship and be loyal nationals day in day out in a way that is more liberal and flexible than the hegemonic form of citizenship and national imagination of the public television LTV can offer.
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Rawnsley, Ming-Yeh Tsai. "Public service television in Taiwan." Thesis, University of Leeds, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.342947.

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Vidigal, Fernanda Rezende. "A televisão pública no Brasil: um estudo sobre estratégias de manutenção da ordem." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/48/48134/tde-16062008-134113/.

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Partindo do pressuposto de que, nas sociedades contemporâneas, as mídias - e, no Brasil, a televisão - ocupam papel de destaque na produção e difusão de valores e referências identitárias, buscou-se compreender as razões socio-históricas que impediram a construção de um sistema público de televisão brasileiro. A partir de um trabalho comparativo com outros sistemas de radiodifusão, bem como a partir de uma investigação sobre o processo de implantação e consolidação de um mercado nacional de cultura televisiva, foi possível identificar um feixe de condicionamentos de ordem histórica, política e econômica que permitiram a manutenção de estratégias de desregularização do setor.
Based on the assumption that in current societies media in general and in Brazil specifically TV, have an outstanding role in the production and dissemination of values and references of identification; we attempted at understanding the reasons that prevented the creation of a national public TV system. The comparison of the Brazilian system to those abroad enabled us to amass a number of historical, political and economical determiners that allowed the maintenance of deregulation policies in the area.
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Neptune, Nordahl Christian. "A televisão pública no Brasil." [s.n.], 2011. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284400.

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Orientador: Adilson José Ruiz
Tese (doutorado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-20T06:30:05Z (GMT). No. of bitstreams: 1 Neptune_NordahlChristian_D.pdf: 1352842 bytes, checksum: 9d7ad827c4901910648a1320b02e4df1 (MD5) Previous issue date: 2011
Resumo: A televisão pública no Brasil constitui o objeto central da Tese. O objetivo é avaliar possíveis alternativas que viabilizem sua sustentabilidade econômica e cultural; modelos de negócio, formas de financiamento e fomento. Um marco histórico para a televisão brasileira foi a criação, em 2007, da EBC - Empresa Brasil de Comunicação, a qual é subordinada a TV Brasil, cuja missão é coordenar, efetivamente, a primeira Rede Nacional de Televisão Pública (RNTP), composta por emissoras do campo público federal, estadual e municipal. Os Decretos e Leis da Constituição Federal, que regem o sistema público de radiodifusão no País são insuficientes e a maioria obsoleta. Além de ampla revisão no marco regulatório do setor, é necessário definir com clareza as regras de gestão, modelos e funções para os três sistemas televisivos: o estatal, o público e o privado. Entre os recursos utilizados na metodologia da pesquisa estão os registros orais (congressos, seminários, palestras, fóruns), os textuais (revisão de literatura, livros, revistas, jornais, anais, teses, dissertações, artigos, decretos, leis e pesquisas a documentos recentes) e os audiovisuais (TV, vídeo e internet)
Abstract: Public Television in Brazil is the central subject of the Thesis. The objective is to evaluate possible alternatives that enable its economic and cultural sustainability; business models, ways of financing and promotion. A milestone in the history of Brazilian television was the creation in 2007, of EBC - Empresa Brasil de Comunicação, witch is subject to TV Brasil, whose mission is to coordinate effectively the first Rede Nacional de Televisão Pública (RNTP), consisting of broadcasting stations at the level of country, state and county. Decrees and Laws of the Federal Constitution, governing the public broadcasting system in the country are insufficiently and the majority obsolete. In addition to extensive revision in the regulatory sector, it is necessary to clearly define the management rules, models and functions for the three television systems: the state, public and private. Among the resources used in the research methodology are the oral (records courses, congress, seminars, lectures, forums, workshops), the textual (e-mails interviews, literature review, books, magazines, journals, annals, theses, dissertations, articles, decrees, laws and searches of recent documents) and the audiovisual (TV, video and internet)
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Aitken, Robert Walter, and raitken@business otago ac nz. "Re-conceptualising television advertising typologies." University of Otago. School of Business, 2004. http://adt.otago.ac.nz/public/adt-NZDU20051020.181805.

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This thesis presents a new typology of television advertising that re-orientates existing research into advertising effectiveness and more accurately reflects new directions in communication theory. The typology provides a consumer-centric approach to analysing television advertisements and a different conceptualisation of the advertising response process. Conventional research into advertising effectiveness has examined almost every aspect of the advertising mix to identify what makes an advertisement effective. The research is based on a number of assumptions. For example, mass communication is seen as a linear process with the advertiser at one end of a communication continuum and the consumer at the other. The function of advertising, in this reception paradigm, is to inform and then to influence the consumer and measures of its success include accuracy of recall and recognition. This process of persuasion comprises a number of hierarchical steps that should lead to purchase or to a positive propensity to purchase. The power of persuasion is related to the level of involvement between the advertised product and the potential customer and with the appropriateness of the advertised message and its execution. For example, elements such as music, humour and the use of celebrities have been studied to assess their persuasive powers and to understand their communication effects. This thesis takes a different approach to understanding how advertising works and makes a number of different assumptions. According to this thesis, before it is possible to study the effects of advertising, it is necessary to find out how people respond to it. This introduces the three key concepts that underpin this thesis. These are reader-response theory, personal construct theory and uses and gratifications theory. Reader-response theory suggests that the meaning and significance of any form of communication is co-created at the point of engagement. The meaning of a television advertisement, for example, is located, not in the advertisement itself, as in conventional research, but in the interaction between the advertisement and the viewer. The meanings that result in this process of negotiation are as much a reflection of personal, social and cultural experience as they are a response to particular executional and message strategies. To understand how consumers make sense of these communication texts it is necessary to study them at the point of reception. The second key concept, personal construct theory, proposes that the way individuals make sense of their experiences and understand the world is determined by the personal constructs that they hold. Identifying these constructs will enable researchers to understand the meanings that consumers attach to communication messages and to focus more fundamentally on the psychological basis of the response process than on its individual components. Studying advertising effectiveness in the context of personal construct theory places the consumer at the centre of the response process and focuses attention on how meaning is negotiated. This has a number of important implications for practioners both in relation to the construction of television advertisements and in understanding consumers� responses to them. For example, practioners need to recognise the importance of producing television advertisements that address their audience as readers of media texts rather than merely as consumers of media products. This re-conceptualising of the audience is clearly articulated in uses and gratifications theory, the third key concept in this study. Uses and gratifications theory, suggests that it is as important to understand what consumers do with advertising as it is to study what advertising does to consumers. This is in contrast to the emphasis on persuasion strategies in conventional advertising research. Reader-response theory, personal construct theory and uses and gratifications theory suggest a more dynamic relationship between an advertisement and a consumer than is recognised by conventional research. These theories are encapsulated in a new typology of television advertising presented in this thesis.
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Rocha, Liana Vidigal. "A televisão pública num ambiente de competição comercial. Estudo dos modelos brasileiro e português." Universidade de São Paulo, 2006. http://www.teses.usp.br/teses/disponiveis/27/27142/tde-13082009-162336/.

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Esta pesquisa tem o propósito de mostrar como as televisões públicas do Brasil e de Portugal, no caso a TV Cultura e a RTP, convivem num ambiente de competição comercial. A partir de uma pesquisa bibliográfica foi possível estabelecer um quadro teórico de referência sobre serviço público, seus princípios e alguns modelos de televisão pública existentes na Europa Ocidental. Posteriormente, por meio de entrevistas, foi realizado um levantamento de informações que contribuíram para a análise e interpretação das características do objeto de estudo. Um dos principais resultados dessa pesquisa assinala que as televisões públicas dos dois países, em questão, encontram-se diante de um dilema: devem se manter fiéis aos princípios do serviço público ou se entregam às demandas do mercado, agindo comercialmente conforme um canal privado.
This research has the intention to show as the public televisions of Brazil and of Portugal, in this case the TV Cultura and the RTP, coexists in an environment of commercial competition. From a bibliographical research it was possible to establish a theoretical picture of reference on public service, its principles and some existing models of public television in the Europe Occidental. Later, by means of interviews, a survey of information was carried through that had contributed for the analysis and interpretation of the characteristics of the study object. One of the main results of this research designates that the public televisions of the two countries, in question, meet ahead of a quandary: fidiciary offices to the principles of the public service must be remained or deliver the demands to it of the market, acting commercially as a private channel.
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Wei, Jing-Huey, and n/a. "A case study in the introduction of cable television : Taiwan, television and the international context." University of Canberra. Communication, 1993. http://erl.canberra.edu.au./public/adt-AUC20061110.121240.

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Taiwan's new media have developed quickly since the mid-1980s. However, media legislation has lagged behind the introduction of new media technologies. For instance, the wide-spread but still entirely illegal cable television-linked service, the Fourth Channel, is a unique feature of the development of new media in Taiwan. This idiosyncratic situation in Taiwan's media industry cannot be simply described as due to the rapid development of technology. The aim of this thesis is to provide a context in which to examine the development of television broadcasting and the introduction of cable and satellite television in Taiwan and its idiosyncratic nature. This thesis (1) explores the major factors in influencing the development of the television system in Taiwan; (2) identifies the similarities and differences of the introduction and development of television, cable and satellite television systems between Taiwan and the United States, the United Kingdom, Australia, Japan and Hong Kong; and (3) analyses the implications of the introduction of new media (cable and satellite television) in Taiwan. The study reveals that Taiwan's television system has been heavily influenced by its unique sociopolitical, economic and cultural circumstances. As a result, a particular form of the television system, which does not fit into the models provided by the five selected case studies, has developed in Taiwan.
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Chung, Simon Sheung-man. "Television, public life and Hong Kong society." Thesis, University of Essex, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.409976.

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Rushton, David. "A commentary on 'local public service television'." Thesis, University of South Wales, 2008. https://pure.southwales.ac.uk/en/studentthesis/a-commentary-on-local-public-service-television(9fce1207-8e63-4cdc-92e3-b3057427f353).html.

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The Commentary and Portfolio (introduced in the form of Outputs at the end of each Chapter and particularly following Chapter Three) considers the public space that 'local public service television' might occupy. Taking an historical view and a protagonist or interventionist stance the author demonstrates that a demand for local communications through television broadcasting has had strong public support since the introduction of commercial regional television in the 1950s, although government and regulator have variously thwarted its introduction. The author's background for this task is unorthodox, emerging from a critical art education that questioned the role of institutional norms in the pursuit and interpretation of social knowledge. The methodology is therefore reflective and at times quixotic, working through a variety of methods and forms of organisation and practice in pursuit of what has long been an evident - if overlooked - public objective,the realisation of a more identity enhancing localised form of television broadcasting. Working with several formal and informal associations - including the Institute of Local Television, the Community Media Association, Scottish Association of Smallscale Broadcasters (SASB), The Broadcasting Trust, Media Access Projects Scotland (MAPS), Advisory Committee of (local) Television Operators (ACTO), United for Local Television (ULTV) and the Scottish Local TV Federation - the author has contributed reports and academic papers on local and community television, organised conferences and run small scale television channels under license exempt and shortterm licenses, responded to regulator consultations and drafted amendments to legislation while developing and testing technologies appropriate for delivering programmes to serve local purpose. Through 'local public service television' the author has sought greater representation of civic and cultural views, arguing and debating access to regulate local channels under local control, first on local cable, then as a fifth or sixth terrestrial channel to offer city TV and, most recently, to encourage the introduction of digital spectrum for local public service television to be made available throughout the UK.
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Hawk, Clement Lee. "Northern Minnesota Public Television: a Historical Perspective." Thesis, University of North Texas, 1989. https://digital.library.unt.edu/ark:/67531/metadc332346/.

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Northern Minnesota Public Television is an independent, non-profit corporation operating as KAWE television on the campus of Bemidji State University in Bemidji, Minnesota. This study focuses on the lack of educational/public television in the northern section of Minnesota and develops a historical perspective of Northern Minnesota Public Television from an idea of two men until sign-on in 1980. The study describes the early beginnings, organizational structure, problems encountered, and educational philosophy. KAWE television operates on Channel 9 with a satellite station in Brainerd, Minnesota, operating on Channel 22.
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Books on the topic "Public television"

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Corner, John. Television form and public address. London: Edward Arnold, 1995.

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1961-, Hamilton James, and Duke Conference on Media Violence and Public Policy (1996 : Terry Sanford Institute of Public Policy), eds. Television violence and public policy. Ann Arbor: University of Michigan Press, 1998.

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Lashley, Marilyn. Public television: Panacea, pork barrel, or public trust? New York: Greenwood Press, 1992.

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Dave, Rushton, ed. Citizen television: A local dimension to public service broadcasting. London: John Libbey, 1993.

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Iosifidis, Petros. Public Television in the Digital Era. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230592865.

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Commission, Independent Television, ed. Television: The public`s view 1994. London: Independent Television Commission, 1995.

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Donna, Wilder, Wilder Donna, Wilder Donna, Wilder Donna, Wilder Donna, and American School of Needlework, eds. [Sew creative series from public television]. San Marcos, CA: American School of Needlework, 1992.

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Organization, Roper, and Television Information Office (U.S.), eds. America's watching: Public attitudes toward television. New York: Television Information Office, 1987.

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Organization, Roper, ed. America's watching: Public attitudes toward television. [New York]: Network Television Association ; National Association of Broadcasters, 1991.

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Gunter, Barrie. Television: The public's view. London: J. Libbey, 1992.

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Book chapters on the topic "Public television"

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Beadle, Gerald. "The Birth of Public Television." In Television, 38–42. London: Routledge, 2023. http://dx.doi.org/10.4324/9781032619941-3.

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Haywood, Antoine, and Victor Pickard. "Public Access Television." In Issues in Contemporary American Journalism, 146–53. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003315605-23.

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Węglińska, Agnieszka. "Public service media – public broadcasters." In Public Television in Poland, 11–28. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003201618-3.

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Aldridge, Mark. "Television Faces the Public." In The Birth of British Television, 90–107. London: Macmillan Education UK, 2012. http://dx.doi.org/10.1007/978-0-230-34672-7_7.

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Perlman, Allison. "Alabama Public Television Network." In From Networks to Netflix, 67–76. New York : Routledge, 2018.: Routledge, 2018. http://dx.doi.org/10.4324/9781315658643-6.

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Węglińska, Agnieszka. "Public television in Poland." In Public Television in Poland, 49–71. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003201618-6.

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Roy, Abhijit. "Live Public." In Television Publics in South Asia, 161–77. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003377740-13.

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Węglińska, Agnieszka. "Journalists of Polish television." In Public Television in Poland, 72–109. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003201618-7.

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Lunt, Peter. "Reality Television, Public Service, and Public Life." In A Companion to Reality Television, 499–515. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118599594.ch27.

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Bogart, Leo. "News, the Newspaper, and Television." In Press and Public, 221–52. 2nd ed. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003063957-8.

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Conference papers on the topic "Public television"

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Girod, Jr., Carlos. "The public television satellite system - An update." In 16th International Communications Satellite Systems Conference. Reston, Virigina: American Institute of Aeronautics and Astronautics, 1996. http://dx.doi.org/10.2514/6.1996-998.

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Song, Jinbao, and Jianping Chai. "An Analysis System of Broadcasting and Television Public Opinions." In 2009 International Conference on Management and Service Science (MASS). IEEE, 2009. http://dx.doi.org/10.1109/icmss.2009.5301473.

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Lučić, Sonja. "ONLINE TELEVISION SERVICES AND COPYRIGHT." In International scientific conference challenges and open issues of service law. Vol. 1. University of Kragujevac, Faculty of law, 2024. http://dx.doi.org/10.46793/xxmajsko1.179l.

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The right to public communication of author's works is an issue on which the Court of Justice of the EU has had the opportunity to decide a number of times. The same applies to the private copying exception. The Court of Justice of the EU recently had the opportunity to decide on both of these issues in the "Ocilion" case - case C- 426/21. In the "Ocilion" case, the EU Court of Justice actually decided on two complicated aspects of the relationship between copyright law and online television services, clarifying that deduplication systems for copying TV shows do not fall within the scope of the private copying exception and that enabling online rebroadcasting does not constitute communication to the public. In the paper, the author deals with certain aspects of online television services on which the Court of Justice had the opportunity to decide in the "Ocilion" case. In addition, the author analyzes Directive 2019/789 on the cross-border online distribution of television and radio programs in the paper.
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Syaefudin, Mochamad, Umaimah Wahid, Indah Suryawati, and Darmawan Napitupulu. "Building Television Brand Image through Public Relations Regarding Technology Innovation." In Unimed International Conference on Economics Education and Social Science. SCITEPRESS - Science and Technology Publications, 2018. http://dx.doi.org/10.5220/0009491800350038.

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Surugiu, Romina. "Exploring The Role Of Romanian Television In Public Sphere (1957-1989)." In 2nd Central and Eastern European LUMEN International Conference - Multidimensional Education and Professional Development. Ethical Values. Cognitive-crcs, 2017. http://dx.doi.org/10.15405/epsbs.2017.07.03.91.

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Elliott, Greg T., David Carr, and Henry Holtzman. "TakeoverTV: Facilitating the social negotiation of television content in public spaces." In 2011 IEEE Consumer Communications and Networking Conference (CCNC). IEEE, 2011. http://dx.doi.org/10.1109/ccnc.2011.5766496.

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Kaur, Kawalpreet, Amanpreet Kaur, and Vidyotma Gandhi. "Analysis of Public Awareness Regarding Utilities of Closed-Circuit Television (CCTV)." In 2023 7th International Conference On Computing, Communication, Control And Automation (ICCUBEA). IEEE, 2023. http://dx.doi.org/10.1109/iccubea58933.2023.10392153.

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Yuniarti, Diah, Wardahnia, and Quraini Dewi Kusumawardani. "Public Acceptance Strategies for Digital Terrestrial Television (DTT) in the Border Areas." In 2018 International Conference on ICT for Rural Development (IC-ICTRuDev). IEEE, 2018. http://dx.doi.org/10.1109/icictr.2018.8706876.

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Dwimarcahyani, Devira, Tessy Badriyah, and Tita Karlita. "Classification On Category Of Public Responses On Television Program Using Naive Bayes Method." In 2019 International Electronics Symposium (IES). IEEE, 2019. http://dx.doi.org/10.1109/elecsym.2019.8901576.

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Foley, J. P. "Evaluating public policy options for implementing digital terrestrial television: the challenges of transition." In International Broadcasting Conference IBC '95. IEE, 1995. http://dx.doi.org/10.1049/cp:19950991.

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Reports on the topic "Public television"

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López-López, PC, C. Márquez-Domínguez, P. Molina Rodríguez-Navas, and YT Ramos-Gil. Transparency and public information in Ecuadorian television corporations: the case of Ecuavisa and TC Televisión. Revista Latina de Comunicación Social, July 2018. http://dx.doi.org/10.4185/rlcs-2018-1308en.

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Kominiarska, Lіudmyla, and Olga Blashkiv. REFORMING THE CONTENT OF REGIONAL BRANCHES OF PUBLIC TELEVISION DURING THE FULL-SCALE RUSSIAN-UKRAINIAN WAR. Ivan Franko National University of Lviv, March 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12147.

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The article conducts an analysis of the content of regional Public Television during the full-scale Russian-Ukrainian war. A comparative analysis of programs created by regional teams of the Public broadcaster before the full-scale invasion is presented. The research aims to study and provide a detailed analysis of the television content of regional branches of Public Television to understand the peculiarities of operation during a state of war, track changes in the thematic content, and speech format. Analytical methods of scientific research (analysis of television content of regional branches of Public Television), as well as inductive, deductive, and abstract-logical methods, are employed. The historical method is applied to the study of television reform in Ukraine. The key method in the research is content analysis, which is used to study the impact of television reform on the quality and volume of content of regional branches of Public Television. Using the example of the content of “Suspilne-Ternopil,” the thematic and problematic content of programs of the regional branch of Public Television is investigated. A significant reduction in the share of in-house produced content on local issues is identified. In particular, at the beginning of the full-scale invasion, the production of the program “Today. Main” was suspended, a socio-political talk show that extensively covered local issues. Emphasis is placed on the importance of regional media in times of war, representing the interests of the public at both regional and central levels. In our opinion, regional broadcasters of Public Television should reintroduce in-house produced programs to restore a platform for discussing local issues. Strengthening ties with high-quality media from neighboring states is also advisable, specifically for the exchange of journalists’ experiences and high-quality content. Keywords: Public television, television reform, Russian-Ukrainian war, television content, broadcast, regional branch.
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Medina-Nieto, M. Critical analysis of Spain’s television content production and national public radio and television law. The case of TVE. Revista Latina de Comunicación Social, April 2018. http://dx.doi.org/10.4185/rlcs-2018-1279en.

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Zallo, R. Analysis of the Canary Islands’ new Public Radio and Television Law. Revista Latina de Comunicación Social, April 2015. http://dx.doi.org/10.4185/rlcs-2015-1049en.

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Cerdán Martínez, V., and D. Villa Gracia. Creation of a social awareness format for Spanish public television: "Héroes Invisibles". Revista Latina de Comunicación Social, October 2019. http://dx.doi.org/10.4185/rlcs-2019-1399en.

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Costa-Sánchez, C., and V. Guarinos. Online Corporate Brand Management of european public television. Proposal of indicators for its measurement. Revista Latina de Comunicación Social, May 2018. http://dx.doi.org/10.4185/rlcs-2018-1287en.

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Guimerà-i-Orts, Josep-Àngel, and Federica Alborch-Gil. The Crisis of Public Local Digital Terrestrial Television in Spain: The case of Catalonia. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-66-2011-934-292-313-en.

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Padilla-Castillo, Graciela. Medical television series as a means to educate the public on nutrition and healthy eating. Revista Latina de Comunicación Social, 2012. http://dx.doi.org/10.4185/rlcs-067-954-228-246-en.

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Azurmendi, A., F. Ortega-Mohedano, and M. Muñoz Saldaña. Survey and analysis about satisfaction, use and consumption of public television in Spain. The age gap. Revista Latina de Comunicación Social, December 2019. http://dx.doi.org/10.4185/rlcs-2019-1413en.

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Guimerà i Orts, JA, CR Monedero Morales, and A. Martori Muntsant. Digitization, economic crisis and public local television in Spain. The cases of Andalusia and Catalonia (2010 - 2015). Revista Latina de Comunicación Social, June 2017. http://dx.doi.org/10.4185/rlcs-2017-1180en.

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