Relevant bibliographies by topics / Public service broadcasting

Academic literature on the topic 'Public service broadcasting'

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Published: 4 June 2021
Last updated: 1 June 2024

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Journal articles on the topic "Public service broadcasting"

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Armstrong, Mark. "Public Service Broadcasting*." Fiscal Studies 26, no. 3 (September 2005): 281–99. http://dx.doi.org/10.1111/j.1475-5890.2005.00013.x.

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Flynn, Roddy. "Public service broadcasting beyond public service broadcasters." International Journal of Digital Television 6, no. 2 (June 1, 2015): 125–44. http://dx.doi.org/10.1386/jdtv.6.2.125_1.

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Burns, Maureen. "Remembering Public Service Broadcasting." Television & New Media 9, no. 5 (February 26, 2008): 392–406. http://dx.doi.org/10.1177/1527476408315500.

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Enli, Gunn Sara. "Redefining Public Service Broadcasting." Convergence: The International Journal of Research into New Media Technologies 14, no. 1 (February 2008): 105–20. http://dx.doi.org/10.1177/1354856507084422.

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Teer-Tomaselli, Ruth, and Keyan Tomaselli. "Reconstituting public service broadcasting." Communicare: Journal for Communication Studies in Africa 13, no. 2 (November 7, 2022): 44–66. http://dx.doi.org/10.36615/jcsa.v13i2.1995.

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As South Africa moved from formal apartheid to multi-party elections between February 1990 and April 1994, a unique testing ground for theories of media and democracy became available for analysis. Political struggles and discourses at every level of state and civil society were dominated by the demands of pressure groups, some with military support. Little agreement existed on what constituted democracy, on how such a practice could be attained, and whether or not a single nation could be forged out of the linguistic, cultural, ethnic, racial, class and geographical patchwork into which South Africa has been fragmented by apartheid.
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Shimizu, Shinichi. "Public Service Broadcasting in Japan." Media Asia 15, no. 4 (January 1988): 196–201. http://dx.doi.org/10.1080/01296612.1988.11726291.

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Brown, Allan, and Catherine Althaus. "Public Service Broadcasting in Australia." Journal of Media Economics 9, no. 1 (January 1996): 31–46. http://dx.doi.org/10.1207/s15327736me0901_4.

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Boardman, Anthony E., and Aidan R. Vining. "Public Service Broadcasting in Canada." Journal of Media Economics 9, no. 1 (January 1996): 47–61. http://dx.doi.org/10.1207/s15327736me0901_5.

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Curran, James. "Reform of Public Service Broadcasting." Javnost - The Public 3, no. 3 (January 1996): 7–19. http://dx.doi.org/10.1080/13183222.1996.11008629.

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Harrison, J., and L. M. Woods. "Defining European Public Service Broadcasting." European Journal of Communication 16, no. 4 (December 2001): 477–504. http://dx.doi.org/10.1177/0267323101016004003.

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Dissertations / Theses on the topic "Public service broadcasting"

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Kang, Hyung-Cheol. "Public service broadcasting in Korea." Thesis, University of Newcastle Upon Tyne, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.289254.

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Plchová, Tereza. "State Aid to Public Service Broadcasting." Master's thesis, Vysoká škola ekonomická v Praze, 2010. http://www.nusl.cz/ntk/nusl-73338.

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Hibberd, Matthew. "The reform of public service broadcasting in Italy." Thesis, University of Stirling, 1999. http://hdl.handle.net/1893/1520.

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This thesis provides an overview to a series of reforms undertaken at RAI (Radiotelevisione Italiana), the Italian public service broadcasting company between June 1993 and April 1996. The reform process began as a direct result of the collapse of the Christian Democrats and its coalition partners after 45 years of continuous government and was initiated by the centre-left 'Technocrat' government led by the former governor of the Bank of Italy, Carlo Azeglio Ciampi (April 1993 to May 1994); it was also continued by the centre-right Berlusconi government (May 1994 to December 1994) and by the centre-left Dini technocrat government (January 1995 to April 1996). The research aims to focus on two related topics in order to fully explain the broad social, economic and political context within which the reforms took place. Firstly, especial interest wil be given to an historical analysis of public service provision in Italy in the light of the twin pressures coming from the state and market. Historically, these twin pressures have had a detrimental effect on public service broadcasting in Italy. Secondly, the research also focuses on the impact of the reform process on the functioning of public service broadcasting in Italy. It identifies four areas of RAJ's operations which merit special attention: the system of political occupation, the so-called lottizzazione; the internal network system; the devolution of Raitre; and RAI and Fininvest-Mediaset duopoly. This thesis uses a combination of qualitative and quantitative methodologies, including primary and secondary analysis and interviews with key architects of the reform process.
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Wadforth, Alan David. "Public service broadcasting as a myth : the hegemonic implications of the BBC's concept and practice of public service broadcasting, 1922-1988." Thesis, University of Ulster, 1989. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.293860.

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Harper, Sandra S. "A Content Analysis of Public Broadcasting Service Television Programming." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc330669/.

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The problem with which this investigation is concerned is the description of the social map that is presented to the viewers of public television. Using content analysis methodology, the study describes how different genders, racial groups, and age groups are being portrayed on PBS programming. The sample consisted of one week of PBS 1984 fall programming broadcast on KERA-TV, the PBS station in Dallas-Ft. Worth, Texas. Research questions addressing proportions of groups, types of roles, length of scenes, occupational variation, conversational behaviors, conflict management modes, and cultural norms were answered. All coding was accomplished by the principal investigator. Upon completion of the coding sub-totals for the variables under study by program types and a grand total for the entire sample were then tabulated. After this extensive content analysis, the report concludes that females are still extremely underrepresented in PBS programming, accounting for only 32.7% of the total participants. Blacks and Hispanics are also underrepresented except in children's programming. Occupational variation for white males is evident for all types of PBS programming. Occupational variation for white females is evident in children's programming and informational/documentary programming. Minorities with delineated occupations are extremely limited in all types of programming except for children's programming. The exchange of information is the major conversational behavior that occurs on PBS programming with minority characters receiving orders considerably more than their white counterparts. Verbal aggression is the conflict management mode chosen most frequently on PBS programming. Explicit messages regarding racial and sexual equality and prosocial behavior occur on PBS programming. Implicit messages such as frequency of appearances, number of major roles, and prevalence of power cues suggest a white male domination of television programming on PBS. The findings of the study reveal that major inroads have been made by women and minorities in children's programming. This comprehensive analysis confirms, however, the virtual exclusion of minorities in major segments of PBS programming.
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Knoll, Eva. "The public value notion in UK public service broadcasting : an analysis of the ideological justification of public service broadcasting in the context of evolving media policy paradigms." Thesis, London School of Economics and Political Science (University of London), 2012. http://etheses.lse.ac.uk/530/.

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The thesis investigates the application of the public value notion in UK public service broadcasting (PSB). In the context of technological change from analogue to digital broadcasting and the reduction of applicable market failures, the notion has been used to describe the remit and assess the performance of PSB, thus providing sustained justification of PSB in the digital age. The overall research interest is to investigate the public value notion in the context of evolving media policy paradigms to examine whether its institutionalisation represents a paradigm shift in the ideological justification of PSB. The ideological justification is investigated in the form of economic and noneconomic regulatory rationales as different academic approaches to market intervention and public service provision. As a fundamental type of policy change, the paradigm shift concept is operationalised by devising an analytical framework that consists of two analytical strands; an ideological shift and a policy process analysis. Based on a case study approach of the notion’s application at the BBC and Channel 4, the research design employs interpretative textual analysis of documents and expert interviews to investigate the ideological composition of the public value notion and its wider policy process. The research finds that no paradigm shift has taken place in the justification of PSB as the public value notion continues the overall more economic than non-economic focus of the incumbent media policy paradigm. These findings contribute to media and public policy studies with regard to the understanding and classification of (media policy) paradigm shifts as a fundamental type of policy change and the use of economic and non-economic rationales as different ideologies in informing policy ideas and decisions-making in media policy.
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Kırık, Hikmet. "Social change in Turkey and the broadcasting public sphere." Thesis, University of Westminster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.252039.

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Peasey, Jeanette Helga. "Public service broadcasting in transition : the example of West Germany." Thesis, University of Bath, 1990. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.256822.

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Godoy-Etcheverry, Sergio. "Chile's market orientated model of public television." Thesis, University of Westminster, 1998. https://westminsterresearch.westminster.ac.uk/item/946z0/chile-s-market-orientated-model-of-public-television.

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The main objective of this dissertation is to provide a comprehensive picture of the evolution and current performance of the market-oriented model of public service television in Chile. The focus is largely on the commercially-funded stateowned television network, Television Nacional de Chile (TVN). This thesis argues that Public Service Broadcasting (PSB) is still valid and necessary, yet the means to achieve this ideal have evolved and require some fresh thinking; such as the way forward provided by this case study. This work attempts to describe TVN's main political, economical, and managerial characteristics when delivering PSB according to television law, considering the evolution of the media in Chile and Latin America. For this purpose, the analysis integrates the political economy of the media from a managerial and regulatory perspective. The work is divided into two main parts. The first explains the current situation of PSB in the industrialised world, and also deals with the peculiar development of Chilean broadcasting within Latin America. The second part is the most important because it assesses the Chilean model at its present state. Nowadays TVN is an influential counterweight to authoritarian entrenchments as well as a booster of innovation and growth of the audio-visual sector. Its promarket orientation prevents traditional forms of government manipulation, it is coherent with overall macroeconomic policy, and introduces awareness for the audience's preferences. But this case also has important contradictions that need to be dealt with in order to enhance its contribution to social welfare and democracy. The thesis assumes that PSB -a Western European concept- has been possible in Chile because of a relatively extended republican tradition, and because of the effectiveness and probity of its public institutions. Nevertheless, as a developing country Chile has also suffered poverty, economic instability, and a prolonged military dictatorship (1973-1990) among other problems. These factors explain the differences between Chilean public television and its counterparts in the industrialised world, yet at the same time they reveal a special need for such a service despite all the technological changes that are taking place.
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Andrews, Hannah. "Public service broadcasters and British cinema, 1990–2010." Thesis, University of Warwick, 2011. http://wrap.warwick.ac.uk/44037/.

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The relationship between television institutions and film in Britain has a complex history, influenced by profound changes in both industries over time. The involvement of public service broadcasters (PSBs) in British cinema has been a regularly-acknowledged, but under-examined phenomenon. There is a dearth of up-to-date scholarship dealing with the relationship, particularly as it unfolded over the turbulent decades of the 1990s and 2000s. This thesis updates and expands the existing field on the relationship between British television and film cultures. It does so by examining the ways in which PSBs have been involved in film culture, as producers, distributors and exhibitors. It also discusses the significant changes to this relationship wrought by the coming into dominance of digital technologies, and the responses of the PSBs to digitalisation. The body of the thesis is separated into two parts. Part One examines the relationship between television and film at the end of the analogue era, ending roughly in 2002. The first chapter explores the historical background to television films in Britain, discussing the semantic turn from describing single dramas shown on television as ‘plays’ and ‘films’. The second chapter outlines three case studies which explore the relationship between television and distribution. The third chapter discusses the industrial relationship between film and television, and the distinct discourses of ‘quality’ applied to each form. The second part of the thesis discusses the effects of digital technologies on the PSB’s role as producer, distributor and exhibitor of films. Chapter Four explores the position of the PSB as patron of low-budget, digital production schemes. In Chapter Five, the opening night and subsequent decade of broadcasting on the FilmFour digital television channel is analysed. Chapter Six takes as its subject the online film output of the BBC, particularly via its iPlayer platform, and its short film distribution network, the BBC Film Network.
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Books on the topic "Public service broadcasting"

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Hendy, David. Public Service Broadcasting. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4.

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Public service broadcasting. New York: Palgrave Macmillan, 2013.

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Brevini, Benedetta. Public Service Broadcasting Online. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137295101.

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Damian, Tambini, Cowling Jamie, and Institute for Public Policy Research., eds. From public service broadcasting to public service communications. London: IPPR, 2004.

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Ferrell, Lowe Gregory, and Bardoel Jo, eds. From public service broadcasting to public service media. Göteborg, Sweden: Nordicom, 2007.

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Public service broadcasting in Thailand. Kuala Lumpur, Malaysia: Asia-Pacific Institute for Broadcastiong Development, 2002.

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Public service broadcasting: A reader. London: Routledge, 1991.

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Colin, MacCabe, and Stewart Olivia, eds. The BBC and public service broadcasting. Manchester: Manchester University Press, 1986.

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Affairs, Institute of Economic, ed. Public service broadcasting without the BBC? London: Institute of Economic Affrairs, 2004.

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Union, European Broadcasting, and EBU Conference (1993 : Brussels, Belgium), eds. Public service broadcasting: Europe's opportunity : a conference. Geneva, Switzerland: The Union, 1993.

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Book chapters on the topic "Public service broadcasting"

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Spangenberg, Jochen. "Public Service Broadcasting." In The BBC in Transition, 25–51. Wiesbaden: Deutscher Universitätsverlag, 1997. http://dx.doi.org/10.1007/978-3-663-09038-0_3.

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Hendy, David. "Cultivation: Broadcasting Culture." In Public Service Broadcasting, 46–69. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_4.

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Hendy, David. "Introduction: Why Public Service Broadcasting?" In Public Service Broadcasting, 1–6. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_1.

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Hendy, David. "Enlightenment: First Principles, Deep Origins." In Public Service Broadcasting, 7–26. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_2.

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Hendy, David. "Democracy: Politics, Public Opinion and Debate." In Public Service Broadcasting, 27–45. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_3.

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Hendy, David. "Service: The Ethos of the Broadcasters." In Public Service Broadcasting, 70–89. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_5.

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Hendy, David. "Choice: Responding to Competition." In Public Service Broadcasting, 90–105. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_6.

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Hendy, David. "Trust: Public Service in the New Media World." In Public Service Broadcasting, 106–26. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_7.

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Hendy, David. "Conclusion." In Public Service Broadcasting, 127–31. London: Macmillan Education UK, 2013. http://dx.doi.org/10.1007/978-1-137-32898-4_8.

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Brevini, Benedetta. "Theorizing Public Service Broadcasting Online." In Public Service Broadcasting Online, 19–29. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137295101_3.

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Conference papers on the topic "Public service broadcasting"

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M.Si, MA, Masduki. "Indonesian Public Service Broadcasting: From Government-Analogue to Public-Digital Era." In Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2301-3710_jmcomm14.59.

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Song, Jinbao, and Jianping Chai. "An Analysis System of Broadcasting and Television Public Opinions." In 2009 International Conference on Management and Service Science (MASS). IEEE, 2009. http://dx.doi.org/10.1109/icmss.2009.5301473.

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Hsu, Wei-Che. "Theoretic affiliation of public service broadcasting and civil society and the public sphere in Taiwan." In APPLIED PHYSICS OF CONDENSED MATTER (APCOM 2022). AIP Publishing, 2023. http://dx.doi.org/10.1063/5.0112102.

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Bedford, Charlotte. "Can Alternative Media Redefine Public Service Broadcasting? Prison Radio & the BBC." In Annual International Conference on Journalism & Mass Communications. Global Science & Technology Forum (GSTF), 2014. http://dx.doi.org/10.5176/2301-3710_jmcomm14.55.

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Vučković, Jelena. "PRUŽANjE MEDIJSKIH USLUGA I PRAVO PRIVATNOSTI." In XV Majsko savetovanje: Sloboda pružanja usluga i pravna sigurnost. University of Kragujevac, Faculty of Law, 2019. http://dx.doi.org/10.46793/xvmajsko.601v.

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The development of the Internet creates new forms of communication, which provide the possibility of equalizing media content and global media influence. The Internet, as a new platform for broadcasting the program, changed the conditions of media functioning and created a disbalance between the freedom of the media and the rights of those to whom the information relates. The number of media service, providers and their need for profit-making has led to the fact that sensationalism has become a dominant way of attracting public attention. In this regard, the information from the private lives of individuals, whether ordinary citizens or public figures, come to the center of interest, and often cross the limits prescribed by the norms of the laws and codes of media service providers that regulate this field. Moreover, the quality of this information is controversial from the aspect of their accuracy (truthfulness) and completeness (objectivity). On the other hand, the existence of media legislation is not a guarantee of the existence of independent media. Media and media content can only be a facade of latent abuse of state, political, economic, or religious power. One of the ways to draw attention to contemporary social issues is an overflowing influence in the private sphere of citizens, and they themselves, often unconsciously, participate in this process, leaving data from their private lives, excessive interest etc. The lack of adequate and effective media legislation creates space for the state's arbitrariness and an unlimited and "discretionary" power of political power.
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Bajcetic, Stanko A., Predrag V. Zivanovic, Slaven M. Tica, Miroslav M. Petrovic, Andrea M. Dorojevic, and Branko M. Milovanovic. "Implementation of the new public transport management system in Belgrade." In TELSIKS 2013 - 2013 11th International Conference on Telecommunication in Modern Satellite, Cable and Broadcasting Services. IEEE, 2013. http://dx.doi.org/10.1109/telsks.2013.6704460.

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Minea, Marius G., and Sorin D. Dumitrescu. "Vehicle to infrastructure communications — Technologies and EMC problems in public transport management systems." In TELSIIKS 2009 - 2009 9th International Conference on Telecommunication in Modern Satellite, Cable, and Broadcasting Services. IEEE, 2009. http://dx.doi.org/10.1109/telsks.2009.5339476.

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Diniz, Rafael, Pedro Garcia Freitas, and Mylène C. Q. Farias. "3D Point-Cloud Quality Assessment Using Color and Geometry Texture Descriptors." In Anais Estendidos da Conference on Graphics, Patterns and Images. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/sibgrapi.est.2022.23254.

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Since the mid-20th century, the use of digital formats for visual content allowed a great evolution in how society communicates. The Internet and digital broadcast systems introduced in the decade 90 to the wider public allowed an incredible expansion of multimedia consumption by the people, while the telecommunication networks and providers were pushed to their limits to address the growing multimedia content demand. Older electronic imaging systems, notably TV broadcasting systems, were designed after long subjective quality analysis for the definition of parameters like the number of lines of the video. But recent digital visual content services need faster and more affordable ways of evaluating the human perceived quality of the always-evolving multimedia systems. To address the need for automatic quality assessment, in the past decades many visual quality models based on algorithms that run on digital computers have been proposed. While the existing models are remarkably advanced for 2D digital imagery, a new set of immersive media is dawning, with different data structures, to which the 2D methods are not applicable, and need novel quality assessment metrics. These novel dawning immersive media formats provide a 3D visual representation of real objects and scenes. In this new visual format, objects can be captured, compressed, transmitted, and visualized in real-time not anymore as a flat 2D image, but as 3D content, allowing free-viewpoint selection by a consumer of such media. One of the most popular formats for immersive media is Point Cloud (PC), which is composed of points with 3 geometry coordinates plus color information, and sometimes, other information like reflectance and transparency. This work presents a research on the quality assessment of 3D PC based on novel color and geometric texture statistics. Considering that distortions to both color and geometry attributes of 3D visual content affect the perceived visual quality, it is proposed in this work to use both color-based and geometry-based texture descriptors for PC to obtain the visual degradation through their statistics. This work introduces 4 novels PC texture descriptors, 3 of them color-based, while 1 is geometry-based. Also, a new voxelization method is proposed, which converts points to voxels (volume elements), and improves the performance of the color-based texture descriptors. The performance of the proposed PC quality assessment method is among the best of the state-of-the-art PC quality assessment methods while being flexible and extensible to adapt to different types of distortions.
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Massarolo, João. "Study Group on Interactive Media in Image and Sound (GEMInIS)." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.89.

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The Study Group on Interactive Media in Image and Sound (GEMInIS) is linked to the Postgraduate Program in Image and Sound, at the Federal University of São Carlos (UFSCar). The group's research lines are articulated in the theoretical and practical perspective of transmedia logic, prioritizing studies on multiplatform audiovisual communication (cinema, TV, video games, VOD, social media, and mobile devices, among others) as a thematic axis. The researchers developed are applied in the production of multiplatform audiovisual content, taking into account the dynamics of media, market and technological ecosystems, with emphasis on: studies on media convergence; structures of streaming platforms; formats and business models of media tech companies and video-on-demand services offered by television broadcasting; local and transnational audiovisual production arrangement; innovative serial fiction strategies; environmental narratives in the context of participatory culture and transmedia design. In this context, the reflections and analyzes on the processes of platforming of contemporary audiovisual incorporate transdisciplinary dialogue, rupture movements, literacy strategies and discussions on public policies for the Brazilian audiovisual sector. From these lines of work, we intend to discuss in this presentation the application domains developed by the group, specific to multiplatform audiovisual communication. (i) Specialization Course in Multiplatform Audiovisual Content Production (EAM) - Specialization course created in 2016, focused on practical applications, with the objective of training qualified specialists to work in the areas of communication, design, and arts, in the development of audiovisual content for platforms, thus expanding the field of professional performance in the audiovisual market. (ii) Post Graduation Program in Multiplatform Audiovisual Communication (PPGCOM) - Professional Master's Degree in Transmedia. Program conceived in the Stricto Senso Post-Professional Graduate Program, which prioritizes applied research based on transmedia logic, with innovative content, processes and projects. The Program requests to develop methodologies and design projects aimed at the development of multiplatform audiovisual communication. (iii) GEMInIS Journal (ISSN: 2179-1465 - Qualis: B2) Online publication, It’s dedicated to the dissemination of articles, reviews of works and on the context of media convergence and audiovisual production in multiple transmedia platforms. The journal can have open access to researchers who want to submit their work. (iv) GEMInIS International Journey (JIG) - Event held since 2014 with the theme of Multiplatform Transmedia Entertainment, with the objective of bringing together research groups that work at the intersection of the areas of communication, design and audiovisual, for the presentation and discussion of the results of their investigations. The presentation of the lines of action of the GEMInIS group try to find to discuss the importance of transmedia logic in the development of methodologies aimed at structured professional performance, based on the relationship between the university, the market, and the social impact of multiplatform communication.
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Reports on the topic "Public service broadcasting"

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Leones, Tiffany, Danae Kamdar, Kayla Huynh, Melissa Gedney, and Ximena Dominguez. Splash and Bubbles for Parents App: Station Study Report. Digital Promise, June 2021. http://dx.doi.org/10.51388/20.500.12265/120.

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This report, prepared for The Jim Henson Company, shares findings of a sub-study investigating the types of support parents and caregivers need when navigating and using the second-screen Splash and Bubbles for Parents app. This study originated from a prior field study finding indicating families would benefit from support around the app since it represents a new kind of digital tool. In partnership with local Public Broadcasting Service (PBS) stations, we provided parents and caregivers more detailed support around the features of the app. Based on survey and interview findings, parents and caregivers found the app helpful for supporting their children’s science learning, thus validating the field study findings. We also found that all sections of the app were used and could help promote conversations between parent/caregiver and child. Moreover, families expressed choosing to use a specific app section when they felt it was more relevant or developmentally appropriate for their child.
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