Academic literature on the topic 'Public New Zealand History'
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Journal articles on the topic "Public New Zealand History"
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Hope, Wayne. "A short history of the public sphere in Aotearoa/New Zealand." Continuum 10, no. 1 (January 1996): 12–32. http://dx.doi.org/10.1080/10304319609365721.
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Lunt, Neil T., and Ian G. Trotman. "A Stagecraft of New Zealand Evaluation." Evaluation Journal of Australasia 5, no. 1 (September 2005): 3–10. http://dx.doi.org/10.1177/1035719x0500500102.
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Since the 1960s there has been a growing interest in evaluation shown by most Western countries. Alongside discussion of practical and theoretical issues of evaluation, such as methodological developments, best practice, and cross-cultural practice, there has also been increased interest in mapping the history of evaluation activity. Historical discussions are significant for three reasons; first, in providing a record for future generations of evaluators. Second, they provide a consideration of the domestic and international context that has shaped evaluation development, giving each country its distinct institutional make-up and brand of evaluation activity. Third, they assist a country's evaluation capacity development by building on its strengths and compensating for the weaknesses of its history. This article traces the emergence of evaluation within New Zealand using the metaphor of dramaturgy to introduce the settings and actors that we consider to have been constituent of what was played out in the New Zealand situation. Our remit is a broad one of attempting to describe and explain the range of evaluation activities, including program evaluation, organisational review, performance management, and process and policy evaluation. Within this article a broad overview only is possible. As an example of a more in-depth study, a comprehensive article could be prepared on the history of performance management in the public service. Our comments cover developments in the public sector, tertiary sector, and private and professional organisations. It is a companion paper to one on the history of evaluation in Australia, prepared by Colin A Sharp in a recent issue of this journal (Sharpe 2003).
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McKergow, Fiona, Geoff Watson, David Littlewood, and Carol Neill. "Ako." Public History Review 29 (December 6, 2022): 38–43. http://dx.doi.org/10.5130/phrj.v29i0.8448.
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This special issue of Public History Review has been edited by Fiona McKergow, Geoff Watson, David Littlewood and Carol Neill and serves as a sampler of recent work in the field of public history from Aotearoa New Zealand. The articles are derived from papers presented at 'Ako: Learning from History?', the 2021 New Zealand Historical Association conference hosted by Massey University Te Kunenga Ki Pūrehuroa.
The cover image for this special issue shows Taranaki Maunga viewed from a site near the remains of a redoubt built by colonial forces during the New Zealand Wars.
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Fleming, Jean, and Jeremy Star. "The emergence of science communication in Aotearoa New Zealand." Journal of Science Communication 16, no. 03 (July 20, 2017): A02. http://dx.doi.org/10.22323/2.16030202.
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The history of science communication in Aotearoa New Zealand starts with the stories told by the indigenous Māori people and has often been rooted in large, controversial environmental or technological issues. Although science communication in New Zealand began with a culture of wise men informing an uneducated public, by the 1990s it had begun to explore ideas of public outreach and engagement. Driven in part by the country's landscape and unique wildlife, media such as film documentary have risen to take centre stage in public engagement with science. Public radio also features in discussion of scientific issues. New centres for the training of science communicators have emerged and there is governmental and public support for science communication in New Zealand, as demonstrated by the number of awards and funding opportunities offered annually, for those who achieve. However a more critical and strategic approach to science communication in the future is needed if New Zealand wants a more science-literate public, and a more public-literate science community.
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Hodder, Peter. "Science as theatre: a New Zealand history of performances and exhibitions." Journal of Science Communication 10, no. 02 (May 13, 2011): A01. http://dx.doi.org/10.22323/2.10020201.
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In colonial times in New Zealand the portrayal of science to the public had a sense of theatre, with nineteenth and early twentieth century grand exhibitions of a new nation’s resources and its technological achievements complemented by spectacular public lectures and demonstrations by visitors from overseas and scientific ‘showmen’. However, from 1926 to the mid-1990s there were few public displays of scientific research and its applications, corresponding to an inward-looking science regime presided over by the Government science agency, the Department of Scientific and Industrial Research. The subsequent development of science centres with their emphasis on visitor participation has led to an increase in the audience for science and a revival of theatricality in presentation of exhibitions, demonstration lectures, café scientifiques, and science-related activities.
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Williams, Michael. "Privatisation (Asset Sales) in New Zealand, 1987–1992." Economic and Labour Relations Review 3, no. 2 (December 1992): 43–71. http://dx.doi.org/10.1177/103530469200300203.
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It is argued that New Zealand's privatisation programme is unlikely to meet its main overt objective of easing fiscal problems. In the case of sales of major public utilities, neither allocative, internal nor social efficiency are likely to be enhanced either. A brief history, and calendar, of the asset sales programme is provided.
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Clair, Rex E. Wright-St. "New Zealand Medical Biography in Mass." Journal of Medical Biography 13, no. 3 (August 2005): 170–73. http://dx.doi.org/10.1177/096777200501300312.
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A list has been prepared over many years of all medical practitioners, more than 3000, known to have been in New Zealand from 1840, when the country became a British colony, until 1930. The list includes not only those who were registered between those years, but also those qualified persons who were unregistered and those who were trained in medicine but unqualified, if they practised as doctors and were generally accepted by the public as such. Whatever information has been found on the various practitioners' life and work is given.
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Perrott, Lisa. "Rethinking the Documentary Audience: Reimagining the New Zealand Wars." Media International Australia 104, no. 1 (August 2002): 67–79. http://dx.doi.org/10.1177/1329878x0210400109.
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Narratives of war and history are central to the development of nationhood. Within the distinctive context of New Zealand decolonisation, The New Zealand Wars documentary series offers a revised version of a formative moment in New Zealand history. This paper draws upon textual analysis and audience research to explore the potential of this series to function as a catalyst within the process of decolonisation. The television broadcast of this five-part series has arguably played a role in evoking a reimagining of the New Zealand ‘nation’, and in opening a space for public debate. This recently invigorated debate can be characterised by the negotiation of a number of discourses of ‘race’, ‘culture’ and ‘nationhood’. While examples of this public negotiation illustrate the social and intellectual activity involved in the process of making sense of a documentary text, a closer examination of audience response to this series reveals an especially emotional, even ‘mimetic’, dimension of engagement. The few available examples of documentary audience research have tended to focus on intellectual and social processes of negotiating meaning. Through a discussion of passionate responses to The New Zealand Wars series, this paper posits an argument for extending the traditional conceptualisation of documentary audience engagement beyond the intellectual, to include a visceral dimension. Rather than viewing these different types of activity as diametrically opposed, they are considered here to be interconnected elements within a dialogical and experiential encounter between the viewer and the documentary text.
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Rae, Murray. "The War on Terror in Ruatoki." International Journal of Public Theology 2, no. 3 (2008): 277–91. http://dx.doi.org/10.1163/156973208x316207.
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AbstractThis article offers some theological reflections on a recent episode in Aotearoa (New Zealand) in which a Maori community housing an alleged terrorist network was subjected to a police raid. Many innocent people, including children, were caught up in the raid thus bringing to mind other episodes in New Zealand's history in which Maori have been subjected to police and state aggression. These episodes provide a starting point for reflection upon public theology and the limits of state power, upon the nature of forgiveness, and upon the offering of public apologies for past offences.
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Tyler, Francine. "What’s in a name? A history of New Zealand’s unique name suppression laws and their impact on press freedom." Pacific Journalism Review : Te Koakoa 26, no. 1 (July 31, 2020): 279–93. http://dx.doi.org/10.24135/pjr.v26i1.1093.
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The principle of open justice, including the media’s right to attend and report on criminal courts, must be balanced with the protection of individuals’ privacy and an accused person’s fair trial rights. Prohibiting media from identifying those involved in criminal cases is one way privacy and fair trial rights may be protected in New Zealand. Court news was not always restricted in this way: 115 years ago all parts of criminal court proceedings could be reported and media decided what information was censored. In 1905, New Zealand judges were given the power to suppress court evidence to protect public morality, and 15 years later, the power to suppress the names of certain first offenders to give them a second chance. The laws now stretch to suppressing many kinds of evidence and the identities of some people accused and convicted of New Zealand’s most serious crimes. Investigation of the 115-year-long evolution of New Zealand’s name suppression laws illuminates a piecemeal, but severe, curtailment of media freedom and a trend of imposition of increasingly complex laws which journalists must keep abreast of, understand and observe to prevent appearing before the courts themselves.
Dissertations / Theses on the topic "Public New Zealand History"
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Hood, David James, and n/a. "A social history of archaeology in New Zealand." University of Otago. Department of Anthropology, 1996. http://adt.otago.ac.nz./public/adt-NZDU20070530.152806.
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Consideration of the degree to which social factors have influenced the development of archaeology has become a recent focus of interest among archaeologists; however little work has been done on determining the relationship of social factors to archaeology in new Zealand. The aim of this thesis is to consider whether archaeologists were influenced by the surrounding New Zealand society between the years 1840 and 1954 and if so, in what manner were they influenced. In particular, consideration is given to how the social background of New Zealand archaeology compared with the social influences of British archaeology compared with the social influence of British archaeology of the time.
For the purposes of the study the term archaeologist applies to all those who investigated or recovered in situ archaeological material. Lists of archaeologists of the day were compiled from journals, newspaper articles, and unpublished sources. From these lists the social background of those engaging in archaeology was reconstructed.
Developments in archaeology theory and methodology were also examined, not only to determine the manner in which they effected the practise of archaeology, but also to determine the source of those developments, and the reasons for their adoption.
The wider social context was also examined to determine the degree to which archaeology reflected certain factors in New Zealand society, not simply in the manner in which archaeology was carried out, but also in the reasons for which research was conducted.
This study demonstrates that though the discipline, and in particular the power, was concentrated among urban professionals, the social spread of those engaging in archaeology was wide. This was particularly the case between the turn of the century and the Second World War, when archaeologists with a tertiary background were in a minority.
Archaeologists were influenced both from inside and outside the field, the degree of influence being determined by individual factors.
As archaeologists were a part of society, so too was society part of archaeological practice. In the manner in which archaeology was conducted the influence of societal attitudes towards women and Maori can be seen.
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O'Donnell, David O'Donnell, and n/a. "Re-staging history : historiographic drama from New Zealand and Australia." University of Otago. Department of English, 1999. http://adt.otago.ac.nz./public/adt-NZDU20070523.151011.
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Since the 1980s, there has been an increasing emphasis on drama, in live theatre and on film, which re-addresses the ways in which the post-colonial histories of Australia and New Zealand have been written. Why is there such a focus on �historical� drama in these countries at the end of the twentieth century and what does this drama contribute to wider debates about post-colonial history? This thesis aims both to explore the connections between drama and history, and to analyse the interface between live and recorded drama.
In order to discuss these issues, I have used the work of theatre and film critics and historians, supplemented by reference to writers working in the field of post-colonial and performance theory. In particular, I have utilised the methods of Helen Gilbert and Joanne Tompkins in Post-Colonial Drama: Theory, Practice, Politics, beginning with their claim that in the post-colonial situation history has been seen to determine reality itself. I have also drawn on theorists such as Michel Foucault, Linda Hutcheon and Guy Debord who question the �truth� value of official history-writing and emphasize the role of representation in determining popular perceptions of the past. This discussion is developed through reference to contemporary performance theory, particularly the work of Richard Schechner and Marvin Carlson, in order to suggest that there is no clear separation between performance and reality, and that access to history is only possible through re-enactments of it, whether in written or performative forms.
Chapter One is a survey of the development of �historical� drama in theatre and film from New Zealand and Australia. This includes discussion of the diverse cultural and performative traditions which influence this drama, and establishment of the critical methodologies to be used in the thesis. Chapter Two examines four plays which are intercultural re-writings of canonical texts from the European dramatic tradition. In this chapter I analyse the formal and thematic strategies in each of these plays in relation to the source texts, and ask to what extent they function as canonical counter-discourse by offering a critique of the assumptions of the earlier play from a post-colonial perspective. The potential of dramatic representation in forming perceptions of reality has made it an attractive forum for Maori and Aboriginal artists, who are creating theatre which has both a political and a pedagogical function. This discussion demonstrates that much of the impetus towards historiographic drama in both countries has come from Maori and Aboriginal writers and directors working in collaboration with white practitioners. Such collaborations not only advance the project of historiographic drama, but also may form the basis of future theatre practice which departs from the Western tradition and is unique to each of New Zealand and Australia. In Chapter Three I explore the interface between live and recorded performance by comparing plays and films which dramatise similar historical material. I consider the relative effectiveness of theatre and film as media for historiographic critique. I suggest that although film often has a greater cultural impact than theatre, to date live theatre has been a more accessible form of expression for Maori and Aboriginal writers and directors. Furthermore, following theorists such as Brecht and Brook, I argue that such aspects as the presence of the live performer and the design of the physical space shared by actors and audience give theatre considerable potential for creating an immediate engagement with historiographic themes. In Chapter Four, I discuss two contrasting examples of recorded drama in order to highlight the potential of film and television as media for historiographic critique. I question the divisions between the documentary and dramatic genres, and use Derrida�s notion of play to suggest that there is a constant slippage between the dramatic and the real, between the past and the present. In Chapter Five, I summarize the arguments advanced in previous chapters, using the example of the national museum of New Zealand, Te Papa Tongarewa, to illustrate that the �performance� of history has become part of popular culture. Like the interactive displays at Te Papa, the texts studied in this thesis demonstrate that dramatic representation has the potential to re-define perceptions of historical �reality�. With its superior capacity for creating illusion, film is a dynamic medium for exploring the imaginative process of history is that in the live performance the spectator symbolically comes into the presence of the past.
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Poorbagher, Hadi, and n/a. "Life-history ecology of two New Zealand echinoderms with planktotrophic larvae." University of Otago. Department of Marine Science, 2008. http://adt.otago.ac.nz./public/adt-NZDU20081029.160011.
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The importance of parental nutritional status on planktotrophic larvae was investigated in both laboratory-conditioned and field (populations) parents of two New Zealand echinoderms: the sea urchin Pseudechinus huttoni and the starfish Sclerasterias mollis.
Three questions were addressed: (i) Does parental nutritional status affect the reproductive features (gonad index, gametogenesis, fecundity and biochemical composition) both in the laboratory and under natural conditions? (ii) Does parental nutritional status affect egg characteristics (diameter, number, dry weight, fertilization rate and biochemical composition)? (iii) Are the characteristics of larvae (growth, development, morphology, mortality rate and body composition) influenced by parental or larval nutrition (or both)?
To answer the first question, adult P. huttoni and S. mollis were maintained in the laboratory with a low or high diet (in terms of quantity and quality for P. huttoni, and in terms of quantity for S. mollis) for one year. The effect of low and high diets on reproductive features was studied and the same parameters were studied in two parental populations with dissimilar food availability (for P. huttoni: Otago Shelf and Doubtful Sound populations; for S. mollis: Otago inshore and offshore populations). To address the second question, egg characteristics of the laboratory-held and field parents were measured. The third question was answered by rearing larvae of the laboratory and field parents with both low and high concentration planktonic diets.
P. huttoni reared in the laboratory with a higher food ration had greater gonad indices and lipid concentration and larger oocyte area. Sea urchins from the Doubtful Sound population had higher food availability, greater gonad lipid concentration and larger oocytes.
Parental nutrition had some effect on the characteristics of the egg in P. huttoni. The laboratory-held urchins fed a high diet produced larger eggs: P. huttoni from Doubtful Sound produced larger eggs with a greater carbohydrate concentration.
P. huttoni larvae from low-fed laboratory and Otago Shelf parents had faster development The effect of larval nutrition was more important than parental food availability on larval growth and development. Feeding parents in the laboratory had no effect on larval morphology but larvae from Doubtful Sound, which had better food availability, had longer arms relative to body width. A higher cell concentration in the planktonic diet led to shorter larval arm relative to body width.
In S. mollis reared in the laboratory, a higher food ration led to larger gonad and pyloric caeca indices. The starfish from an Otago inshore population mainly had a higher gonad index than those from an Otago offshore population.
In the laboratory-held parents S. mollis, nutrition had no effect on the egg characteristics. In the field, starfish with higher food availability produced smaller eggs with lower carbohydrate concentration.
There was no significant difference between development rates of S. mollis larvae from low and high fed laboratory parents. However, those from the Otago inshore parents, with better food availability, had faster development than the larvae from Otago offshore parents.
In S. mollis larvae, the origin of the parents (either from the laboratory or the field) had no effect on larval shape. A higher concentration planktonic diet led to longer larvae relative to body width in larvae from high-fed laboratory parents.
In both P. huttoni and S. mollis, parental and larval diet had no effect on rate of instantaneous larval mortality.
In both P. huttoni and S. mollis larvae, biochemical composition of the larvae and the egg were different to each other. Egg reserves appear not to be a factor which affects larval characteristics in these species.
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Kontour, Kyle, and n/a. "Making culture or making culture possible : notions of biculturalism in New Zealand 1980s cinema and the role of the New Zealand Film Commission." University of Otago. Department of Communication Studies, 2002. http://adt.otago.ac.nz./public/adt-NZDU20070508.140943.
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In the 1970s and 1980s New Zealand experienced significant socio-economic upheaval due in part to the global economy, economic experiments, and the gains of Maori activism. Despite the divisiveness of this period (or possibly because of it), anxieties over notions of New Zealand national identity were heightened. There was a general feeling among many Kiwis that New Zealand culture (however it was defined) was in danger of extinction, mostly due to the dominant influences of the United states and Britain. New Zealanders sought ways to distinguish themselves and their nation. One of the ways in which this desire was manifested was in the establishment of the New Zealand Film Commission (NZFC). This government sponsored body corporate was designed to provide an infrastructure for New Zealand filmmaking, through which New Zealand and New Zealanders could be represented. As a result, New Zealand filmmaking boomed during the early to mid-1980s. Significantly, this boom occurred simultaneous to the increasing relevance and importance of notions of biculturalism, both in cultural and socio-political terms.
The question that drives this thesis is how (or whether) biculturalism was articulated in the explicit or implicit relationships between cultural debates, governmental policies, the NZFC�s own policies and practices and its interaction with filmmakers. This thesis examines the ways in which aspects of the discourse of biculturalism feature in New Zealand cinema of the 1980s in terms of the content, development, production and marketing of three films of this era that share particular bicultural themes and elements: Utu (Geoff Murphy, 1983), The Quiet Earth (Geoff Murphy, 1985) and Arriving Tuesday (Richard Riddiford, 1986). This thesis also examines the role of the NZFC in these processes as prescribed by legislation and in terms of the NZFC�s own policies and procedures.
This thesis consults a variety of primary and secondary sources in its research. Primary sources include film texts, public documents, archival material, trade journals, and interviews with important figures in the New Zealand film industry.
Conclusions suggest that the interaction of numerous socio-historical factors, and the practices and policies of the NZFC, denote a process that was not direct in its articulation of notions of biculturalism. Rather, this involved an array of complex cultural, fiscal. industrial, professional and aesthetic forces.
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Deed, Stephen, and n/a. "Unearthly landscapes : the development of the cemetery in nineteenth century New Zealand." University of Otago. Department of History, 2005. http://adt.otago.ac.nz./public/adt-NZDU20070627.111502.
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Summary: Written, visual and material evidence demonstrates that the indigenous and immigrant peoples of nineteenth century New Zealand both retained aspects of their traditional burial practices and forms of memorialisation while modifying others in response to their new environmental and social contexts.
Maori had developed a complex set of burial rituals by the beginning of the nineteenth century, practised within the framework of tangihanga. These included primary and secondary burial and limited memorialisation, with practices varying between iwi. Change and continuity characterised the development of Maori burial practices and materials, translated traditional practices into new materials, and new practices into traditional materials. Although urupa came to appear more European, they were still firmly embedded in the framework of tangihanga and notions of tapu.
The nineteenth century settlement of New Zealand occurred at a time of transition in British burial practices, with the traditional churchyard burial ground giving way to the modern cemetery. The predominantly British settlers transplanted both institutions to the colonial context. The cemeteries, churchyards and burial grounds created in nineteenth century New Zealand were influenced by a great number of factors. These included the materials available, the religious and ethnic make up of settler society, regionalism, economic ties, major events, political and social conditions, means of establishment and function.
These processes, events, and influences resulted in a rich yet neglected material culture of urupa, cemeteries, churchyards, burial grounds and lone graves which are today valuable components of our historic and cultural landscapes. Portions of this heritage have already been lost through decay and destruction. Neglect is now the major threat. Part of this neglect is due to the fact that we do not understand our cemeteries, what they show, how and why they have developed over time. Neglect is also engendered by cultural perceptions of what is valuable. While Maori regard urupa and burial places as toanga and sacred sites, Pakeha have tended to ignore their historic cemeteries. Such attitudes have been reflected and enforced by the policy of external agencies such as the New Zealand Historic Places Trust. New Zealand�s nineteenth century cemeteries have a great but under-utilised research potential, which it is important to recognise if we wish to preserve them.
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Beattie, James John, and james beattie@stonebow otago ac nz. "Environmental anxiety in New Zealand, 1850-1920 : settlers, climate, conservation, health, environment." University of Otago. School of Liberal Arts, 2004. http://adt.otago.ac.nz./public/adt-NZDU20051020.183413.
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Using a series of interlocking case-studies, this thesis investigates environmental anxieties in New Zealand�s settler society in the period 1830-1920. A central premise of this study is that the rapid environmental transformation of New Zealand stimulated widespread anxieties and reforms within settler society. These anxieties focussed as much on the changes already begun as on apprehensions of the results of these changes. Applying the concept of environmental anxiety to settler New Zealand expands understandings about colonial culture and its environmental history. It moves debate beyond simple narratives of colonial environmental destruction. Instead, this thesis highlights the ambiguities and complexities of colonial views of the natural world. This thesis points to the insecurities behind seeming Victorian confidence, even arrogance, in the ability of science and technology to bring constant material improvement. Europeans recognised that modern living brought material advantages but that the rapid environmental changes that underpinned these improvements also brought and threatened to bring unwanted outcomes.
A diverse range of settlers worried about the effects of environmental changes. Individuals, institutions, committees, councils, doctors, scientists, artists, governments, engineers and politicians expressed environmental anxieties of one kind or another. Some farmers, politicians and scientists held that deforestation decreased rainfall but increased temperatures. Other scientists and politicians feared that it brought devastating floods and soil erosion. Some Maori, travellers, politicians and scientists held that it destabilised sand that would inundate fertile fields. Councillors, engineers and doctors constantly debated ways of improving the healthiness of towns and cities, areas seen as particularly dangerous places in which to live. Doctors� and settlers� anxieties focused on the effects of New Zealand�s climate on health and racial development. The impact of environmental change on the healthiness of certain areas, as well as the role played by humans in climate change, also provoked lively discussion.
The effects of these anxieties are evident in some of the land policies, artworks, legislation, parliamentary and scientific debates, and writings of this period. Settlers believed curbing pollution, laying out parks, planting trees and restricting the construction of unhealthy properties improved living conditions in cities. Some scientists and politicians thought setting aside forest �climate reserves� in highland areas, tree-planting legislation and sustainable forestry practices prevented flooding and climate change. Individuals and authorities also established sanatoria and spas in particularly healthy spots, such as at the seaside and in high, dry places.
In investigating these topics, this thesis expands the discipline of environmental history, bringing to light the importance of studying urban environments, aesthetics, climate change, desertification and health. It expands the largely �national� narratives of New Zealand�s environmental histories by acknowledging that local environments, events and attitudes as well as global environments, events and attitudes shaped anxieties and policies. Global ideas, often operating at a local level, played a role in reinforcing and providing solutions to New Zealand�s environmental anxieties. This thesis also acknowledges the on-going significance of Christianity in under-girding ideas about improvement and environmental protection. Most significantly, perhaps, this study underlines both that many settlers displayed an emotional attachment to the New Zealand environment and that most colonists wanted to ensure the long-term productivity of its lands.
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Clayton, Neil, and n/a. "Weeds, people and contested places : selected themes from the history of New Zealanders and their weeds 1770-1940." University of Otago. Department of History, 2007. http://adt.otago.ac.nz./public/adt-NZDU20071129.105550.
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This study examines three basic questions. Why did so many familiar floral species with which agricultural people have more or less successfully contested places for some 10,000 years apparently become highly problematic in New Zealand? How did those in whom the developing contest aroused considerable anxiety try to solve the problems they saw emerging? And what were the outcomes of their chosen courses of action? This study is organised around three main themes, science, the law and agricultural practices. Within each theme I take into consideration the ways New Zealanders used particular aspects of these broad disciplines to try to identify, understand and solve the problems they perceived to have been caused by their weedy biota. I also consider the extent to which recourse to these means has helped or hindered the ends they sought.
The methodology adopted for this study is a variation of an 'organisational approach', advocated by the German environmental historian Frank Uekoetter. It focuses on the ways responses to perceived environmental problems are organised within a society. From my use of Uekoetter�s model I conclude that, despite a number of setbacks during the mid to late 19th century, by 1939 New Zealanders had developed highly dynamic processes within their weed science, extending into the wider farming community, by which they could feel their way with some confidence into a future where they might better manage the contest with their weeds, if not actually eradicate them.
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van, de Wijdeven Petronella Johanna Maria, and n/a. "From art souvenir to tourist kitsch : a cultural history of New Zealand Paua shell jewellery until 1981." University of Otago. Department of History, 2009. http://adt.otago.ac.nz./public/adt-NZDU20090429.162501.
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This cultural history of paua shell jewellery redresses the lack of visibility of such objects as a significant part of 20th century New Zealand material culture and provides a basis for a more balanced interpretation beyond its stereotyping as tourist kitsch. It questions why quality paua shell jewellery made before the late 1960s failed to gain recognition with most New Zealanders until fairly recently as anything other than tourist souvenirs.
Over 1,500 items of paua shell jewellery, mainly in private collections, formed the basis for this multidisciplinary research project that incorporates historical, anthropological and material culture studies approaches to write a cultural history of such jewellery. The objects were photographed and where available, their provenance recorded. A visual analysis of the items - paying attention to details of design and construction - established various, often overlapping categories that facilitated the dating and identification process. Gradually, a picture of the production of paua shell jewellery over the decades emerged. The wider socio-cultural context was then built using archival sources, various publications, conversations with one-time industry representatives, and discussions with original owners of paua shell jewellery. Interpretation of the material established multiple roles for paua shell jewellery over the decades for various groups of people.
Changes over time provided insights into aspects of identity creation by New Zealanders. Until the 1920s, the shell�s main role had been as a European applied arts material and as inlay for Maori woodcarvings. Paua shell as a commercial souvenir material developed during the Depression and was shaped by the interaction between an emerging nationalism and a democratising of travel in New Zealand. Paua shell native bird brooches functioned as affordable alternatives to greenstone souvenirs for the working-class tourists that began exploring their own country.
In addition to its role as emblems of nationhood in the interwar years, paua shell jewellery had meaning as souvenirs for American servicemen stationed in New Zealand during the War, and as patriotic tokens for its own population due to its association with disabled servicemen. Paua shell jewellery functioned as acknowledgement of settlement for European immigrants in the post war era, and as travel memento for trans-Tasman tourists from the mid 1950s. New Zealand girls received paua shell items as first jewellery, and women wore it as dress or costume jewellery.
Until the increase of tourism in the 1960s, paua shell jewellery had existed on a number of planes. The exploitation of paua shell by the tourist industry, however, upset the balance and its dominance as souvenir forced a retreat of alternative uses. Other than as tourist souvenir, paua shell jewellery became invisible to the local population. Their withdrawal from an association with paua shell as a cultural marker of national identity explains why so many New Zealanders were uncertain about liking or disliking paua shell jewellery until recently.
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Williamson, Dale, and n/a. "An uncomfortable engagement : the charismatic movement in the New Zealand Anglican Church 1965-85." University of Otago. Department of Theology and Religious Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080904.091942.
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This thesis traces the uncomfortable relationship between a mainstream Christian denomination in New Zealand, the Anglican Church, and a movement of religious enthusiasm, the Charismatic Movement. The institutional Anglican Church�s struggle with the movement went through different stages from initial discomfort and concern, to some cautious acceptance before moving to marginalise it. This marginalisation led to the creation of Anglican Renewal Ministries New Zealand (ARMNZ), an Anglican charismatic institution within the Anglican Church.
The reasons for this "struggle to embrace" were that the movement originated, and was resourced from, outside the institutional New Zealand Anglican Church structures; fulfilled needs that the institutional Church in New Zealand was perceived as having failed to fulfil; introduced beliefs and practices perceived as "un-Anglican;" and competed with other initiatives within the New Zealand Anglican Church. This uncomfortable relationship contributed to the failure of the Charismatic leaders to renew spiritually the whole New Zealand Anglican Church. The movement however, helped to broaden the scope of New Zealand Anglicanism and left a legacy of some large charismatic churches.
This is the first substantial study of the Charismatic Movement in the New Zealand Anglican Church covering the period from the emergence of the movement in the mid-1960s, through the growth years in the 1970s marked by the formation of a national and ecumenical charismatic agency (Christian Advance Ministries), to the establishment of the Charismatic Movement as an institution within the Anglican Church in the early 1980s.
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Mackay, Christopher Don, and n/a. "Sepulture perpetuelle : New Zealand and Gallipoli : possession, preservation and pilgrimage 1916-1965." University of Otago. Department of History, 2006. http://adt.otago.ac.nz./public/adt-NZDU20070504.145719.
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Constructions of memory, myth and legend relating to Gallipoli have dominated the academic assumption which suggests that this dimension alone has allowed for the reawakening of the exceptional interest in the Anzac tradition; a tradition that has converged at the physical site in modern day Turkey. While these intangible constructions have waxed, waned, and re-emerged over the Twentieth Century, possessing the site to commence the construction of an Anzac Battlefield Cemetery has been ignored in academic enquiry. This significant series of events from 1916 to 1965 were indispensable to memory perpetuation and essential to the commemorative primacy that this preserved headland now enjoys. The desire to repossess, and then own in perpetuity the battlefield in order to attach the appropriate masonry adornments, is in itself unique. This dimension has not been academically scrutinised by any historian until now. Nor has the deliberate desire to construct an Anzac shrine that would someday attract pilgrims from the Antipodes been studied. Present day site-sacralisation by rite-of-passage pilgrims, thoroughly emersed in the Anzac tradition, suggests the convergence of the two dimensions is complete.
To counteract this problem of the �hegemony of the intangibles� this thesis explores primary sources, gleaned largely from archival records, then evaluates the significance of the history of �physical Gallipoli.� Thematic approaches based upon the lines of possession, preservation and pilgrimage argue that this parallel dimension has played an indispensable role in shaping the end result today. Tens of thousands Australasian travellers now flock to this preserved battlefield to encounter the actual physicality of the tradition. The battlefield cemetery, complete with botanical emblems of ownership, had been out of the reach of the very generation who had created, acquired and constructed the battlefield landscape. The New Zealand public had to be content with assorted forms of vicarious pilgrimage coupled with widespread domestic memorialisation.
New Zealand�s post-evacuation experience at Gallipoli became a story completely distinctive from that of Australia or Great Britain. The deliberately constructed Anzac Battlefield Cemetery is a unique landscape artefact that a proud but mournful generation set out to create. They eventually achieved this end by a complicated mixture of conquest, occupation, careful preservation, and commemorative ownership. These efforts were assisted by the vagaries of economic happenstance and international politics that left this remote Peninsula isolated and off-limits to human encounter. Fortuitously frozen in time, this landscape artefact, so steeped in Classical history, has emerged as one of the most sacred, and perhaps the most recognisable, geographic features associated with Australasia. Overriding these plans for shrine construction had been the stated goal of securing a reverent final resting place for those who fell during the creation of the Anzac legend in 1915. Sepulture perpetuelle became the post-evacuation catchphrase that propelled this Great War generation to go almost to the brink of war to secure the principles of this phrase. This lofty goal of permanence, by passage of time and the re-appropriation of nature, had mercifully been completed before the current �second invasion� that commenced in the 1980s. The Anzac Battlefield Cemetery is now a victim of its own very successful physical preservation.
Books on the topic "Public New Zealand History"
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1963-, Dalley Bronwyn, and Phillips Jock, eds. Going public: The changing face of New Zealand history. Auckland, N.Z: Auckland University Press, 2001.
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Roy, Shuker, ed. In the public good?: Censorship in New Zealand. Palmerston North, N.Z: Dunmore Press, 1998.
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New Zealand. Dept. of Health., New Zealand. Ministry of Health., and New Zealand. Dept. of Internal Affairs. Historical Branch, eds. Safeguarding the public health: A history of the New Zealand Department of Health. Wellington, N.Z: Victoria University Press, in association with the Ministry of Health and with the assistance of the Historical Branch, Dept. of Internal Affairs, 1995.
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Tennant, Margaret. Paupers and providers: Charitable aid in New Zealand. Wellington: Allen & Unwin : Historical Branch, 1989.
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author, Blakely Tony, ed. The healthy country?: A history of life & death in New Zealand. Auckland, New Zealand: Auckland University Press, 2014.
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Government printing in New Zealand, 1840 to 1843. Wellington, N.Z: Elibank Press, 1995.
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McKinnon, Malcolm. Treasury: The New Zealand Treasury, 1840-2000. Auckland, N.Z: Auckland University Press in association with the Ministry for Culture and Heritage, 2003.
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Institute of Public Administration New Zealand, ed. Spirit of service: A history of the Institute of Public Administration New Zealand, 1936-2006. Wellington, N.Z.]: Institute of Public Administration New Zealand, 2006.
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Shaping Godzone: Public issues and church voices in New Zealand 1840-2000. Wellington, [N.Z.]: Victoria University Press, 2011.
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Warren, Julie A. N. New Zealand historic and cultural heritage: An exploratory study of public perceptions and expectations. Wellington, NZ: Centre for Research, Evaluation and Social Assessment (CRESA), 2000.
Find full textBook chapters on the topic "Public New Zealand History"
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Orchiston, Wayne. "The 1885 Total Solar Eclipse: An Amazing Public Spectacle." In Exploring the History of New Zealand Astronomy, 447–79. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-22566-1_16.
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Dalley, Bronwyn. "Shades of Grey: Public History and Government in New Zealand." In People and their Pasts, 74–90. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234468_5.
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Snelling, Jeanne, and John McMillan. "Antisocial Personality Disorders and Public Protection Orders in New Zealand." In History, Philosophy and Theory of the Life Sciences, 43–57. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-82454-9_4.
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Massey, Patrick. "Public-Sector Reform." In New Zealand, 129–55. London: Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-23927-6_6.
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Mcglone, Matthew S. "New Zealand." In Vegetation history, 557–99. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-3081-0_15.
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Metcalf, G. "New Zealand." In Handbook for History Teachers, 979–80. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-167.
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Francis, D. J. "New Zealand." In Handbook for History Teachers, 429–30. London: Routledge, 2021. http://dx.doi.org/10.4324/9781032163840-52.
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Macdonald, Charlotte. "Emily’s Dream: a Women’s Memorial Building and a History Without Walls: Citizenship and the Politics of Public Remembrance in 1930s–40s New Zealand." In Women's Rights and Human Rights, 168–83. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780333977644_11.
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Mackie, Thomas T., and Richard Rose. "New Zealand." In The International Almanac of Electoral History, 340–55. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-09851-4_18.
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Sheehan, Mark. "New Zealand." In The Palgrave Handbook of Conflict and History Education in the Post-Cold War Era, 403–12. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-05722-0_31.
Full textConference papers on the topic "Public New Zealand History"
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Stevens, Quentin. "A Brief History of the Short-Term Parklet in Australia." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a4018pognw.
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This paper examines the history within Australia of the ‘parklet’, a small architecturally-framed open space installed temporarily on an on-street car-parking space. The paper traces parklets’ varied and evolving forms, materials, production processes and functions. It examines how parklets have adapted to rapidly-changing social needs and priorities for economic activity, health, safety, socialising and on-street parking, and changes in street function. The contemporary parklet began in 2005 as a localised, grassroots activity to temporarily reclaim street space for public leisure, as part of the wider movement of ‘tactical urbanism’. Parklets rapidly became a worldwide phenomenon. Starting in 2008, parklets were absorbed into institutional urban planning practice, as a strategic tool to enhance community engagement, test possibilities, and win support for longer-term spatial transformations. From 2012, commercial parklet programs were developed in Australian cities to encourage local businesses to expand into street parking spaces, to calm traffic and enhance pedestrian amenity. A new generation of commercial ‘café parklets’ has emerged during the COVID-19 pandemic, facilitated by local governments, to support the heavily-impacted hospitality industry. Their design and construction show ongoing innovation, increasing scale and professionalism, but also standardisation. This paper draws on diverse Australian parklet examples to chart the emergence of varying approaches to their design and construction, which draw upon different materials, skills, local government strategies and international precedents. The findings also illustrate several convergences in the evolution of parklet design across different Australian cities, due to strong similarities in the spatial contexts, needs, risk factors, and technologies that have defined this practice.
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Hogben, Paul. "The Making of a Newcastle Modernist: The Early House Designs of Sydney C. Morton." In The 38th Annual Conference of the Society of Architectural Historians Australia and New Zealand. online: SAHANZ, 2022. http://dx.doi.org/10.55939/a3982p26oy.
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In his article series “Modern Homes of Newcastle”, published in the Newcastle Morning Herald between 1961 and 1964, journalist Alan Farrelly wrote about the contemporary domestic architecture of Newcastle and its surrounds and in doing so brought public attention to the work of a generation of the city’s younger architects. Prominent amongst these was Sydney Charles Morton who had four houses of his own design featured in the series. These houses stand out for their bold modernist appearance involving stark rectilinear forms, light-weight construction, flat roofs and large amounts of glazing. For readers of the newspaper, they were an illustration of how far residential design in their region had come. This paper looks at the pre-history of these houses in the early domestic work of Morton which included the design of ‘Orana’, or what locally became known as “the chicken coop”. In the context of early 1950s Newcastle, where pitched roof, brick and tile homes were standard, ‘Orana’ certainly represented a radical departure and rethinking of the modern house. Like that of many of his generation, Morton’s work, and in particular his breakthrough project in ‘Orana’, occupies a position of ‘ultra’ defiance against convention. The aim of this paper is to understand how this position developed and grew in strength within his time as a student at Sydney Technical College and within his early practice.
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Titenko, I., and I. Virshylo. "Burial History Modeling of the Taranaki Basin (New Zealand)." In 15th EAGE International Conference on Geoinformatics - Theoretical and Applied Aspects. Netherlands: EAGE Publications BV, 2016. http://dx.doi.org/10.3997/2214-4609.201600498.
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Dacey, Simon, Robert Barbour, and Achela Fernando. "Participatory land use management of public spaces in New Zealand." In 2011 Joint Urban Remote Sensing Event (JURSE). IEEE, 2011. http://dx.doi.org/10.1109/jurse.2011.5764811.
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Chen, Aurora, Niluka Domingo, and James Olabode Bamidele Rotimi. "New Zealand Public-Housing Project Tender Price Forecast: Preliminary Findings." In Rangahau Horonuku Hou – New Research Landscapes, Unitec/MIT Research Symposium 2021. Unitec ePress, 2022. http://dx.doi.org/10.34074/proc.2206012.
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To make house prices affordable to first-home buyers on low-to-medium incomes, one of the solutions is the capped cost of public-housing projects. The accepted tender price forms the major portion of final project cost, and the level of the accuracy of the project’s tender price determines the possibility of achieving the cost cap. Hence, exploring and developing effective tender price forecasting tools is worth researching. To achieve this goal, the literature suggests that an understanding of the tools and factors affecting the accuracy of public-housing tender price is crucial. There is little to no research into tender price forecasting tools and the factors affecting the accuracy and efficiency of public-housing tender prices in the context of Tāmaki Makaurau Auckland, Aotearoa New Zealand. This research aims to fill some of this gap. It is a first step in an ongoing programme of research that aims to develop a public-housing project tender-forecast tool. The research aims to identify the possible tender price forecasting tools and the factors significantly affecting the accuracy of public-housing project tender prices in the context of Tāmaki Makaurau Auckland, Aotearoa New Zealand. Preliminary interviews were carried out. The sample was limited to experts with at least five years’ public-housing tender experience in the Aotearoa New Zealand context. The frequency method was adopted to carry out data analysis. All preliminary interview participants agreed that material cost, labour cost and quality of design information were the top three factors significantly affecting the accuracy of the tender price. The research identifies loopholes in the current public-housing project tender practices in the context of the Tāmaki Makaurau Auckland public-housing sector. The main contribution of this research is providing insights for public-housing project cost estimators who aim to balance the accuracy of tender price and the efficiency of tender process, by using the research findings to select the appropriate tendering forecast tools. The research also provides a base for future research to develop tender forecasting tools by using information gaps and current industry practice findings. The data collected from this preliminary research are subjective; participants measured the importance of factors based on their own subjective opinions. There is no guarantee that the data collected fully reflect the opinions of the whole public-housing sector in the context of Tāmaki Makaurau Auckland. To overcome this limitation, the researchers will develop a questionnaire, and invite more eligible experts to complete questionnaire as the next research step.
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Lips, Miriam, and Anita Rapson. "Exploring Public Recordkeeping Behaviors in Wiki-Supported Public Consultation Activities in the New Zealand Public Sector." In 2010 43rd Hawaii International Conference on System Sciences. IEEE, 2010. http://dx.doi.org/10.1109/hicss.2010.453.
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Bailey, Donald G. "History and Evolution of Single Pass Connected Component Analysis." In 2020 35th International Conference on Image and Vision Computing New Zealand (IVCNZ). IEEE, 2020. http://dx.doi.org/10.1109/ivcnz51579.2020.9290585.
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Stanley, Teresa, and Mick Kearney. "61 Standardising public rescue equipment for bystanders and emergency personnel in New Zealand." In 14th World Conference on Injury Prevention and Safety Promotion (Safety 2022) abstracts. BMJ Publishing Group Ltd, 2022. http://dx.doi.org/10.1136/injuryprev-2022-safety2022.22.
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Mills, Steven. "Pointing-Based Calibration of a Pointing Interface for Public Displays." In 2021 36th International Conference on Image and Vision Computing New Zealand (IVCNZ). IEEE, 2021. http://dx.doi.org/10.1109/ivcnz54163.2021.9653203.
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Guanyu, Ye, and Lou Silu. "Notice of Retraction: The performances of smallcap initial public offerings evidence in New Zealand." In 2011 International Conference on E-Business and E-Government (ICEE). IEEE, 2011. http://dx.doi.org/10.1109/icebeg.2011.5881424.
Full textReports on the topic "Public New Zealand History"
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Blakeley, John. Development of Engineering Qualifications in New Zealand: A Brief History. Unitec ePress, February 2016. http://dx.doi.org/10.34074/ocds.027.
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Post 1840, New Zealand’s early engineers had mainly trained in Britain prior to emigrating. The need for educating and training young engineers was soon recognised. This was initially done by means of a young engineer working under the close supervision of an older, experienced engineer, usually in a cadetship arrangement. Correspondence courses from the British engineering institutions became available from 1897. Several technical colleges in New Zealand implemented night classes to assist students who were preparing for the associated examinations. The first School of Engineering was established at Canterbury University College in 1887. Teaching of engineering, initially within a School of Mines, commenced at Auckland University College in 1906. Engineering degrees did not become available from other universities in New Zealand until the late 1960s. The New Zealand Certificate in Engineering (NZCE) was introduced as a lower level of engineering qualification in the late 1950s and was replaced by a variety of two-year Diploma in Engineering qualifications from 2000, now consolidated together and known as the New Zealand Diploma in Engineering (NZDE) and taught at fifteen institutions throughout New Zealand from 2011. At an intermediate level, the three-year Bachelor of Engineering Technology degree qualification (BEngTech) was also introduced from 2000 and is now taught at seven institutes of technology and polytechnics, and the Auckland University of Technology.
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S. Abdellatif, Omar, Ali Behbehani, and Mauricio Landin. New Zealand COVID-19 Governmental Response. UN Compliance Research Group, July 2021. http://dx.doi.org/10.52008/nz0501.
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The International Health Regulations (2005) are legally binding on 196 States Parties, Including all WHO Member States. The IHR aims to keep the world informed about public health risks, through committing all signatories to cooperate together in combating any future “illness or medical condition, irrespective of origin or source, that presents or could present significant harm to humans.” Under IHR, countries agreed to strengthen their public health capacities and notify the WHO of any such illness in their populations. The WHO would be the centralized body for all countries facing a health threat, with the power to declare a “public health emergency of international concern,” issue recommendations, and work with countries to tackle a crisis. Although, with the sudden and rapid spread of COVID-19 in the world, many countries varied in implementing the WHO guidelines and health recommendations. While some countries followed the WHO guidelines, others imposed travel restrictions against the WHO’s recommendations. Some refused to share their data with the organization. Others banned the export of medical equipment, even in the face of global shortages. The UN Compliance Research group will focus during the current cycle on analyzing the compliance of the WHO member states to the organizations guidelines during the COVID-19 pandemic.
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Bolstad, Rachel. Game-coding workshops in New Zealand public libraries: Evaluation of a pilot project. New Zealand Council for Educational Research, May 2016. http://dx.doi.org/10.18296/rep.0002.
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Gush, Jason, Adam Jaffe, Victoria Larsen, and Athene Laws. The Effect of Public Funding on Research Output: the New Zealand Marsden Fund. Cambridge, MA: National Bureau of Economic Research, October 2015. http://dx.doi.org/10.3386/w21652.
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Gattenhof, Sandra, Donna Hancox, Sasha Mackay, Kathryn Kelly, Te Oti Rakena, and Gabriela Baron. Valuing the Arts in Australia and Aotearoa New Zealand. Queensland University of Technology, December 2022. http://dx.doi.org/10.5204/rep.eprints.227800.
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The arts do not exist in vacuum and cannot be valued in abstract ways; their value is how they make people feel, what they can empower people to do and how they interact with place to create legacy. This research presents insights across Australia and Aotearoa New Zealand about the value of arts and culture that may be factored into whole of government decision making to enable creative, vibrant, liveable and inclusive communities and nations. The COVID-19 pandemic has revealed a great deal about our societies, our collective wellbeing, and how urgent the choices we make now are for our futures. There has been a great deal of discussion – formally and informally – about the value of the arts in our lives at this time. Rightly, it has been pointed out that during this profound disruption entertainment has been a lifeline for many, and this argument serves to re-enforce what the public (and governments) already know about audience behaviours and the economic value of the arts and entertainment sectors. Wesley Enoch stated in The Saturday Paper, “[m]etrics for success are already skewing from qualitative to quantitative. In coming years, this will continue unabated, with impact measured by numbers of eyeballs engaged in transitory exposure or mass distraction rather than deep connection, community development and risk” (2020, 7). This disconnect between the impact of arts and culture on individuals and communities, and what is measured, will continue without leadership from the sector that involves more diverse voices and perspectives. In undertaking this research for Australia Council for the Arts and Manatū Taonga Ministry for Culture & Heritage, New Zealand, the agreed aims of this research are expressed as: 1. Significantly advance the understanding and approaches to design, development and implementation of assessment frameworks to gauge the value and impact of arts engagement with a focus on redefining evaluative practices to determine wellbeing, public value and social inclusion resulting from arts engagement in Australia and Aotearoa New Zealand. 2. Develop comprehensive, contemporary, rigorous new language frameworks to account for a multiplicity of understandings related to the value and impact of arts and culture across diverse communities. 3. Conduct sector analysis around understandings of markers of impact and value of arts engagement to identify success factors for broad government, policy, professional practitioner and community engagement. This research develops innovative conceptual understandings that can be used to assess the value and impact of arts and cultural engagement. The discussion shows how interaction with arts and culture creates, supports and extends factors such as public value, wellbeing, and social inclusion. The intersection of previously published research, and interviews with key informants including artists, peak arts organisations, gallery or museum staff, community cultural development organisations, funders and researchers, illuminates the differing perceptions about public value. The report proffers opportunities to develop a new discourse about what the arts contribute, how the contribution can be described, and what opportunities exist to assist the arts sector to communicate outcomes of arts engagement in Australia and Aotearoa New Zealand.
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Craw, Jack. OPINION: Focus and Performance in Managing Post-border Security in New Zealand. Unitec ePress, December 2015. http://dx.doi.org/10.34074/pibs.rs32015.
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The New Zealand public, its industries and the conservation sector, are greatly concerned about the state of national biosecurity protection, awareness and system performance – and rightly so. Scarcely a day goes by without a new story in the media about a biosecurity breach, a pest, a threat or a related impact on the economy, biodiversity, human health or lifestyles. The vast majority of this public focus is on issues at the national border. Yet the greatest number and cost of biosecurity programmes in New Zealand, and the greatest impact on citizens’ wallets, are the many pest management programmes developed and implemented by regional and unitary councils.These programmes tend to be largely ignored by the national media, possibly because they are implemented by 17 disparate regional and unitary councils (hereafter referred to as councils), and possibly because most of the programmes are unspectacular, business-as-usual, necessary activities that help to keep farming profitable, the environment liveable and conservation achievable.
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Alach, Zhivan. Grounding Practice in Theory: The Development of a Literature-based Performance Framework in New Zealand Local Government. Unitec ePress, May 2016. http://dx.doi.org/10.34074/ocds.058.
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Performance measurement is a subject of some importance within the public sector. This study examines the design and development of a performance measurement framework within a local government department. It used a narrative case study approach to follow the process used by the design team involved. The design team began by examining the performance literature at a number of levels, and from this distilled eight design principles, from which they built a performance measurement framework. The design team encountered a number of challenges during this process; challenges they expected based on the literature. From the experiences of the design team, a number of hypotheses suitable for further testing have been derived. This study provides useful advice for performance measurement professionals within the public sector in developing frameworks grounded in theory, whether at the central or local government level.
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Donaghey, S., S. Berman, and N. Seja. More Than A War: Remembering 1914-1918. Unitec ePress, May 2016. http://dx.doi.org/10.34074/emed.035.
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More Than a War: Remembering 1914-1918 presents a creative juxtaposition of digital platforms—a combination of audio, video, archival images, soundscapes, and social media, among others—to tell the stories from 1914–1918 a century later. Led by Sara Donaghey, Sue Berman and Nina Seja, the transmedia project brings together staff and students from Unitec Institute of Technology’s Department of Communication Studies and Auckland Libraries to provide a unique oral contribution to recording the history of Aotearoa New Zealand in The First World War.
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Crystal, Victoria, Justin Tweet, and Vincent Santucci. Yucca House National Monument: Paleontological resource inventory (public version). National Park Service, May 2022. http://dx.doi.org/10.36967/nrr-2293617.
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Yucca House National Monument (YUHO) in southwestern Colorado protects unexcavated archeological structures that were constructed by the Ancestral Puebloan people between 1050 and 1300 CE. It was established by Woodrow Wilson by presidential proclamation in 1919 and named “Yucca House” by archeologist Jesse Fewkes as a reference to the names used for this area by the local Ute, Tewa Pueblo, and other Native groups. It was originally only 3.9 ha (9.6 ac) of land, but in 1990, an additional 9.7 ha (24 ac) of land was donated by Hallie Ismay, allowing for the protection of additional archeological resources. Another acquisition of new land is currently underway, which will allow for the protection of even more archeological sites. The archeological resources at YUHO remain unexcavated to preserve the integrity of the structures and provide opportunities for future generations of scientists. One of the factors that contributed to the Ancestral Puebloans settling in the area was the presence of natural springs. These springs likely provided enough water to sustain the population, and the Ancestral Puebloans built structures around one of the larger springs, Aztec Spring. Yet, geologic features and processes were shaping the area of southwest Colorado long before the Ancestral Puebloans constructed their dwellings. The geologic history of YUHO spans millions of years. The oldest geologic unit exposed in the monument is the Late Cretaceous Juana Lopez Member of the Mancos Shale. During the deposition of the Mancos Shale, southwestern Colorado was at the bottom of an inland seaway. Beginning about 100 million years ago, sea level rose and flooded the interior of North America, creating the Western Interior Seaway, which hosted a thriving marine ecosystem. The fossiliferous Juana Lopez Member preserves this marine environment, including the organisms that inhabited it. The Juana Lopez Member has yielded a variety of marine fossils, including clams, oysters, ammonites, and vertebrates from within YUHO and the surrounding area. There are four species of fossil bivalves (the group including clams and oysters) found within YUHO: Cameleolopha lugubris, Inoceramus dimidius, Inoceramus perplexus, and Pycnodonte sp. or Rhynchostreon sp. There are six species of ammonites in three genera found within YUHO: Baculites undulatus, Baculites yokoyamai, Prionocyclus novimexicanus, Prionocyclus wyomingensis, Scaphites warreni, and Scaphites whitfieldi. There is one unidentifiable vertebrate bone that has been found in YUHO. Fossils within YUHO were first noticed in 1875–1876 by W. H. Holmes, who observed fossils within the building stones of the Ancestral Puebloans’ structures. Nearly half of the building stones in the archeological structures at YUHO are fossiliferous slabs of the Juana Lopez Member. There are outcrops of the Juana Lopez 0.8 km (0.5 mi) to the west of the structures, and it is hypothesized that the Ancestral Puebloans collected the building stones from these or other nearby outcrops. Following the initial observation of fossils, very little paleontology work has been done in the monument. There has only been one study focused on the paleontology and geology of YUHO, which was prepared by paleontologist Mary Griffitts in 2001. As such, this paleontological resource inventory report serves to provide information to YUHO staff for use in formulating management activities and procedures associated with the paleontological resources. In 2021, a paleontological survey of YUHO was conducted to revisit previously known fossiliferous sites, document new fossil localities, and assess collections of YUHO fossils housed at the Mesa Verde National Park Visitor and Research Center. Notable discoveries made during this survey include: several fossils of Cameleolopha lugubris, which had not previously been found within YUHO; and a fossil of Pycnodonte sp. or Rhynchostreon sp. that was previously unknown from within YUHO.
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Rankin, Nicole, Deborah McGregor, Candice Donnelly, Bethany Van Dort, Richard De Abreu Lourenco, Anne Cust, and Emily Stone. Lung cancer screening using low-dose computed tomography for high risk populations: Investigating effectiveness and screening program implementation considerations: An Evidence Check rapid review brokered by the Sax Institute (www.saxinstitute.org.au) for the Cancer Institute NSW. The Sax Institute, October 2019. http://dx.doi.org/10.57022/clzt5093.
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Background Lung cancer is the number one cause of cancer death worldwide.(1) It is the fifth most commonly diagnosed cancer in Australia (12,741 cases diagnosed in 2018) and the leading cause of cancer death.(2) The number of years of potential life lost to lung cancer in Australia is estimated to be 58,450, similar to that of colorectal and breast cancer combined.(3) While tobacco control strategies are most effective for disease prevention in the general population, early detection via low dose computed tomography (LDCT) screening in high-risk populations is a viable option for detecting asymptomatic disease in current (13%) and former (24%) Australian smokers.(4) The purpose of this Evidence Check review is to identify and analyse existing and emerging evidence for LDCT lung cancer screening in high-risk individuals to guide future program and policy planning. Evidence Check questions This review aimed to address the following questions: 1. What is the evidence for the effectiveness of lung cancer screening for higher-risk individuals? 2. What is the evidence of potential harms from lung cancer screening for higher-risk individuals? 3. What are the main components of recent major lung cancer screening programs or trials? 4. What is the cost-effectiveness of lung cancer screening programs (include studies of cost–utility)? Summary of methods The authors searched the peer-reviewed literature across three databases (MEDLINE, PsycINFO and Embase) for existing systematic reviews and original studies published between 1 January 2009 and 8 August 2019. Fifteen systematic reviews (of which 8 were contemporary) and 64 original publications met the inclusion criteria set across the four questions. Key findings Question 1: What is the evidence for the effectiveness of lung cancer screening for higher-risk individuals? There is sufficient evidence from systematic reviews and meta-analyses of combined (pooled) data from screening trials (of high-risk individuals) to indicate that LDCT examination is clinically effective in reducing lung cancer mortality. In 2011, the landmark National Lung Cancer Screening Trial (NLST, a large-scale randomised controlled trial [RCT] conducted in the US) reported a 20% (95% CI 6.8% – 26.7%; P=0.004) relative reduction in mortality among long-term heavy smokers over three rounds of annual screening. High-risk eligibility criteria was defined as people aged 55–74 years with a smoking history of ≥30 pack-years (years in which a smoker has consumed 20-plus cigarettes each day) and, for former smokers, ≥30 pack-years and have quit within the past 15 years.(5) All-cause mortality was reduced by 6.7% (95% CI, 1.2% – 13.6%; P=0.02). Initial data from the second landmark RCT, the NEderlands-Leuvens Longkanker Screenings ONderzoek (known as the NELSON trial), have found an even greater reduction of 26% (95% CI, 9% – 41%) in lung cancer mortality, with full trial results yet to be published.(6, 7) Pooled analyses, including several smaller-scale European LDCT screening trials insufficiently powered in their own right, collectively demonstrate a statistically significant reduction in lung cancer mortality (RR 0.82, 95% CI 0.73–0.91).(8) Despite the reduction in all-cause mortality found in the NLST, pooled analyses of seven trials found no statistically significant difference in all-cause mortality (RR 0.95, 95% CI 0.90–1.00).(8) However, cancer-specific mortality is currently the most relevant outcome in cancer screening trials. These seven trials demonstrated a significantly greater proportion of early stage cancers in LDCT groups compared with controls (RR 2.08, 95% CI 1.43–3.03). Thus, when considering results across mortality outcomes and early stage cancers diagnosed, LDCT screening is considered to be clinically effective. Question 2: What is the evidence of potential harms from lung cancer screening for higher-risk individuals? The harms of LDCT lung cancer screening include false positive tests and the consequences of unnecessary invasive follow-up procedures for conditions that are eventually diagnosed as benign. While LDCT screening leads to an increased frequency of invasive procedures, it does not result in greater mortality soon after an invasive procedure (in trial settings when compared with the control arm).(8) Overdiagnosis, exposure to radiation, psychological distress and an impact on quality of life are other known harms. Systematic review evidence indicates the benefits of LDCT screening are likely to outweigh the harms. The potential harms are likely to be reduced as refinements are made to LDCT screening protocols through: i) the application of risk predication models (e.g. the PLCOm2012), which enable a more accurate selection of the high-risk population through the use of specific criteria (beyond age and smoking history); ii) the use of nodule management algorithms (e.g. Lung-RADS, PanCan), which assist in the diagnostic evaluation of screen-detected nodules and cancers (e.g. more precise volumetric assessment of nodules); and, iii) more judicious selection of patients for invasive procedures. Recent evidence suggests a positive LDCT result may transiently increase psychological distress but does not have long-term adverse effects on psychological distress or health-related quality of life (HRQoL). With regards to smoking cessation, there is no evidence to suggest screening participation invokes a false sense of assurance in smokers, nor a reduction in motivation to quit. The NELSON and Danish trials found no difference in smoking cessation rates between LDCT screening and control groups. Higher net cessation rates, compared with general population, suggest those who participate in screening trials may already be motivated to quit. Question 3: What are the main components of recent major lung cancer screening programs or trials? There are no systematic reviews that capture the main components of recent major lung cancer screening trials and programs. We extracted evidence from original studies and clinical guidance documents and organised this into key groups to form a concise set of components for potential implementation of a national lung cancer screening program in Australia: 1. Identifying the high-risk population: recruitment, eligibility, selection and referral 2. Educating the public, people at high risk and healthcare providers; this includes creating awareness of lung cancer, the benefits and harms of LDCT screening, and shared decision-making 3. Components necessary for health services to deliver a screening program: a. Planning phase: e.g. human resources to coordinate the program, electronic data systems that integrate medical records information and link to an established national registry b. Implementation phase: e.g. human and technological resources required to conduct LDCT examinations, interpretation of reports and communication of results to participants c. Monitoring and evaluation phase: e.g. monitoring outcomes across patients, radiological reporting, compliance with established standards and a quality assurance program 4. Data reporting and research, e.g. audit and feedback to multidisciplinary teams, reporting outcomes to enhance international research into LDCT screening 5. Incorporation of smoking cessation interventions, e.g. specific programs designed for LDCT screening or referral to existing community or hospital-based services that deliver cessation interventions. Most original studies are single-institution evaluations that contain descriptive data about the processes required to establish and implement a high-risk population-based screening program. Across all studies there is a consistent message as to the challenges and complexities of establishing LDCT screening programs to attract people at high risk who will receive the greatest benefits from participation. With regards to smoking cessation, evidence from one systematic review indicates the optimal strategy for incorporating smoking cessation interventions into a LDCT screening program is unclear. There is widespread agreement that LDCT screening attendance presents a ‘teachable moment’ for cessation advice, especially among those people who receive a positive scan result. Smoking cessation is an area of significant research investment; for instance, eight US-based clinical trials are now underway that aim to address how best to design and deliver cessation programs within large-scale LDCT screening programs.(9) Question 4: What is the cost-effectiveness of lung cancer screening programs (include studies of cost–utility)? Assessing the value or cost-effectiveness of LDCT screening involves a complex interplay of factors including data on effectiveness and costs, and institutional context. A key input is data about the effectiveness of potential and current screening programs with respect to case detection, and the likely outcomes of treating those cases sooner (in the presence of LDCT screening) as opposed to later (in the absence of LDCT screening). Evidence about the cost-effectiveness of LDCT screening programs has been summarised in two systematic reviews. We identified a further 13 studies—five modelling studies, one discrete choice experiment and seven articles—that used a variety of methods to assess cost-effectiveness. Three modelling studies indicated LDCT screening was cost-effective in the settings of the US and Europe. Two studies—one from Australia and one from New Zealand—reported LDCT screening would not be cost-effective using NLST-like protocols. We anticipate that, following the full publication of the NELSON trial, cost-effectiveness studies will likely be updated with new data that reduce uncertainty about factors that influence modelling outcomes, including the findings of indeterminate nodules. Gaps in the evidence There is a large and accessible body of evidence as to the effectiveness (Q1) and harms (Q2) of LDCT screening for lung cancer. Nevertheless, there are significant gaps in the evidence about the program components that are required to implement an effective LDCT screening program (Q3). Questions about LDCT screening acceptability and feasibility were not explicitly included in the scope. However, as the evidence is based primarily on US programs and UK pilot studies, the relevance to the local setting requires careful consideration. The Queensland Lung Cancer Screening Study provides feasibility data about clinical aspects of LDCT screening but little about program design. The International Lung Screening Trial is still in the recruitment phase and findings are not yet available for inclusion in this Evidence Check. The Australian Population Based Screening Framework was developed to “inform decision-makers on the key issues to be considered when assessing potential screening programs in Australia”.(10) As the Framework is specific to population-based, rather than high-risk, screening programs, there is a lack of clarity about transferability of criteria. However, the Framework criteria do stipulate that a screening program must be acceptable to “important subgroups such as target participants who are from culturally and linguistically diverse backgrounds, Aboriginal and Torres Strait Islander people, people from disadvantaged groups and people with a disability”.(10) An extensive search of the literature highlighted that there is very little information about the acceptability of LDCT screening to these population groups in Australia. Yet they are part of the high-risk population.(10) There are also considerable gaps in the evidence about the cost-effectiveness of LDCT screening in different settings, including Australia. The evidence base in this area is rapidly evolving and is likely to include new data from the NELSON trial and incorporate data about the costs of targeted- and immuno-therapies as these treatments become more widely available in Australia.