Relevant bibliographies by topics / Psalter

Academic literature on the topic 'Psalter'

Author: Grafiati
Published: 4 June 2021
Last updated: 4 March 2023

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Journal articles on the topic "Psalter"

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Bulas, Ryszarda Maria. "Dekoracje irlandzkich psałterzy." Vox Patrum 60 (December 16, 2013): 93–109. http://dx.doi.org/10.31743/vp.3980.

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A particularly interesting question in medieval Irish literature, is decorating Psalters. Since the Biblical psalms were very popular among the Anglo-Saxons, they were often copied and decorated also in Ireland. Initially, the decoration was limited to ornamentation letters. Later there were elements depicting scenes from the life of David, which had its origins, according to F. Henry, in the Carolingian art. In this article, the author presents in chronological order all decorated Irish and Anglo-Saxon Psalters, which show visible influence of the Irish art (Cathach, Durham Cassiodorus, Psalter of Cantorbury, Cotton Psalter, Southampton Psalter, Ricemarcus’ Psalter, Liber hymnorum, Psalter of the St. Caimin).
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Millard, Matthias. "Von Der Psalmenexegese Zur Psalterexegese Anmerkungen Zum Neuansatz Von Frank Lothar Hossfeld Und Erich Zenger." Biblical Interpretation 4, no. 3 (1996): 311–27. http://dx.doi.org/10.1163/156851596x00040.

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AbstractDer neue Kommentar über Psalm 1-50 von Frank-Lothar Hossfeld und Erich Zenger ist der erste Kommentar in deutscher Sprache mit einem Interesse an kontextueller Auslegung seit dem von Franz Delitzsch (1860; 5. Auflage, 1894). Seine Methode, die Kontextbezogenheit der Psalmen zu erklären, ist aberwiegend die Redaktionskritik; einige Psalmen werden aber auch als kompositorische Psalmen betrachtet. Der Kommentar führt zwei typische Phasen der Redaktionsarbeit aus: eine formative-exilische und eine nachexilische, die ein besonderes Interesse an einer Theologie der Armen hat. Die Kritik dieses Ansatzes, wie sie in diesem Artikel erfolgt, befürwortet überwiegend die Struktur, nach der die Psalmen in chiastischen Sammlungen angeordnet sind (bei Hossfeld und Zenger: Ps. 3-14; 15-24; 25-34; 35-41; 42-49) mit Ps. 1 und 2 als Einleitung zum gesamten Psalter und zu Teilen von ihm. Aus der Perspektive, daß der Psalter aus kleineren formgeschichtlich definierten Einheiten besteht, in denen der Leser von der Klage zu Lob und Dank geführt wird, fragt er weiter kritisch nach der vermuteten redaktionsgeschichtlichen Struktur des Psalters und deren literarkritischen Implikationen.
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Dahmen, Ulrich. "Psalmen oder Psalter?" Biblische Zeitschrift 59, no. 2 (November 23, 2015): 312–18. http://dx.doi.org/10.1163/25890468-059-02-90000018.

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Bashanova, M. A., Yu Zhang, and A. A. Yakovlev. "Names of the days of the week in the language consciousness of Russian and Chinese undergraduate students." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 2 (2019): 102–14. http://dx.doi.org/10.25205/1818-7935-2019-17-2-102-114.

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During the Middle Ages on the Eastern Orthodox Church territories there existed an encyclopedia book, entitled the Palaea Interpretata that was extremely popular and highly respected. The current paper studies one of the Biblical sources of The Palaea Interpretata – namely, the collection of selected psalms, entitled “David’s Prophesies” (давидъ же прорицаше). The discussion is focused on the compiler’s placing of the collection in The Palaea, in the part dedicated to David (i.e. after the excerpts from the First and Second Books of Samuel and before the First Book of Kings). David’s Prophesies belonged to the original content of The Palaea Interpretata. They had one major goal – to represent the Old Testament as a prototype of the New Testament and to prove the superiority of the Christian doctrine over the non-Christian ones. The Compiler of The Palaea Interpretata chose various psalms or parts of psalms, dividing them into twenty five orations with respective titles. To trace the editing performed over the Psalter text the current article draws a parallel with the text of seven psalters from the 11th–16th centuries. It establishes the greatest resemblance with the Bychkov Psalter of the 11th century, which reflects the Preslav version of the Psalter translation. At the same time, it becomes obvious that “David’ Prophesies” of The Palaea Interpretata have also retained many of the peculiarities of the primary translation of the Psalter as reflected in Sinai Glagolitic Psalter. The Glagolitic traces are to be found in the very text of “David’s Prophesies” of The Palaea Interpretata, which obviously derive from the psalter, serving as their source and protograph. The source was of relatively old origin; it contained traces of Glagolitic letters, and reflected the Psalter’s primary translation into Old Bulgarian by Cyril and Methodius, which had been edited in Preslav.
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Slavova, Tatyana. "Selected Psalms (“David’s Prophesies”) of The Palaea Interpretata." NSU Vestnik. Series: Linguistics and Intercultural Communication 17, no. 2 (2019): 5–13. http://dx.doi.org/10.25205/1818-7935-2019-17-2-5-13.

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During the Middle Ages on the Eastern Orthodox Church territories there existed an encyclopedia book, entitled the Palaea Interpretata that was extremely popular and highly respected. The current paper studies one of the Biblical sources of The Palaea Interpretata – namely, the collection of selected psalms, entitled “David’s Prophesies” (давидъ же прорицаше). The discussion is focused on the compiler’s placing of the collection in The Palaea, in the part dedicated to David (i.e. after the excerpts from the First and Second Books of Samuel and before the First Book of Kings). David’s Prophesies belonged to the original content of The Palaea Interpretata. They had one major goal – to represent the Old Testament as a prototype of the New Testament and to prove the superiority of the Christian doctrine over the non-Christian ones. The Compiler of The Palaea Interpretata chose various psalms or parts of psalms, dividing them into twenty five orations with respective titles. To trace the editing performed over the Psalter text the current article draws a parallel with the text of seven psalters from the 11th–16th centuries. It establishes the greatest resemblance with the Bychkov Psalter of the 11th century, which reflects the Preslav version of the Psalter translation. At the same time, it becomes obvious that “David’ Prophesies” of The Palaea Interpretata have also retained many of the peculiarities of the primary translation of the Psalter as reflected in Sinai Glagolitic Psalter. The Glagolitic traces are to be found in the very text of “David’s Prophesies” of The Palaea Interpretata, which obviously derive from the psalter, serving as their source and protograph. The source was of relatively old origin; it contained traces of Glagolitic letters, and reflected the Psalter’s primary translation into Old Bulgarian by Cyril and Methodius, which had been edited in Preslav.
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Gretsch, Mechthild. "The Junius Psalter gloss: its historical and cultural context." Anglo-Saxon England 29 (January 2000): 85–121. http://dx.doi.org/10.1017/s0263675100002428.

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Oxford, Bodleian Library, Junius 27 (S.C. 5139), the Junius Psalter, was written, Latin text and Old English gloss, probably at Winchester and presumably during the reign of King Edward the Elder. Junius 27 is one of the twenty-nine complete or almost complete psalters written or owned in Anglo-Saxon England which have survived. (In addition to these twenty-nine complete psalters, eight minor fragments of further psalters are still extant.) This substantial number of surviving manuscripts and fragments is explained by the paramount importance of the psalms in the liturgy of the Christian church, both in mass and especially in Office. Junius 27 is also one of the ten psalters from Anglo-Saxon England bearing an interlinear Old English gloss to the entire psalter. (In addition there are two psalters with a substantial amount of glossing in Old English, though not full interlinear versions.) Since our concern in the first part of this article will be with the nature of the Old English glossing in the Junius Psalter, and its relationship to other glossed psalters, it is appropriate at the outset to provide a list of the psalters in question. At the beginning of each of the following items I give the siglum and the name by which the individual psalters are traditionally referred to by psalter scholars. An asterisk indicates that the Latin text is a Psalterium Romanum (the version in almost universal use in England before the Benedictine reform); unmarked manuscripts contain the Psalterium Gallicanum. For full descriptions of the manuscripts, see N. R. Ker, Catalogue of Manuscripts Containing Anglo-Saxon.
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Pulsiano, Phillip. "The originality of the Old English gloss of the Vespasian Psalter and its relation to the gloss of the Junius Psalter." Anglo-Saxon England 25 (December 1996): 37–62. http://dx.doi.org/10.1017/s0263675100001927.

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In a brief discussion of the Vespasian Psalter in 1898, Albert S. Cook offered a statement that set the tone for subsequent debate about the relationship between the Old English gloss of the Vespasian Psalter (A = London, British Library, Cotton Vespasian A. i) and that of the junius Psalter (B = Oxford, Bodleian Library, junius 27): ‘It seems not improbable that it [i.e. the gloss to the Vespasian Psalter] is the original from which all later Old English glosses on the Psalms have been derived, undergoing in the process such modifications as were due to the language of the particular dialect or epoch.’ With regard to the Junius gloss specifically, Cook printed the text of Psalm XCIX [C] from the Vespasian Psalter, which he collated with the Junius, Cambridge (C = Cambridge, University Library, Ff. 1.23), Regius (D = London, British Library, Royal 2. B.V), and Eadwine (E = Cambridge, Trinity College R. 17.1) psalters; he concluded that ‘B stands nearest to A, but is carelessly written, and changes Anglian peculiarities in the direction of West Saxon (in to on, all to eall, &c.) while retaining, in general, a comparatively early and Anglian cast (weotað, scep, leswe, &c.)’. Although Otto Heinzel, writing in 1926, disagreed with Cook's assertion that the Vespasian gloss was the source from which all other psalters ultimately derived their glosses, he reiterated, after a fashion, the idea that the Junius gloss is related to that of the Vespasian Psalter, although, like Cook, he did not argue for a direct relationship between these two works. In Heinzel's stemma, from the Urtext*0 derive *α, which stands as the model for B, and *β, which in turn stands as the model for both A and C. The stemma, in its full form, taking the Dtype (Regius Psalter) tradition into account, has justly been termed ‘fanciful’ by Kenneth Sisam. The relationship between the glosses in these two psalters formed the subject of an extended study by Uno Lindelöf published in 1901.
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Prinsloo, Gert T. M. "Reading the Masoretic Psalter as a Book: Editorial Trends and Redactional Trajectories." Currents in Biblical Research 19, no. 2 (February 2021): 145–77. http://dx.doi.org/10.1177/1476993x20944675.

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The publication of Gerald H. Wilson’s The Editing of the Hebrew Psalter in 1985 marked a distinct shift in approaches to Psalms research. This article reviews this shift from psalm to Psalter exegesis. North American scholarship tends to follow a synchronic approach and to describe the shape of the Psalter. German scholarship tends to use a diachronic perspective and trace the shaping of the Psalter to explain how it attained its final form. There are growing signs of dialogue and convergence between these two main approaches to the editing of the Hebrew Psalter, which overshadow form-critical and liturgical approaches to the editing of the Psalter. Adherents of the shape and the shaping approach tend to propose a specific theme, organizational principle, or redactional intent to explain the Psalter’s final form. The multi-faceted nature of the Psalter and its long and complex history imply that, in spite of a multitude of publications, the last word on editorial trends and redactional trajectories has not been spoken.
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Jakšić, Nikola. "Iluminirani psaltir 15. stoljeća zadarskih franjevaca." Ars Adriatica, no. 2 (January 1, 2012): 119. http://dx.doi.org/10.15291/ars.444.

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The author discusses an illuminated manuscript from the convent of St Francis at Zadar. Nine folios featuring the most representative initials from this manuscript were cut out in 1974 and their whereabouts have been unknown ever since. Only old black and white photographs of this psalter are known in the scholarly literature. With the aid of colour details preserved on a roll film at the Conservation Office at Zadar, the author attempts to reconstruct their original appearance. He highlights the fact that this psalter has not been thoroughly analyzed or consistently described. He establishes that this is a Liturgical psalter (psalterium feriale) which differs from a Biblical psalter, and that it contains a hymnal (psalterium cum hymnis). Each psalm and hymn begins with an illuminated initial, most of which are decorative. However, the psalter has eight figural initials ( littera historiata), which the author analyzes individually and establishes as a direct reflection of the division of the psalter into the days of the liturgical week. Figural decoration was given only to the initials of the first psalm of each new liturgical day (feria), which makes seven in total. These are: Psalms I, XXVI, XXXVII, LII, LXVIII, LXXX and XCVII, where Psalm I marks Sunday, Psalm XXVI Monday and so on, until the end of the liturgical week. Figural decoration was also given to the very first initial at the beginning of the psalter which opens with a so-called Invitatorium. Each figural initial is described in detail and special emphasis is given to initial B on folio 5 which represents the richest initial in the entire psalter. At its bottom is a depiction of St Bernardine, rather than St Anthony of Padua or St Francis as has been suggested.In this paper, the author publishes all the initials and places them in the context of their respective psalms. The paper graphically differentiates three types of initials through the use of different typesetting. The figural initials, littera historiata, are printed in bold, the italic typeface is applied to the littera dominicalis, while the others, ‘littera ferialis’, which form the majority, are printed in regular typeface. The colour red is used for a rubrica, that is the subtitles which mark the psalter’s individual sections, such as the Invitatorium, feria, hymns etc. This enables even those who have no command of Croatian to gain insight into the entire content of the psalter. Contrary to current opinion which claims the psalter to be the work of a Venetian school, and contrary to an isolated view that it was created at Zadar itself, the author deems that the psalter was created in the circle of Bologna, most likely around 1460 or soon after this date.
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IRVING, DAVID R. M. "The Genevan Psalter in Eighteenth-Century Indonesia and Sri Lanka." Eighteenth Century Music 11, no. 2 (August 7, 2014): 235–55. http://dx.doi.org/10.1017/s1478570614000062.

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ABSTRACTThe spread of Protestant Christianity to Indonesia and Sri Lanka in the early modern period involved large-scale translation projects and, from the beginning of the eighteenth century, the publication of metrical psalms in languages spoken by local communities: Portuguese, Malay, Tamil and Sinhala. Selected psalms from the Genevan Psalter, as well as complete versions, were translated and published in South and Southeast Asia on several occasions in the eighteenth century, representing the earliest printing of Western staff notation in Jakarta and Colombo. These psalters were issued in numerous editions, and some were prefaced with a short explanation of the musical scale. Christian communities in Indonesia and Sri Lanka appear to have used the psalters regularly in religious devotions and services. This article explores the processes involved in the translation, production and distribution of these psalters, considering musical and cultural aspects of their adoption into local communities.
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Dissertations / Theses on the topic "Psalter"

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Noel, William. "The Harley psalter /." Cambridge : Cambridge university press, 1995. http://catalogue.bnf.fr/ark:/12148/cb369617454.

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Statom, Gabriel C. "Compiling and implementing a metrical psalter that reflects the Reformed heritage for the First Presbyterian Church, Lake Wales, Fl." Theological Research Exchange Network (TREN), access this title online, 2006. http://dx.doi.org/10.2986/tren.089-0074.

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Brodersen, Alma. "The end of the Psalter." Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:2e854764-1277-4056-bd00-7eb83386ae12.

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"The End of the Psalter" argues, based on original text-critical and intertextual research, that Psalms 146-150 are originally separate texts, contrary to current Psalms research viewing them to be written partly as an originally coherent end of the Psalter. Firstly, rather than focussing on the Masoretic Text only, all three oldest text forms of each Psalm are interpreted separately: the Hebrew Masoretic Text as the oldest complete text form of the Hebrew Bible in its original language, and the older sources of the Hebrew Dead Sea Scrolls and the Greek Septuagint. The thesis highlights considerable differences in these three sources which call the supposed original coherence of Psalms 146-150 into question. Secondly, rather than merely listing other texts similar in their words or ideas, possible intertextual references are assessed using clear criteria and explicating consequences for the interpretation. The thesis demonstrates that intertextual references differ between each of the Psalms and between the sources, leading to shifts in aspects of content and to a lack of original connection of Psalms 146-150. Thirdly, rather than presupposing Psalms 146-150 as one originally coherent group, each Psalm is examined on its own. The thesis demonstrates that the individual Psalms 146-150 cannot originally be seen as one group, and that differences in the content of each individual Psalm should not be smoothed out. The thesis provides a new historical-critical commentary and intertextual analysis of Psalms 146, 147, 148, 149, and 150, each in all three different oldest text forms. It includes fresh translations and detailed comments on form, intertextuality, content, genre, and date, combined with a comparison of the different Psalms and text forms and an extensive evaluation of previous interpretations.
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Schaper, Joachim Ludwig Wilhelm. "Eschatology in the Greek Psalter." Thesis, University of Cambridge, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.308242.

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Jenkins, Steffen G. "Retribution in the canonical Psalter." Thesis, University of Bristol, 2015. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.687810.

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Imprecations in the Psalter have aroused the interest and passions of readers since ancient times. The original contribution of this thesis is to approach the Psalter as the literary and theological context for prayers concerning retribution. This applies, for the first time, recent research in the arrangement of the Psalter to the age-old issue of imprecations. The first three psalms are a thematic introduction which leads the reader to expect and understand retribution in the Psalter. Already at the entrance to the Psalter, we find a refutation of much that is often asserted about vengeance in the Psalms, especially the frequently presumed distance from New Testament ethics. Various ideas from Pss 1-3 are further explored in Books I and V and compared with received scholarly wisdom. The Psalter introduces David as a type of exiled and restored Israel. David's sin with Bathsheba and Uriah, and the mercy he receives from Yahweh, is similar to the nation 's sin and Yahweh's mercy in restoring the nation from exile. Both David and Israel are repeatedly presented by the Psalter in connection with Yahweh's mercy after the golden calf. This is brought to bear on retribution, because there is also a correspondence between David 's enemies and Israel's exilic enemies. Book V has arranged some imprecations of David in order to educate Israel's desire for retribution and set the standard for praying Ps 137. Israel must understand that their own sin and guilt caused the exile, and that their restoration from exile was undeserved mercy. Enemy nations may not deserve Yahweh's mercy, but neither did Israel at the golden calf, neither did David after Bathsheba, and neither did Israel deserve to be restored from the exile they had earned. Israel must learn to love God's wider purpose of blessing the nations in mercy.
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Sachs, Klaus-Jürgen. "Zum Beckerschen Psalter von Heinrich Schütz." Bärenreiter Verlag, 1987. https://slub.qucosa.de/id/qucosa%3A37195.

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Wilson, Gerald Henry. "The Editing of the Hebrew psalter /." Chico : Calif. : Scholars press, 1985. http://catalogue.bnf.fr/ark:/12148/cb349309686.

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Dahmen, Ulrich. "Psalmen- und Psalter-Rezeption im Frühjudentum : Rekonstruktion, Textbestand, Struktur und Pragmatik der Psalmenrolle 11QPsa aus Qumran /." Leiden ; Boston : Brill, 2003. http://catalogue.bnf.fr/ark:/12148/cb39028122j.

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Toswell, M. Jane. "Studies in the Paris Psalter, metrical version." Thesis, University of Oxford, 1990. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.315951.

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Thorn, Nicholas. "The dissemination of the Middle English Psalter." Thesis, University of Birmingham, 1996. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595688.

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This thesis examines the Middle English vernacular psalm-versions, and considers their social context. It examines the uses to which vernacular psalm-texts were put, ranging from that of orthodox affective piety to 'popular' folk-religion. Twenty-five texts are discussed, some previously ignored; four such psalm-texts are presented in the Appendices. A further five pseudo-abbreviated psal ter~, which recommend the non-liturgical use of psalms by the laity, are also transcribed here. The relationship between the English and Latin in the texts is re-examined. Whereas it has been argued that the English in such texts was usually subsidiary to the Latin, this thesis demonstrates that many English versions were designed to be read without recourse to the Vulgate. These translations of the Psalms provided the laity with their own vernacular liturgy which they used both privately and during formal acts of worship. The rise of the free-verse psalm-paraphrase in the late-fourteenth century led to specifically Christological interpretations, a process which was reinforced when biblical translation was banned in the early-fifteenth century. The development of prose abbreviations has previously been ignored; their range and popularity are explored here for the first time.
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Books on the topic "Psalter"

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Hildesheim, Dombibliothek zu, ed. The St Albans Psalter: (Albini Psalter). Simbach am Inn: Verlag Müller & Schindler, 2008.

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House, Concordia Publishing. Concordia Psalter. St. Louis: Concordia Publishing House, 2015.

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Stephen, Dean, ed. Responsorial Psalter. Essex: McCrimmons, 1987.

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Noel, William. The Harley psalter. Cambridge [England]: Cambridge University Press, 1995.

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Catholic Church. Eadwine's Canterbury psalter. Millwood, N.Y: Kraus Reprint, 1987.

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A lay psalter. Huntington, Ind: Our Sunday Visitor, 1985.

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Kloefkorn, William. Loup River psalter. Granite Falls, MN: Spoon River Poetry Press, 2001.

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The " Syrohexaplaric" psalter. Atlanta, Ga: Scholars Press, 1989.

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1937-, Reichert Josua, and Neuwirth Karl, eds. Der Haidholzener Psalter. München: Deutscher Kunstverlag, 1988.

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Bibliothek, Herzog August, and Kulturstiftung der Länder (Germany), eds. Der Bernward-Psalter. Wiesbaden: Harrassowitz Verlag in Kommission, 2012.

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Book chapters on the topic "Psalter"

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Gerstenberger, Erhard S. "The Psalter." In The Blackwell Companion to the Hebrew Bible, 402–17. Oxford, UK: Blackwell Publishing Ltd, 2017. http://dx.doi.org/10.1002/9781405166560.ch24.

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Westbrook, Vivienne. "Myles Coverdale’s English Psalter." In Long Travail and Great Paynes, 14–35. Dordrecht: Springer Netherlands, 2001. http://dx.doi.org/10.1007/978-94-017-2115-8_2.

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Hussey, Matthew T. "The Canterbury Psalter, Christ Church, and the Last Old English Psalter Gloss." In Studies in the Early Middle Ages, 175–93. Turnhout: Brepols Publishers, 2011. http://dx.doi.org/10.1484/m.sem-eb.1.100482.

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Stankovska, Petra, and Marinka Šimić. "Psalter of the Croatian Glagolitic Miscellany Slave 73 from 1375." In Slavic and Balkan Linguistics, 87–102. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/2658-3372.2022.22.4.

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The Miscellany Slave73 (Parisien Miscellany) from the French National Library, has a special place among Croatian Glagolitic manuscripts, mainly because it is the oldest surviving Church Slavonic miscellany of Western type, and the only Croatian Glagolitic codex which is undoubtedly connected with town Šibenik, and the only known manuscript written for the nuns at the Curch of St. Julian in Šibenik. During the preparation of the transliterated edition of this manuscript, a detailed examination of the Psalter, which is part of the miscellany, is underway. This Psalter has a special position among Croatian Glagolitic psalters, because it is the only non-liturgical one, and it´s text differs significantly from other Croatian Glagolitic psalters of the 14th and 15th centuries, which consistently preserve the text of the first redaction of the Old Church Slavonic translation of the Psalter, translated from Greek. Therefore, there is a claim in the literature (J. L. Tandarić) that in Slave 73, there is a new translation of the Psalter from Latin, which is completely independent of the translation from the Greek Septuagint. Given that the psalter of the Slave73 also contains some ancient Old Church Slavonic lexemes in the same places as the oldest Old Church Slavonic translation, the question arose as to whether it was really a completely new translation from Latin or only an Old Church Slavonic translation edited according to the Latin version. A comparison of places from the psalter, which differ in Greek and Latin, has shown that there are many of the same translation solutions in Slave73 as in the oldest Old Church Slavonic translation. Therefore, we can confirm that the Psalter of the codex Slave73 is not a completely new translation from Latin without traces of the Greek original, but it is, like other psalters of the Croatian-Glagolitic tradition, the oldest Old Church Slavonic translation of the Psalter, albeit with significant adjustments according to the Latin text and in many places lexically croatized.
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Ritchey, Sara. "Caring by the Hours." In Gender, Health, and Healing, 1250-1550. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463724517_ch01.

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This essay explores a psalter, Liège, Bibliothèque de l’Université MS 431, as a tool for the construction and transmission of women’s therapeutic knowledge. It places the psalter in its institutional context at the beguinage of St. Christopher’s, which maintained relationships with hospitals and a leprosarium in Liège. Given its context in feminine circuits of care, the essay argues that several features of this psalter, supported by comparative evidence from other contemporaneous psalters from the region, indicate the ways that beguines incorporated prayer and liturgical performance into their practice of daily caregiving.
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"Front Matter." In Psalmen oder Psalter?, i—x. BRILL, 2014. http://dx.doi.org/10.1163/9789004268173_001.

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"Einleitung." In Psalmen oder Psalter?, 1–36. BRILL, 2014. http://dx.doi.org/10.1163/9789004268173_002.

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"Rekonstruktion der Handschriften." In Psalmen oder Psalter?, 37–220. BRILL, 2014. http://dx.doi.org/10.1163/9789004268173_003.

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"Inhaltliche Analyse und redaktionsgeschichtliche Überlegungen zu 11Q5; 4Q83 und 4Q88." In Psalmen oder Psalter?, 221–97. BRILL, 2014. http://dx.doi.org/10.1163/9789004268173_004.

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"Zusammenfassung und Ausblick." In Psalmen oder Psalter?, 299–301. BRILL, 2014. http://dx.doi.org/10.1163/9789004268173_005.

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Conference papers on the topic "Psalter"

1

Evterеv, Andrey. "PSALTER ― A FAMILY HEIRLOOM." In ORTHODOXY AND DIPLOMACY IN THE ASIA-PACIFIC REGION. Buryat State University Publishing Department, 2015. http://dx.doi.org/10.18101/978-5-9793-0756-5-224-227.

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Afanasyeva, Tatyana, and Tatyana Burilkina. "Vatican Psalter (Vat. slav. 8): principles for reduction the Cyrillic minuscule and linguistic refl ection of the scribe of the manuscript." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.02.

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The report will discuss the principles of creating a half-letter from the Cyrillic minuscule in the Vatican Psalter of the 14th century, and also issues related to the dating and localization of the manuscript.
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Tomelleri, Vittorio Springfeld. "When Church Slavonic meets Latin. Tradition vs. innovation." In Tenth Rome Cyril-Methodian Readings. Indrik, 2020. http://dx.doi.org/10.31168/91674-576-4.31.

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The paper deals with a late Church Slavonic translation form medieval Latin, Bruno’s commented Psalter (Expositio Psalmorum), whose authoris a well-known translator (Dmitrij Gerasimov) and which can belocalized chronologically as well as spatially (middle of the 16th century, Novgorod). Our aim is to compare some syntactic features of the translation, oscillating between the preservation of construction sinherited from the written tradition, based on the Greek model, and the need of rendering in an appropriate way some peculiarities of Latin morpho-syntax.The coexistence of old and new patters will be presented and diachronically analyzed, with reference to previous translations from Latin, in order to show the both conservative and innovative character of Church Slavonic, a language different but still closely linked to the spoken language.
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Marsadolov, L. "TO THE CHRONOLOGY OF THE EURASIAN HORN PSALIES OF THE 10TH –7TH CENTURIES BC." In Ancient cultures of Mongolia, Southern Siberia and Northern China: Transactions of the XIth International Conference (September 8–11, 2021, Abakan). Institute for the History of Material Culture of the Russian Academy of Sciencesstitute for the History of Material Culture of the Russian Academy of Sciencestitute for the History of Material Culture RAS, 2021. http://dx.doi.org/10.31600/978-5-907298-19-4.115-123.

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Chamberlain Mitchell, Sarah, Rachel Garrod, Lynne Clarke, Abdel Douiri, Sean Parker, Jenny Ellis, Stephen Fowler, et al. "Patients' perspective of physiotherapy, speech and language therapy intervention (PSALTI) for refractory chronic cough:Secondary analysis." In ERS International Congress 2016 abstracts. European Respiratory Society, 2016. http://dx.doi.org/10.1183/13993003.congress-2016.pa1370.

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Owechko, Y., J. Grinberg, E. Marom, and B. H. Soffer. "Processing of Synthetic Aperture Radar Data Using the PRIMO Optical Outer-Product Processor." In Optical Computing. Washington, D.C.: Optica Publishing Group, 1987. http://dx.doi.org/10.1364/optcomp.1987.tub5.

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The processing of SAR data is one of the great success stories of optical data processing. It is a problem which readily lends itself to the parallelism of optics. Optical solutions have, however, lacked two desireable characteristics: small size and real-time operation. Recently, novel optical architectures which overcome these drawbacks have been developed by Psaltis and Tanguay. (Some of which are reviewed in (1).) In this paper, we describe a new compact lensless real-time optical processor of SAR data which is unique in that it utilizes incoherent light and readily available components and materials.
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Athale, Ravindra A., Carl B. Friedlander, and Charles W. Stirk. "Memory capacity and error-tolerance characteristics of attentive associative memories." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.mdd7.

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A conventional associative memory employs correlation as a similarity measure in storage and retrieval operations. We had previously described a variant of this linear associative memory that contains a controllable, adaptive nonlinearity in the correlation domain to suppress cross-correlation noise and increase the memory capacity.1 Work by Maxwell et al.2 and Psaltis and Park3 utilized higher-order correlations to achieve the same effect. A comparative study between the use of isolated higher-order correlation terms and an adaptive nonlinearity will be carried out via computer simulations. Particular emphasis will be placed on the memory capacity and error-tolerance characteristics of the nonlinear associative memory models using different forms of nonlinearities.
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Bjornson, E. S., M. Bashaw, and L. Hesselink. "Digital Quasi-Phasematched Two-Color Nonvolatile Holographic Storage." In Nonlinear Optics: Materials, Fundamentals and Applications. Washington, D.C.: Optica Publishing Group, 1996. http://dx.doi.org/10.1364/nlo.1996.jtud.9.

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One difficulty for the successful implementation of holographic data storage is having the ability to read data without affecting the data. Thermal fixing[1] as well as two-photon techniques[2] have been investigated as possible solutions. Reading data with a wavelength other than that which the data had been written is another viable alternative. Furthermore, choosing a reading wavelength that corresponds to a laser of a more favorable size, price, or ease of use could also be a benefit of such a system. Külich has previously investigated how to minimize the error induced due to reading and writing using different wavelengths by reading data with a spherical beam[3]. Psaltis et al. later introduced a formatting technique to allow a page to be read with a different wavelength by writing the page of data in pieces using several reference angles[4]. For digital data to be accurately read with an acceptable amount of mismatch, a three-dimensional mapping of the data must be applied to a system using this formatting technique. Optimization of such a system then requires the investigation of mismatch as a parameter effecting the diffraction efficiency.
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Sirat, Gabriel Y., and Alain D. Maruani. "Frequency multiplexing." In OSA Annual Meeting. Washington, D.C.: Optica Publishing Group, 1986. http://dx.doi.org/10.1364/oam.1986.mdd9.

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Recently, J. J. Hopfield described a simple model for the operation of neural networks. A Hopfield processor consists of a vector-matrix multiplier and a nonlinear feedback. Farhat and Psaltis have proposed an optical implementation of this model and emphasized a natural link between neural processing and optics. In this paper we present a modification of the Hopfield model, a memory composed of M vectors of, respectively, N bits. We define an equivalence class U (M), for each vector V (M). A probe vector is close to the vector V (M) if it is close enough (in the Hamming sense) to one of the shifted versions. The data are reorganized into S classes, class S containing the vectors shifted by S bits. For each class S we define a validation switch, which is a threshold version of the Hopfield energy. It can be shown that by a proper choice of the switch parameters, the latter is on for class S if and only if the probe is close to version S of one of the memories. Assuming the switch is on for class S, if the probe is shifted back by S bits and injected into a Hopfield processor, it will converge to vector V (M).
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Kirk, Andrew, and Hugo Thienpont. "Speed and parallelism trade-offs in optoelectronic transceiver systems." In Optics in Computing. Washington, D.C.: Optica Publishing Group, 1997. http://dx.doi.org/10.1364/oc.1997.owc.5.

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In this paper we will consider the design of optoelectronic transceiver systems. In particular we will examine the interdependency of channel frequency and parallelism for systems which are based on the of use optical emitters such as vertical cavity surface emitting lasers (VCSELs) and light emitting diodes (LEDs). It is generally assumed that VCSELs are the most desirable type of optical emitters and that as threshold currents continue to be reduced these elements will be employed in large arrays for freespace data transmission. We will show however that when the effects of power dissipation and receiver sensitivity are taken into account the performance of VCSELs is not significantly better than that of other, less efficient, emitter structures and that in some regimes it will be worse. This conclusion is also supported by the work of Psaltis et al [1] in the design of GaAs optoelectronic neurons. In contrast with previous studies of the scalability of optoelectronic parallel data transmission systems [2-4] we employ a sufficiently simple model of a transceiver which enables us to close the loop between the transmission and detection of signals. Taking arrays of PnpN optoelectronic thyristors [5] as an example we will show that there exists an optimal current which should be driven through an emitter in order to maximize the total bandwidth as a function of device density.
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