Relevant bibliographies by topics / Psalm

Academic literature on the topic 'Psalm'

Author: Grafiati
Published: 4 June 2021
Last updated: 26 April 2022

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Journal articles on the topic "Psalm"

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Van Rooy, H. F. "Die verhouding van die Siriese Psalm 151 tot die Griekse en Hebreeuse weergawes." Verbum et Ecclesia 18, no. 1 (July 19, 1997): 176–97. http://dx.doi.org/10.4102/ve.v18i1.1132.

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The relation between the Syriac Psalm 151 and the Greek and Hebrew versions This article studies the apocryphal Psalm 151, with special reference to the Syriac version in its relation to the versions of this psalm in the Septuagint and at Qumran. Four different sources of this psalm in Syriac can be distinguished, namely, a commentary on the psalms by Athanasius, a number of inanuscripts of the Peshitta and the Syrohexaplar, the manuscript 12t4 (containing the five Syriac apocryphal psalms as an addendum to the canonical psalms) and a number of other manuscripts with these apocryphal psalms. This psalm existed in more than one version in Hebrew. One version is reflected at Qumran in the psalms Scroll from cave 11 and another one in the Septuagint. The Syriac is dependent on the Greek, but clear signs of an inner-Syriac development can be discerned.
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Hudgins, Andrew. "Psalm Against Psalms." Missouri Review 10, no. 2 (1987): 65–68. http://dx.doi.org/10.1353/mis.1987.0080.

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Naud, E. "Psalm 40: Één of Twee Psalms?" Verbum et Ecclesia 21, no. 1 (August 6, 2000): 115–34. http://dx.doi.org/10.4102/ve.v21i1.1186.

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Psalm 40: One or two Psalms? Interpretation problems imbedded in Psalm 40 are often prioritized above the function of the psalm. The unity of Psalm 40 is to be investigated in this article. Verses 14 to 18 are in lexemic congruence with Psalm 70. Psalm 40 is frequently discussed in the light of Psalm 70. This research follows a synchronic-diachronic investigation of the text, to formulate the theological function of Psalm 40.
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Otto, Eckart. "Politische Theologie in den Königspsalmen zwischen Ägypten und Assyrien Die Herrscherlegitimation in den Psalmen 2 und 18 in ihren altorientalischen Kontexten." Verbum et Ecclesia 25, no. 2 (October 6, 2004): 619–52. http://dx.doi.org/10.4102/ve.v25i2.291.

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This article deals especially with Psalm 2* and Psalm 18* and they are understood against a neo-Assyrian context. During the latter part of the eight and the first half of the seventh century the neo-Assyrian power was especially felt in Judah and the influence of its royal ideology can clearly be detected in these two psalms. Psalm 89* and Psalm 72* were also influenced by the Assyrian royal theology but these motifs were used in a subversive way. In Psalm 2* and Psalm 18* the neo-Assyrian motifs were employed to elaborate the Jerusalem royal ideology.
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Witt, Andrew. "Hearing Psalm 102 within the Context of the Hebrew Psalter." Vetus Testamentum 62, no. 4 (2012): 582–606. http://dx.doi.org/10.1163/15685330-12341000.

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Abstract Along with recent scholarship which is concerned with reading the book of Psalms as a whole, this article analyzes Psalm 102 within its canonical, literary context. It focuses on two main areas. First, the superscription. It identifies the speaker as the “afflicted,” who is a suffering royal Davidic figure associated with Psalms 88-89 and 101, 103. Second, the paper moves throughout the rest of the psalm, making observations concerning thematic and lexical relationships between the psalm and its immediate context. It concludes that Psalm 102, alongside 101, functions as a meditative response of the afflicted Davidic king to the questions posed in Psalm 89. As such, it provides an important literary hinge, without which the lamenting questions of Book III could not turn into affirmations of YHWH’s love and praise throughout Books IV-V.
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Spangenberg, I. J. I. "Psalm 49 and the book of Qohelet." Verbum et Ecclesia 18, no. 2 (July 4, 1997): 328–44. http://dx.doi.org/10.4102/ve.v18i2.567.

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Psalm 49 and the Book of Qohelet. Although a number of scholars have criticised Casetti's analysis of Psalm 49. Zenger and Bossfeld employed his ideas in their recent commentary on the Psalms. According to these scholars the psalm consists of two distinct layers: a basic pessimistic psalm to which a second author later added two further strophes and an introduction. The basic psalm reflects the tone of the Book of Qohelet, but probably originated prior to that book as it does not reflect a hellenistic background. This article argues that the psalm should be read with the aid of Albertz' description of the social situation in Judaea during the fifth century BeE. There is no basis for splitting the psalm into two layers. Rather, Psalm 49 addresses two segments of the Judaean upper class.
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Walser, Andreas Victor. "„Mein Gott, mein Gott, zu dir erhebe ich mich in der Früh‟ – Zwei Psalmpassagen in Inschriften aus Tyros und in der patristischen Tradition." Vigiliae Christianae 69, no. 3 (May 8, 2015): 229–55. http://dx.doi.org/10.1163/15700720-12341203.

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A revision of several painted inscriptions discovered in a late antique chamber tomb in Tyre shows that they recorded verses from two Psalms (3, 6 and 62, 2-3), both not otherwise attested epigraphically. The article subsequently examines how these verses were received and interpreted in early Christian literature and by the Greek Fathers of the Church: The popular verse 6 of Psalm 3, with its reference to sleep and awakening, was understood by most—but not all—commentators as a reference to the death and resurrection of Jesus Christ. The less famous first verses of Psalm 62 were usually just read as an expression of the longing for God. The juxtaposition of these two Psalms, which share the liturgical role of Morning Psalms, suggests that the verses from Psalm 62 as well as the one from Psalm 3 were understood as referring to the resurrection and used to express the deceased’s belief in salvation.
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Prinsloo, W. S. "Psalm 47: Partikularisme en universalisme. Jahwe is ons ons koning én koning oor die hele aarde." Verbum et Ecclesia 17, no. 2 (April 21, 1996): 388–404. http://dx.doi.org/10.4102/ve.v17i2.526.

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Psalm 47: Particularism and universalism. Jahwe is our king and king of all the earth In this article, Psalm 47 is considered from a text immanent perspective and particular attention is given to the morphological, syntactical, stylistic and semantic facets of the psalm. Although problems of interpretation experienced in respect of Psalm 47 are the same as those for the so-called enthronement psalms, this article concentrates mainly on those research problems that are peculiar to this psalm. Psalm 47 is a hymn comprising of two parallel strophes (w. 2-6 and 7-10). The reason for the exhortations to praise is the fact that in his deeds of salvation towards Israel, Yahweh has also proved himself to be the mighty, universal king. Psalm 47 probably dates from the exilic or post-exilic period.
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Gers-Uphaus, Christian. "Gott als wahrer אלהים und Retter der Armen – Psalm 82 im Korpus der Asafpsalmen." Biblische Zeitschrift 63, no. 1 (February 5, 2019): 30–48. http://dx.doi.org/10.30965/25890468-06301002.

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Abstract According to Erich Zenger, Psalm 82 has been considered as one of the most “spectacular” texts of the Old Testament. This psalm not only declares the death of other gods (אלהים) but also defines commitment towards the poor as a criterion for being true god. Within the debate of different methodological approaches to biblical texts, the present article first discusses some selected historical-critical questions of Psalm 82. It then asks the questions, Who are the poor in this Psalm? and Is it accidental that Psalm 82 speaks of the one אלהים in opposition to the other אלהים? These questions will be answered by offering a canonical exegesis of this Psalm within the corpus of the Psalms of Asaph.
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Villanueva, Federico G. "From Thanksgiving to Lament: The Shape of Psalm 120." Vetus Testamentum 70, no. 3 (January 17, 2020): 479–97. http://dx.doi.org/10.1163/15685330-12341408.

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Abstract Psalm 120 does not follow the usual form-critical view of the lament. Instead of moving from lament to praise, this psalm begins with thanksgiving and ends with lament. To make sense of Psalm 120, some scholars emphasize the thanksgiving part (v. 1) while viewing the lament (vv. 2-7) as a past recollection of the situation before the thanksgiving. Others opt to highlight the lament, interpreting the thanksgiving as a recollection of a past answer to prayer. This paper demonstrates that Psalm 120 represents in miniature form what we find in Psalms 9/10 and Psalm 40 where the lament is preceded by thanksgiving. It argues that Psalm 120 is a literary composition in which the thanksgiving and lament are deliberately juxtaposed, and in this sequence, to express a sense of the tragic.
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Dissertations / Theses on the topic "Psalm"

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Seong, Chong Hyon. "Psalm 24." Theological Research Exchange Network (TREN), 1988. http://www.tren.com.

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Drude, Matthias. "Dresdner Psalm." Matthias Drude, 2005. https://slub.qucosa.de/id/qucosa%3A7875.

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Der Dresdner Psalm für sechsstimmigen Chor und sechs Blechbläser entstand als letzte gemeinsame Arbeit mit dem 2006 verstorbenen Dresdner Theologen und Schriftsteller Dietrich Mendt aus Anlass des Dresdner Stadtjubiläums 2006. Der Text des Werkes reflektiert Geschichte und Gegenwart der Stadt Dresden im Stil eines Psalmgebets. Werkdauer ca. 17 Minuten
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Man, Stanlas Ping Kwan. "Psalm 23." Thesis, North Texas State University, 1985. https://digital.library.unt.edu/ark:/67531/metadc500804/.

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Psalm 23 is a sacred work in four movements, written for women's chorus (SSAA), a tenor solo and a chamber ensemble consisting of flute, oboe, trumpet, percussion, timpani, and string quartet. It is designed to be performed as a portion of a church service or in concert. The text, Psalm 23 from the Bible is sung in Chinese, and the verses of the Psalm are arranged as follows: Movement 1, Verse 1, General musical characteristics: pastoral; Movement 2, Verses 2-3, General musical characteristics: peaceful; Movement 3, Verses 4-5, General musical characteristics: agitated; Movement 4, Verse 6, General musical characteristics: majestic. The form, tonal structure and harmony of each movement are influenced by the characteristics of an original synthetic scale.
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Mobley, Aaron. "Sonnets and psalm." Thesis, The University of Arizona, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3605915.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instrumental movements, and back again. While the movements can stand independently of each other, there are ponderous transformations of material within and throughout the piece that create a thread that functions as a consistent generative unifying element. A recurrent utilization of motive, color, register, pitch-specific sonorities and gesture, enhances the unity of the work while exploiting the contradistinctive nature of each movement. Relational aspects of hidden and transformed materials from the Psalm and the sonnets (including the Mosaic movements) that are present throughout create a forward and back-relating dynamic. There is a programmatic element at work as well that in itself is a statement: after the sonnets and the mosaics, the listener is finally presented with the Psalm, a conclusion.

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Mobley, Aaron Darnell. "Sonnets and Psalm." Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311586.

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Sonnets and Psalm investigates the relationships between the sacred nature of Psalm 91 and the secular nature of two sonnets, William Shakespeare's Sonnet 73 and Henry Howard, Earl of Surrey's Sonnet 8. Sonnets and Psalm exploits a dynamic that arises from the juxtaposition of disparate musical universes, choral and instrumental, and the unique and, at times, ineffable aesthetic qualities that emerge as a result of the intentional ordering of musical language and block structures. In a five movement form the listener is guided from vocal events painted on orchestral palettes, to solely instrumental movements, and back again. While the movements can stand independently of each other, there are ponderous transformations of material within and throughout the piece that create a thread that functions as a consistent generative unifying element. A recurrent utilization of motive, color, register, pitch-specific sonorities and gesture, enhances the unity of the work while exploiting the contradistinctive nature of each movement. Relational aspects of hidden and transformed materials from the Psalm and the sonnets (including the Mosaic movements) that are present throughout create a forward and back-relating dynamic. There is a programmatic element at work as well that in itself is a statement: after the sonnets and the mosaics, the listener is finally presented with the Psalm, a conclusion.
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Cameron, Bruce A. Luther Martin. "Luther's Summaries of the Psalms (1531) a model for contemporary Psalm interpretation /." Theological Research Exchange Network (TREN), 1991. http://www.tren.com.

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Thesis (S.T.M.)--Concordia Seminary, 1991.
Appendix is an English translation of: Summarien über die Psalmen / Martin Luther ; [tr. by Bruce A. Cameron]; published in 1531. The original text is that of the Weimar edition, v. 38. Includes bibliographical references (leaves 141-143).
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Smith, Kenneth William. "From Psalm to sermon preaching from the Psalms in a genre-sensitive manner /." Online full text .pdf document, available to Fuller patrons only, 2002. http://www.tren.com.

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Jones, Christine Danette Brown Bellinger W. H. "The Psalms of Asaph a study of the function of a psalm collection /." Waco, Tex. : Baylor University, 2009. http://hdl.handle.net/2104/5346.

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Maurer, Bernard. "Psalm 95 and intertextuality." Online full text .pdf document, available to Fuller patrons only, 2001. http://www.tren.com.

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Drude, Matthias. "Der 121. Psalm: (1986)." Matthias Drude, 2020. https://slub.qucosa.de/id/qucosa%3A72064.

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Auf Anregung von Prof. Renate Altmann und Prof. Julius Severin komponierte Matthias Drude 1986 und 1987 drei Vertonungen von Psalmen für vierstimmig gemischten Chor und Orgel. Die drei Vertonungen sind in ihrer überwiegend homophonen Setzweise der musikalischen Romantik verpflichtet und für leistungsfähige Laienchöre geeignet. (überarbeitet und Computer-Notensatz (SIBELIUS): Juni 2020), siehe auch: 'Der 23. Psalm' (1986) und 'Der 91. Psalm' (1987)
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Books on the topic "Psalm"

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Malaty, Tadrous Y. The Psalms: Psalm 1-Psalm 10. Sidi-Bisher, Alexandria, Egypt: St. Mark and St. Peter the Last Martyr, 1991.

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Moj psalm: Parafraza psalma 90 = Mein Psalm : Paraphrase zum 90. Psalm. Sarajevo: Maunagić, 2010.

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McDowall, Nicolas. Psalm 150: Psalm 23. Llandogo: The Old Stile Press, 2000.

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Lasso, Orlando di. The Sibylline prophecies ; The penitential Psalms. Bloomington, Indiana: Focus, 1985.

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Bruckner, Anton. Psalm 112. Wien: Musikwissenschaftlicher Verlag, 1996.

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Psalm 23. Grand Rapids, Mich: Zondervan, 2015.

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Ruth, Peggy Joyce. Psalm 91. Lake Mary, Fla: Charisma House, 2012.

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Mowinckel, Sigmund. Psalm studies. Boston: Brill, 2010.

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Bruckner, Anton. Psalm 150. Wien: Musikwissenschaftlicher Verlag, 1987.

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Psalm 91. Lake Mary, Fla: Creation House, 2006.

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Book chapters on the topic "Psalm"

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Cargill, Robert R. "Psalm 110." In Melchizedek, King of Sodom, 81–94. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190946968.003.0009.

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This chapter examines the presence of Melchizedek in Ps. 110 (LXX Ps. 109) and asks if the Hebrew text refers to the same priest-king mentioned in Gen. 14:18 or to another priest-king—the Israelite king the psalm celebrates as part of his coronation. This chapter closely examines the extraordinary measures taken by Hebrew interpreters to alter references to the metaphorical birth of the king in verse 3 that are clear references to birth in other psalms. This chapter also examines the LXX’s “inventive” interpretation in verse 4 of a priestly “Order of Melchizedek”—a translation that is not supported by later translations like the Aramaic targums.
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"Psalm 1-Psalm 10." In Old English Glossed Psalters, edited by Phillip Pulsiano, 1–116. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-009.

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"Psalm 11 - Psalm 19." In Old English Glossed Psalters, edited by Phillip Pulsiano. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-010.

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"Psalm 20 - Psalm 29." In Old English Glossed Psalters, edited by Phillip Pulsiano. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-011.

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"Psalm 30 - Psalm 39." In Old English Glossed Psalters, edited by Phillip Pulsiano. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-012.

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"Psalm 40 - Psalm 49." In Old English Glossed Psalters, edited by Phillip Pulsiano. Toronto: University of Toronto Press, 2001. http://dx.doi.org/10.3138/9781442678040-013.

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"Psalm." In Sounds, Feelings, Thoughts, 156–57. Princeton University Press, 2020. http://dx.doi.org/10.2307/j.ctvzxx9m1.58.

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"PSALM." In That Light, All at Once, 139–41. Yale University Press, 2020. http://dx.doi.org/10.2307/j.ctv15pjxsv.22.

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"Psalm." In Cathedral Of The North, 5–6. University of Pittsburgh Press, 2001. http://dx.doi.org/10.2307/j.ctvthhbxx.3.

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"psalm." In Music in Shakespeare. Bloomsbury Publishing Plc, 2005. http://dx.doi.org/10.5040/9781623560621.07566.

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Conference papers on the topic "Psalm"

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Asundi, Anand K. "Projection moire using PSALM." In Second Intl Conf on Photomechanics and Speckle Metrology: Moire Techniques, Holographic Interferometry, Optical NDT, and Applications to Fluid Mechanics. SPIE, 1991. http://dx.doi.org/10.1117/12.57495.

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Asundi, Anand K. "Hologram interferometry using PSALM." In San Diego - DL tentative, edited by Ryszard J. Pryputniewicz. SPIE, 1992. http://dx.doi.org/10.1117/12.135316.

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Menghi, Claudio, Christos Tsigkanos, Thorsten Berger, and Patrizio Pelliccione. "PsALM: Specification of Dependable Robotic Missions." In 2019 IEEE/ACM 41st International Conference on Software Engineering: Companion Proceedings (ICSE-Companion). IEEE, 2019. http://dx.doi.org/10.1109/icse-companion.2019.00048.

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Coroiu, Petruta. "PSALM 150 � TEXTUAL CONGRUITY IN THE HISTORY OF MUSIC." In 4th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/62/s25.024.

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YuXia, Fan. "On the Aesthetic Value of A Psalm of Life." In 2015 International Conference on Social Science and Technology Education. Paris, France: Atlantis Press, 2015. http://dx.doi.org/10.2991/icsste-15.2015.146.

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Zhang, Huaxin, Ihab F. Ilyas, and Kenneth Salem. "PSALM: Cardinality Estimation in the Presence of Fine-Grained Access Controls." In 2009 IEEE 25th International Conference on Data Engineering (ICDE). IEEE, 2009. http://dx.doi.org/10.1109/icde.2009.39.

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Belibou, Alexandra. "DIFFERENTIAL TYPOLOGIES OF IGOR STRAVINSKY AND ARNOLD SCHOENBERG, REVEALED BY THE MUSIC ON PSALM TEXTS." In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s16.037.

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Ye, Jun. "On Actualization of Images ??q??qA comparative study between two translations of A Psalm of Life." In 2018 4th International Conference on Humanities and Social Science Research (ICHSSR 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/ichssr-18.2018.90.

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Fina, Lien Iffah Naf'atu. "HOW TO COMPREHEND THE SIMILARITY BETWEEN HEBREW BIBLE AND THE QUR'AN? THE INTERTEXTUALITY BETWEEN PSALM 136 AND Q. 55 (AL-RAHMAN)." In International Conference on Qur'an and Hadith Studies (ICQHS 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icqhs-17.2018.17.

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Embong, A. H., A. M. Al-Jumaily, Giri Mahadevan, Shukei Sugita, and Andrew Lowe. "Patient-Specific Aneurysms Rupture Prediction Using CFD Modelling With Strain Energy Function." In ASME 2013 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2013. http://dx.doi.org/10.1115/imece2013-63859.

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This paper proposes a new Patient-Specific Aneurysm CFD Model (PSAM) which is based on the energy strain function combined with dilated vessel wall stress-strain relationship to predict aneurysm rupture. The PSAM relies on the available mechanical properties and parameters obtained from a personalized model. A personalized model is developed based on instantaneous arterial deformations obtained from Doppler Ultrasound (US) images at 6–9 MHz. It is shown that PSAM has the ability to correlate the deformation wall energy based on continuous patient-specifics in predicting rupture.
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