Academic literature on the topic 'Prove in opera'
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Journal articles on the topic "Prove in opera"
HENSON, KAREN. "Black Opera, Operatic Racism and an ‘Engaged Opera Studies’." Journal of the Royal Musical Association 146, no. 1 (May 2021): 219–30. http://dx.doi.org/10.1017/rma.2020.27.
Full textTalpau Dimitriu, Maria. "Preservation of Lipschitz constants by some generalized Baskakov and Szász-Mirakjan operators." Bulletin of the Transilvania University of Brasov Series III Mathematics and Computer Science 1(63), no. 1 (October 7, 2021): 241–46. http://dx.doi.org/10.31926/but.mif.2021.1.63.1.17.
Full textKasyanova, Olena. "Plastic Solution of the Main Heroine's Image in J. Bizet's Opera "Carmen"." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(54) (March 21, 2022): 105–18. http://dx.doi.org/10.31318/2414-052x.1(54).2022.255431.
Full textRędzioch-Korkuz, Anna. "Constraints on Opera Surtitling: Hindrance or Help?" Meta 63, no. 1 (July 11, 2018): 216–34. http://dx.doi.org/10.7202/1050522ar.
Full textSandgren, Maria. "Voice, Soma, and Psyche: A Qualitative and Quantitative Study of Opera Singers." Medical Problems of Performing Artists 17, no. 1 (March 1, 2002): 11–21. http://dx.doi.org/10.21091/mppa.2002.1003.
Full textMarkov, Alexander V. "FROM IDEALISM TO NEW MARXISM. PART 3. BORIS ASAFIEV." Articult, no. 4 (2021): 110–17. http://dx.doi.org/10.28995/2227-6165-2021-4-110-117.
Full textEvans, Megan. "“Brand China” on the World Stage: Jingju, the Olympics, and Globalization." TDR/The Drama Review 56, no. 2 (June 2012): 113–30. http://dx.doi.org/10.1162/dram_a_00170.
Full textYAN, MU-LIN, NENG-CHAO XIAO, WEI HUANG, and SEN HU. "SUPERLUMINAL NEUTRINOS FROM SPECIAL RELATIVITY WITH DE SITTER SPACETIME SYMMETRY." Modern Physics Letters A 27, no. 14 (May 5, 2012): 1250076. http://dx.doi.org/10.1142/s0217732312500769.
Full textMottershead, Tim. "Buxton, Opera House: David Bruce's ‘The Firework-Maker's Daughter’." Tempo 67, no. 266 (October 2013): 87. http://dx.doi.org/10.1017/s0040298213001009.
Full textYu, Hong. "The Ambiguity in Turandot: An Orientalist Perspective." English Language and Literature Studies 8, no. 1 (February 28, 2018): 114. http://dx.doi.org/10.5539/ells.v8n1p114.
Full textDissertations / Theses on the topic "Prove in opera"
NONNATO, ALICE. "Prestazione d'opera intellettuale e onere della prova dell'inadempimento." Doctoral thesis, Università degli studi di Ferrara, 2014. http://hdl.handle.net/11392/2388929.
Full textDittmann, Gudrun. "Oper zwischen Anpassung und Integrität : zu den Uraufführungen zeitgenössischer deutscher Opern am Leipziger Neuen Theater im NS-Staat /." Essen Verl. Die Blaue Eule, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2694968&prov=M&dok_var=1&dok_ext=htm.
Full textClausius, Katharina Anne Crawford. "Opera after poetry : Enlightenment 'dramma per musica' amid the arts." Thesis, University of Cambridge, 2017. https://www.repository.cam.ac.uk/handle/1810/267190.
Full textGribenski, Michel. "Le chant de la prose dans l'opéra (France, Italie, Allemagne), 1659-1902 : élements de poétique, d'esthétique et d'histoire du goût." Thesis, Paris 4, 2008. http://www.theses.fr/2008PA040197.
Full textAlthough prose opera only appeared in Europe at the turn of the nineteenth and twentieth centuries, in Russian, French, German and Czech opera, some ventures into prose singing and reflections about it did occur in France as early as the eighteenth century. Seen as an aperiodic verbal form, prose can be considered to have been an essential part of the operatic genre from the beginning. Indeed, aperiodic free mixed verse is used in French tragédie en musique, and before that in Italian opera, in association with largely non-periodic singing, especially in recitative. This formal characteristic of recitative is summed up in the metaphoric and pejorative phrase of “musical prose”, which was created in France and Germany in the second half of the eighteenth century by admirers of the Italian periodic melody. This opposition between two modes of singing, recitative-like and aria-like singing, can be seen as a conflict between two contradictory principles in opera: on the one hand, a prosa oratio principle, whose linearity represents the dramatic progressive succession ; on the other hand, a versus principle, whose periodic circle constitutes the traditional form of lyrics. On a stylistic level, prose also has to do with prosaic matters and language, not only in the naturalistic drame lyrique, but more generally in recitative singing. The latter is sometimes considered the prose of music, not only because of its form, but also because it deals with less lyrical matters than aria. This relationship between formal and stylistic levels is particularly tight in prosodic matters, especially in the treatment of the famous mute e, which provokes multiple ideological debates concerning natural, realistic, or prosaic styles of diction. Attempts to solve this problematic opposition between verse and prose logics led various musicians, librettists and theorists to go beyond formal and stylistic dichotomy and to rethink opera as an organic whole: in the form of a lyric-dramatic poem and a poetic-musical speech, where singing, orchestra, and silence are combined. The problem of prose singing in opera thus clearly reveals the generic, aesthetic, and ideological issues concerning lyric theatre
Plank, Christiane. "Die melodramatische Szene in der Oper des 19. Jahrhunderts : eine musikdramatische Ausdrucksform /." München : Utz, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2613156&prov=M&dok_var=1&dok_ext=htm.
Full textToussaint, Ulrike. "Studien zu den Opern Werner Egks /." Mainz : Are-Ed, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2670369&prov=M&dokv̲ar=1&doke̲xt=htm.
Full textMesly, Olivier. "Voyage au coeur de la prédation entre vendeurs et acheteurs : une nouvelle théorie en vente et marketing." Thèse, Université de Sherbrooke, 2010. http://savoirs.usherbrooke.ca/handle/11143/371.
Full textKienzle, Ulrike. "... dass wissend würde die Welt! Religion und Philosophie in Richard Wagners Musikdramen." Würzburg Königshausen und Neumann, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2643325&prov=M&dok_var=1&dok_ext=htm.
Full textSchmidt, Alexander. "Co-Opera - Kooperationen mit Leben füllen : ein multiperspektivischer Blick auf die Entwicklung von Unternehmenskooperationen innerhalb von Clustern und Netzwerken /." Heidelberg : Carl-Auer-Verl, 2007. http://deposit.d-nb.de/cgi-bin/dokserv?id=2929955&prov=M&dok_var=1&dok_ext=htm.
Full textHomann, Rainer. "Die Partitur als Regiebuch." Osnabrück epOs Music, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2678019&prov=M&dok_var=1&dok_ext=htm.
Full textBooks on the topic "Prove in opera"
Amati, Fulvia. La fabbrica del festival: Immagini dai laboratori e dai palcoscenici del Rossini Opera Festival 1995 durante le prove de Guillaume Tell, Zelmira, La cambiale di matrimonio. Pesaro: Rossini Opera Festival, 1996.
Find full textYoung, Mark, ed. Opera Bufa. Rockhampton, Queensland, Australia: Otoliths, 2007.
Find full texteditor, Lefter Ion Bogdan, ed. Opere. Piteşti: Paralela 45, 2014.
Find full textCorazzini, Sergio. Opere: Poesie e prose. Pisa: Istituti editoriali e poligrafici internazionali, 1999.
Find full textOpere: Poesie e prose. Pisa [etc.]: Istituti editoriali e poligrafici internazionali, 1999.
Find full textFieled, Adam. Opera Bufa (original Otoliths book pdf). Edited by Mark Young. Rockhampton, Queensland, Australia: Otoliths, 2007.
Find full textBlair, Stacy. Opera Bufa: Expanded Edition. Edited by Adam Fieled. Conshohocken, Pa-Plymouth Meeting, Pa: IA (Funtime Press), 2013.
Find full textYoung, Mark, ed. Opera Bufa (excerpt: OB in Otoliths 6). Rockhampton, Australia: Otoliths, 2007.
Find full textRoom, Red, ed. Opera Bufa (excerpt: OB in RR '14). California, USA: Red Room, 2014.
Find full textTozzi, Federigo. Opere: Romanzi, prose, novelle, saggi. 3rd ed. Milano: Mondadori, 1993.
Find full textBook chapters on the topic "Prove in opera"
Loday, Jean-Louis, and Bruno Vallette. "Methods to Prove Koszulity of an Operad." In Grundlehren der mathematischen Wissenschaften, 263–324. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-30362-3_8.
Full textParr, Sean M. "Vestiges of Virtuosity." In Vocal Virtuosity, 220–60. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197542644.003.0007.
Full textMikuła, Maciej. "Iura scripta and Operae iurisperitorum in Municipal Courts of the Kingdom of Poland (Sixteenth to Eighteenth Centuries)." In Authorities in Early Modern Law Courts, 122–36. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474451000.003.0006.
Full textRoos, Hilde. "Eoan’s Best Opera Success: An Amorous Fantasy." In La Traviata Affair, 58–97. University of California Press, 2018. http://dx.doi.org/10.1525/california/9780520299887.003.0004.
Full textDaub, Adrian. "Balladic Consciousness." In What the Ballad Knows, 104—C3.N51. Oxford University PressNew York, 2022. http://dx.doi.org/10.1093/oso/9780190885496.003.0004.
Full textVlasova, Yekaterina. "The Stalinist Opera Project." In Russian Music since 1917. British Academy, 2017. http://dx.doi.org/10.5871/bacad/9780197266151.003.0008.
Full textDean, Terry. "Semyon Kotko and War and Peace." In Rethinking Prokofiev, 193–212. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190670764.003.0012.
Full textMordden, Ethan. "With One Look I’ll Be May." In Pick a Pocket Or Two, 178–86. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780190877958.003.0013.
Full textWeinrib, Laura. "The Second New Deal and the Fourth Courtroom Wall." In Power, Prose, and Purse, 267–86. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190873455.003.0012.
Full textKreuzer, Gundula. "Flat Bayreuth: A Genealogy of Opera as Screened." In Screen Genealogies. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2019. http://dx.doi.org/10.5117/9789463729000_ch09.
Full textConference papers on the topic "Prove in opera"
Lu, Xiaozhou. "A Probe into the Successful Factors of the Chinese National Opera “Struggles in an Ancient City”." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Paris, France: Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.037.
Full textRebello, Gabriel Antonio F., Gustavo Camilo, Leonardo Silva, Lucas Guimarães, Lucas Airam C. de Souza, Igor Alvarenga, and Otto Carlos Muniz Bandeira Duarte. "Provendo uma Infraestrutura de Software Fatiada, Isolada e Segura de Funções Virtuais através da Tecnologia de Corrente de Blocos." In I Workshop em Blockchain: Teoria, Tecnologias e Aplicações. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/wblockchain.2019.7480.
Full textSantos, Isanio Lopes Araujo, Flavia C. Delicato, Paulo F. Pires, Thais Batista, Ana Liz Souto Oliveira, and Luci Pirmez. "Usando Aspectos e Composição Dinâmica para prover Adaptação Ciente ao Contexto em Sistemas Ubíquos." In Simpósio Brasileiro de Engenharia de Software. Sociedade Brasileira de Computação, 2008. http://dx.doi.org/10.5753/sbes.2008.21332.
Full textCogut, Sergiu. "Școala de la Târgoviște și metaromanul (în baza operei „Ficțiune și infanterie” de Costache Olăreanu)." In Filologia modernă: realizări şi perspective în context european. “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2021. http://dx.doi.org/10.52505/filomod.2021.15.12.
Full textNunes, Diogo Cirne, and Frederico Araújo da Silva Lopes. "Uma Plataforma para promover a Interoperabilidade entre Órgãos de Segurança Pública." In Workshop de Computação Urbana. Sociedade Brasileira de Computação - SBC, 2022. http://dx.doi.org/10.5753/courb.2022.223496.
Full textA. Moreno Vásquez, Francis, and Kleber Melo e Silva. "Proteção Diferencial de Barramentos Baseada na Potência Instantânea." In Simpósio Brasileiro de Sistemas Elétricos - SBSE2020. sbabra, 2020. http://dx.doi.org/10.48011/sbse.v1i1.2218.
Full textKlein, Sikke, Ivar Austrem, and Jan Mowill. "The Development of an Ultra Low Emissions Liquid Fuel Combustor for the OPRA OP16 Gas Turbine." In ASME Turbo Expo 2002: Power for Land, Sea, and Air. ASMEDC, 2002. http://dx.doi.org/10.1115/gt2002-30107.
Full textn. v. santos, pedro henrique, and Regina Maria Prosperi Meyer. "LONGE DO EQUILÍBRIO." In Seminario Internacional de Investigación en Urbanismo. Bogotá: Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10154.
Full textBouten, Thijs, Nick Gralike, and Lars-Uno Axelsson. "Development, Atmospheric Testing and Field Operation of a Fuel Flexible Gas Turbine Combustion System for Crude Oil Volatile Organic Compounds." In ASME Turbo Expo 2022: Turbomachinery Technical Conference and Exposition. American Society of Mechanical Engineers, 2022. http://dx.doi.org/10.1115/gt2022-82390.
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