Books on the topic 'Prosthesis hand'

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1

Ferlic, Donald C. A colour atlas of joint replacement of the wrist and hand. London: Wolfe Medical Publications, 1987.

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2

Ferlic, Donald C. A colour atlas of joint replacement of the wrist and hand. Chicago: Year Book Medical Publishers, 1986.

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3

Mihailidis, Alex. New hands, new life: Robots, prostheses and innovation. Richmond Hill, Ontario: Firefly Books, Limited, 2017.

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4

Hu, Paul Xue Bang. Development of a paediatric prosthetic hand with a two-degree-of-freedom thumb. Ottawa: National Library of Canada, 1997.

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5

Shaheen, Aaron. Great War Prostheses in American Literature and Culture. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198857785.001.0001.

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Drawing on rehabilitation publications, novels by both famous and lesser-known American writers, and even the prosthetic masks of a classically trained sculptor, Great War Prostheses in American Literature and Culture addresses the ways in which prosthetic devices were designed, promoted, and depicted in America in the years during and after the First World War. The war’s mechanized weaponry ushered in an entirely new relationship between organic bodies and the technology that could both cause and attempt to remedy hideous injuries. This relationship was evident in the realm of prosthetic development, which by the second decade of the twentieth century promoted the belief that a prosthesis should be a spiritual extension of the person who possessed it. This spiritualized vision of prostheses held a particular resonance in American postwar culture. Relying on some of the most recent developments in literary and disability studies, the book’s six chapters explain how a prosthesis’s spiritual promise was largely dependent on its ability to nullify an injury and help an amputee renew (or even improve upon) his prewar life. But if it proved too cumbersome, obtrusive, or painful, the device had the long-lasting power to efface or distort his “spirit” or personality.
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6

Gagné, John. Emotional Attachments. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198802648.003.0009.

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This study of iron hands situates prosthetics at the nexus of several confluent craft fields in the late Middle Ages. In particular, it shows the way that the technology behind these body attachments emerged out of masculine artisans’ communities associated with metalwork and often also with war: surgeons, locksmiths, clockmakers, and gunners. It argues that these ‘communities of technique’ were mutually collaborative fraternities whose technical knowledge moved laterally across fields. It examines several extant iron hands, including the famous model based on Ambroise Paré. The chapter proposes that these prostheses were emotionally and professionally restorative rather than transformative. It concludes by suggesting that such objects posed philosophical and conceptual problems about the body as mechanism or machine, and that the absence of prosthetics for women in this period helps to frame the gender of mechanism in the Renaissance.
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7

Chappell. Mechatronic Hands: Prosthetic and Robotic Design. Institution of Engineering and Technology, 2016. http://dx.doi.org/10.1049/pbce105e.

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8

New Hands, New Life: Robots, Prostheses and Innovation. Firefly Books, Limited, 2017.

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9

Powered prosthetic hand function: Design issues and visual feedback. Ottawa: National Library of Canada = Bibliothèque nationale du Canada, 1995.

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10

Nazarpour, Kianoush, ed. Control of Prosthetic Hands: Challenges and emerging avenues. Institution of Engineering and Technology, 2020. http://dx.doi.org/10.1049/pbhe022e.

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11

Kyberd, Peter, and David Foord. Making Hands: The Design and Use of Upper Extremity Prosthetics. Elsevier Science & Technology Books, 2021.

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12

Design of a multi-fingered, passive adaptive grasp prosthetic hand: Better function and cosmesis. Ottawa: National Library of Canada, 1998.

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13

Lepora, Nathan F. Biohybrid systems. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199674923.003.0048.

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This chapter introduces the “biohybrid systems” section of the Handbook of Living Machines and briefly reviews some important examples of systems formed by coupling biological to engineered components. These include brain–machine interfaces, both non-invasive, using different external measurement and scanning devices, and invasive approaches focusing on implantable probes. Next we consider fabrication methods for micro- and nanobiohybrid systems and an example of a biohybrid system at the organism level, in the form of a robot–animal biohybrid, developed using methods from synthetic biology. There are many application for biohybrid systems in healthcare: we include exemplar chapters describing intelligent prostheses such as artificial hands with tactile sensing capabilities, sensory organ–chip hybrids in the form of cochlear implants, and artificial implants designed to replace damaged neural tissue and restore lost memory function.
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14

Lepora, Nathan F. Touch. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199674923.003.0016.

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Touch is the ability to perceive the world through physical contact. This article describes three principles underlying biological touch sensing and how these principles can result in biomimetic devices. First, that cutaneous touch is superresolved, in that the accuracy of perceiving fine stimulus detail is finer than the spacing between individual sensory mechanoreceptors. Second, that touch is active, in that animals actively select and refine sensations in a purposive manner. Third, that touch is exploratory, in that animals deploy purposive action patterns to encode properties of objects via a lexicon of exploratory procedures. Biomimetic tactile systems have utilized these principles to result in superior sensing capabilities, including systems that mimic the human fingertip and hand (cutaneous touch) and the rodent whisker system (vibrissal touch). Future biomimetic touch could rival human capabilities, enabling tactile sensors to have technological applications spanning across prosthetics, telehaptics, surgical robotics, wearable computing, medical probes, and manufacturing.
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15

de Vignemont, Frédérique. Mind the Body. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198735885.001.0001.

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Our own body seems to be the object that we know the best for we constantly receive a flow of internal information about it. Yet bodily awareness has attracted little attention in the literature, possibly because it seems reducible to William James’s description of a “feeling of the same old body always there” (1890, p. 242). But it is not true that our body always feels so familiar. In particular, puzzling neurological disorders and new bodily illusions raise a wide range of questions about the relationship between the body and the self. Although most of the time we experience our body as our own, it is possible to report feeling parts of our body as alien. It is also possible to experience extraneous objects, such as prosthetic hands, as our own. Hence, what makes us feel this particular body as our own? The fact that we feel sensations there? The fact that we can voluntarily move it? Or the fact that it needs protection for self-preservation? To answer these questions, we need a better understanding of the various aspects of bodily self-awareness, including the spatiality of bodily sensations, their multimodality, their role in social cognition, their relation to action, and to self-defence. Mind the Body thus provides a comprehensive treatment of bodily awareness and of the sense of bodily ownership, combining philosophical analysis with recent experimental results from cognitive science.
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