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Relevant bibliographies by topics / Prose forms in the 18c

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Academic literature on the topic 'Prose forms in the 18c'

Author: Grafiati

Published: 4 June 2021

Last updated: 13 February 2022

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Journal articles on the topic "Prose forms in the 18c"

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Fedotova, O. S. "THE AUTHOR’S EXPLICIT PRESENCE IN A NARRATIVE TEXT: THE AUTHOR’S OPINION ABOUT THE CONTEMPORARY WORLD." MGIMO Review of International Relations, no. 4(31) (August 28, 2013): 317–22. http://dx.doi.org/10.24833/2071-8160-2013-4-31-317-322.

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The paper shows that the author of a narrative text might interrupt the course of fictional action to express his view of the situation. The diachronic analysis of English emotive prose proves that the author is always present in the text, be it the 19C, 20C, or the beginning of the 21C. One of the topics of the author’s dialogue with the reader may cover peculiarities of the contemporary world. The problems discussed are very much the same in different time periods. The analysis of English novels shows that authors usually give evaluation of the surrounding world which is far from ideal and which is full of difficulties, obstacles and disappointments. The difference lies in the forms of address of the author to the reader. In the novels of the end of the 18C and the beginning of the 19C the author usually acts as a personage who speaks directly to the reader. That’s why forms of direct address and personal pronouns mark this period. At the end of the 20C – at the beginning of the 21C the author’s comments are more laconic and are usually presented in the form of a maxim. Time shift is characteristic of all time periods discussed.

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Bagautdinova, G. G. "Poetics of Title in Non-Novel Prose by I. A. Goncharov." Nauchnyi dialog, no. 5 (May 28, 2021): 169–82. http://dx.doi.org/10.24224/2227-1295-2021-5-169-182.

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The novelty of the work is in the fact that for the first time in I. A. Goncharov’s works study, the peculiarities of the poetics of the title in the works of I. A. Goncharov of small and medium genre epic forms, are examined. The relevance of the article is due to the fact that the study of the title, the identification of its typological models will allow to describe the patterns in the artistic system of I. A. Goncharov. A classification of the titles of the writer’s works written in non-novel genre forms is proposed. The classification is based on the dominant structural and semantic features of the titles of the writer’s non-novel fictional prose. The question of the semantics of titles is raised in the article, the attention is paid to their linguistic features. Some questions of the functional interaction of the title with the main text are considered. It is noted that the analysis of various types of titles in the works of I. A. Goncharov showed the importance of this component in the poetics of the writer. The author of the article comes to the conclusion that the analysis of the title allows not only to consider the position of the “total” author, but also to explore many aspects of the writer's poetics: frame text, subject matter, composition, genre, style, narrative system, language.

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Tkachenko, Tetyana. "THE PROSE GENRE PALETTE OF IVAN NECHUJ-LEVYCZKYJ." Literary Studies, no. 57 (2019): 173–86. http://dx.doi.org/10.17721/2520-6346.3(57).173-186.

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The article studies the specifics of the small prose of Ivan Nechuj-Levyczkyj (1838–1918). The focus is on the study of the genealogy of writing, including the variety of small epic forms presented by the writer’s legacy. The paper analyses the author’s reception, interpretation and reinterpretation of genres and genre varieties are covered, genre diffusion (travel essay, notes, sketching, anecdote, prose fable, satire, story, humorous, legend, fairy tale, phantasmagoria, tragic comedy, tragedy, fantasy). It explores the issues and topics of proscription (glorifying the beauty of nature of Ukraine, reflecting the whole world, depicting the life, customs and way of life of different ethnic groups that make up the Ukrainian people, external details and mentality, violations of local, state and human issues in a multi-level display – image, motive, plot, onomastics and toponymy), art and expressive means (metaphor, metonymy, numerous epithets, comparisons, concurrency, antithesis, gradation, symbol, humor, irony, satire, rhetorical constructions). The investigation elucidates the variability of the figure of the narrator (alter ego of the author, narrator/narrator, witness/participant of events, publicist, observator, historian, ethnographer). It accentuates the features of idiostyle (realism, elements of symbolism and impressionism; combination of deliberation and fiction, figurative polysemantics, auto-allusions, sensitivity, color symbolism, the reader as interlocutor and co-author on emotions, pictures, personification of being, intertextual inclusions).

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Kudaeva, Z. Zh, K. N. Paranuk, and A. P. Golodova. "Ethical Traditions of Adyghe: Genre Criteria and Main Motives." Nauchnyi dialog 1, no. 7 (July 29, 2021): 183–97. http://dx.doi.org/10.24224/2227-1295-2021-7-183-197.

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The task is to study ethical legends considered as one of the specific genre varieties of the Adyghe historical prose. The relevance of the research is due to the urgent need to create a genre classification of the Adyghe non-fairytale prose. It is noted that in this regard, the study of ethical traditions is one of the necessary stages in solving this problem. The main goal of the article is to determine genre features and main functions, to identify the main motives and images inherent in ethical legends. Cultural-historical and comparative-historical research methods are used. The socio-historical conditions and factors that contributed to the emergence of the genre of ethical legends are analyzed, various groups of legends are identified, the process of transformation of moral and ethical principles and norms is traced, the most productive plot-forming motives are determined. It is shown that the differentiating feature of ethical traditions is their cognitive and socioregulatory functions. It is argued that their main goal is to represent ideal forms and standards of interpersonal behavior, which should contribute to the formation and approval of moral, ethical and etiquette norms that existed in the Adyghe traditional society.

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Galieva, A. M. "The Menzerath–Altmann Law: Experimenting with Tatar Texts." Uchenye Zapiski Kazanskogo Universiteta. Seriya Gumanitarnye Nauki 163, no. 1 (2021): 180–89. http://dx.doi.org/10.26907/2541-7738.2021.1.180-189.

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The Menzerath–Altmann law on the relationship between the length of linguistic units and the length of their components is one of the important laws of quantitative linguistics. This law is a result of an advanced linguistic structures organization and is of great importance for the modern theory of language aimed at revealing the relations between qualitative features and quantitative parameters of the language. The validity of the Menzerath–Altmann law has been confirmed in a number of works on languages with different morphological structures. The main purpose of this paper is empirical testing of the Menzerath–Altmann law on the Tatar language with the help of various fiction texts (both poetry and prose). The distribution of word forms in the Tatar language by length, observed values of the average syllable length depending on the word length, average values of the syllable length predicted by the model, as well as the model parameters were investigated for the analyzed texts. To assess the goodness of fitting of the model, the coefficient of determination R2, which for different texts ranged from 0.676 to 0.999, was used. It was concluded that G. Altman’s formula is in good agreement with the data of the Tatar language. The model predicts not only the decreasing average syllable length with the increasing word length (function monotonicity), but also its subsequent increasing (change in the function monotonicity) for a number of texts.

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Dubrovskaya, S. A., V. P. Kirzhaeva, and S. M. Vladimirova. "Middle Eastern Everyday Life in S.S. Kondurushkin’s Magazine Essays at Beginning of Twentieth Century." Nauchnyi dialog, no. 8 (August 24, 2021): 170–84. http://dx.doi.org/10.24224/2227-1295-2021-8-170-184.

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The problem of the presentation of the Middle Eastern everyday life in the early prose of S.S. Kondurushkin (1874—1919), an active participant in the literary and social life of Russia at the turn of the XIX—XX centuries is examined in the article. On the basis of the essay cycle “From Wanderings in Syria” and other works of the early 1900s, an analysis of the methods of recreating the Middle Eastern everyday life is presented. The narrative strategies that underlie the Middle Eastern narrative of the Russian traveler are studied. This makes it possible to clarify the characteristics of the genre of the travel sketch in the general context of Russian literature at the turn of the century, which determines the scientific novelty and relevance of the article. The authors examine in detail the essays “Greeks in Palestine and Syria”, “Terra incognita”, “La Bayadere”, “Akulina in Tripoli”. The consistent change of the exposing discourse of political journal-ism to various forms of “ethnographic” narrative are substantiated in the article. The tasks set required the use of traditional methods of academic literary criticism, as well as techniques of cultural linguistics, imagology, imperial and colonial studies. A number of archival materials are introduced into scientific circulation, in particular, letters from N.K. Mikhailovsky addressed to S.S.Kondurushkin.

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Emms, Richard. "The scribe of the Paris Psalter." Anglo-Saxon England 28 (December 1999): 179–83. http://dx.doi.org/10.1017/s0263675100002301.

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The Paris Psalter (Bibliothèque Nationale de France, lat. 8824) has attracted much interest because of its long, thin format, its illustrations in the Utrecht Psalter tradition and its Old English prose translation of the first fifty psalms, which has been convincingly attributed to King Alfred himself. It is a bilingual psalter, with Latin (Roman version) on the left and Old English on the right. The first fifty psalms are in the prose translation connected with King Alfred, the remainder in a metrical version made by an author whose work has not been identified elsewhere. The leaves are approximately 526 × 186 mm, with a writing space of about 420 × 95 mm. It has been estimated that there were originally 200 leaves in twenty-five quires, but fourteen leaves, including those carrying all the major decoration, have been removed. There remain thirteen outline drawings integrated into the text on the first six folios. Some drawings may have functioned as ‘fillers’ where the Latin text was shorter than the Old English. Further on in the manuscript, in order to solve this problem, the scribe either left gaps or made the columns of Latin thinner than the corresponding Old English ones. The Old English introductions were set out across both columns, suggesting that the book was made for someone who read English more easily than Latin. The manuscript was written around the middle of the eleventh century, and it is clearly the work of a single skilled scribe who used a neat Anglo-Caroline minuscule for the Latin texts, and matching English vernacular minuscule with many Caroline letter forms for the Old English. Unfortunately, his hand has not been identified in any other books or charters; however, he did record in a colophon (186r; see pl.V) that he was called Wulfwinus cognomento Cada.

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Venediktova, T. D. "Literary Speech as a Medium of Contact." Critique and Semiotics 37, no. 2 (2019): 183–93. http://dx.doi.org/10.25205/2307-1737-2019-2-183-193.

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An intersubjective event, a text comprises the medium of contact between subjects of literary discourse. Within texts the conventionality of speech serves to enable us to express ourselves, while at the same time it-owing to conventionality itself-makes shared individual expe rience at least difficult, if not impossible, a condition of which modern literary culture is painfully aware. Epitomizing this paradox of the uniquely personal and the formulaic/ impersonal is the literary discourse of love. In post-Romantic literary culture this paradox reveals itself in the shift of authors’ and readers’ attention from accepted rhetorical forms to those “transitive parts” of thought and speech that (according to William James) pass largely unrecognized in everyday language practice. Precisely these “transitive parts” activate the fleeting “feelings of relation” (as opposed to conventional meanings) that connote extended and multiple relationships “between the larger objects of our thought.” We argue that this authorreader pact-evinced, variously, by Flaubert’s search for “absolute style” and Barthes’ exploration of the aesthetic potential of lovers’ discourse-heightens attention to the materiality of language and to the mimetic, collaborative, performative aspects of literary communication. “The zealous practice of a perfect reception” invokes enhanced pleasure and the empathic effect that (post)modern readers learn to derive from language play by locating the subtle subjectivity of expression in the seemingly style-less banality of everyday speech. In this article this textual strategy of literary modernism is analyzed by way of selfreflexive love speech in the prose of Gustav Flaubert and the poetry of William Carlos Williams.

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Bylaardt, Cid Ottoni. "O mestre tornado refém: a tolice do mundo em Esaú e Jacó." Revista do Centro de Estudos Portugueses 23, no. 32 (December 31, 2003): 169. http://dx.doi.org/10.17851/2359-0076.23.32.169-185.

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<p>Este artigo resulta de uma leitura crítica do livro <em>Não entres tão depressa nessa noite escura</em>, do escritor português António Lobo Antunes. Tal leitura se fez em atenção aos pequenos poemas inseridos na estrutura narrativa do romance. Levando em consideração essa mescla de enredo e poemas em prosa, a análise do texto aponta, de um lado, o sentido de incompletude da ficção contemporânea de Lobo Antunes e, de outro, a realização poética que atribui novos significados às ruínas do mundo atual. Ao acompanhar a atividade perceptiva da narradora, a análise destaca também uma forma de relação fenomenológica com as coisas do mundo que serve como fundamentação da criação poética.</p><p>Cet article résulte de la lecture critique du livre <em>Não entres tão depressa nessa noite escura </em>de l’écrivain portugais António Lobo Antunes. Cette lecture a été centrée sur les petits poèmes inserés dans la structure narrative du roman. En considérant ce mélange de trame et de poèmes em prose, l’analyse du texte montre, d’un côté, le caractère d’incomplétude de la fiction contemporaine de Lobo Antunes et, de l’autre côté, la réalisation poétique qui donne des nouveaux sens aux ruines du monde actuel. En suivant l’activité perceptive de la narratrice, l’analyse met aussi en évidence une forme de relation phénoménologique avec les choses du monde qui sert de base à la creátion poétique.</p>

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Gopal, Revathi, and Che Ton Mahmud. "Readability of Prose Forms: Pain or Gain?" AJELP: The Asian Journal of English Language and Pedagogy 5 (December 6, 2017): 90–101. http://dx.doi.org/10.37134/ajelp.vol5.8.2017.

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Dissertations / Theses on the topic "Prose forms in the 18c"

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Brant, C. "Eighteenth century letters : Aspects of the genre, with reference to the epistolary novel and the familiar letter of personal correspondence." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.381768.

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Tate, Joseph. "Shakespeare, prose and verse : unreadable forms /." Thesis, Connect to this title online; UW restricted, 2005. http://hdl.handle.net/1773/9486.

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Joannou, Mary. "Forms of feminist consciousness in women's prose writing 1918-1938." Thesis, University of Cambridge, 1992. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357768.

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Dickey, Eleanor. "Greek forms of address : a linguistic analysis of selected prose authors." Thesis, University of Oxford, 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.386426.

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Graham, R. H. S. "The sequels of Celestina 1534-1554 : A reconsideration of form, means and effect in relation to questions of imitiation and genre." Thesis, University of Oxford, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.384703.

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Crawforth, Helen Lucy. "Occasions for criticism : forms of meaning in the prose of William Empson." Thesis, University of Cambridge, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.608392.

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Meyer, Paul Emil. "Musical forms in prose fiction : an essay, and the novel 'Some interludes with Charles Mingus'." Thesis, Bath Spa University, 2008. http://researchspace.bathspa.ac.uk/1475/.

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This thesis gives readers an opportunity to explore the special relationship that exists between music and literature. Specifically, it confronts this question: 'How can fiction writers employ musical ideas in the construction of their stories and novels?' In so doing this thesis lays out what artists, critics and philosophers have had to say about the relationship between music and literature, and, after setting up the historical context and defining some terms, it shows how musical concepts have been employed in the construction ofnovels by Thomas Mann, Fyodor Dostoevsl'Y and Michael OndaaUe. Importantly, the thesis identifies some musical ideas in these works that the critical community has not yet identified, and offers a more useful definition ofsome musicoliterary terms (such as leitmotif) than have been employed in the past. Towards the end of this work readers will be introduced to the soon-to-be-published novel Some Interludes YVith Charles Mingus, by Paul Meyer, and they will learn how the author ofthis novel has used musical ideas to shape his writing as well.

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Durkin, Philip. "A study of Oxford, Trinity College, MS 86, with editions of selected texts, and with special reference to late Middle English prose forms of confession." Thesis, University of Oxford, 1995. http://ora.ox.ac.uk/objects/uuid:f63833b4-b75f-48bb-b1db-892929806abc.

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The thesis consists of a detailed examination of the contents of Oxford, Trinity College, MS 86, (Trinity), with particular attention being given to several lengthy English confessional items which it contains. This is complemented by a more general consideration of late Middle English prose forms of confession and the manuscripts in which they occur. Part One consists of a survey of all surviving independent prose forms of confession preserved in late Middle English manuscripts. I divide the texts into groups according to their probable audience and readership, assessed from both internal and external evidence. This is preceded by a brief introductory section on the background to late Middle English guides to preparation for confession. In three appendices, I provide: a full description of London, British Library, MS Sloane 1584, with transcriptions of three confessional texts; a transcription of a form of confession from London, British Library, MS Harley 2383, with variants from all known manuscripts; a transcription of a form of confession from Yale, University Library, MS Beinecke 317. Part Two consists of a close study of Trinity: a full description of the manuscript, supplementing existing catalogues; editions of four confessional texts from the manuscript, accompanied by detailed discussions of their form and probable function; an analysis of a series of short devotional texts which, taken together, constitute an elementary manual of religious instruction. I include full critical editions, with variants from all known manuscripts, of two of these texts, The Sixteen Conditions of Charity and The Eight Blessings of God, both of which originate in passages extracted from the Wycliffite Bible, and which survive, in varying versions, in thirty-four and nine manuscripts respectively. The thesis concludes with a summary of the probable origin and function of this manuscript collection.

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Sagawa, Juliana Keiko. "Sistema automatizado para a medição de desvios de forma e orientação." Universidade de São Paulo, 2008. http://www.teses.usp.br/teses/disponiveis/18/18146/tde-13012014-185047/.

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O modo de produção vigente exige cada vez mais rapidez, precisão e eficiência nos processos. Em resposta a essas tendências, constituem-se desafios à área de Metrologia a obtenção de sistemas de medição e algoritmos de avaliação de erros mais precisos; a avaliação de incertezas com precisão; e a execução de medições com rapidez. Neste trabalho apresenta-se um Sistema Automatizado de medição para avaliação dos desvios de forma e orientação de componentes. O sistema é baseado na utilização de um robô industrial com seis graus de liberdade e sensores de deslocamento do tipo LVDT. O emprego de sistemas como o proposto para a avaliação de desvios geométricos está condicionado à utilização de um modelo matemático de separação de erros, uma vez que a acurácia de posicionamento e a repetibilidade dos robôs disponíveis atualmente não são adequadas à medição de grandezas micrométricas. Além da aplicação do modelo de separação de erros, este trabalho inclui a elaboração modelos e rotinas de processamento de dados para a avaliação de desvios geométricos. Sistemas similares desenvolvidos foram aplicados principalmente à medição de desvios de retilineidade, e em alguns casos, circularidade. Neste trabalho, buscou-se ampliar o escopo de aplicações deste tipo de sistema, de forma a abranger não só a avaliação dos desvios de retilineidade, mas também a avaliação dos desvios de planicidade e perpendicularismo. Além disso, o enfoque da pesquisa foi dirigido à avaliação do desempenho do sistema e do modelo de separação de erros, por meio da realização de testes experimentais com três peças distintas e por meio de análise comparativa com sistemas convencionais de medição. Os resultados obtidos comprovaram a eficiência do sistema proposto, que destacou-se também por apresentar boa repetibilidade.
The current production system demands fast, efficient and precise processes. In order to address these issues, most of the research efforts in the Metrology area have been focused into the development of faster and more accurate measuring systems as well as into the definition of methods to better evaluate uncertainties in measurement. This work presents an automated system for the evaluation of form and orientation deviations of mechanical components. A six-degree-of-freedom industrial robot and LVDT sensors are used to take the measurements. The implementation of the proposed system depends on the application of a mathematical model for error separation since the accuracy of positioning and repeatability presented by the currently available industrial robots are not suitable for measuring micrometric deviations. Besides the application of the error separation model, this work also includes the development of data processing algorithms for the evaluation of geometrical deviations. Few similar systems to the proposed one were developed and applied mainly for straightness and, in some cases, roundness measurements. This work aimed at broadening the range of applications of this kind of measuring systems, making them suitable for the evaluation of flatness and orthogonality deviations. Additionally, the focus of the research was set to the performance evaluation of the system and the error separation model. In order to do that, experimental tests with three different parts were carried out. The values found were compared to the values of the deviations measured with conventional GD&T practice. The obtained results showed the efficiency of the proposed system, which also presented good repeatability.

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Kellett, Lucy. ""Enough! or too much" : forms of textual excess in Blake, Wordsworth, Coleridge and De Quincey." Thesis, University of Oxford, 2016. http://ora.ox.ac.uk/objects/uuid:641b0fe2-3b07-46cf-94b6-7d27a2878686.

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My thesis explores the potential and the peril of Romantic literature's increasingly complex forms through a close comparative study of the works of William Blake, William Wordsworth, Samuel Taylor Coleridge and Thomas De Quincey. These writers exemplify the Romantic predicament of how to make vision manifest – how to communicate one's imaginative and intellectual expansiveness without diminishing it. They sought different strategies for increasing the capacity of literary form, ostensibly in the hope of communicating more: clarifying meaning, increasing accessibility and intensifying original experience. But textual expansion – materially, stylistically and intellectually – often threatens more opportunities for confused and partial meanings to proliferate, overwhelming the reader by dividing texts and undermining attempts at coherent thought. Expansion thus becomes excess, with all its worrying associations of superfluity. To further complicate matters, Burke's influential tenet of the Sublime makes a virtue out of excess and obscurity, raising the problematic spectre of deliberately confused/confusing texts that embody an aesthetic of incomprehension. I explore these paradoxes through four types of 'textual excess' demonstrated by the writers under discussion: firstly, the tension between poetry and prose adjuncts, such as prefaces and notes, in Wordsworth and Coleridge; secondly, De Quincey's indulgent verbosity and struggle to control the freeing shapelessness of prose; thirdly, Wordsworth's and De Quincey's parallel experiences of revision as both uncontrollably diffusive and statically concentrated; and lastly, Blake's more deliberate, systematic attempt to enact a literary Sublime in which the reader is forced out of passivity by the competing demands of verbal and visual media. All are motivated and thwarted in varying degrees by their anxious preoccupation with saying "Enough", and the difficulty of determining when this becomes “Too much”. These authorial dilemmas also incorporate larger concerns with man's (over)ambition at a time of rapid and unprecedented economic, social and intellectual acceleration from the Enlightenment to industrialism. The fear that the concept and process of 'progress', or 'improvement', marks deficiency rather than fulfilment haunts Romantic writers.

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Books on the topic "Prose forms in the 18c"

1

Donahue, Neil H. Forms of disruption: Abstraction in modern German prose. Ann Arbor: University of Michigan Press, 1993.

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Donahue, Neil H. Forms of disruption: Abstraction in modern German prose. Ann Arbor: University of Michigan Press, 1993.

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Shulman, Ahouva. The use of modal verb forms in biblical hebrew prose. Toronto: University of Toronto, 1996.

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New subjectivity and prose forms of alienation: Peter Handke and Botho Strauss. New York: P. Lang, 1987.

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The development from case-forms to prepositional constructions in old English prose. Bern: Peter Lang, 2009.

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Anglo-Irish autobiography: Class, gender, and the forms of narrative. Syracuse, N.Y: Syracuse University Press, 2004.

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Various forms of savagery: Identitäts- und Alteritätskonstruktionen in Reiseberichten viktorianischer Frauen zu Süd- und Westafrika. Frankfurt: Peter Lang, 2003.

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Narrating the American West: New forms of historical memory. Youngstown, N.Y: Cambria Press, 2008.

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Turned to account: The forms and functions of criminal biography in late seventeenth- and early eighteenth-century England. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.

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Telling true tales of Islamic lands: Forms of mediation in English travel writing, 1575-1630. Selinsgrove [Pa.]: Susquehanna University Press, 2011.

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Book chapters on the topic "Prose forms in the 18c"

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Sheppard, Robert. "Rosmarie Waldrop: Poetics, Wild Forms, and Palimpsest Prose." In The Meaning of Form in Contemporary Innovative Poetry, 119–33. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-34045-6_7.

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Vraneš, Aleksandra. "Short Folk Prose Forms as Heirs of Cultural and Ethnic Heritage of Migrants and Hosts." In Виртуелна култура, 23–29. Београд: Филолошки факултет, Универзитет у Београду, 2016. http://dx.doi.org/10.18485/melissa.2016.15.1.ch2.

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Franklin, Caroline. "’seldom Safely Enjoyed by Those Who Enjoyed it Completely’: Byron’s Poetry, Austen’s Prose and Forms of Narrative Irony." In Romanticism and Form, 171–91. London: Palgrave Macmillan UK, 2007. http://dx.doi.org/10.1057/9780230206144_10.

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Callebat, Louis. "La prose des Métamorphoses d’Apulée:." In Literary Currents and Romantic Forms, 239–50. Barkhuis, 2019. http://dx.doi.org/10.2307/j.ctvggx2b8.19.

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Ballaster, Ros. "‘Preparatives to Love’: Fiction as Seduction in Eliza Haywood's Amatory Prose." In Seductive Forms, 153–95. Oxford University Press, 1998. http://dx.doi.org/10.1093/acprof:oso/9780198184775.003.0006.

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Sheppard, Robert. "'Making Forms with Remarks': The Prose." In The Thing About Roy Fisher, 128–48. Liverpool University Press, 2000. http://dx.doi.org/10.5949/liverpool/9780853235156.003.0006.

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Chapter five, written by Robert Sheppard, focuses on Fisher’s work in prose. The chapter describes the reasons for Fisher’s renunciation of the use of lyric in his poetry from the mid-1950s, and explains the origins of his use of daring and experimental ‘freedom forms’. The chapter concentrates in particular on ‘Starting to Make a Tree’, Interiors with Various Figures, The Ship’s Orchestra, The Cut Pages, and the sixteen passages of prose in City. On the whole, the chapter pays close attention to Fisher’s ability to de-familiarise and de-Anglicise in order to find freedom from the constraints of British lyric poetry.

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Ballaster, Ros. "The Rise of the Novel: Gender and Genre in Theories of Prose Fiction." In Seductive Forms, 6–30. Oxford University Press, 1998. http://dx.doi.org/10.1093/acprof:oso/9780198184775.003.0002.

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Hetherington, Paul, and Cassandra Atherton. "Prose Poetry and the Very Short Form." In Prose Poetry, 224–48. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.003.0010.

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This chapter discusses the relationship between prose poetry and very short literary forms, which are proliferating online and in print. While novels, short stories, lineated lyric poems, and dramatic works have been at the center of literary practice for centuries, contemporary writers are reinvigorating the understanding of genre and form — and some of their writing does not sit comfortably within conventional literary classifications. To an extent, this is true of prose poetry in general, and it is certainly true of hybrid works that contain, reframe, or transform prose poetry. This is not to suggest that all hybrid prose-poetical works are products of the late twentieth or early twenty-first century. There are many early examples of hybrid works that make use of poetic prose. However, many contemporary hybrid works that make use of very short prose forms are especially notable for their emphasis on an irredeemable sense of fracture, and such works are increasingly being accepted as central to the literary world. This recent growth in the popularity and esteem of very short literary forms provides a new and positive context for understanding prose poetry and its scholarship.

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"9. The Four Forms of Prose Fiction." In The Educated Imagination and Other Writings on Critical Theory 1933-1963. Toronto: University of Toronto Press, 2006. http://dx.doi.org/10.3138/9781442657465-013.

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Hetherington, Paul, and Cassandra Atherton. "The Prose Poem’s Post-Romantic Inheritance." In Prose Poetry, 28–50. Princeton University Press, 2020. http://dx.doi.org/10.23943/princeton/9780691180656.003.0002.

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This chapter discusses prose poetry's connection to Romanticism. Although contemporary writers take the fragmentary nature of the prose poem for granted, it was once an important innovation to celebrate fragmentary literary forms — an innovation that took hold with the Romantic movement. Given the relationship between prose poetry and the Romantic fragment, comprehending one offers the opportunity to better appreciate the other. Moreover, if “the extended influence of Romantic fragments into Modernist and even Postmodernist poetry” is uncovered, then this underscores the view that the contemporary prose poem is simultaneously a product of postmodernism, modernism, and Romanticism. While contemporary prose poetry is sometimes self consciously fractured and fragmentary, destabilizing and interrupting notions of TimeSpace in ways Romantic writers rarely attempted, the prose poem's Romantic inheritance remains.

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Conference papers on the topic "Prose forms in the 18c"

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Skibitskaya, Liudmila. "MINIMIZATION DISCOURSE IN MODERN BELARUSIAN LITERATURE AS A SOCIO-CULTURAL PHENOMENON." In ЯЗЫК. КУЛЬТУРА. ПЕРЕВОД = LANGUAGE. CULTURE. TRANSLATION. Science and Innovation Center Publishing House, 2019. http://dx.doi.org/10.12731/lct.2019.32.

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The article deals with the trends in the functioning of small and minimal prose and poetic forms in Belarusian literature in the context of the development of Slavic literature of the 19th - 21st centuries. The discourse of minimization is attributed as a communicative technology of philology.

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Gubskaya, Olga, and Olga Jilevich. "FACT AND ALLEGORY: TWO POLES IN THE REPRESENTATION OF WAR (ON THE EXAMPLE OF “WAR’S UNWOMANLY FACE” BY S. ALEXIEVICH AND “THE CURSED AND THE SLAIN” BY V. ASTAFIEV)." In Aktuální problémy výuky ruského jazyka XIV. Brno: Masaryk University Press, 2020. http://dx.doi.org/10.5817/cz.muni.p210-9781-2020-19.

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The military actions of the 20th century (Revolutions, the First and Second World Wars, the Cold War, the war in Kosovo, Chechnya, Iraq) left a terrifying mark on the history. The article discusses traditional and innovative forms of recreating the military context in the Russian and Russophone Belarusian military prose on the example of V. Astafiev and S. Alexievich’s works.

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Tartis, Michaelann S., Jan Marik, Azadeh Kheirolomoom, Rachel E. Pollard, Hua Zhang, Jinyi Qi, Julie L. Sutcliffe, and Katherine W. Ferrara. "Pharmacokinetics of Encapsulated Paclitaxel: Multi-Probe Analysis With PET." In ASME 2007 Summer Bioengineering Conference. American Society of Mechanical Engineers, 2007. http://dx.doi.org/10.1115/sbc2007-176435.

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We have combined two imaging probes and used PET as a means to provide image-based validation for a novel targeted drug delivery system. The first probe was a direct labeling of the drug [18F]fluoropaclitaxel [1–3], which was inserted into various carrier vehicle formulations. The second probe, [18F]fluoro-1,2-dipalmitoyl-sn-glycerol, i.e. [18F]FDP involved radiolabeling the lipid vehicle. Paclitaxel, which is poorly soluble in aqueous media, also has limited solubility and stability in lipophilic environments such as liposomes. Stable association of paclitaxel with the lipid bilayer is affected by a variety of physicochemical factors such as temperature and liposome composition. Paclitaxel crystal formation has been documented, with two forms of solid state within aqueous media and organic solvents, although crystal conformation differs in each media [4,5]. We provide dynamic in vivo image sets providing biodistribution and time activity curves of free [18F]fluoropaclitaxel and liposomal [18F]fluoropaclitaxel as well as free [18F]FDP, liposomal [18F]FDP, and [18F]FDP in an ultrasound contrast agent. Serial studies were performed within a small group of rats, minimizing inter-animal variability. The two labeled molecules have different biodistributions: paclitaxel is rapidly taken up in the liver, intestines and kidneys, while the labeled lipid incorporated into liposomes stays in circulation with minimal uptake in organs other than spleen. Here, we have developed a quantitative method to follow paclitaxel and lipid vehicles to their destination in vivo in order to improve targeted paclitaxel delivery.

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Steven, I., L. Wagner, W. E. van Nostrand, and D. D. Cunningham. "PREPARATION AND CHARACTERIZATION OF MONOCLONAL ANTIBODIES TO PROTEASE NEXIN." In XIth International Congress on Thrombosis and Haemostasis. Schattauer GmbH, 1987. http://dx.doi.org/10.1055/s-0038-1644447.

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Protease nexin I (PN-1) is a cell-secreted protease inhibitor which modulates the activity of certain serine proteases in the extracellular environment. To probe PN-1 functions, we prepared a panel of monoclonal antibodies (mAbs) against it and studied their effects on a variety of PN-1 activities. Three highly potent inhibitors of PN-1 activity have been characterized. MAbs pl-6 and pl-9 stoichiometri-cally block PN-l-mediated anti-thrombin and anti-urokinase activity. These mAbs block PN-l-mediated anti-trypsin activity less effectively. MAb pl-18 stoichiometrically blocks all PN-1 antiprotease activities tested including anti-trypsin activity and therefore appears to bind at the reactive center of PN-1. Heparin, which greatly accelerates PN-1 anti-thrombin activity, does not compete with the binding of these blocking mAbs. None of these blocking mAbs could bind to thrombin-PN-1 complexes. A mAb (pl-1) which did not block PN-1 activity was capable of binding to these complexes. MAbs pl-9 and pl-18 were used to immunopurify two forms of PN-1 which have different affinities for heparin-Sepharose. These have been referred to as the low heparin affinity and high heparin affinity forms of PN-1 (Scott et al., J. Biol. Chem. 260,7029-7034 [1985]). MAb pl-18 binds only to the high heparin affinity form while mAb pl-9 binds to both forms. Preliminary characterization of this low heparin affinity form reveals no major differences between it and the well characterized high heparin affinity form.

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Ngo Thi Thanh, Quy, and Minh Nguyen Thi Hong. "Vietnamese Proverbs: Values Preserved in Modern Society." In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.4-4.

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Vietnamese proverbs has created long-lasting values which are being passed on to the modern society with numerous passions. These values include humanistic values confirming the human position in life. They also comprise social values and human philosophy as well as aesthetic values. Therefore, typical proverbs of the Viet people which have beem transferred to the younger generations via literary works such as Việt điện u linh (A collection of Vietnamese misteries) in the 14th century, Lĩnh Nam chích quái (A selection of the Viet extraordinary stories) in the 15th century are still being passed on until the present days. With the foundation of traditional Vietnamese proverbs, modern proverbs have undergone profound changes as seen in modern life through different forms of media including printed and audiovisual media as well as internet. It is obvious that traditional proverbs has regenerated in the new appearance. Proverbs are reproduced in modern literary works. Proverbs are also recreated and transformed in prose, poetry and drama. The movement and development of proverbs in our modern society confirm their deep values of the traditional culture. Writers, journalists and artists of other art forms have not only received the art tradition of word use of the ancestors but more importantly they have inherited the culural environment, humanistic values and life philosophies in order to transfer to the next generations. Henceforth, in the modern society Vietnamese proverbs are not obliterated but remain their vitality with different forms and have been of the Vietnamese people’s favourite.

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Farina, Gabriele, Alberto Marchesi, Christian Kroer, Nicola Gatti, and Tuomas Sandholm. "Trembling-Hand Perfection in Extensive-Form Games with Commitment." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/32.

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We initiate the study of equilibrium refinements based on trembling-hand perfection in extensive-form games with commitment strategies, that is, where one player commits to a strategy first. We show that the standard strong (and weak) Stackelberg equilibria are not suitable for trembling-hand perfection, because the limit of a sequence of such strong (weak) Stackelberg commitment strategies of a perturbed game may not be a strong (weak) Stackelberg equilibrium itself. However, we show that the universal set of all Stackelberg equilibria (i.e., those that are optimal for at least some follower response function) is natural for trembling- hand perfection: it does not suffer from the problem above. We also prove that determining the existence of a Stackelberg equilibrium--refined or not--that gives the leader expected value at least v is NP-hard. This significantly extends prior complexity results that were specific to strong Stackelberg equilibrium.

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Hafida, Siti, Sutama Sutama, and Harun Joko P. "The Utilization of Community Radio as a Form of Social Engineering to Society in Disaster-Prone Areas." In Proceedings of the 3rd International Conference on Economic and Social Science, ICON-ESS, 17–18 October 2018, Banda Aceh, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.17-10-2018.2294313.

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Rosenbluth, Jennifer M., Ronald Schackmann, Carman Li, Norman Sachs, Deborah Dillon, Andrea Richardson, Jane Brock, et al. "Abstract 989: Organoid cultures from normal and cancer-prone human breast tissues preserve complex epithelial lineages and can form chimeric mammary glands in vivo." In Proceedings: AACR Annual Meeting 2018; April 14-18, 2018; Chicago, IL. American Association for Cancer Research, 2018. http://dx.doi.org/10.1158/1538-7445.am2018-989.

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Wang, Xintong, Yevgeniy Vorobeychik, and Michael P. Wellman. "A Cloaking Mechanism to Mitigate Market Manipulation." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/75.

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We propose a cloaking mechanism to deter spoofing, a form of manipulation in financial markets. The mechanism works by symmetrically concealing a specified number of price levels from the inside of the order book. To study the effectiveness of cloaking, we simulate markets populated with background traders and an exploiter, who strategically spoofs to profit. The traders follow two representative bidding strategies: the non-spoofable zero intelligence and the manipulable heuristic belief learning. Through empirical game-theoretic analysis across parametrically different environments, we evaluate surplus accrued by traders, and characterize the conditions under which cloaking mitigates manipulation and benefits market welfare. We further design sophisticated spoofing strategies that probe to reveal cloaked information, and find that the effort and risk exceed the gains.

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He, Li, Qi Meng, Wei Chen, Zhi-Ming Ma, and Tie-Yan Liu. "Differential Equations for Modeling Asynchronous Algorithms." In Twenty-Seventh International Joint Conference on Artificial Intelligence {IJCAI-18}. California: International Joint Conferences on Artificial Intelligence Organization, 2018. http://dx.doi.org/10.24963/ijcai.2018/307.

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Asynchronous stochastic gradient descent (ASGD) is a popular parallel optimization algorithm in machine learning. Most theoretical analysis on ASGD take a discrete view and prove upper bounds for their convergence rates. However, the discrete view has its intrinsic limitations: there is no characterizationof the optimization path and the proof techniques are induction-based and thus usually complicated. Inspired by the recent successful adoptions of stochastic differential equations (SDE) to the theoretical analysis of SGD, in this paper, we study the continuous approximation of ASGD by using stochastic differential delay equations (SDDE). We introduce the approximation method and study the approximation error. Then we conduct theoretical analysis on the convergence rate of ASGD algorithm based on the continuous approximation.There are two methods: moment estimation and energy function minimization can be used to analyzethe convergence rates. Moment estimation depends on the specific form of the loss function, while energy function minimization only leverages the convex property of the loss function, and does not depend on its specific form. In addition to the convergence analysis, the continuous view also helps us derive better convergence rates. All of this clearly shows the advantage of taking the continuous view in gradient descent algorithms.

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